Department for Digital, Culture, Media & Sport

The Government recognises the significant contribution zoos and aquariums make to the visitor economy, supporting local growth and global conservation. DCMS monitors the sector's performance closely through VisitBritain/VisitEngland.

The Visitor Attraction Trends in England 2024 report demonstrates the sector's resilience, with England’s attractions reporting a 1.4% increase in visits and an 8% increase in gross revenue from 2023-2024. Major zoos remain among England's most popular paid attractions; Chester Zoo and ZSL London Zoo currently rank third and ninth respectively.

To support the sector, the Government has introduced targeted measures including permanently lower business rates for eligible retail, hospitality, and leisure properties, worth nearly £900 million annually.

DCMS continues to work with VisitBritain to champion visits to the British countryside and our world-class attractions to a worldwide audience. Local Visitor Economy Partnerships also have an important role to play in supporting the development of local tourism products and packages that encourage more visitors to come and stay for longer and benefit local communities.

The forthcoming Visitor Economy Growth Strategy will also provide a long-term framework to increase visitor flows and deliver sustainable growth across the UK.

The Government recognises the significant contribution zoos and aquariums make to the visitor economy, supporting local growth and global conservation. DCMS monitors the sector's performance closely through VisitBritain/VisitEngland.

The Visitor Attraction Trends in England 2024 report demonstrates the sector's resilience, with England’s attractions reporting a 1.4% increase in visits and an 8% increase in gross revenue from 2023-2024. Major zoos remain among England's most popular paid attractions; Chester Zoo and ZSL London Zoo currently rank third and ninth respectively.

To support the sector, the Government has introduced targeted measures including permanently lower business rates for eligible retail, hospitality, and leisure properties, worth nearly £900 million annually.

DCMS continues to work with VisitBritain to champion visits to the British countryside and our world-class attractions to a worldwide audience. Local Visitor Economy Partnerships also have an important role to play in supporting the development of local tourism products and packages that encourage more visitors to come and stay for longer and benefit local communities.

The forthcoming Visitor Economy Growth Strategy will also provide a long-term framework to increase visitor flows and deliver sustainable growth across the UK.

The Government has not considered establishing a dedicated regulator for the video games industry. Video games are already regulated by a number of legislative and voluntary measures, governed by several enforcement bodies.

Video games are regulated with age ratings, which protect children and vulnerable people from inappropriate content. The Government works closely with the Games Rating Authority (GRA) who are designated by Government to ensure games are appropriately rated and include information for buyers on potentially harmful content, for example violence or bad language.

The Online Safety Act, made law on 26 October 2023, applies to online services which allow users to share content and interact with one another. This definition includes some video games, for example those with in-game chat functions. The Act is enforced by Ofcom.

The Advertising Standards Authority (ASA) and the Committee of Advertising Practice (CAP) are responsible for setting and enforcing the UK Advertising Codes; which includes online and in-game advertisements, such as advertising of microtransactions or loot boxes.

Finally, where video game products amount to unlicensed gambling, such as skins gambling, the Gambling Commission has shown it will take strong enforcement action.

DCMS recognises the significant value that the holiday parks industry provides in supporting our rural and coastal economies. The Government is committed to ensuring their long-term viability by modernising the business rates system and providing targeted marketing to overseas visitors.

From April 2026, we are replacing temporary reliefs with permanently lower business rate multipliers for eligible retail, hospitality, and leisure (RHL) properties. This structural shift provides long-term certainty and is worth nearly £900 million annually. To protect businesses from sudden valuation shocks, we have introduced a £3.2 billion Transitional Relief scheme, which caps bill increases at 15% for most businesses

The Government has set out a package of pro-growth regulatory changes for the retail and hospitality sectors, including the first National Licensing Policy Framework, which supports the flexible growth of hospitality services within holiday parks.

DCMS and VisitBritain are actively working to boost visitor numbers and extend the tourism season for coastal and rural operators. The ‘Starring GREAT Britain’ campaign uses the UK’s film and television heritage to drive international visitors into rural destinations, increasing the profile of areas where many premier holiday parks are located.

The forthcoming Visitor Economy Growth Strategy will cement these measures, providing a long-term plan to increase visitor flows, maximise sector value, and deliver sustainable growth for our coastal and rural communities.

The Government recognises the importance of using impartial, accurate and up-to-date research on gambling behaviour and harms, including relevant evidence from jurisdictions similar to Great Britain. We are committed to ensuring that policy decisions are guided by the best available evidence from a broad range of reliable sources.

We note the findings of the report titled ‘Childhood gambling experiences and adult problem gambling’.

There are already a wide variety of measures in place to protect children and young people from being exposed to gambling advertising, marketing and products.

For example, gambling advertising must not be targeted at children, through ensuring that it does not appear in media created for children or for which children make up 25% or more of the audience. In May last year, we introduced a £2 maximum stake limit on online slots for 18-24 year olds, who can be particularly vulnerable to harms associated with high stakes play. We also welcome the commencement of the Premier League’s ban on front-of-shirt sponsorship by gambling firms by the end of the 2025/26 season.

However, we recognise that children and young people’s exposure to gambling is an important issue. We remain committed to strengthening measures to protect those at risk of gambling harm and will continue to work with industry and gambling harm campaigners. We will also redouble our efforts to work across government and with tech platforms to address illegal gambling advertising, which poses the most risk for children and young people.

DCMS officials are in touch with the Science Museum Group and the Victoria and Albert Museum to discuss the ongoing steps they are taking to resume online sales to Northern Ireland.

Tourism contributes to growth and jobs across all parts of the country particularly in rural areas such as Shropshire, home to the UNESCO-listed Ironbridge Gorge, the medieval Ludlow Castle and the scenic Shropshire Hills AONB.

The Government is committed to supporting the sector through the forthcoming Visitor Economy Growth Strategy, which will set out a long term plan to increase visitor flows across the UK, boost value, and deliver sustainable growth. Central to this strategy is ensuring greater dispersal, so that the economic benefits of tourism are felt by all regions, including rural and coastal communities.

It is essential that the public has access to a wide range of views from a variety of accurate and trusted sources to support democratic participation. DCMS is committed to supporting the future sustainability of the media sector and is working across Government to help ensure a coordinated and coherent approach to upholding democracy.

Digital inclusion and ensuring that all households across the country have access to high-quality, reliable broadband is a priority for the Government. The Department for Culture, Media and Sport is working closely with the Department for Science, Innovation and Technology to ensure that all aspects of digital inclusion are considered as part of any decisions we make on the future of digital terrestrial television.

The Secretary of State meets regularly with the Chair of the BBC to discuss a wide range of issues.

For any public service broadcaster, accountability and trust are key. It is important that the BBC continues to demonstrate how it is working diligently to maintain the highest standards. The BBC is editorially and operationally independent of Government, and this is a crucial component of why people trust it.

The Charter Review is a key opportunity to set the BBC up for success long into the future. The Charter Review Green Paper published in December sets out the Government's ambition to ensure the BBC remains a trusted, independent source of news and consults on options to ensure it maintains the highest editorial standards.

We recognise the concerns raised by some organisations about funding uncertainty and the impact this can have on their financial resilience and day-to-day operations. We are taking steps to ensure that valuable knowledge, skills and expertise are retained across the gambling harms prevention system during the transition to the statutory levy.

Working with commissioners, we have engaged closely with GambleAware, which is continuing to provide funding to relevant voluntary, community and social enterprise (VCSE) organisations until April 2026. This includes transitional funding to help stabilise prevention-focused organisations that sit outside GambleAware’s routine commissioning activity.

The Office for Health Improvement and Disparities (OHID) has now launched the application process for its Gambling Harms Prevention: Voluntary, Community and Social Enterprise grant fund. This follows extensive market engagement to provide timely updates, manage provider expectations around future funding processes and timescales, and support greater stability across the system. The application window will close on 6 February 2026, with funding released from April 2026. Devolved governments are responsible for delivery of the prevention programmes in Scotland and Wales and work is progressing to support organisations there.

The Department conducted an evaluation of the Listed Places of Worship Grant Scheme. The evaluation included an extensive survey of current and past scheme users and is published here: https://www.gov.uk/government/publications/evaluation-of-the-listed-places-of-worship-scheme-final-report. The evaluation did not assess the impact of ending the Listed Places of Worship Grant Scheme on the financial sustainability of places of worship. Our evaluation showed that while it had many benefits, 80% of respondents said that they would still have carried out the work without the rebate. As we look towards a new fiscal period and the evolving needs of our community, it is essential that government support is deployed to the areas where it can have the greatest impact and where it is needed most. Over the next four years, the Places of Worship Renewal Fund will invest £92 million capital funding into listed places of worship and is designed to ensure that taxpayer funding is targeted more effectively toward the preservation of our heritage assets.

The Department conducted an evaluation of the Listed Places of Worship Grant Scheme. The evaluation included an extensive survey of current and past scheme users and is published here: https://www.gov.uk/government/publications/evaluation-of-the-listed-places-of-worship-scheme-final-report. Our evaluation showed that while it had many benefits, 80% of respondents said that they would still have carried out the work without the rebate.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.

The Department for Culture, Media and Sport has not allocated any funding to Decolonise Fest.

The Arts Council England, which awards funding independently of the government, has awarded a grant of £18,808 in 2025.

In addition, the Decolonise Festival has also received £3,500 funding via the PRS Foundation, a charity funding new music and talent development that receives Art Council Funding.

The Government is committed to ensuring that everyone, including older people, should have access to and benefit from quality sport and physical activity opportunities to stay fit and healthy.

We understand sport helps encourage people to be active and support all grassroots activity to promote this message, and help people participate in sporting activity.

All national governing bodies and UK broadcasters are operationally and editorially independent of the Government. Consequently, we do not plan to have discussions with them regarding their commissioning plans in relation to encouraging those aged over 60 to participate in sporting activity.

Our public service broadcasters, publicly owned or otherwise, rightfully remain independent of Government, but their employees like most in Great Britain are protected under the whistleblowing framework in the Employment Rights Act 1996 (as amended by the Public Interest and Disclosure Act 1998). This protects employees from detriment and dismissal if they blow the whistle on wrongdoing and certain conditions in the legislation are met.

More broadly, the Government acknowledges concerns that the UK whistleblowing framework may not be operating as effectively as it should be and recently announced, through the Anti-Corruption Strategy 2025, that it will explore opportunities to reform that framework.

Supporting and sustaining local and regional media across the country is a particular concern for this Government, including in Tewkesbury and more broadly across Gloucestershire. The Government understands the important work that local and regional media do, including outlets such as Gloucestershire Live and the Cotswold Journal. We are developing a Local Media Strategy, in recognition of the importance of this vital sector. Our vision is a thriving local media that can continue to play an invaluable role as a key channel of trustworthy information at local level, reporting on the issues that matter to communities, reflecting their contributions and perspectives, and helping to foster a self-confident nation in which everyone feels that their contribution is part of an inclusive national story. The overarching goal of the Strategy is to empower communities through a thriving local media which reflects the issues that matter to them, helping to drive community wellbeing and local growth.

We are working across Government and with other stakeholders as the Strategy develops. DCMS ministers held a roundtable discussion with local news editors last year to discuss the planned approach and collaboration with industry on the Strategy. An industry working group has been meeting regularly since June to consider the issues in more detail. More will be announced on the Strategy in the coming months.

Gambling is regulated by the Gambling Commission under the Gambling Act 2005. Rules on gambling advertising content are regulated by the Advertising Standards Authority. Gambling advertising is not covered under the Online Safety Act, and as such no discussions with Ofcom have taken place.

The Government recognises that more work needs to be done to ensure that gambling advertising does not exacerbate harm. We engage regularly with stakeholders across government and with industry, to ensure the most vulnerable are protected.

The UK has a self-regulatory system for the press, which is independent from Government. This is vital to ensure the public has access to accurate and trustworthy information from a range of different sources. The Government therefore does not intervene in or evaluate the work of independent press regulators.

However, under Section 179 of the Data Protection Act every three years the Secretary of State must lay before Parliament a report on the use and effectiveness of alternative dispute resolution procedures, such as arbitration, in cases involving a failure or alleged failure by relevant media organisations to comply with data protection legislation. The most recent report was presented to Parliament in May 2024 and was carried independently of DCMS by David Rossington, as the Independent Reviewer. The report is published on the Gov.uk website:

https://assets.publishing.service.gov.uk/media/67d2ded5fb8db2176d5e97d0/Formatted_240312_SECOND_REPORT_UNDER_SECTION_179_OF_THE_DATA_PROTECTION_ACT_v3__FINAL__accessible.pdf.

The Secretary of State meets regularly with the Chair to discuss a wide range of issues.

The Government is currently undertaking a review of the BBC’s Royal Charter. The Green Paper sets out our ambition for the BBC to tell a unifying national story that represents all communities across the UK, and to ensure the BBC provides locally relevant services as it supports the delivery of high quality local journalism.

The safety, wellbeing and welfare of everyone taking part in sport is absolutely paramount. National Governing Bodies are responsible for the regulation of their sports and for ensuring that appropriate measures are in place to protect participants from harm, including through adherence to statutory safeguarding guidance.

The Child Protection in Sport Unit (CPSU), part funded by our arm’s length bodies UK Sport and Sport England, provides guidance and training about the recognition, response, and reporting of abuse, which includes specialised training on the mandatory reporting duty proposed in the Crime and Police Bill. We will continue to work with partners, including Sport England and the CPSU, to ensure appropriate training is available for the sector.

While the UK is not a member of UN Tourism, we maintain close and constructive working relationships with UN Tourism officials to ensure that UN resolutions relating to tourism appropriately reflect UK interests. DCMS officials work closely with colleagues across Government to align the UK’s tourism and sustainability priorities with wider international discussions and emerging best practice.

DCMS regularly engages in global tourism fora, including Ministerial participation in the UN Tourism Ministerial Summit and EU Sustainability Roundtable at the World Travel Market last year, as well as bilateral engagements with international counterparts, including discussions with the Spanish Minister for Tourism during a recent visit to Spain.

The Government remains committed to supporting sustainable tourism growth through a combination of domestic policy, bilateral engagement and multilateral cooperation, including active participation in relevant international fora where the UK is represented.

Youth empowerment is at the core of the National Youth Strategy. We have committed to putting young people in the driving seat of their own lives and empowering them to shape the solutions and decisions that impact them. Over the coming months, we are working with young people to create these opportunities for youth empowerment.

The DCMS grant for the UK Youth Parliament (UKYP) programme currently runs until 31st March 2026. Decisions relating to future funding will be communicated in due course.

The Government is committed to supporting the hospitality sector as a valuable contributor to the UK economy. While DBT oversees the wider hospitality industry, DCMS holds policy responsibility for accommodation including hotels so I am replying as the Minister responsible. Both departments receive industry evidence through direct stakeholder engagement and through the Visitor Economy Advisory Council (VEAC) and the Hospitality Sector Council respectively. Following a recent VEAC meeting at the IHG Kimpton Fitzroy, I was pleased to visit the hotel and see firsthand the excellence and professionalism of our hotel sector.

The Government is providing a number of targeted support measures for hospitality businesses, including permanently lower tax rates for eligible retail, hospitality and leisure properties. These new tax rates are worth nearly £900 million per year and will benefit over 750,000 properties.

The Government has set out a package of five pro-growth regulatory changes for the retail and hospitality sectors. The Government has also committed to reviewing the methodologies by which pubs and hotels are valued for business rates purposes and will, if necessary, make changes to ensure these valuations accurately reflect the rental market for these properties at the next revaluation.

The Government is committed to supporting the hospitality sector as a valuable contributor to the UK economy. While DBT oversees the wider hospitality industry, DCMS holds policy responsibility for accommodation including hotels so I am replying as the Minister responsible. Both departments receive industry evidence through direct stakeholder engagement and through the Visitor Economy Advisory Council (VEAC) and the Hospitality Sector Council respectively. Following a recent VEAC meeting at the IHG Kimpton Fitzroy, I was pleased to visit the hotel and see firsthand the excellence and professionalism of our hotel sector.

The Government is providing a number of targeted support measures for hospitality businesses, including permanently lower tax rates for eligible retail, hospitality and leisure properties. These new tax rates are worth nearly £900 million per year and will benefit over 750,000 properties.

The Government has set out a package of five pro-growth regulatory changes for the retail and hospitality sectors. The Government has also committed to reviewing the methodologies by which pubs and hotels are valued for business rates purposes and will, if necessary, make changes to ensure these valuations accurately reflect the rental market for these properties at the next revaluation.

The Government is committed to supporting the hospitality sector as a valuable contributor to the UK economy. While DBT oversees the wider hospitality industry, DCMS holds policy responsibility for accommodation including hotels so I am replying as the Minister responsible. Both departments receive industry evidence through direct stakeholder engagement and through the Visitor Economy Advisory Council (VEAC) and the Hospitality Sector Council respectively. Following a recent VEAC meeting at the IHG Kimpton Fitzroy, I was pleased to visit the hotel and see firsthand the excellence and professionalism of our hotel sector.

The Government is providing a number of targeted support measures for hospitality businesses, including permanently lower tax rates for eligible retail, hospitality and leisure properties. These new tax rates are worth nearly £900 million per year and will benefit over 750,000 properties.

The Government has set out a package of five pro-growth regulatory changes for the retail and hospitality sectors. The Government has also committed to reviewing the methodologies by which pubs and hotels are valued for business rates purposes and will, if necessary, make changes to ensure these valuations accurately reflect the rental market for these properties at the next revaluation.

All charities should be safe and trusted spaces for everyone; whether employees, volunteers or members of the public.

The Charity Commission for England and Wales recently issued a Regulatory Action Plan to the Archbishops' Council of the Church of England. This followed concerns that the charity's trustees were taking too long to implement reforms to safeguarding in the Church of England.

The Charity Commission has also recently issued Official Warnings to two Church of England diocesan boards of finance for failures in how safeguarding allegations were handled.

The Commission is monitoring the Church charities' compliance with the respective Action Plan and Official Warnings, and will take any steps it considers necessary and within its regulatory remit to hold trustees of Church charities to account.

The Places of Worship Renewal Fund is focused solely on England because heritage policy is devolved. Future capital funding for Wales is supported through Barnett allocations, which provide proportional funding to the Welsh Government. As these funds are not ring-fenced, it is for the devolved administrations to determine how this funding is allocated and spent according to their priorities. Therefore, we do not plan to assess the impact of this capital funding for places of worship in Wales.

This contrasts with the previous Listed Places of Worship Grant Scheme (LPWGS), which operated UK-wide as a VAT-rebate scheme. Tax policy is not devolved.

To ensure continued support across the UK, we are working closely with sector funders to maximise opportunities for all nations. The National Lottery Heritage Fund (NLHF) remains a vital resource, offering grants across the UK and investing £100 million over three years in places of worship. This includes a strategic initiative designed to provide targeted support and build capacity, ensuring that places of worship in Wales have access to investment.

The Places of Worship Renewal Fund is focused solely on England because heritage policy is devolved. Future capital funding for Wales is supported through Barnett allocations, which provide proportional funding to the Welsh Government. As these funds are not ring-fenced, it is for the devolved administrations to determine how this funding is allocated and spent according to their priorities. Therefore, we do not plan to assess the impact of this capital funding for places of worship in Wales.

This contrasts with the previous Listed Places of Worship Grant Scheme (LPWGS), which operated UK-wide as a VAT-rebate scheme. Tax policy is not devolved.

To ensure continued support across the UK, we are working closely with sector funders to maximise opportunities for all nations. The National Lottery Heritage Fund (NLHF) remains a vital resource, offering grants across the UK and investing £100 million over three years in places of worship. This includes a strategic initiative designed to provide targeted support and build capacity, ensuring that places of worship in Wales have access to investment.

In the Creative Industries Sector Plan, published in June 2025, the government outlined our ambition to build a resilient, skilled workforce fit for the future. As part of this, we set out to develop a high quality and responsive education, skills and training offer, meeting the sector’s workforce requirements, and develop a long-term government and business partnership to support all stages of the skills pipeline. This includes delivering greater flexibility for employers and learners via the new growth and skills offer; working with industry to support sector training pathways through a DCMS and Skills England led Creative Sector Skills Forum; and delivering a refreshed UK-wide £9 million creative careers service.

To build on this, we are developing sector Jobs Plans with industry for all growth-driving sectors identified by the Industrial Strategy. This will be published later this year.

The Physical Activity Clinical Champions Programme was developed by the Office for Health Improvements and Disparities, part of the Department of Health and Social Care, alongside Sport England. The programme is designed to equip healthcare professionals with the skills to discuss the importance of physical activity with patients who have health conditions. This supports the delivery of the Government’s 10-year Health Plan and fosters greater collaboration between the health, sport and physical activity sectors.

Since 2023, the programme has been led by a consortium of the Faculty of Sport and Exercise Medicine, Intelligent Health and Sheffield Hallam University. An update on the future of the programme is due shortly.

We have allocated £12.5 million from the Dormant Assets Scheme to ensure every primary school has a library space by the end of this Parliament. The National Lottery Community Fund is working to develop more of the programme details, including which schools will receive funding.

The Government is committed to consulting the best available evidence on gambling advertising from a wide range of sources when assessing next policy steps in this space. It is for the Betting and Gaming Council to decide whether to publish their report on gambling advertising.

The Government regularly engages with a range of stakeholders, including industry bodies, in the development and delivery of gambling policy.

Blackpool’s tramway, which opened in 1885, was the first permanent electric tramway in the UK. They are an important living link to the UK’s rich industrial heritage and one of the elements that makes Blackpool a jewel in the crown of England's visitor economy in the North West.

There has been no formal assessment of the cultural and historical importance of the trams.