(4 days, 16 hours ago)
Commons ChamberI am glad to say that we have a thriving TV industry in Wales. We have not only our own broadcaster, S4C, but phenomenal studios, including Dragon Studios just outside my constituency, where “Willow” was produced with the magnificent Warwick Davis. And, above all, we have “Gavin and Stacey”.
I know that it is completely out of order, Mr Speaker, but can I say thank you to Dawn in the Tea Room, who is retiring today?
Diolch, Mr Llefarydd. Only 41.9% of my constituency of Caerfyrddin has gigabit availability, compared with the UK average of 78.5%. In fact, 2.6% of my constituency has very little broadband at all. While more and more people use on-demand and internet-based TV services, many still have to rely on terrestrial TV to watch their favourite Welsh programmes. Will the Minister support the TV industry in Wales and reassure viewers in my constituency that broadcast TV will remain available for them all to enjoy?
I think it is a three-part series, Mr Speaker. I commend the hon. Lady on managing to get gigabit-capable broadband, which is my other responsibility as a Department for Science, Innovation and Technology Minister, into this session. We are determined to try to make sure that across her constituency, everybody is able to take part in the digital future. Incidentally, that is why we published a digital inclusion strategy yesterday, which I very much hope all Members will support.
We are absolutely determined to reach our goal of 50 million international visitors to the UK by 2030. I am very hopeful that the electronic travel authorisation system will be simpler and make it easier and safer for people to visit the UK in the coming years.
Our travel, tourism and hospitality sectors continue to face huge challenges, yet the Home Office’s own impact assessment of the 60% increase in electronic travel authorisation fees concluded that it could reduce the number of tourists wanting to come here and result in a loss of revenue to the wider economy of £734.7 million over five years. If the Government are to succeed in achieving the inbound tourism target of 50 million by 2030, would an agreement between the EU and the UK to facilitate easier travel not be a good place to start?
I am absolutely delighted that even the Liberal Democrats are citing our target of 50 million international visitors by 2030; we have got that into this session three times now. The hon. Lady is right—of course we have to bear in mind all the issues that could affect those numbers. I do not know whether she has seen the recent video produced by VisitBritain, “Starring GREAT Britain”, which includes film clips from James Bond, Tom Cruise and many others, but we are determined, through the visitor economy advisory council, to make sure that we reach those numbers. We will work with the Home Office to try to mitigate the problems that we may have.
According to VisitBritain, the estimated value of inbound tourism in 2024 will be in the region of £31.5 billion, so it is a huge economic contributor to the United Kingdom. When speaking to tourism businesses that rely on seasonal tourism, alongside the rising cost of ETAs, they express great concern that the reduction in national insurance thresholds and the rise in employer national insurance contributions mean that many more workers will be caught in a damaging tax trap. It will mean that businesses have to reconsider how many people—many of them young, and many of them in their first jobs—they can employ while remaining profitable. Does the Minister have an impact assessment of the effect of those NI rises, and what does it say about how many jobs will be created or lost as a result of Labour’s jobs tax trap?
One of the problems with the Conservatives is that they want us to endlessly spend more money on things, but they do not want to find the money that enables us to afford that expenditure. There are lots of things that affect the tourism industry in the UK —incidentally, I think the hon. Gentleman mistook his millions for his billions in what he said—but it is really important that we look at how we can extend the season in the UK and make sure that more international visitors do not just come to London and the south-east, but go to places across the whole of the United Kingdom. That is precisely the kind of thing that I hope we will be able to incorporate into our national tourism strategy this autumn. It will be the first time that the UK has ever had one.
We are absolutely committed to supporting small and large theatres across the UK. It is one reason why we have specifically announced capital funding, as the Secretary of State has said, of £85 million for theatre and other cultural infrastructure across the UK.
I thank the Minister for that response. In my constituency, formerly represented by the great Jennie Lee, the council-owned theatre and museum are due to close in just two months’ time. Passionate members of our community have come together to form the Cannock Chase Theatre Trust and the Chase Heritage CIC to save these precious venues. Will the Minister join me in thanking those groups for all their efforts, and will he set out how the Government are supporting such community groups to take on culture and heritage venues at risk?
I commend my hon. Friend and all those who have engaged as volunteers to try to take over the theatre and run it in an effective way. I look forward to the first production; after all, “The play’s the thing”— I saw “Hamlet” last week, and “Richard II” twice. The most important thing is that we try to ensure that young people have an opportunity to act and have a creative education in their school, and that there are local theatres and other venues where they are able to see really high-quality live entertainment, such as in the theatre he is talking about. I am very happy to ensure that officials meet his volunteers.
On Monday, I met the director of Salisbury playhouse. She warmly welcomed the £85 million creative foundations fund, which she thought would be highly applicable to Salisbury playhouse, one of the few producing theatres in the south-west. She also told me about the 5,600 local children who were given subsidised tickets up to Christmas, and about her commitment to go out and raise funds from local investors in the arts. Will the Minister ensure that the value of the £85 million is maximised by combining it with visionary leaders like Rosa Corbishley at Salisbury playhouse, who will go out and get more money for the arts in our community?
The right hon. Gentleman used to be in the Treasury, so he is very good at making financial bids and I think he has just made a bid on behalf of Salisbury’s theatre. We warmly commend the work it is doing. As I have said, it is brilliant if we can get lots of kids coming into theatres. I want every single child, as part of their education, to be able to see live theatre and live music, because that is a part of what stirs their creative opportunities in life. Yes, we are looking at whether there are other ways of bringing in not only commercial money but philanthropic money to try to match-fund the funding that can come from government.
I would be absolutely delighted to come to St Kilda. I think there are quite a lot of Members who would quite like to send me to St Kilda for a very prolonged period. [Hon. Members: “Hear, hear!”] It is nice to unite the House, isn’t it? You’re so cruel!
My hon. Friend makes a very important point. The archipelago of St Kilda is unique. Since the last 36 people left in 1930, it has been run by the National Trust. As he says, it is a double UNESCO world heritage site and we want to ensure that we make the best of it—
Yesterday I met people from LIVE, and we are still very keen on trying to ensure that there is a levy on arena tickets to make provision for small music venues across the UK. That is where most young people will have their first experience of live music. We are determined to get there as soon as possible.
I would just like to correct the record, Mr Speaker. I said earlier that the £85 million would apply across the whole of the UK. I was wrong, of course—it is only England.
As the Secretary of State referred to, I had that conversation yesterday, and I think a lot of people in the European Union and Commission are keen to reset their relationship with the UK, in particular in this regard. I will not name the European Minister, but when I sat down opposite him and asked, “What’s the most important thing I can do for you?”, he replied, “Get me tickets for Oasis.” I think it is very important that people are able to see our great musicians touring across the whole of Europe.
I think Kate Bush was running up that hill, too. Look, the truth of the matter is, as I have said many times, that we will not progress in this area unless we are absolutely certain that we will secure more licensing of content by British creatives, rather than less. That is absolutely key to what would be success for us. I hope that people will take us at face value on that.
(1 month, 2 weeks ago)
Commons ChamberWe aim to get up a statutory registration system for short-term lets very soon, not least because we want to make sure that local authorities have all the data that they need to assess local accommodation needs, and so that there is a level playing field for different kinds of accommodation.
I thank the Minister for his answer. My constituents in Kensington and Bayswater regularly raise this issue with me, and are looking forward to the registration scheme, not least so that we can better enforce the 90-day rule in London. Does the Minister have any further information on when that scheme will come online? Has he considered giving councils licensing powers, perhaps through the devolution Bill, so that where a high concentration of short-term lets is taking properties out of the private rented sector, we can consider the numbers?
My hon. Friend asks two questions. The first is about the timing. We have already done the initial phase. I hope that we will be able to make an announcement fairly soon about the technical elements, which we hope to get up and running this year.
The second point is important: what is the final purpose of this registration scheme? We are in discussions with the Ministry of Housing, Communities and Local Government, because we want to make sure that the scheme works and delivers what people want, which is a really strong local visitor economy, but we do not want to undermine local housing strategies.
Holiday lets play an important part in the tourism economy; 20 million people visit the lakes every year, and they need somewhere to stay. Having said that, in the last five years especially, we have seen a gobbling-up of the long-term private rented sector and local people forced out by a massive growth in short-term lets. Will the Minister speak more with the Minister for Housing and Planning about how planning law can be changed, so that councils and national parks can put a limit on the number of short-term lets in the community, and take action on second homes, too?
I agree with every single thing the hon. Member said, and I will do as he urges.
We have Arts Council England’s Supporting Grassroots Music fund, and in addition, we are pushing the live events industry to introduce a voluntary levy on arena and gig events to support small music venues.
I have a number of crucial small venues in my constituency, including the Cornish Bank, the Chintz Bar, the Old Bakery and the Princess Pavilion, to name just a few. They are vital for the cultural ecosystem of Cornwall; they foster new talent and bring bands from outside the county down to us. I am pleased to hear that the Minister is considering a scheme in which larger venues contribute part of their takings to smaller venues. He said it would be voluntary, but if that did not work, would he consider a mandatory scheme, and what would be the timeline? Can he confirm that the business rates scheme will be formulated to support small venues from 2026?
Everybody is getting in lots of questions. If the scheme does not happen voluntarily, will we make it statutory? Yes, but I am very hopeful that we will have a voluntary scheme up and running. I have already met industry representatives, and I think we are moving in that direction. My hon. Friend is absolutely right about the provisions for business rates. Obviously, we have now introduced the 40% relief, and we have said that any business that has a rateable value of less than £500,000 will get an even better deal next year. I think that Roger Taylor from Queen went to school in Truro, and I am sure you will know, Mr Speaker, that it is Sade’s birthday today. She is one of Britain’s greatest singers—and I know you are a smooth operator.
I will leave it to the Chair of the Select Committee to come back on that.
I am grateful for the Minister’s commitment to the issue. He will know that it was the cornerstone of the Select Committee’s work on grassroots music venues, and he also knows that our music ecosystem is very finely balanced. Grassroots venues are still shutting at an alarming rate, and not one of the top 10 best-selling songs of 2024 was from a British artist. Will the Minister look again at another of our report’s recommendations: the recommendation for a fan-led review of music? Will he ensure that we include the voices of artists and managers, as well as venues and promoters, in discussions on funding for grassroots music venues from, for example, the new LIVE—Live music Industry Venues and Entertainment—Trust?
That was four questions, and the answer is yes to nearly all of them, other than the one about the fan-led review. The Secretary of State has charged me with coming up with a 10-point plan for music this year, and I have turned it into a 12-point plan. I very much hope to work with the Select Committee on delivering that plan. Music is an important part of the UK’s soft power around the world. There is nothing better than seeing a band that we first saw in a tiny venue many years ago playing in a massive arena. We want that success for all our musicians in the UK, and it starts with creative education.
January is traditionally a time when people commit to exercising more, and it is the perfect opportunity to encourage a more active nation—
Yes, I congratulate the church. I know that lots of people are interested in the future of the fund. The best way of describing how the Department is approaching that is to quote a hymn:
“God is working this purpose out,
As year succeeds to year…
Nearer and nearer draws the time,
The time that shall surely be”
when we announce.
That will definitely be part of my 12-point plan for music. The hon. Lady is absolutely right: music education is a vital part of ensuring that every child in this country has a decent chance to prosper in life.
This week, the great fight between Conor Benn and Chris Eubank Jr was announced. That is the best fight in British boxing and will showcase what a fantastic sport it is in the UK. Will the Secretary of State join me in wishing both fighters the best of luck and in showcasing that brilliant fight across the world?
The hon. Gentleman knows, because we have had several discussions about it, that I cannot enter into the precise details of the negotiations, but they are going well, and I am hopeful that this will be absolutely transformational for the British tourism industry if we manage to pull it off. I am sure that he will urge everybody to co-operate with the Government in that process.
Members of the school council of Bromstone primary school in Broadstairs visited Parliament yesterday and wanted me to convey in the strongest terms to the Secretary of State the importance of learning art, not only because they love it but for the skills they learn from it. Is she doing all in her power to ensure that creativity will have a prominent and central place in the curriculum?
Tourism is very important to Burnham-on-Sea, Berrow and Brean in my constituency. Will the Secretary of State reassure business owners in those towns and villages that her Government have no plans to introduce a tourism tax?
We have no plans to introduce additional taxes. I want to get 50 million international visitors coming to the UK, because our tourism industry is an important part of what we do well in this country. That is why I will be hosting the first visitor economy advisory council on Monday morning.
A tourism levy in York could raise £125,000 through a voluntary scheme, but if there were a comprehensive scheme, £1.7 million could go to my local community. Will the Minister not consider such a scheme so that we can raise that revenue for York?
Attacked on both sides in different ways—pushmi-pullyu, I think it was—but my hon. Friend makes a good point. There is of course provision for local mayors and local authorities to be able to introduce similar measures on a voluntary basis, as has already happened in Manchester.
I think we in this House can all agree that the premier league is the world’s most successful league. It has grown up under self-regulation, but there are now proposals to regulate it. The premier league transmits soft power across the world and raises huge amounts of revenue for the Government. Given the damage that the Financial Services and Markets Act has done to the London stock exchange and other markets, will the Government take responsibility if football declines after they introduce football regulation?
(3 months ago)
Commons ChamberTourism is vital to our coastal towns, and if we are to reach our target of 50 million international visitors to the UK by 2030, we will need to do far better at improving tourism numbers in our coastal towns.
The coastal village of Skinningrove is home to a fantastic tourist asset, Land of Iron, which is the leading ironstone mining museum in the country. I am campaigning for it to receive national status as the national ironstone mining museum. Will Ministers consider meeting me to discuss that request, and would they like to visit?
My hon. Friend challenges me a bit. The Rhondda has the best mining museum in the UK, but I am prepared to concede that in England he might be right. But there is an important point: our mining heritage is part of understanding the country that we have been, and the country that we can be in future. I am very happy to meet my hon. Friend. Arts Council England has a specific way of giving a national name to museums, and that is one thing that he might want to apply to it for.
Tourism and hospitality contributes more than £500 million and a fifth of all jobs in North West Norfolk. Why are the Government hitting those businesses with higher business rates and a jobs tax?
It would be good, would it not, to have an NHS that works in this country. It would be good to have an economy that works, trains that run on time, and a country that functions so that when tourists come here they have a good experience, rather than sitting on a platform waiting for a train that never turns up on time. I am determined to ensure that we get to 50 million visitors to the United Kingdom. Last year, we had just 38 million visitors. If we are to secure that increase we must have a country that welcomes tourists to every part of the country, not just London and the south-east.
With that list of questions, I think the shadow Minister needs a debate.
The irony is, we have already had two debates on these issues in the last fortnight—thanks to you, Mr Speaker.
First, I welcome the hon. Member to his place and his new responsibilities. I look forward to working with him.
The truth of the matter is that the tourism industry has really struggled over the last few years, partly because of Brexit and partly because of covid. Under the last few years of the Conservative Government, it did not get back to its pre-covid level of 41 million visitors to the UK—it is now at 38 million. As I said, I want us to get to 50 million by 2030. The only way we are going to do that is if we significantly improve the offer at every stage of the experience of visitors coming to the United Kingdom.
Yes, there are undoubtedly challenges for the hospitality industry—I said this in a speech yesterday afternoon—but the thing that really worries me is that historically we in this country have seen a job in the industry as something that someone has to do when they have not got another job. I want to change that so that it is a career to be proud of; something respectable that someone might do for their whole life.
Historic England assesses applications for listing. I want that process to be as simple as possible for community groups up and down the land, so they can steer a balance between preserving what is truly valuable and leaving communities with decaying, listed eyesores.
In Long Stratton, there is a beloved former local authority building called South Norfolk House. It has won numerous awards for its innovative architecture and its ahead-of-its-time design focus on energy efficiency, but it has been refused listed status. This could be a fantastic community asset for the town; it could be an arts hub. Will the Minister meet me to discuss its future?
I am very happy to meet my hon. Friend. I always have to be a little bit careful about decisions that might end up coming to me, in case I have queered the pitch. I pay tribute to Councillor Race, who has spent a great deal of time on this matter. Many community groups up and down the land have tried to do precisely the same thing: bring a historical building back into community use. Obviously, we want to support that wherever possible, where it is sustainable in the long term.
Copyright and the protection of artists’ moral and economic rights is an absolutely essential part of ensuring that they are properly remunerated for their creativity. We will do everything in our power to make sure that the copyright regime remains, is strong, and is strongly enforced.
In Brighton Pavilion, we love our grassroots music venues, and we often need to make robust use of the “agent of change” principle to protect them when it comes to licensing and planning, but it is hard work to enforce that and ensure that it happens. Is the Minister having any discussions with the Secretary of State for Housing, Communities and Local Government about putting the “agent of change” principle on a statutory footing?
Those meetings have already taken place and will continue to take place. The hon. Lady makes a very good point. I have visited Brighton Pavilion many times, so I know that other music venues there can, I hope, come online in the near future. I know that the Secretary of State met Ed Sheeran last week—she has told me about it about 25 times—to discuss precisely that issue.
(4 months, 2 weeks ago)
Commons ChamberResponsibility for tourism levies is devolved, but we want to watch what happens in Scotland and Wales with close interest. One of my main hopes is to increase the number of international visitors to the UK, and ensure more and more visitors come not only to London and the south-east, but travel across the whole United Kingdom.
Imposing taxes on tourists will only discourage people from enjoying the best of what the Scottish Borders and Scotland have to offer. Many small, rural businesses are struggling to sustain themselves, so I fear the extra tax proposed by the Scottish Government will be the last straw. Does the Minister share my concern about the impact that will have on tourism in Scotland? Will the Government undertake an impact study on the effect the tax will have on tourism, not just in Scotland but across the UK?
Despite having been a Member of the Scottish Parliament, the hon. Gentleman does not seem to understand the basis of devolution. This is a matter for the Scottish Government to decide. We want to have a very positive relationship with the Scottish Administration and, for that matter, the Administration in Wales. Of course we will look at this. The UK Government have no plans to introduce visitor levies at the moment, although there are potential benefits that might accrue to local communities, if they could be got right, but the idea of us investigating what the Scottish Government are doing would be completely wrong.
I have had many meetings with the creative industries, which have raised AI at every single one. I make it absolutely clear that human creativity deserves remuneration. Wherever we end up, the rights of artists, musicians, publishers and journalists need to be protected while we garner the significant benefits of artificial intelligence.
AI-generated creations that mimic real people—deepfakes—can lead to financial and reputational damage for musicians and other creatives. However, as the domestic violence charity Refuge pointed out last year, the most common AI-generated deepfakes are non-consensual sexual depictions of women. How do the Government plan to ensure that creatives, as well as women and girls, are adequately protected from the misappropriation of their voice, image, name and likeness?
I am glad that my hon. Friend has raised this important issue that affects many people. In the words of Stephen Sondheim, “art isn’t easy,” and neither is the legislation in this area, but we are determined to look into it. It is already a criminal offence to share an intimate image without consent, whether real or synthetically generated, and we will deliver on our manifesto commitment to ban the creation of sexually explicit deepfakes.
I am the real thing, Mr Speaker.
The creative industries in Strangford and across Northern Ireland are very important. In responding to the point raised by the hon. Member for Congleton (Mrs Russell), it is important that Northern Ireland has similar consideration. Has the Minister had an opportunity to speak to the relevant Minister in the Northern Ireland Executive to ensure that anything that happens here to protect women and ladies also happens in Northern Ireland?
The hon. Gentleman makes a good point. Although some of the areas we are discussing are, of course, devolved, we want to make sure that the whole UK moves forward in the same direction. I am keen to talk to my counterpart in Northern Ireland about this subject.
It is an honour to stand at the Dispatch Box for the first time, although I have to admit that it is not how I pictured it. I will do my best not to be a pain in your neck, Mr Speaker.
In a nutshell, the creative industries are worried that the Government will essentially give away their intellectual property. I am pleased to hear the Minister’s response, but the growing concerns were raised by the Chair of the Select Committee following comments by a Minister in the Department for Science, Innovation and Technology. With that in mind, will the Minister confirm that he will not give away IP through an exemption? Will he assure the House that he will not implement the EU’s approach, given its flaws? Finally, will he commit to holding a summit between the tech and creative industries to explore licensing and other models?
It is absolutely essential that we protect intellectual property, which is one of the key things this country has to sell. We have already had two meetings with representatives from the creative industries and tech companies, and we are keen to move forward.
I welcome the hon. Gentleman on his décolleté first appearance at the Dispatch Box. However, I gently push back on his suggestion, as I think the previous Government had embraced Bucks Fizz more than anything else:
“Don’t let your indecision take you from behind.”
The previous Government did absolutely nothing in this territory. We are determined to get to a proper resolution that satisfies the needs of both the creative industries and artificial intelligence.
We want to put fans back at the heart of live events and we want to ensure that more of the revenues come to the creative industries. That is why we will be launching a consultation on the secondary ticket market soon —the piece of paper in front of me actually says “in the autumn”, but I am never quite sure when that is, so I am going with “soon”.
I am grateful to the Minister for his answer. I understand the need to look at secondary ticketing, but dynamic pricing is a contractual bargain between buyer and seller, based on supply and demand. It actually gives us cheaper tickets as well as more expensive ones. Does he really want the Government to get involved there? I know that the Prime Minister wants everyone to be able to afford concert tickets, but what is wrong with the way that he gets them?
The truth is that dynamic pricing has many different forms and some of them are good. For instance, early bird tickets benefit many people, as does buying last-minute tickets for the theatre. We will not interfere with that, but we will have a call for evidence about how that works in relation to live events. On ticket pricing, the real scandal is that, for example, the face value of standing tickets for Coldplay at Wembley on 22 August 2025 is £96.23, but when I checked StubHub this morning they cost £17,633. That is the real scandal and that is what we are going to deal with.
Order. Topical questions are meant to be short and punchy, not a big, long question, Jo. Minister, can you pick the best out of that?
I completely agree with what my hon. Friend was about to say.
Which part: the first three minutes or the second? I call the shadow Secretary of State.
It is great to see my hon. Friend here. First, we want to ensure that more international movies and blockbusters are made in the UK, and we want to increase investment. With more sound stages, we should be able to challenge Hollywood. I also want to ensure that every single child in this country can consider a career in the creative industries, whatever background they come from.
I draw attention to my entry in the Register of Members’ Financial Interests. Eastbourne art galleries such as the Towner and Devonshire Collective VOLT—it made the tie I am wearing—contribute so much to our town and to our country, but the sector faces serious financial pressures. Will the Minister meet me and a delegation of art galleries to discuss them?
I will happily meet the hon. Member, who makes a very good point. We have hundreds of museums and galleries across the country. Some of them receive funding directly from Arts Council England. We want to talk to Arts Council England about how we can ensure that there is more support for our museums and galleries. Some of the funding comes directly from our Department. I am happy to meet him to discuss that.
When mobile providers started to turn off the 2G and 3G networks earlier this year, we were told that it would have no impact on existing services, but the experience in my constituency is the contrary, particularly along the M74 motorway network. Will Ministers investigate the impact of the switch-off to date, and ensure that necessary improvements are made so that we have a full network across the whole of the United Kingdom?
I think this is a hangover from yesterday’s questions on telecoms, but the right hon. Member makes a very good point. One of the things that keeps me awake at night is worrying about what will happen to the transition for people with telecare devices, which rely on the old public switched telephone network. We are keen to have a safe transition. Exactly the same issues apply to 2G and 3G. I will happily meet with him, if that would help.
I urge the Secretary of State and the ministerial team to take account of the listed place of worship grant scheme, which is particularly valuable to many churches up and down the country, and to not allow the Treasury to trim it back. It may expire at the end of March next year.
The right hon. Gentleman knows very well that spending review issues are a matter for the Treasury—let us see what comes out of that review. I have had lots of representations, and he makes a good point.
I think my hon. Friend may be getting me again. It is a great delight that the arches will be sorted, not least because we launched his election campaign at that very site. Our heritage is a key reason why so many international visitors come to this country. If we can get the mix of historical and modern right, I am sure that we can challenge France for international visitor numbers.
(4 months, 3 weeks ago)
Commons ChamberI thank the Secretary of State for her statement. Bray Studios in my constituency has produced some fantastic pieces, such as “The Rocky Horror Picture Show”—
Take a step to the left. [Laughter.]
It also produced “Alien” and, more recently, “Rocketman”. However, the creative industries are crying out for support. Costs and funding are key issues facing them, and another is skills. The Secretary of State confirmed in her statement that the Government are overhauling the apprenticeship levy, but is she confident that the reforms will fully suit the needs of the creative industries, given the 25,000 vacancies in the sector?