Cultural Property (Armed Conflicts) Bill [Lords]
Monday 31st October 2016
(8 years, 1 month ago)
Commons ChamberRead Full debate Cultural Property (Armed Conflicts) Act 2017 Read Hansard Text Amendment Paper: HL Bill 3-R-I Marshalled list for Report (PDF, 65KB) - (2 Sep 2016)
The Secretary of State for Culture, Media and Sport (Karen Bradley)
I beg to move, That the Bill be now read a Second time.
It is a pleasure to introduce this Bill to the House. We have waited a long time to be able to ratify the 1954 Hague convention and accede to its two protocols. The need for this Bill is paramount. In recent months, we have seen the wanton destruction of cultural heritage in the middle east and north Africa. These tragic events are a reminder of how vital it is that the UK ratifies this convention and makes a strong statement about the importance we place on protecting cultural heritage. We fully endorse the steps taken at the International Criminal Court to prosecute war crimes relating to cultural destruction in Mali.
Heritage, monuments and cultural artefacts are part of what makes a country great, educating and inspiring people, and bringing them together as a nation. Sir Peter Luff, chair of the Heritage Lottery Fund, was once told, “History is what you learn about in schools; heritage is about who you are and where you come from”. We are lucky to have a highly professional and dedicated heritage and museum sector that works extremely hard to preserve our heritage and bring the story of our history to life. This work helps attract visitors to our shores too. We also have a duty to help protect the culture and heritage of other countries, for they are part of our shared inheritance as human beings.
Many in this House have called on successive Governments to pass this legislation since a commitment to do so was first made in 2004. I would like to make special mention of my hon. Friends the Members for Newark (Robert Jenrick) and for Enfield, Southgate (Mr Burrowes) for their passionate advocacy. This Bill has already been subject to comprehensive pre-legislative scrutiny. The draft Bill published in 2008 was expertly scrutinised by the Culture, Media and Sport Committee.
Helen Goodman (Bishop Auckland) (Lab)
I am delighted that the Secretary of State is introducing this Bill today. Her points about destruction will have been brought home to everybody when Palmyra was destroyed very recently. Can she assure the House that after the 62 years we have waited since we signed the treaty, there will not be another 62 years until the Government bring it into effect?
Karen Bradley
I hope that we will get through this evening’s proceedings and the Committee stage with great speed, and that we will therefore have Royal Assent very shortly.
The Culture, Media and Sport Committee heard evidence from a variety of experts and stakeholders. The Committee warmly welcomed the Bill, and we carefully considered the recommendations made in its report.
The Bill is part of a wide package of measures that this Government have brought in to protect cultural heritage and become an international leader in this field. Earlier this year, we launched a cultural protection fund that is being administered by the British Council. Over the next four years, organisations will be encouraged to apply to this £30 million fund to support projects that will foster, safeguard and protect cultural heritage, particularly in global conflict zones.
In early 2014, the Army established a joint military cultural property protection working group that has been examining all issues concerning military cultural property protection. Earlier this year, my right hon. Friend the Secretary of State for Defence confirmed that the armed forces would establish a military cultural property protection unit. The Ministry of Defence is considering what this unit might look like, taking into account international best practice. As the convention is likely to become an international treaty obligation by early 2017, the MOD anticipates that the recruitment of specialist Army reserves will start in the near future.
Mr David Burrowes (Enfield, Southgate) (Con)
I warmly congratulate my right hon. Friend. Six years has been a long wait, but it has been well worth it, and we have now got there. Is it not ironic that part of the topicality of this Bill, and the reason for people’s enthusiasm for it, comes from seeing the horrors of Daesh in Syria and elsewhere, yet it does not fully cover the activities of Daesh because it covers only unlawfully exported cultural property from occupied territories? Without being too greedy, are the Government supportive of looking at future conventions to try to make sure that Daesh comes within the provisions, although the Iraqi and Syrian sanction orders cover the gap?
Karen Bradley
I again pay tribute to my hon. Friend’s work in campaigning on this issue. He rightly identifies the fact that sanctions regimes are in place regarding the Iraqi and Syrian conflicts, and touches on the question of Daesh’s standing in international legal circles. We must take great care that we do not deal with one wrong by creating more wrongs elsewhere, but I am happy to write to him about the specifics of the issue.
The convention was prompted by the widespread destruction and looting of cultural property in the second world war. It defines cultural property as movable or immovable property of great importance to the cultural heritage of every people, such as monuments, works of art, or buildings whose main purpose is to contain such cultural property. The definition is broad and the list of examples is not exhaustive. As well as traditional works of art, the definition could also include, as was made clear during discussions in the other place, modern or digital types of cultural property such as very rare or unique film or recorded music.
Tom Tugendhat (Tonbridge and Malling) (Con)
On cultural property, I know that the Bill does not cover this issue, but does my right hon. Friend agree that we should have a discussion about religious and ethnic culture, including languages, poetry and other forms of art and heritage that have for so long been ignored but that are now being destroyed in Iraq? The Mandaeans in northern Iraq and the Yazidis in eastern Syria are struggling to keep any form of culture at all.
Karen Bradley
My hon. Friend makes an important point, but he will accept that it is beyond the convention and, therefore, the Bill.
The first protocol requires parties to seize cultural property that has been illegally exported from an occupied territory and to return it at the end of hostilities. The second protocol sets out violations that are to be made criminal offences and provides an enhanced protection regime for cultural property.
The UK signed the convention in 1954, but decided not to ratify because its terminology was considered to be insufficiently clear and it did not provide an effective regime for the protection of cultural property. The 1999 second protocol removed those concerns, and in 2004 the Government of the day announced their intention to ratify.
The ways in which we will implement the specific obligations of the convention and its protocols generated a great deal of interest in the other place. We have been looking carefully at implementation, particularly considering what categories of cultural property should be afforded general protection under the convention in the UK.
A previous Administration undertook a consultation on implementation of the convention and its protocols in 2005. Although the majority of the findings set out in the 2006 response to the consultation remain relevant, we will also hold discussions with key stakeholders, including from the devolved Administrations and from agencies, to ensure that those conclusions are up to date.
The Bill will introduce the domestic legislation necessary for the UK to meet the obligations contained in the convention and its two protocols. Part 2 makes it an offence to commit a serious violation of the second protocol to the convention either in the UK or abroad. The Bill also makes provision to ensure that ancillary offences committed abroad can be prosecuted and that commanders and superiors can be held responsible in appropriate circumstances.
Following debate in the other place, we made a minor and technical change to ensure that the Bill’s provisions relating to ancillary offences have the intended effect in Scotland. That amendment was tabled by the Government following consultation with the Crown Office and the Scottish Government.
We have also changed the headings of part 2 and clause 3 by replacing the word “breach” with “violation”. Concern was expressed in the other place that there was a lack of consistency between the language of the Bill and the second protocol, and we made that change to address that. I am grateful to Professor Roger O’Keefe of University College London for his work on that particular point and on the Bill as a whole. I appreciate all the advice and feedback that we have received from experts in the field, which has been invaluable in shaping the Bill.
The maximum penalty for those offences is 30 years. It is important to emphasise that that is a maximum penalty, and it will be for the courts to decide the appropriate penalty in any particular case. It is critical that the penalty reflects the seriousness of the violations of the second protocol and that it is consistent with other penalties for related offences.
Part 3 recognises in UK law the blue shield—the distinctive blue and white emblem created by the convention, which is viewed by many as the cultural equivalent of the Red Cross. The emblem will be used to identify cultural property that is protected under the convention, as well as the people tasked with protecting it. The blue shield will be protected from misuse by making its unauthorised use an offence.
Part 4 implements measures to deal with cultural property that has been unlawfully exported from occupied territory.
Chris Bryant (Rhondda) (Lab)
Clause 17 states:
“It is an offence for a person to deal in unlawfully exported cultural property, knowing or having reason to suspect that it has been unlawfully exported.”
There could be an unreasonable reason. Will the Government be open to suggestions to improve the Bill so that people are not unwittingly caught by the law?
Karen Bradley
That concern has been raised with me outside this place by a number of right hon. and hon. Members, including my right hon. Friend the Member for Maldon (Mr Whittingdale), the previous Secretary of State, and my right hon. and learned Friend the Member for Harborough (Sir Edward Garnier). The issue was not raised substantively in the other place but I understand that there are concerns, so the Under-Secretary of State for Culture, Media and Sport, my hon. Friend the Member for Chatham and Aylesford (Tracey Crouch), and I will meet concerned parliamentarians, with officials, to make sure that we have comfort in this regard. It is important that we are clear that the Bill will not hamper the way in which the art market operates.
It is important to note that part 4 applies only to cultural property that has been unlawfully exported from an occupied territory after 1956, when the convention and first protocol came into force. Clause 17, which the hon. Member for Rhondda (Chris Bryant) has mentioned, creates a new offence of dealing in unlawfully exported cultural property. That offence applies only to unlawfully exported cultural property that is imported into the UK after the commencement of the Bill, which ensures that the Bill will have no retrospective application.
Scrupulous dealers have no reason to fear prosecution or increased business costs under the Bill.
Mark Tami (Alyn and Deeside) (Lab)
Does the Secretary of State accept, though, that, regardless of whether an item is legal or not, if a country falls into a war situation, suspicion will fall on every item of property that would previously have been dealt with perfectly legally?
Karen Bradley
I do not think that that will happen, and it is certainly not the Bill’s intention, but I am happy, together with my hon. Friend the Under-Secretary, to speak to colleagues and to spend time with officials to make sure that we are all satisfied. We all want The Hague convention to be brought into UK law—62 years is too long. We want to get on with it, but also to make sure that we do so in a way that satisfies parliamentarians and means they are happy that it will deliver the desired effect.
Although dealers will need to satisfy themselves through due diligence that there is no reasonable cause to suspect that objects presented for sale have been unlawfully exported from an occupied territory, existing codes of conduct already oblige dealers not to import, export or transfer the ownership of objects where they have reasonable cause to believe that the object has been exported in violation of another country’s laws. Dealers will not be required to carry out any further due diligence beyond that which they should already be conducting. In order to commit an offence, a dealer must deal in an object knowing, or having reason to suspect, as the hon. Member for Rhondda has pointed out, that it has been unlawfully exported. If a dealer takes temporary possession of an object for the purposes of carrying out due diligence or providing valuations, they will not be dealing in that object, because they will not be acquiring the object.
The rest of part 4 outlines the circumstances in which unlawfully exported cultural property would be liable to forfeiture, and creates the necessary new powers of entry, search, seizure and forfeiture. Part 5 provides immunity from seizure or forfeiture for cultural property that is being transported to the UK, or through the UK to another destination, for safekeeping during an armed conflict.
Finally, part 6 ensures that if an offence under the Bill is committed with the consent or connivance of an officer of a company or Scottish partnership—for example, directors of private military contractors—that officer will be guilty of an offence, as well as the company or partnership.
There is already a legal framework in place that is designed to tackle the illicit trade in cultural property. The Dealing in Cultural Objects (Offences) Act 2003, the Theft Act 1968 and the Syria and Iraq sanctions orders enable the UK to take action where authorities suspect that individuals might be engaged in illicit trade. The Bill helps to strengthen that framework in relation to cultural property that has been taken illegally from occupied territories.
In addition to enabling prosecution, the existing legislation also has an important deterrent effect, sending out the message that the UK will not tolerate any illicit trade in cultural property. As well as providing teeth that can be used when required, the Bill will strengthen that deterrent effect.
Tim Loughton (East Worthing and Shoreham) (Con)
My right hon. Friend knows that I greatly support this Bill. She is talking about enforcement and greater teeth for the legislation. Why does she think there has been only one prosecution in this country since the Dealing in Cultural Objects (Offences) Act 2003? Should we not have done better by now?
Karen Bradley
My hon. Friend helps to make the point about the deterrent effect of the legislation. It is deterring dealers from taking cultural property that has been stolen from occupied territory. Clearly, law enforcement and others need to understand the legislation, the offences and the action that can be taken in order that prosecutions can be brought if there is evidence that a crime has been committed.
On passing the Bill, the UK will be the first permanent member of the UN Security Council to become a party to the convention and its two protocols. Given with the other initiatives we have set in motion in this area, we will have ensured, in the strongest terms possible, that the UK will be a champion for cultural protection in times of peace and war alike. I commend the Bill to the House.
Kevin Brennan (Cardiff West) (Lab)
I welcome the Bill’s Second Reading, and I thank the Secretary of State for her introduction. As she said, the Bill has been a long time coming, as it will enable the 1954 Hague convention to be ratified. It has taken only 62 years. Back in 1954, Winston Churchill was Conservative Prime Minister; Gaitskell, I think—my hon. Friend the Member for Rhondda (Chris Bryant) will correct me if I am wrong—was leader of the Labour party; and the Liberals had only six seats in Parliament, so some things do not change too much even over 62 years.
The destruction and theft of cultural heritage goes back long before 1954 and even before the second world war, the events of which triggered the Hague convention in the first place. Hon. Members will remember that in 1700 BC the Assyrians invaded Mesopotamia—now called Ramadi and Falluja in Iraq—stole the stone gods of the Arab tribes and took them back to Nineveh to force the Arabs to negotiate to get their gods back. It is a sad fact that the treatment of cultural artefacts in exactly those locations has progressed so little in the intervening 3,500 years. Indeed, it is worse now because of the destructive potential of modern weapons of war.
The previous Labour Government, as the Secretary of State pointed out, put the ratification of the Hague convention on the political agenda in 2004 and published a draft Bill in 2008, which was scrutinised by the Culture, Media and Sport Committee. Unfortunately, the Bill ran out of time, but we are pleased to see that the Government agree on the importance of protecting cultural property and of making that priority known to the international community by introducing the Bill. We hope that the principles of mutual respect and co-operation will permeate all Government policies from now on.
Cultural property is targeted because it matters. My hon. Friend the Member for Bishop Auckland (Helen Goodman), who is in her place, campaigned effectively—as did other hon. Members whom the Secretary of State mentioned—for the Government to introduce the Bill. As my hon. Friend has written,
“art, statues, architecture—these aren’t societies’ frills, but a fundamental part of the fabric.”
She is not alone in that belief. It is shared even by those whose first priorities might lie, correctly, elsewhere. Michael Meyer, head of international law at the Red Cross, has said:
“Why is the Red Cross worried about buildings and books when human lives are usually our focus? I will always argue that a human life is more valuable than a cultural object. But culture is essential to one’s identity. It’s an important factor for communities and nations.”
Karen Bradley
I want to put on the record my thanks to the hon. Member for Bishop Auckland (Helen Goodman). I failed to do so in my opening remarks, and I wanted to get that on the record.
Kevin Brennan
I thank the Secretary of State for doing so. It is characteristically generous of her, and I am sure that my hon. Friend and the House are grateful.
The Hague convention is based on the consensus that cultural property, moveable and immoveable, is central to identity. Such items embody a society’s past and encapsulate its ideas and often its ideals. Because of the consensus on the importance of cultural property, attacks on it in recent armed conflicts have drawn the attention of the international media. Daesh’s destruction of Palmyra and al-Qaeda’s demolition of mosques and mausoleums in Timbuktu have, quite rightly, sparked international outrage. For those who live in areas of armed conflict, the destruction of cultural property adds another layer of pain to the process of recovery in terms of both money and morale. Cultural property is a precious resource. When conflicts are over, monuments and their equivalents are key to kick-starting tourist-related industries, so cultural property can be crucial to economic regeneration.
Tom Tugendhat
Does the hon. Gentleman agree that although Daesh brutality is obvious in places such as Palmyra, a more common example might be the golden mosque in Samarra, or the ethnic cleansing and the destruction of churches in places such as Mosul? Does he agree that cultural destruction often goes in hand with forms of ethnic cleansing, whether religious or sectarian?
Kevin Brennan
I strongly agree with the hon. Gentleman on that point. Palmyra was visited each year prior to 2011 by 150,000 tourists, and a UNESCO mission to the site in April this year found that the triumphal arch and the temple of Bel had been smashed to smithereens. In such circumstances, preserving and sometimes restoring as much as possible of these ancient structures is crucial to rebuilding. The Bill aims to provide the ways and means to allow states to do so.
In that respect, the offences and subsequent sanctions created by the Bill for damaging cultural property are particularly welcome, as is the introduction of immunity from seizure for cultural property that is being moved to or through the United Kingdom from an area of armed conflict for safekeeping. It is important to note that the UK armed forces already abide by the terms in the Bill and respect cultural property during conflict. The impact assessment that accompanies the Bill shows that their behaviour would need to change very little as a result of the introduction of the Bill. However, ratifying the 1954 convention would send a clear signal to the international community of what we already know at home: that the preservation of cultural property is a priority for the United Kingdom.
As I have mentioned, there are consequences for morale as well as for money when monuments are destroyed and when stone is turned to sand. When it comes to art and architecture, we expect continuity and longevity—a bridge between what was and what will be. Hon. Members will be familiar with the words of John Keats, who wrote about a Grecian urn:
“When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man”.
Just as preserving culture is about projecting pride and history, so the destruction of cultural property is bound up in power and subjugation. Hon. Members might have seen an interview that was given to the BBC by Mirza Hussain last year. In 2001, when he was 26, the Taliban took over his city in Afghanistan and ordered him to destroy the Buddhas of Bamiyan. The Buddhas were up to 55 metres tall and were carved into a cliff face in the sixth century, but the Taliban believed that they were idols.
Among a group of prisoners, Mirza was fed very little, left freezing cold at night and saw his fellow prisoner shot. He was then forced to detonate trucks of dynamite below the Buddhas, and when that did not work, two or three explosions were carried out every day until the Buddhas were destroyed. He said:
“We drilled holes into the statue to plant the dynamite. We didn’t have proper tools. The whole process took 25 days.”
He went on to say:
“I regretted it at that time, I regret it now and I will always regret it. But I could not resist, I didn’t have a choice because they would have killed me.”
I am sure that that will bring to hon. Members’ minds the tragic death of Khaled al-Asaad, the archaeologist who had worked at Palmyra for 40 years and was brutally murdered by Daesh in August last year at the age of 82 for refusing to reveal the whereabouts of Palmyra’s treasures.
That leads me to one of the central concerns about the Bill. We will support it on Second Reading tonight and throughout its later stages. However, although the Bill has been brought forward in the context of the aftermath of the destruction of cultural treasures in recent conflicts, it does not, as I understand it, cover the actions I have described because they were carried out by occupying forces that are not recognised states. I hope that the Minister will correct me if I am wrong, but the Bill will not necessarily prevent extremists from intimidating people into complying. In her response to the debate, will she tell us whether that comes within the Bill’s scope or powers?
Tim Loughton
I am genuinely impressed by the hon. Gentleman’s knowledge of Mesopotamian and other archaeology. Indeed, his own party’s Ed stone at the last election could be seen as an homage to the stele of Hammurabi, the great lawgiver of Mesopotamia in the 18th century BC. I want to query his last point, because it may well take another change to the UNESCO convention to take into account the modern phenomena of ISIL and other terrorist groups. Would he support our negotiating internationally to try to get the law brought up to date?
Kevin Brennan
I am sure that the whole House would welcome any measures that were negotiated internationally to cover these horrific crimes. In speaking for the Opposition, I am sure that we would support the Government should they seek to negotiate further international agreements to that effect.
I am conscious of the fact that the Bill will bring the 1954 convention into UK law, as well as give effect to the 1954 and 1998 protocols. In that sense, it is limited in its scope. It is important to point out on Second Reading that, although we all understand the context in which the issue has become more and more pressing in recent years, particularly in relation to what has been going on in modern Iraq—ancient Mesopotamia—and modern Syria, the Bill cannot deal with the perpetrators of such crimes. We may be able to deal with such crimes in other ways. For example, if UK citizens engaged in this activity went to fight on the side of Daesh in Syria, they might well be caught—I am sure that they would be—by other aspects of UK law, but that does not mean that the penalties available would be the same as those available under the convention in the Bill, including the possibility of a 30-year jail sentence for any breaches.
Chris Bryant
We have focused on trying to stop further outrages. Does my hon. Friend agree that the British Museum plays an absolutely vital role—not only in this country, but in modern Iraq and Syria—in trying to protect many Mesopotamian antiquities? Indeed, the British Museum was in closer contact than anybody else with those who were summarily executed.
While we are being nice to Government Members, will my hon. Friend congratulate the hon. Member for Newark (Robert Jenrick) on the fact that, from the moment he arrived in the House, he has pursued this issue?
Kevin Brennan
It would my pleasure to do so, and it is always nice, as well, to hear my hon. Friend being nice to Government Members.
As I have said, the Bill has been introduced in the context of such events, but it is important to note what it will and will not do. It will not necessarily prevent extremists from intimidating people into complying in the way that Mirza was intimidated into doing in Afghanistan. However, we welcome the ratification of the 1954 convention. It is part of an international project to ensure that we are not faced with gaping craters where great statues once stood. When she sums up, will the Minister be absolutely clear about what the Bill does and does not cover, so that there can be no doubt?
My hon. Friend mentioned the British Museum, which is a wonderful institution. If we are candid, however, we should recognise that our own hands are not necessarily entirely historically clean in relation to the removal of cultural property. That occurred in Britain’s colonial history, and it was used to build British wealth and power at the direct expense of colonised nations. Recent speculation concerning the repatriation of the Parthenon marbles to Greece, as well as campaigns to return the Koh-i-noor diamond to India and the Benin bronze cockerel to Nigeria, shows that the removal of cultural property reverberates through the centuries. I notice that the hon. Member for East Worthing and Shoreham (Tim Loughton) is shaking his head.
Tim Loughton
The hon. Gentleman is revisiting an old canard. Will he not just acknowledge that, for example, the Elgin marbles would not exist had they not been saved by the people who endowed the British Museum? The British Museum is a world museum. It is visited by 7 million people, which is substantially more than the number who visit the Parthenon in Athens. These treasures of the world can be seen in the best possible context, rather than decontextualised and open only to the few who would have to pay an admission fee elsewhere.
Kevin Brennan
I will not get into a lengthy debate about the wheres and the what happens.
Kevin Brennan
I have spent my whole life starting fights and then running away from them. That is what happens when you are quite small.
Occasionally, when we get on our high horse about these things, we should remember that there have been times during the course of history when we have removed cultural property from others during warfare and, indeed, when we have destroyed cultural property. The convention applies only to events after 1954, so we fortunately do not have to revisit all those times in too much detail; otherwise, before we knew it, we would have SNP Members going on about the Stone of Scone.
Kevin Brennan
I think the hon. Gentleman is going to mention that in his speech.
In that light, the particular attention paid in part 4 of the Bill to the export of property from occupied territory is especially important. With Britain’s history in mind, the ratification of the first protocol could be said to indicate that we have at least learned something from any past transgressions and that the UK is committed to supporting other states in avoiding that sort of event.
I understand—the Minister will correct me if I am wrong—that no one has ever been charged with the destruction of the Buddhas of Bamiyan. That brings me to some of the technical concerns about the Bill. Will the Minister say how, if at all, The Hague convention would apply to the conflict in Afghanistan and other such recent conflicts? Likewise, there are concerns that a convention written in the 1950s, of which the most recent component—the second protocol—was drawn up in the relatively early years of the internet, will not sufficiently protect cultural property in digital form. We have come a long way from the days of Keats’ Grecian urn. The success of the landmark legal case against Uber on Friday is part of an ongoing effort to bring legislation up to date in relation to digital advancements, and the Government must bear that in mind. My hon. Friend the Member for Sheffield, Heeley (Louise Haigh) and I have been busy working away in Committee on the Digital Economy Bill, which is meant to update legislation to reflect the digital revolution.
Lord Stevenson raised that issue during this Bill’s Committee stage in the Lords in relation to how cultural property is defined, and he received assurances from the Minister, Baroness Neville-Rolfe, that the wording was “flexible enough” to encompass technological advancements. If the Minister is willing to do so in her summing up, will she reinforce that reassurance that digital formats will equally be protected and included in the Bill’s definition of cultural property? As the convention dates from 1954, some of the definitions may seem slightly arcane, but some of the finest cultural objects in this country are things such as the archive of the British Film Institute—I have visited it—which can only be described as an absolute treasure trove of this country’s culture. Confirmation from the Government that such cultural artefacts are covered by the Bill, in bringing the convention into UK law, would be very helpful.
I want to ask one or two questions about how joined-up the thinking is. During the Second Reading debate in the Lords, Lord Redesdale mentioned the Ministry of Defence’s plans to create a squad of monuments men—and, presumably, women as well—whose focus would be to safeguard cultural property during armed conflicts. As I understand it, they would be soldiers with archaeology qualifications and the like. Meanwhile, the Department for Education has been campaigning against so-called soft subjects, leading to exam boards ending archaeology, art history and classical civilisation A-levels. The AQA explained its decision to cut A-level archaeology as follows:
“Our number one priority is making sure every student gets the result they deserve…the complex and specialist nature of the exams creates too many risks on that front”—
I am not sure how not offering an exam in a subject will make it any less specialist than it already is. On history of art, the AQA stated that the decision had nothing to do with the importance of the subject and
“won’t stop students going on to do a degree in it”.
That logic seems flawed to me. But it does not make a pretty picture overall, let alone a masterpiece, to have the Ministry of Defence wanting more soldiers with knowledge of art history and archaeology and the Department for Education cutting those same subjects from our classrooms, while the Department for Culture, Media and Sport is ratifying conventions and proclaiming that a national priority.
Tom Tugendhat
The hon. Gentleman is making a very fine speech, but had he spent any time in an officers’ mess, he would realise that art history surrounds people, archaeology is what they are equipped with and history of culture is often what they are eating. I do not feel that there is a need for much more qualification than that.
Kevin Brennan
I have spent a lot less time in officers’ messes than the hon. Gentleman, but I have spent a lot of time in the classroom as a teacher. The loss of those subjects undermines the Government’s stated aims. I will make this next point very carefully, but it seems to me that it should not only be those who have had access to those subjects through private education, who may well form a disproportionate number of officers in the armed forces—[Interruption.] I will allow the hon. Gentleman to correct me that score, but it should not be only those people who qualify for these jobs in the monuments squad that the MOD says is necessary and wants to recruit. Will the Minister therefore indicate which policy is the outlier? I am sure that she will produce a very creative argument to explain everything to the House.
I have outlined some of the issues that need to be clarified, but we support the principles behind the Bill because they firmly chime with our own. At the core of the convention is the belief that we must co-operate to promote human wellbeing. The 1954 convention states that
“damage to cultural property belonging to any people whatsoever means damage to the cultural heritage of all mankind, since each people makes its contribution to the culture of the world”.
The Labour party has championed those beliefs throughout our history—that everyone is entitled to their culture and heritage and their right to express it, that the success of one is tied to that of all society and that we must work in solidarity with each other because we are all the better for it when we do so.
Given the unfortunate and occasionally ugly tone of political discourse in recent times, the Bill is a welcome reminder of internationalist values and shared civilisation and culture. We have had an increase in attacks since the Brexit vote. In that context, the Bill recognises the importance of preserving our collective past and cultures and the fact that that is now more important than ever, whatever someone’s heritage and background.
The Bill is a signal to the international community not just of our national priorities but of the UK’s remaining willingness to co-operate on an international scale and a recognition that we can often enact change better together. It gives welcome hope that, although occasionally some Government rhetoric may shrink towards little England, Britain still has great aspirations to play a leading role in a rules-based world. The Bill may not be controversial, but it is a small beacon showing that the Government recognise that division is not the way forward, that we have more to gain through co-operation internationally and that we should extend to Syrian people fleeing conflict and seeking refuge the same respect that we give to their ancient architecture and monuments. We will not oppose the Bill; rather we hope the principles behind it will permeate through the Government’s principles.
Mr John Whittingdale (Maldon) (Con)
I am delighted to welcome the Bill’s Second Reading. As has been pointed out, this is a Bill we have welcomed in the past; indeed, I chaired the Select Committee that considered the draft Bill in 2008, when we subjected it to pre-legislative scrutiny. At the time, we very much welcomed the Government’s intention to introduce it. We pointed out that then it was 55 years since the adoption of The Hague convention and that 118 countries had already signed it. Another eight years have passed since then, and I am proud that the Bill should finally go on to the statute book under a Conservative Government in their second Session in office.
When we took evidence, it was pointed out to us that there had been some examples of damage to heritage assets during the course of the Iraq war, particularly some in the city of Babel, that may have been caused by coalition forces. Although that was obviously not deliberate, it highlighted the importance of stressing the need to protect cultural assets.
Chris Bryant
I have a specific question on cluster munitions. The right hon. Gentleman just used the words “not deliberate” in reference to the fact that often some cultural objects are destroyed in war. Cluster munitions can be so indiscriminate and they spread across a wide area, and so their use is one reason why cultural objects are often destroyed. Is it not incumbent on us now as a country, having given up cluster munitions ourselves, to try to persuade all our allies to do the same?
Mr Whittingdale
I sympathise with the hon. Gentleman’s point. All signatories to the convention should certainly do their utmost to prevent damage to cultural assets and assets that have been identified as culturally important. I would therefore expect our allies who are signatories to adopt that approach as much as we do.
As has already been raised, however, there is a huge gulf between what may have happened as a result of actions by forces in the Iraq war and what we have seen being carried out by Daesh in Syria in recent years, in Palmyra in particular but in other places as well. The first priority has to be the humanitarian crisis and preventing loss of life, but the destruction of cultural assets is hugely damaging. As has been said, they are part of the history and national identity of a people. They are also, potentially, part of their salvation, for when conflict comes to an end cultural assets can represent economic assets from which one can rebuild an economy by attracting people to visit.
Cultural assets are also part of the world’s heritage, and we all have a duty to do our utmost to safeguard that heritage. For that reason, I was delighted when the Government established the cultural protection fund, worth £30 million, and I pay tribute to my right hon. Friend the Member for Tatton (Mr Osborne), Chancellor of the Exchequer when the fund was established, and the Education Secretary, who was then Secretary of State for International Development, for their part in agreeing to that, as a large part of the fund can be classified as international aid. I also pay tribute to Neil MacGregor—he has already been mentioned—who was the driving force for the establishment of the fund. He and I launched it together, and, as the director of the British Museum at the time, he took responsibility for the first phase, a £3 million fund administered by the British Museum to send archaeologists into Iraq to advise and help in restoration where damage had taken place.
I was also immensely privileged to meet Dr Maamoun Abdulkarim, who is director-general of antiquities in Syria. He was the boss of Khaled al-Asaad, whom the hon. Member for Cardiff West (Kevin Brennan) mentioned. Dr Abdulkarim described the courage shown by his colleague, who did not wish to divulge where very valuable artefacts had been concealed and as a result was beheaded by Daesh.
The question of whether Daesh comes under the definition of occupying forces has already been raised. Even if it did, one has to admit that it seems unlikely that the passage of an Act will prevent it from carrying out such horrific atrocities. But it will send a very important signal. It will also have an effect on our own forces.
Tom Tugendhat
My right hon. Friend makes a good point. Although I appreciate his point that the Bill is unlikely to dissuade Daesh from its actions, it may affect its ability to support itself financially, because one of the ways in which it currently fills its coffers is by selling looted artefacts.
Mr Whittingdale
My hon. Friend makes an extremely good point. Most of the attention has been on wilful destruction, but he is absolutely right that the trade provides finance to Daesh. We must do everything we can to stamp that out, which is why I support the principle that it should be unlawful to deal in illegally exported cultural property.
I pay tribute to the efforts already made by the Ministry of Defence and commanders in the field to abide by the terms of the convention, even when it was not ratified. When the Committee took evidence from the MOD, it said it would review and strengthen the commitment it had already given that training should take account of the absolute priority of abiding by the requirements of the convention.
The Committee heard concern about one aspect of the Bill: the offence of dealing in unlawfully exported cultural property. The first concern was about the definition of occupied territories. At the time, we were told that it was a very narrow definition, or that only a narrow group of countries or territories could be considered to be occupied. In 2008, the regulatory impact assessment identified the Golan heights, East Jerusalem and the west bank. Unfortunately since that time, the list of occupied countries has grown—I draw attention to Crimea. For the purposes of certainty for those dealing in cultural objects, it would help if we clarified exactly which territories we consider to be occupied.
The more serious concern related to clause 17, which makes it an offence
“to deal in unlawfully exported cultural property, knowing or having reason to suspect that it has been unlawfully exported.”
As has been pointed out by the legal advisers, there is a huge difference between “having reason to suspect” and “to suspect”, which is causing concern. If the definition of the offence covers “reason to suspect”, it gets into mens rea, as I understand lawyers call it. I will leave it to my right hon. and learned Friend the Member for Harborough (Sir Edward Garnier) to say more on that subject with considerably greater expertise.
The issue was flagged up for the Committee when we looked at the Bill eight years ago, which is why we suggested a clearer requirement of dishonesty. That is what currently applies in the Theft Act 1968, which carries a penalty of seven years, and in the Dealing in Cultural Objects (Offences) Act 2003, which also carries a penalty of seven years. The Bill introduces a penalty of seven years, and therefore it seems reasonable to ask that the same threshold should be required. I am delighted to hear from the Secretary of State that she is aware of that concern and will have further discussions.
Kevin Brennan
The right hon. Gentleman makes an important point. Is he aware how many people have been convicted under the 2003 Act? My understanding is that the number is very low, and perhaps even zero.
Mr Whittingdale
That point was made by my hon. Friend the Member for East Worthing and Shoreham (Tim Loughton) earlier. The fact that there have been no convictions does not necessarily imply that the Act is not working—it is important to have it on the statute book. I do not believe that this country is full of dodgy art dealers who wilfully ignore the law and deal in plainly illegally exported objects.
Sir Edward Garnier (Harborough) (Con)
Nor should we go around lowering the threshold in order to scoop up innocent people.
Mr Whittingdale
My right hon. and learned Friend makes a perfectly valid point and I agree with him. The art market is determined and supports the Bill. The last thing it wants is for this country to become a place where people can deal in unlawfully exported objects. It is worth bearing in mind that the market is hugely competitive and the third biggest in the world—it was worth something like £9 billion in sales in 2014. I would not like to see it inadvertently put at a disadvantage compared with other markets around the globe. I hope the Government bear that in mind. As I have said, I very much welcome their commitment.
Mr Whittingdale
If my hon. Friend will forgive me, I have finished my speech.
Brendan O'Hara (Argyll and Bute) (SNP)
The Scottish National party Members and the Scottish Government very much welcome the Bill and the purpose it serves. The Government can be assured of our support in getting this much needed legislation through Parliament so that we put in place the necessary domestic legislation to enable the UK to ratify The Hague convention for the protection of cultural property in the event of armed conflict, and to accede to both the 1954 and the 1999 protocols.
I share the concerns expressed by the hon. Member for Cardiff West (Kevin Brennan) that a 1954 convention that was last updated in 1999 may lack understanding of what is required in the 21st century, particularly the need to deal with the role of non-state actors in modern conflict in the destruction of cultural heritage. With that caveat, SNP Members are firmly of the opinion that, no matter where it is located in the world, we all benefit from a rich and diverse historical and cultural heritage, and that every effort must be made to protect it in a time of war—and, indeed, at all times. Although there has been widespread parliamentary support for that, going back many years, time has never been found—for whatever reason—to introduce primary legislation to ensure that the UK can fully meet its obligations as set out in the convention and subsequent protocols. Many hon. Members have said that the Bill has been a long time coming—it has been 62 years—and I fear that, had it been delayed any longer, it would be almost as old as some of the artefacts it is designed to protect.
We welcome the fact that that wrong is about to be put right, and that very soon the United Kingdom will join many other nations in tightening up its domestic law on the protection of cultural property in a time of conflict. I happily acknowledge that, despite the Government not ratifying the convention, UK armed forces fully comply with it during military operations, and recognise the blue shield—the emblem that identifies cultural property protected under the convention and protocols. In ratifying the convention and protocol, the UK will formalise the responsibility of its troops when they are operating in armed conflict overseas.
In 2008, when the subject was last debated in Parliament, one of the main concerns was whether such a Bill would constrain our troops on military operations by limiting their freedom to protect themselves should they come under fire from opposing forces based in a museum or holy place of worship. Back then, the Ministry of Defence appeared to be confident that the passage of the Bill would not be problematic. I was pleased when the then Minister for the Armed Forces, the hon. Member for Portsmouth North (Penny Mordaunt), repeated last year that the cultural property convention is upheld across the armed forces. We know that they currently act within the spirit of the convention and are fully compliant with their own statute. Given that the Ministry of Defence was so relaxed about the consequences of ratifying the convention—the ’54 protocol and the ’99 protocol—last year, I trust that nothing has happened to change its view.
If anything, that view should have hardened as the stories and images of the wanton destruction by Daesh of some of the world’s greatest and most important heritage sites in Iraq, Libya and Syria have become widespread. The destruction of temples, churches and mosques, as well as the ancient cities of Palmyra and Nimrud, can be seen only as deliberate and calculated attempts to erase our collective human experience. They were unspeakable and barbaric attacks on thousands of years of human progress and civilisation.
UNESCO director-general Irina Bokova was right when she branded the activities of Daesh as
“a form of cultural cleansing”.
What Daesh is doing, in willfully desecrating and pillaging the artefacts in those sites, is a shameful and inexcusable crime against all of humanity. But let us be clear, not everything that Daesh is doing can be dismissed as simply malicious vandalism or an attempt to eradicate all traces of a pre-Islamic civilisation, as there is irrefutable evidence that when Daesh seizes a new city, one of its first acts is to plunder the museums and cultural sites for artefacts to raise much needed cash. Its looting of priceless artefacts is done for profit, and the flood of stolen antiquities being smuggled into the open arms of collectors across Europe and America shames us all.
Michael Danti, a Boston University archaeologist who advises the US State Department on smuggled antiquities, said last year,
“What started as opportunistic theft by some has turned into an organized transnational business that is helping fund terror”.
Irreplaceable artefacts are being stolen from an already beleaguered people and are being sold on the black market to an unscrupulous but fabulously wealthy elite, whose money is funding Daesh’s murderous campaign.
I am delighted that the Bill will make it a criminal offence to deal in cultural property that has been illegally exported from a territory that has been occupied during an armed conflict. Such a measure is long overdue and very welcome. We urge the UK Government actively and vigorously to implement the measures outlined in the second protocol of 1999 and bring to justice those individuals who engage in and profit from the illegal and totally immoral trade in stolen ancient artefacts.
As the respected Lebanese-French archaeologist Joanne Farchakh told Robert Fisk of The Independent last year, antiquities from Palmyra are already on sale here in London. She explained that Daesh sells the statues, stone faces and frescoes to the international dealers. Daesh takes the money, hands over the relics and blows up the temples and buildings they come from to conceal the evidence of what has been looted and, presumably, to help to protect the identities of its paymasters—the dealers and collectors across Europe and America.
France Desmarais, the director of programmes and partnerships at the International Council of Museums, has described what has happened in the middle east as the largest scale mass destruction of cultural heritage since the second world war. That has to stop, and hopefully the Bill, by creating a new offence for a person to deal in cultural property, knowing or having reason to suspect that it has been unlawfully exported from occupied territory, will go some way to stopping it. We welcome that. The purchase of plundered antiquities in such circumstances is deeply immoral on so many levels, and if the Bill can stop the trade and bring those guilty of dealing in looted artefacts to justice, it will have served much of its purpose.
A people’s cultural heritage is a crucial part of who they are and what they were in the past. For almost all communities, anywhere in the world, it is a symbol whose importance cannot be overstated. What also cannot be overstated is the social and economic importance that that cultural heritage will have in helping Syria, Iraq, Libya and others to begin to recover, once Daesh is defeated. I sincerely hope that the Bill will ensure that, post conflict, plans are in place to repair as much of the damage that has been done to the cultural heritage of communities as possible. It is incumbent on us, and the rest of the world, too, to help them to regain those important and socially valuable, tangible reminders of their cultural identity, around which they can repair in peaceful times.
While The Hague convention is specific to times of armed conflict, the work of protecting cultural heritage must also continue in peacetime. In the spirit of the convention, we urge the Government to take this opportunity to return the Parthenon marbles—the Elgin marbles—to Greece where they belong. The passing of the Bill and the ratification of the protocols give the Government an excellent opportunity to lead by example and celebrate the ratification of the convention with a highly appropriate and long overdue gesture.
Finally, let me reiterate the position of the Scottish Government. It is for the UK Government to accede to an international instrument such as The Hague convention and it is important that the same or similar standards are applied across the UK. The UK Government’s Bill contains all the provisions that are necessary to enable implementation of the convention in the UK, while making appropriate provision for Scotland. It is the view of SNP Members and the Scottish Government that it is in the interests of the Scottish people and good governance that the provisions outlined within the Bill should be considered by the UK Parliament, and we will support its passage through this place.
Mr Edward Vaizey (Wantage) (Con)
I am grateful for the opportunity to speak briefly in the debate. As I have mentioned, I may not be able to observe all our conventions, as I will shortly host an event for the Holocaust Educational Trust. That may be pertinent, as it is worth reminding the House that the UK has been in advance of many other nations in dealing with spoliation—the unlawful taking of goods from the Jewish community during the second world war. That issue has been handled well in this country, which bodes well for how we will handle aspects of The Hague convention in the future.
One waits six years for a DCMS Bill and then, like buses, two come along at once. I am pleased that I have been able to speak in debates on the Digital Economy Bill and this Bill. I wanted this Bill for a long time as Minister. When I was an Opposition spokesman, I remember looking forward to its introduction by the Labour Government, but it fell by the wayside as the election approached. I argued vociferously for six years for the Bill, but for some reason the Government’s business managers did not see its importance. I am glad that, under the new Government, they do understand how important it is. Many officials have brought it to fruition, but I wish to mention Hillary Bauer, who originally brought the Bill forward. So long has the process been that she has now retired. Of all hon. Members who have an interest, I wish to pick out in particular my hon. Friend the Member for Newark (Robert Jenrick), who has been vociferous about cultural protection. He has engaged with me and my right hon. Friend the Member for Maldon (Mr Whittingdale) about the issue.
I wish to draw the Minister’s attention to three issues for when she sums up. Having watched the video of her playing keepy-uppy last week, I know that her summing up will be something to behold. First, I hope that she will make it clear that our own troops will not be at risk under the convention. The convention and the Bill make it clear that it is the intentional destruction of cultural property that comes within their scope—something that our British troops could never be accused of doing. They already act within the terms of the convention, and indeed it is wonderful to hear that the Ministry of Defence is working with DCMS to set up a 21st-century version of the monuments men, made up of people from the Army reserves. I would welcome any information the Minister has on progress regarding that point.
Secondly, on the vexed question of clause 17, my understanding is that the convention has been in place in Germany for the past 10 years and I know of no cases in which art dealers have unwittingly been brought within its scope. The legislation is clear: there must be some degree of suspicion on the part of any dealer before they could possibly be brought within scope. Given the noble profession of art and antiquities dealers in this country, any dealer who had a suspicion that something had been looted or trafficked would immediately alert the authorities, so dealers have nothing to fear from the Bill.
My third point is about the cultural protection fund, which is close to my heart and something for which I campaigned as a Minister—wholly unsuccessfully—on the back of Neil MacGregor, the then director of the British Museum. He said to me early in my time as a Minister that the museum, and many of our other national museums, do extraordinary work in many jurisdictions to support the work of archaeologists and the preservation of antiquities. My campaign was unsuccessful until my hon. Friend the Member for Newark raised the issue. I think the situation in Palmyra also changed the Chancellor’s mind.
I am glad that the Department for International Development has, I gather, stumped up most of the money for the cultural protection fund. It is deeply frustrating that the terms under which DFID operates—the alleviation of poverty—seem to preclude it from helping out in these areas. The fact remains that our national museums do this work all over the world, and it seems to me wholly legitimate that international development funds should supporting the skilling up of people in developing countries in archaeological expertise, as well as the preservation of their culture. We should, without doubt, support that.
I urge the Minister and the Secretary of State to take the cultural protection fund as a starting point for the UK to become an international centre for the preservation of antiquities and the skilling up of archaeological schools around the world. Members in the other place have suggested that we could become a repository—a digital archive—for some of the great treasures around the world, as well as the centre for the blue shields. I urge the Secretary of State to take that up.
Finally, I cannot resist the bait from the Scottish National party spokesman, the hon. Member for Argyll and Bute (Brendan O'Hara). He talks about the Elgin marbles. I am afraid he does this great convention and the Bill a disservice by bringing up the Elgin marbles. They were, of course, purchased legitimately in the 19th century. Not only that, they have been preserved to the very highest standards possible in the greatest museum in the world which, as my hon. Friend the Member for East Worthing and Shoreham (Tim Loughton) pointed out, is a world museum that is open to all, free of charge. The Elgin marbles are seen in pristine condition by millions of people. Indeed, they were recently loaned to Russia for even more people to see, which goes to show that the British Museum preserves the Elgin marbles not for any national self-interest, but for the world.
Dr Matthew Offord (Hendon) (Con)
It is a great pleasure to follow the former Minister. I am sure he recalls the many occasions I asked him about this very issue. He did tell me, in answer to a written question, that he intended to legislate as soon as possible, so he will be pleased that this day has now come. The Bill is very important not only for this country but for the protection of cultural property worldwide. We need to play our part to safeguard the centuries-old cultural and religious heritage of the world.
The UK is the only member of the UN Security Council that has not yet ratified the convention. The Bill seeks to change that. Ratification would be an important step towards the UK becoming the first permanent member of the UN Security Council to have ratified both the convention and its protocols. I am very pleased about that.
I am aware that the Opposition, when in government, published the draft Cultural Property (Armed Conflicts) Bill in 2008. Many of us regretted that that Bill was not passed then. As the Opposition spokesman, the hon. Member for Cardiff West (Kevin Brennan), said, the Labour Government simply ran out of time, and I am pleased that Labour supports this Bill. Back in January, I called on the Leader of the House to bring forward the Bill in the Queen’s Speech and I am pleased the Government have chosen to do so.
The destruction of cultural capital is a powerful propaganda tool and is part of a long history of demoralising communities. The Opposition spokesman mentioned the Nineveh period, but I have to say that in this country the Vikings started it. Recently, in Syria, we have seen the continued destruction of places such as Palmyra. Indeed, the Bill has been introduced as a result of that continuing catastrophe. It is, however, not the first catastrophe to have taken place.
The Government say that the Bill will ensure that the UK can act, and be seen to act, legitimately according to international law in response to such crises. Baroness Neville-Rolfe said in the other place that the Bill will mean that a UK national who is fighting with Daesh in Syria can be prosecuted in relation to
“theft, pillage or misappropriation of, and any acts of vandalism directed against, cultural property”.
I do not quite share her confidence. I recently wrote to the Home Office to ask how many UK nationals had travelled overseas to engage in terrorist activity and had subsequently returned to the United Kingdom. In response I was told that
“around 850 linked individuals have travelled to engage in the conflict since it began, and just under half of those have returned.”
I went on to ask how many people had been charged with terrorism offences committed overseas on their return to the UK in each of the last three years, and was told:
“The number of individuals suspected of involvement in acts of terrorism or criminal matters who are arrested and then formally charged is recorded and collated in the Home Office Quarterly Statistical Bulletin which was last published on 22 September 2016. These statistics do not disaggregate arrests, charges and convictions relating exclusively to overseas returnees.”
So the answer is that the Home Office does not know. I am not sure how it would be possible to identify a UK national fighting with Daesh in Syria and prosecute them in relation to
“theft, pillage or misappropriation of, and any acts of vandalism directed against, cultural property”
when the police are not able to prosecute jihadis returning from Syria.
The Bill is particularly important to me because it is very important to a large number of my constituents. Cyprus has witnessed its cultural and religious heritage fall prey to the policy of pillage, destruction and desecration instituted after the illegal invasion of the island in 1974, and during the subsequent and continuing occupation. Churches, chapels, monasteries, archaeological sites, libraries, museums and private collections of religious art and antiquities in the occupied areas of Cyprus have been systematically looted. The art treasure market of the entire world has for years been flooded with Cypriot antiquities from the occupied part of Cyprus. Sculptures, ceramics, figurines, statuettes, tools, weapons, frescoes, religious paintings and other works of art from Cyprus are routinely found at auction houses around the world, in particular here in London. I sought to intervene on my right hon. Friend the Member for Maldon (Mr Whittingdale) to gently remind him that London is not only a centre of antiquities; it is likely to be a significant place for illegal antiquities, too. Research undertaken by The Guardian found the illegal market to be flooded with antiquities, and there are various reasons why the Government have not been able to stop it.
Since the 1974 invasion of Cyprus, 77 churches have been converted into mosques after being stripped of all icons and church furnishings. The others have been pillaged, destroyed, used as stables, warehouses, garages, arsenals, mortuaries, hotels, art galleries and night clubs or simply abandoned to their fate. My hon. Friend the Member for Enfield, Southgate (Mr Burrowes) and I know this very well, having visited many of these locations. That number, however, does not include 50 sacred buildings whose condition is still not known because they are located in zones under direct military control, and others that have been demolished. Numerous archaeological sites in the area have not escaped theft and despoliation either.
Other reasons for alarm are the removal and selling of mosaics, frescoes and thousands of icons, which are now practically lost in the international market of smuggled art works. This phenomenon is unfortunately common to many areas of the middle east, as they experience war and conflict. One of the more clamorous examples is the church of Panagia Kanakaria, which held a work of art of inestimable value. Its apsidal mosaic from the Justinian period was one of the few images in the eastern Mediterranean that had survived the fury of the iconoclasts. In 1979, it was removed, stolen and broken up. It represented Christ in the arms of the Virgin seated on a throne, surrounded by the archangels Michael and Gabriel and thirteen medallions with the faces of Christ and the apostles. Four pieces re-emerged in Europe in 1988. A Turkish art dealer, Aydin Dikmen, offered them to the American antique dealer Peggy Goldberg, who in turn offered them to the Paul Getty Museum in Malibu. The museum was savvy enough to realise there was something wrong and went to the American authorities. I am pleased to say that these pieces have now been returned and can be seen in the Byzantium museum in Nicosia, which my hon. Friend the Member for Enfield, Southgate and I have also visited. That is just one example of destruction and illegal sale. At this point, I would like to congratulate my constituent Dortos Partasides on his work documenting churches on the island. His invaluable work documents the destruction that has occurred over many years.
Returning to the Bill, London is one of the world’s largest antiquities markets and is considered a natural destination for looted goods. There have been UNESCO conventions on antiquities since 1970. At the beginning of the year, the UN Security Council banned trade in artefacts illegally removed from Syria since 2011 and from Iraq since 1990 in an effort to stop the funding of terrorism groups. Enforcement in countries such as Syria is near impossible for obvious reasons, but in the destination countries, including the United Kingdom, it is up to law enforcers to establish when those objects left conflict zones.
Just as I am concerned about the prosecution of theft and vandalism of cultural artefacts, I am concerned about how the Government intend to legislate on what constitutes “an illegal antiquity”. A common practice by smugglers is to claim that an antiquity has been in their family for a long time, and so it could not have been smuggled. They also sometimes say, “I bought it at auction, and there is no paper trail.” Or they could say it came from a private collection in Jordan or Lebanon a couple of years ago. How do the Government propose to prove that any of these treasures were smuggled out during a conflict?
That said, I support the Bill, which will greatly assist in not only tackling further looting, but ensuring that stolen property such as that stolen from Cyprus will be returned to its legal and rightful owners, because it will make it an offence to deal with cultural property that has been illegally exported from territory occupied during an armed conflict and it will provide powers for the forfeiture or seizure of such cultural property.
Mr David Burrowes (Enfield, Southgate) (Con)
Speaking as co-chair of the all-party group for the protection of cultural heritage, it is a pleasure to support the Bill. One of the main reasons for establishing the APPG was to support the ratification of The Hague convention and it is great to see the aim fulfilled in the passage of the Bill.
We MPs are probably creating an impression that seems far removed from watching a Formula 1 grand prix, but I would like to draw an analogy. We can share the same enthusiasm as is expressed in Mexico City when the grand prix takes place. Until this Cultural Property (Armed Conflicts) Bill is enacted, the UK is, let us say, at the back of the international grid. That is significant; that is what this is about. We are at the back of 127 countries that have already ratified The Hague convention. We are catching up with those already on the grid that have got away in the race, to ensure that we fulfil our international obligations.
We can recognise through domestic legislation, through our compliance with European legislation, through sanctions and through other legal forms that we have played our part in seeking to hold to account those who are illegally trading in arts and antiquities, but while we were out there seeking to take a lead, just as we did with the cultural protection fund, it was somewhat embarrassing that we were not ratifying The Hague convention. We had taken an international lead in this area in many circles, but we are now playing catch-up in this particular respect. Now we are on the grid, showing that we mean business.
We were at the back of the grid regarding the permanent UN Security Council members. That is particularly significant because the Government have in the past flirted with ratification. I would like to pay tribute to Members who have expressed cross-party concern which has helped to ensure that we have got where we are today. I pay particular tribute to my right hon. Friend the Member for Maldon (Mr Whittingdale), who got behind the wheel. He was there as poacher turned gamekeeper, scrutinising legislation and seeking to bring it to fruition. He responded to calls from across the House. From my limited experience as a Parliamentary Private Secretary in various Departments, I know how difficult it is to make progress in managing the business and get a Bill into a legislative programme in a second Session of Parliament. That is why we must pay my right hon. Friend a particular personal tribute for bringing us up to speed.
Over the passage of time, we benefit not only from the ratification of The Hague convention, but from inclusion of the first and second protocols. That has helped us to get into pole position on the grid with other Security Council members. I hope that speedy passage of the Bill will mean that we get there first—although 60 other countries have got there before us! Still, among the permanent members we will get there first, which is important.
I am not an expert in many things, including arts and antiquities, archaeology or history, but I have developed a particular interest in cultural property and heritage, as I have seen and started to understand the impact of the destruction of such cultural property—yes, in relation to recent scenes in Syria and Iraq, but also, as my hon. Friend the Member for Hendon (Dr Offord) said, what has happened in northern Cyprus. When we visited northern Cyprus, we saw that appalling acts of desecration and pillaging had taken place and not been properly taken account of. Given that it is an occupied territory, we should try to ensure that that happens if any objects come into this country’s jurisdiction.
I am concerned, as doubtless we all are, about human dignity. That is what gets my passions and convictions going. It is important to see the appropriate link between the trafficking of human beings and the trafficking of cultural property. There is the same disregard for people, for their faith, for their community and for their identity. Indeed, there is a cross-over from funds from trafficking providing further resources for exploitation—whether it be of property or of human beings. It is therefore appropriate that the Secretary of State introduced the Bill today, given that she guided the Modern Slavery Act 2015 through the House so well. She will fully appreciate the connections that I mention and the concern for human dignity.
As museums and other such places see architectural monuments, works of art and manuscripts mainly as aesthetically significant and pleasing, it is important to realise, as already mentioned, that the destruction and looting of these items is an offence to human dignity. The culturally unique way in which communities relate to their property demonstrates that a property can be much more than an isolated monument or piece of art. It can be very much part of a cultural narrative, authored by the people who live among that cultural heritage. This is what makes the whole issue of cultural property a wider project of concern for us all, particularly when we see the ravages of destruction. As my right hon. Friend the Member for Maldon quite rightly said, within the ravages, the debris and the ruins, we must look at the hope and opportunity of restoration. That is why the cultural protection fund is so important. That is why within the second protocol, although the voluntary fund administered by UNESCO takes some hits from different commentators, it still plays an important role. The funds going into it are important for the future, so we should contribute.
I must pay tribute to Tasoula Hadjitofi. I got to know her through her concerns about her home in Famagusta, which is still frozen in time. With all the pillaging that has gone on, it is as though her whole identity has been frozen. Through the “Walk of Truth”, she looks at areas of conflict and sees examples of property being pillaged and destroyed, but she tries to view what has happened as a means of bringing the communities together. She provides routes to reconciliation, which is something that we should commend.
I welcome the fact that at last the UK will be able proudly to bear its international duty to protect. My interest, as already alluded to, is a constituency interest. A considerable number of Cypriots live here in the UK, who have seen for themselves wanton destruction and pillaging of their heritage. That is why it is so important that we join together and make sure that this long-fought battle to ratify The Hague convention comes to fruition. We look forward to the unification of Cyprus in the long term, but in the meantime, we must make sure that people are held to account when they seek to profit from the proceeds of crimes of destruction.
Let me touch on the Bill’s wording, which has been a matter of concern to the Association of Art & Antique Dealers and others. Clause 17 in part 4 needs careful attention, and we will no doubt hear more from Members about it. It is worth noting that the National Police Chiefs Council lead for heritage and cultural property crime, who should be commended and for whom resources for the enforcement effort are important, said that given that dealers in cultural property are expected to conduct due diligence checks, they would be unlikely to fall foul of the objective test of “reason to suspect”. The Department for Culture, Media and Sport impact assessment is in agreement with that, which is perhaps not surprising.
We could also look at precedents. Section 338 of the Proceeds of Crime Act 2002 is relevant, and honest dealers have been able to rely on the same form of words: “reason to suspect”. It is not dissimilar to the Dealing in Cultural Objects (Offences) Act 2003, which makes reference to the terms “knowing or believing”. It is similar, too, to the sanctions order referenced in respect of Daesh, both the Iraq sanctions order and the Syrian sanctions order, while there is also the example of article 11c in the EU Council regulations. Again, the language is similar, mentioning “reasonable grounds to suspect”, so there is parity with the Bill.
Other countries have enacted the ratification of The Hague convention in their own domestic law, and the wording of section 17 of New Zealand’s Cultural Property (Protection in Armed Conflict) Act 2012 in respect of reasons to suspect someone of committing an offence is similar to the wording of clause 17 of the Bill. That is worth pursuing in Committee.
As has been pointed out, the Bill has limitations. For instance, it does not cover the international law definitions in relation to Daesh, because we do not recognise Daesh as a state. I appreciate that, and I appreciate that the gaps are filled by the sanctions orders and other legislation, but now that we are up to speed and in pole position in relation to the first and second protocols, I urge the Government to ensure that we work collaboratively, on a cross-party basis, to create a third protocol to deal with the activities of Daesh.
I pay tribute to the cultural protection fund, and look forward to seeing it do good work in the coming weeks, months and years. I also pay tribute to the work of Lieutenant Colonel Tim Purbrick, who has set up a property protection working group of so-called monuments men. He is doing fine work, and we must ensure that the Ministry of Defence gives his group all the support that it needs.
I could go on, Mr Speaker. I have a long night’s sleepout waiting for me at Lords cricket ground in support of the good work of the homelessness charity DePaul UK. However, I recognise that other Members probably do not want such a long night, and would prefer me to cut my speech short. Let me end by saying that I strongly support the Bill. We have waited a long time for it, but better late than never. It is certainly worth it, because it protects not only property but human dignity.
Robert Jenrick (Newark) (Con)
As such a lowly Member, I was not expecting to be called at this point, so thank you for doing so, Mr Speaker.
I warmly welcome the Bill. Eighteen months ago, a select band of us—a happy few—engaged in a Backbench Business debate. My hon. Friend the Member for East Worthing and Shoreham (Tim Loughton) made a particularly notable speech, which led to his being described as the Gertrude Bell of the House of Commons. I felt like a pupil sitting at the feet of the professor; the House may have the same experience later this evening.
During that debate, we called for three things. First, we asked that a great wrong be righted and that, after all these years, The Hague convention be brought into our law. Secondly, we asked for something to be done to enable us to make a practical contribution to staving off extremism in the middle east and to build capacity among those who were on the front line of protecting culture. We built on the idea of many others before us of creating a national cultural protection fund. Thirdly—this was equally important—we asked the Government to escalate the issue of cultural protection, tackling the illicit trade in antiquities and, more generally, to take seriously Britain’s role as a world leader in cultural diplomacy. That would of course include cultural protection, which is currently centre stage.
It is greatly to the Government’s credit that they listened, and just 18 months later, they have acted on each of those concerns in a way that no previous Government have done. I thank the former Prime Minister, David Cameron, and the former Chancellor of the Exchequer, my right hon. Friend the Member for Tatton (Mr Osborne), and my right hon. Friends the Members for Maldon (Mr Whittingdale) and for Wantage (Mr Vaizey), who pushed these measures through when they were in office. I thank cross-party colleagues such as the hon. Member for Rhondda (Chris Bryant)—continuing our earlier bromance—and my hon. Friend the Member for East Worthing and Shoreham, as well as, of course, the current Secretary of State and Ministers.
I am grateful to persistent and eloquent supporters outside Parliament. The most notable, in my view, was the former director of the British Museum, Neil MacGregor, who was a superb supporter on all three of the fronts that I mentioned earlier. Indeed, he was the instigator of many initiatives.
When we first raised these issues two years ago, the legitimate retort from many, especially in the media, was to ask why we should be interested in the destruction of mosques, libraries, souks and documents, when the real tragedy in places such as Syria, Iraq and Yemen was an unimaginable human tragedy: the murders, the rapes, the starvation, the displacement and the ethnic cleansing. One answer, of course, was that the scale of the destruction in recent years was so great. It was the greatest in any era since the end of the second world war, and some of the greatest sites of our shared civilisation were affected: Aleppo, Mosul, Nineveh and Palmyra. We were facing one enemy, Daesh, that was doing more to destroy the world’s cultural heritage than any other group since the end of the second world war, if not before.
The destruction that we saw 18 months or two years ago has continued, if not escalated. Only last week, we were discussing the conflict in Yemen, and a corollary of that has been the destruction of much of the great city of Sana’a, with its wonderful tower houses, any one of which would be considered one of the great monuments of other parts of the Gulf.
The second answer to that question—which is, perhaps, more important to me and which is relevant to what we have heard from my hon. Friend the Member for Enfield, Southgate (Mr Burrowes)—is that there was a human dimension. That was brought home to me earlier this year when Nadia Murad, whom many Members will remember, came to Parliament on a couple of occasions to speak to us. When I talked to her afterwards, she surprised me, given all that she had been through—she had been raped and beaten, and her family members had been killed in front of her—by emphasising the destruction of the culture of the Yazidis as much as her own physical and mental torture. That, she said, was because she felt that there was a wider attempt to rob future generations of any connection with their past and that extremists were trying to impose their own contorted views on her and her people and eradicate their ancient culture.
We should bear in mind that some of the people who have been on the frontline of protecting our culture have faced a very great penalty for that in recent years. We have already heard about Professor al-Asaad, the wonderful creator and director at Palmyra, who lost his life while trying to defend treasures there. I have been told other stories over the last few years, and one in particular stuck with me. It concerned a guard who used to take money and open the gates at Nineveh and whom members of the British Museum had known for many years. He was a wonderful elderly gentleman who refused Daesh entry and was subsequently executed. To compound the tragedy, every male who attended his funeral service a few days later disappeared and was executed, including all the known staff of that wonderful site.
There are countless other stories. Only recently, when I had the pleasure of bringing to Parliament the first archaeologists and curators who had come here from Iraq, thanks to the cultural protection fund, and who were later given some press attention in The Times and The Daily Telegraph, they had to remain anonymous owing to the grave risk that, even when they returned to fairly safe parts of Iraq, extremists would target them because of the work that they were doing.
The last reason why I felt that this was important then—I think that it remains so today—was not just the destruction, but what was happening to the material that was being systematically looted and stolen. This is a revenue stream for Daesh, the Assad regime and others. As Neil MacGregor so eloquently put it, sculptures were being turned into tanks, which should worry us all. The channels used by that trade are at times very dark and very dangerous. As we have already heard this evening, they are interwoven with the drugs trade, the arms trade and human trafficking. The lines established in Iraq, from which much of the material is moved, were established by Saddam Hussein and his regime. Action here matters to us all, whether or not we care about the cultural aspects, because it is part of tackling extremism and part of tackling serious organised crime and the funding of terrorism.
While this cultural barbarism at times appears utterly hopeless, and we have to temper our remarks about what we can possibly achieve, I always believed, as did many others, that it was possible to do something and that we could make a modest national contribution while also, as part of that process, enhancing our reputation as a country in the region and around the world. That is what this Bill really does, and we have to see it in tandem with the cultural protection fund, which is an important aspect of our cultural diplomacy. It gives us above all a firmer foundation on which to speak on these issues of cultural diplomacy and protection. It makes practical contributions to those on the frontline who are already appreciating it thanks to the £3 million we have already given to the British Museum, with more on the way. Lastly, it helps to tackle the illicit trade through the offences in the Bill and in other ways, on each of which I shall say a few words.
This is not a panacea, of course, and it does not apply to some of the crimes happening in Syria and Iraq today, but it is very symbolic, not least because it rights an historical wrong that was a drag on our international reputation. The leading experts in this field, such as Neil MacGregor, who are really diplomats and ambassadors for Britain in the cultural sphere, felt it was a shame and a stain on the UK’s reputation that we had never done this. So purely by doing it we enhance our reputation in the world. That enables us to play a stronger role in cultural diplomacy, which has all manner of benefits in trade and in establishing cultural links with other countries —as we have seen with the British Museum, working with the British Council, lending art and artefacts to Iran and Russia in the past and doing things Governments struggle to do. I hope the UK will do more on this in a way we simply have not done in the past, along with other countries, including France, with a proper network of cultural attachés and Government links. People including John Kerry and François Hollande have made major speeches on this. I hope that we will seize on that and see this as the beginning of the UK adding another weapon in our arsenal of diplomacy around the world.
The cultural protection fund is a huge step forward. It is the first major fund of its kind. François Hollande has copied us and has supposedly created a €100-million fund, which is about to be launched. I am pleased we were in the vanguard of doing this and would like us to do more.
I am very pleased that what we have done was able to be ODAed because that makes a difference; it recognises that this is not just about art and architecture, but about economic regeneration post-conflict and healing the wounds of conflicts and bringing cultures together. We must view this as just the beginning, however, as my right hon. Friend the Member for Wantage (Mr Vaizey) said; I would like us to see it as seed capital for us to be bolder and for this to turn into a major lasting national achievement.
Most of the Bill is about the illicit trade, and we must shrink the demand for these works in the world today. Contrary to some of the remarks made in passing this evening, the UK is very good in this regard. We are not the epicentre of the illicit trade in art and antiquities; that is to be found in the Gulf states, in China, in Russia and in other parts of the world. The UK is actually at the forefront of having responsible dealers and major auction houses who care about their reputations, but that is all the more reason for us to do this and lead the world in enforcement.
I want to say a few words about the offence of dealing unlawfully in exported property. We must tackle this issue, and I would like to think that the Minister would give this further thought on Report. This matters because, if we want to shrink the illicit market, we have to defend the legitimate market. The great auction houses such as Christie’s and Sotheby’s actually have very little interest in maintaining their antiquities departments; antiquities account for 1% or less of the turnover of such auction houses. It would be very easy for them and for experienced legitimate dealers to walk away from this trade, and that would matter because it would push more objects on to the black market and on to smaller auction houses that lack the compliance and legal and regulatory structures to do due diligence properly, and it would push out good dealers and give trade to those we are more concerned about.
Essentially, there is no right or wrong answer when doing due diligence. The way an auction house assesses property is by making a judgment. A whole range of material comes forward for any piece being sold in antiquities sales. Some will come from blogs that are emerging; others from states such as Egypt that automatically challenge the sale of every piece being sold in the UK. An experienced professional—whether a dealer, a specialist in an auction house or someone in an auction house legal department—has to weigh up the factors and make a judgment. I would not want this Bill to criminalise people who ultimately make honest mistakes. That would set us back in our task of shrinking the illicit market and empowering the people at the forefront of getting this right. The Minister kindly reassured me in a letter she sent to Lord Judge that answers some of these points, but I would like this to be further considered on Report. It is extremely important that the due diligence being carried out is proportionate and does not dissuade legitimate businesses from participating in the market.
We have heard from other Members that no law is worth legislating for if it is not properly enforced. Sadly, enforcement in this area is very poor. The Met police have a small art and antiques squad. At different times, it has had between one and three members, and at present has, I think, one and a half people. They are excellent individuals; I have met some of them and my hon. Friend the Member for Enfield, Southgate (Mr Burrowes) and others know some of them, and I do not want to criticise their professionalism, but they are very constrained. This has been viewed as a sort of Lovejoy area of the criminal market that does not really matter; it is considered to involve harmless rogues in a barn in Suffolk. However, this is serious crime that is linked to human trafficking, the drugs trade and the funding of terror, and the policing needs to match that. I hope the good intentions set out in this Bill will lead to a prod to the Met police and others to beef up their policing as soon as possible, or else our efforts in this Bill will ultimately be in vain.
I welcome the Bill and am grateful to the Government for doing this. It is to their huge credit that we have finally done this. In debates such as that last week on the conflict in Yemen, we hear of cities of enormous value such as Sana’a being destroyed and of cultures under threat, and we realise why this matters. It matters because it is about protecting our shared international heritage and ensuring extremists never win.
David Warburton (Somerton and Frome) (Con)
It is a pleasure to talk on this subject, and on this Bill which, as have heard, has been a long time coming. It is of great cultural and symbolic significance. I know the debates in another place have been conducted in a constructive bipartisan spirit, and it is nice to see this debate conducted in the same vein. I am delighted that the Government have found parliamentary time for this type of measure, which has not been achieved in the past. It shows a welcome recognition of the significance and symbolic power of the measures in the Bill.
As the Government have rightly been at pains to point out, it is important to say that although the UK has so far failed to sign up to The Hague convention or the 1954 or 1999 protocols, our armed forces already act absolutely as if they were bound by them; in fact The Hague convention and its protocols form a framework today for both training and armed conflict.
The establishment of the £30 million cultural protection fund, our sponsoring of UN resolution 2199 designed to stop Daesh from transforming cultural destruction into financial profit, and the work of the joint military cultural protection working group all bear witness to the UK’s ongoing commitment to protecting cultural property in spheres of conflict. It is worth emphasising that the successful passage of this Bill would make the UK the first permanent member of the UN Security Council to ratify the convention and accede to both its protocols, as my hon. Friend the Member for Hendon (Dr Offord) pointed out. As the House has heard, that has been in the offing for more than 10 years, so it is perhaps a good time to recognise the work of those who prepared the original draft Bill, which bears a striking similarity to the one we are considering today.
As I said, this is a timely moment to be passing such legislation. We recently saw the first person be charged by the International Criminal Court for damaging mankind’s cultural heritage in Timbuktu. Our minds are also concentrated by Daesh’s appalling targeted destruction of cultural sites in north Africa and the middle east, including St Elijah’s monastery, historic libraries and pretty much any other representational art that it comes across.
To talk about the importance of cultural property in conflict is obviously not to undermine in any way the essential truth that the preservation of human life will and should always be the prime motivating factor in the conduct of military operations. That truth is enshrined in the doctrine of military necessity that formed a vital part of the original convention and is strengthened in the second protocol, which we will also be approving should we pass the Bill. The Bill will make a strong statement about the UK’s commitment to the future at a time when such protection is more necessary than ever.
Finally, the Bill, and the convention it ratifies, deals largely with state-to-state conflict. In offering my support, I would be grateful to hear more from the Minister about how the Government will continue to work to provide a similar level of protection in more asymmetric conflicts involving non-state actors such as Daesh. The states and groups that destroy monuments and artistic expression are trying to hide. They are trying to destroy pluralism, thought, inclusivity and diversity in order to reimpose a childishly simplistic, inverted form of good and evil. I do not need to tell the House that cultural heritage enables all peoples to see themselves clearly both as individuals and as members of an historically coherent and culturally significant whole. The House will remember the words of Heinrich Heine, now engraved into the ground where the Nazis burned thousands of books in 1933:
“where they burn books, they will in the end burn people”.
Sir Edward Garnier (Harborough) (Con)
I am delighted to follow my hon. Friend the Member for Somerton and Frome (David Warburton) but, with all due respect, if there are two speeches to which the Government should pay particular attention, they are those of my right hon. Friend the Member for Maldon (Mr Whittingdale) and my hon. Friend the Member for Newark (Robert Jenrick). Despite the excellence of the other speeches from both sides of the House, they are the two that really hit the problems on the head.
The Bill is welcome and I wholeheartedly support it, subject to one or two concerns that I shall touch on briefly. The first relates to the definition of cultural property, as mentioned by several hon. and right hon. Members. My right hon. Friend the Secretary of State for Culture, Media and Sport also touched on the topic in her opening remarks. The definition in the Bill lacks sufficient clarity. I accept that the Bill refers us to article 1 of The Hague convention for the protection of cultural property in the event of armed conflict but, taking the example of the shadow Minister, the hon. Member for Cardiff West (Kevin Brennan), film and so on were I suspect not considered when the convention was drawn up in the early 1950s. New forms of heritage—if that is not a contradiction in terms—have emerged since then, and the Government need to give the definition of cultural property a little more thought. That is not an aggressive point; I simply want to point out something that it would be sensible for the Government to look into.
The other area that also needs more thought is the absence of any definition of an occupied territory. My right hon. Friend the Member for Maldon mentioned that when he was Chairman of the Culture, Media and Sport Committee, the west bank, the Golan heights and perhaps another place—
Sir Edward Garnier
East Jerusalem—they were designated as occupied territories. However, the world has moved on and, as my right hon. Friend correctly pointed out, there are now other parts of the world that could, either as a matter of fact or as a matter of law, be considered occupied territories. The Government must be more open, or at least clearer, about the definition of an occupied territory.
There is, however, perhaps an even more important matter that needs resolving, which involves the level of criminal intent for the offences described in clause 17. In framing my remarks, I am grateful for the help I have had from the British Art Market Federation, the British Antique Dealers’ Association, Mr Hugo Keith QC, and Professor Janet Ulph of the University of Leicester school of law. I stress, however, that what I shall say is my interpretation. If I have got things wrong, that is my fault and not the fault of those who valiantly tried to explain the matter to me. You will be glad to hear, Mr Speaker, that I cannot for reasons of time go into the detailed legal analysis undertaken by them, but I sent the Secretary of State a copy of Mr Keith’s opinion, which carefully explains why the use of “reason to suspect” in the context of this Bill is unwise and unfair.
Clause 17(1) makes it an offence to
“deal in unlawfully exported cultural property”
that the dealer knows or has
“reason to suspect… has been unlawfully exported.”
So far, so good. No one can support the dealing in unlawfully exported cultural property when they know it has been unlawfully exported, but the mens rea—criminal intent—required under the provision has caused concern in the London art market. The worry is that “reason to suspect” will place an unacceptable and stifling burden on the market. That aspect of the Bill was touched on only briefly in the other place but was not taken up by the Government.
Clause 17 creates an offence of dishonesty, carrying with it a sentence of imprisonment of up to seven years, as well as the destruction of reputation. The problem that worries me arises from the provision that relates to the state of mind, which must be proved before the defendant can be convicted. Dealing in prohibited property knowing that it has been unlawfully exported, the first offence created by clause 17, is simple, easily described, uncontroversial and comes within well-established and clearly understood principles of criminal law. Dealing in such prohibited property believing that it has been unlawfully exported would also be an equally straightforward offence. “Knowledge” or “belief” identify the mens rea, or criminal state of mind, accompanying the prohibited activity. To establish guilt, the prosecution would have to prove that at the time when the prohibited activity took place the defendant knew or believed that he was dealing in prohibited property.
That, however, is not what the second offence created by clause 17 provides. Rather, it defines the criminal activity—dealing in prohibited property—but by relating the criminal state of mind required for the offence to “suspicion” it introduces an unusual concept into the ordinary law that applies to offences of dishonesty. Indeed, it does not even provide that the offence is proved if the defendant personally suspected that he was dealing in prohibited property.
Victoria Prentis (Banbury) (Con)
Can my right hon. and learned Friend think of any other examples of mens rea of this type that are in use?
Sir Edward Garnier
One often sees the type currently drafted into clause 17 when a defendant has to rebut a presumption—the possession of certain items in sexual offences or drugs offences. It is also to be found under certain rarely used disclosure offences, such as under section 119 of the Companies Act 2006—something that we speak about so frequently in the clubs and bars of Market Harborough. As regards the substantive criminal law and the making of a substantive criminal offence, my hon. Friend is right to say that this is a rare and wholly unusual distinction, and I quietly urge the Government to think again.
As drafted, this provision abandons the principle that it is the defendant’s state of mind that must be “criminal”, whether defined in terms of belief or even suspicion, for an objective test: whether he had reason to suspect. What may arise from an offence defined in that way can be quickly described. The defendant may be offered property which, because of the circumstances, he may have reason to suspect may be prohibited. Just because he wishes to proceed with caution, and to avoid committing a criminal offence, after sensible inquiry and investigation he may in good faith decide that his suspicions have been allayed and proceed to deal in the property. For a defendant acting in good faith to be convicted of an offence of dishonesty is a novel proposition. It may be suggested that the offence is not intending to apply to such an individual, but only to the individual who, notwithstanding any investigations he may make, turns a blind eye to reasonable grounds for suspicion, but that is not what the clause says. The offence can and should be defined in terms of the defendant’s belief or suspicion, and currently it is not.
Surely the question to ask is whether the defendant did or did not believe, or did or did not suspect. The more powerful the evidence that he had reason to suspect, the more likely it is that the jury would conclude that he did indeed believe or suspect, and that the offence is proved. In short, where the defendant did indeed have “reason to suspect”, that would provide the evidence to establish that he did indeed believe or suspect that he was dealing in prohibited property. That however goes to the evidence available to prove guilt; it should not define the offence.
It would be unusual for an offence of dishonesty to be created that did not focus on the defendant’s personal state of mind. It would also be unusual to create two offences in a single provision which make provision for separate and distinctive forms of criminal intent: knowledge, which is entirely subjective; and reason to suspect, which is not. Any summing up in an indictment which alleges the two offences as alternatives would not be straightforward. Worse still, it would be unwise, and it would make for significant complexity in any trial for two statutes with the same objective—the protection of the cultural heritage of every nation—not to define criminal intent in exactly the same way.
Section 1 of the Dealing in Cultural Objects (Offences) Act 2003 states—
Mr Speaker
Order. I do apologise to the right hon. and learned Gentleman, but when he leant down like that, I thought it was because he was approaching his peroration. That may have been a triumph of optimism over experience.
Sir Edward Garnier
Ms Bell, I think, has spoken on my behalf. I was just advising you, Mr Speaker, about section 1 of the 2003 Act, which I know you want to hear about.
Sir Edward Garnier
At least I am right about that. [Laughter.] It states:
“A person is guilty of an offence if he dishonestly deals in a cultural object that is tainted, knowing or believing that the object is tainted.”
This Bill says that it is
“an offence for a person to deal in unlawfully exported cultural property, knowing or having reason to suspect that it has been unlawfully exported.”
For the reasons that I have been briefly explaining, I suspect that the 2003 Act provides the better wording. The provision in this Bill is not following well-established principles relating to the prosecution of offences of dishonesty. I am concerned that the Bill, which is concerned with the same issues, fails properly to take into account that set of principles. As drafted, it may result in the prosecution and conviction for an offence of dishonesty of a defendant who has, or may have, acted in good faith.
It is one thing for a defendant to be convicted of handling stolen goods where they have been shown to have known or believed the goods were stolen—the law is clear and the defendant knows when he is convicted that the jury was sure he knew or believed the goods were stolen—but under this Bill, as currently framed, a convicted defendant cannot be sure that his conviction reflects his actual state of knowledge or belief and that he was not convicted simply for lacking curiosity. Absence of curiosity may be regrettable and sometimes stupid or negligent, but it should not lead to a conviction, with all the reputational damage that flows from it.
Beyond that, I urge the Government to consider what effect this provision will have on the art market here in London. As was said by my hon. Friend the Member for Newark, who speaks with the advantage of being not only a lawyer, but a former director of Christie’s, this will have a stifling effect. It may be that there will not be many convictions or many arrests, but the mere threat of the reputational damage caused by this possibility is enough to put the mockers on this valuable and entirely legitimate aspect of the London art market. The art market will go elsewhere and the crooks will get away with it. If we want to catch the bad boys, and if we want to inhibit this wrong and immoral market, why not stick to the 2003 wording or something similar to it, rather than allowing this Bill to contain an error of principle which could confound the interests of all of us who wish to see the destruction and the dealing in cultural objects that have been stolen brought to an end?
Tim Loughton (East Worthing and Shoreham) (Con)
I am delighted to follow my right hon. and learned Friend the Member for Harborough (Sir Edward Garnier), peroration and all. I declare an interest, as the chairman of the all-party groups on archaeology and on the British Museum, and as a fellow of the Society of Antiquaries.
As we have all agreed, the Bill has been a long time coming—it is 62 years old. As I glance around the room, I hazard a guess that that makes it older than anybody in the Chamber, now that my right hon. Friend the Member for Mid Sussex (Sir Nicholas Soames) has left.
Tim Loughton
I am delighted to be put right by my right hon. and learned Friend, although we would never know it, Mr Speaker.
I also pay tribute to what is left of the Labour Opposition and the remarkable dexterity of the hon. Member for Cardiff West (Kevin Brennan) who, in a debate on cultural artefacts, managed to mention Keats, Uber taxi drivers, the temple of Bel and an attack on private education. He certainly gave us his money’s worth, even if he does not have many mates with him to support this excellent Bill.
I very much welcome the Bill. We know that the original protocol and convention were passed in 1954, largely as a reaction to the destruction of cultural artefacts of the second world war. We know that the second protocol, which came about in 1999, mostly followed in the wake of great destruction in the former republic of Yugoslavia. We recall the familiar scenes at the UNESCO world heritage sites such as the Mostar bridge, which really brought home the futility of war and the destruction of our culture, which we just do not get back. That protocol recognised that the desecration of cultural property could become a war crime and identified the blue shield scheme, which many Members have referred to. It also set up an international non-governmental organisation advisory body to the intergovernmental committee for the convention. There were therefore great hopes in 1999 that we might follow suit. We have made reference to the heritage Minister Andrew McIntosh, who brought forward in 2004 a commitment to ratify the convention. That led to a Bill in 2008, which was scrutinised by the Select Committee, led by my right hon. Friend the Member for Maldon (Mr Whittingdale). The Bill was supported by the Ministry of Defence and the whole heritage sector, but the excuse given for what happened was that it became overshadowed by the financial crisis and ran out of parliamentary time. Then in 2011, my right hon. Friend the Member for Wantage (Mr Vaizey), as a Minister, reconfirmed the Government’s commitment to ratification at the “earliest possible opportunity”.
In 2014, there was another great body blow when the Cabinet Committee said that it had not been able to grant drafting authority for a Bill—not even a handout Bill. The commitment of successive Governments was in question when their warm words were not followed up by definitive action. At long last, that earliest possible opportunity has arrived. I particularly pay tribute to my right hon. Friend the Member for Maldon—he is not in his place at the moment—whose personal commitment to this matter and lobbying of the powers that be at No. 10 has made this Bill a reality.
The announcement in last year’s autumn statement of the £30 million cultural protection fund together with a summit of heritage experts really gave flesh to that commitment. The legislative wheels grind frustratingly slowly, and, as with the second protocol, it has taken the cultural cleansing atrocities in Syria and Iraq to concentrate the minds of those in a position to bring forward this ratification today.
I do not want to be churlish, because I really welcome the Bill and the commitment behind it. I absolutely praise all those who have played an integral part in this. Many of them have been mentioned today. I am talking about Sir Neil MacGregor, the former outstanding director of the British Museum, and my hon. Friend the Member for Newark (Robert Jenrick) who, in his relatively short time in this House, has made a big impact in this area. It is really important now that we get on with it. We need to gain the moral high ground and become the only one of the five permanent UN Security Council member countries to ratify both the protocols and the convention.
Why is this important? At a time when we are seeing horrific scenes of women, children and men being bombed, murdered and executed in the most grotesque fashion by Daesh in the tragic conflicts in both Syria and Yemen, why should we be concerned about a bunch of old rocks and relics? My hon. Friend the Member for Newark described just a couple of examples. Let me mention Professor Assad, the director of antiquities at Palmyra, which I was privileged enough to visit just before the civil war in Syria—it is the most magical archaeological site imaginable, and I speak as someone who studied Mesopotamian archaeology and who has visited many sites—and the guards at Nineveh. These people gave their lives because they appreciated and understood the importance of protecting culture as the spirit of a nation, and that it makes mankind what it is and is what separates mankind from savages. As the Heritage Alliance put it:
“The destruction of cultural capital is a powerful propaganda tool and is part of a long history of demoralising communities by destroying the symbols of their nationhood.”
As Irina Bokova, the director general of UNESCO, said, this is “cultural cleansing”, and we must view it as such and in the same terms as trafficking.
Jim Shannon (Strangford) (DUP)
Many antiquities can be purchased on the black market. Does the hon. Gentleman think that Governments should—either directly, or indirectly through a third party—try to purchase some of those antiquities and keep them for posterity for the years to come?
Tim Loughton
It is an interesting prospect, but I would much rather track down and prosecute the people who benefit from trafficking these antiquities. We do not want to set up a legitimate market, with Governments paying money to criminals. There are other ways of tracking down some of these important antiquities. I agree with my hon. Friend the Member for Newark that London has, by and large, a very legitimate market in antiques and antiquities. Obviously there are a few people who are the exception to that, but London has an excellent reputation compared with many other parts of the world. Hopefully, this Bill will prompt the United States Government to ratify the protocols, as it is suggested that they have been looking for a lead from a significant military ally.
We have heard several examples of recent high-profile tragedies involving cultural terrorism: the 2015 looting of the Mosul museum; the vandalism of the Nergal Gate at Nineveh; and the destruction of the temple of Baalshamin at Palmyra—separate to the triumphal arch of Palmyra, which the hon. Member for Cardiff West conflated it with, but an important monument to that civilisation. All those tragedies were at the hands of Daesh. Indeed, Palmyra should be treated as a crime scene, given the damage that was done there. Fortunately, there was not as much damage as Daesh might have inflicted on it had it been given more time.
In other continents, shrines were deliberately destroyed by Boko Haram in Nigeria. We have heard one bit of good news, which is the first prosecution in the International Criminal Court of Ahmad al-Mahdi for his destruction in Timbuktu, the centre of Sufi Islam. He directed the destruction of 15th and 16th century Sufi tombs and the burning of the library in Timbuktu. His verdict just last month gave out a nine-year prison sentence for that cultural vandalism. That sends out a very important message, and we need to see many more people being brought to justice to emphasise just how important a crime against humanity this is.
Tim Loughton
May I continue a little, because I know that the Minister will want to respond on this?
There has also been mention of Yemen. Again, I was fortunate enough to be able to visit Yemen just before the civil war broke out—I am not a precursor to these civil wars, but I was in the country when it was a slightly less dangerous place to be. There are four UNESCO world heritage sites in Yemen: the historic town of Zabid; the old walled city of Shibam, the Chicago of the desert, with 16th century skyscrapers—the earliest skyscrapers in the world—made out of mud brick rising out of the desert; the magical walled medieval city of Sana’a itself; and the natural world heritage site on the island of Socotra. These sites are going largely under the radar. We hear more about the carnage being waged in Yemen, but little about the important cultural background to that country. Those are just a few of the sites that we know about.
Jim Shannon
May I take the hon. Gentleman’s mind back to when he mentioned Mosul? When we visited Iraq, and Irbil in particular, we had the opportunity to meet Archbishop Nicodemus of the Orthodox Church. He was archbishop in Mosul, and he informed us that his church had been destroyed and the cross taken down. Where there was a church is now a car park. When Mosul is liberated, does the hon. Gentleman think that those responsible should be made accountable for their dastardly deeds?
Tim Loughton
Those people should absolutely be held accountable and brought to justice. I am sure that when it is safe to do so, that important religious establishment will rise phoenix-like again, and I am sure the people of Mosul of all faiths will want to see that happen as that city gets back on its feet after the terrible things it has been through.
Across the world, spread across 165 countries, we have 1,052 UNESCO world heritage sites, of which 814 are cultural. I have mentioned some of the sites, but those are just the ones we know about. Some 90% of archaeological sites in Iraq have yet to be excavated, and many will have been looted over recent years. There is also the issue, as we have heard, of how cultural looting by Daesh and others finances terrorism.
The destruction of Syria’s archaeological sites has become catastrophic. There are unauthorised excavations going on, and the plunder of and trafficking in stolen cultural artefacts is an escalating problem. Many of the objects have already been lost to science and society, and the context in which many of them are being dug up in unsupervised conditions will be lost forever. The trading in looted Syrian cultural artefacts has apparently become the third largest trade in illegal goods worldwide. It is big business. It is estimated that looting is Daesh’s second largest revenue source after oil sales. There are around 4,500 archaeological sites including UNESCO world heritage sites which have been under the control of Daesh. Hopefully, fewer or none of them will continue to be, as the counter-offensive against Daesh succeeds in Iraq in particular.
Iraqi intelligence claims that Daesh alone has collected more than $40 million from the sale of artefacts. It is the equivalent of what the Taliban were doing in Afghanistan through the cultivation and sale of heroin to feed markets in the west. We took that very seriously and it was a priority for the invading and occupying forces in that country, yet the devastation and profit involved in the plundering of these archaeological sites and the sale of antiquities does not seem to register nearly as clearly on the world’s radar. This is an important part of putting that case firmly on the world’s agenda.
We are facing a quadruple threat. First, jihadists are looting these sites, claiming some sort of religious reason for doing so. They are entirely hypocritically profiting from their destruction on international black markets. Secondly, it is alleged that President Assad is knowingly selling antiquities to pay his henchmen. There are videos showing Assad’s soldiers at Palmyra some time ago ripping out grave relief sculptures and smiling for the cameras as those are loaded on to trucks. Thirdly, the Free Syrian Army in its various guises is looting antiquities as a vital source of funding. Fourthly, an increasingly active part of the population is involved in looting. Ordinary people are looting Syria’s cultural heritage because they have no jobs, income or tangible economic prospects and are increasingly turning to age-old plundering techniques, in some cases looting to order.
As a result of the activities of those four different parties, the fantastic culture of Syria and Iraq in particular is being systematically plundered, yet that hardly features on the west’s radar. We also have to face the consequences of the financing of terrorist organisations through the plunder of antiquities. We look forward to a day in the future when peace in some form comes to this region, but the looting also threatens to deprive Syria in particular of one of its best opportunities for a post-conflict economic recovery based on tourism which, until the conflict started, contributed more than 12% of national income.
It is important for the United Kingdom to be passing this legislation, as we have one of the most professional and strategically thinking heritage communities in the world. The Bill will enable the UK’s soft power and diplomacy agendas to position the UK as an international leader in demonstrating a supportive and facilitating approach to the protection of cultural property. Post-Brexit—something that has not been mentioned this evening—we need to promote our extensive cultural wealth and network of contacts through world museums such as the British Museum to re-forge new relationships beyond the EU. The respectability and gravitas of having signed up to the world’s protection protocols gives us considerably more strength and credibility in doing so.
We have heard about the £3 million which has been given to the British Museum to bring Iraqi archaeologists and restoration experts to the UK to help train them in how to reconstruct their country after the war and the conflict are over and ISIL has been driven out. London hosted the unveiling of the replica of the Palmyra arch, which then went on a world tour—a fantastic example of rescue archaeology and how, in the face of the cultural vandalism, we will rebuild these important heritage sites. I particularly welcome the proposed property protection unit in the Army. The Foreign Secretary and I have already said that we would willingly volunteer to be part of such a force and go out to the middle east to help the new monuments men and women, but they will be much better than the original monuments men.
I gave this example once before, but the extraordinary figure of Colonel Matthew Bogdanos, who came to the House 10 years ago, led the hunt for the treasures looted from the Baghdad museum in 2003, after the allied invasion. He led an investigation into the looting of the Iraq national museum, from which many thousands of priceless treasures disappeared. Probably the most priceless of those was the 5,000-year-old Warka vase—the first representation of the human face in an art form in stone. After the good works of Colonel Bogdanos, a clapped-out red Toyota appeared outside the Baghdad museum, the boot was opened and in a box was a vase in 20 pieces, which turned out to be the Warka vase—what people had forgotten was that, when the German archaeologists dug up the Warka vase, it was in about 20 pieces and was then glued together. Extraordinary work by an American reservist lawyer with a small team of people reconstructed so many thousands of the important artefacts that had been taken from the museum in Baghdad. We can do even better, and we have the expertise in the British Army, British academia and our museums to play a role even greater than that played by the heroic Colonel Matthew Bogdanos.
May I end, or approach my pre-peroration, Mr Speaker, with a few questions for the Minister? I welcome the £30 million cultural protection fund, as everybody else who has spoken today has. It will help to build capacity to foster, safeguard and promote cultural heritage in conflict-affected regions overseas, but what sort of projects does she envisage it being used for? We know about the £3 million for the British Museum. What happens after the three years to which that £30 million has been devoted?
What about more proactive protection measures than just retaking sites, tracking down looted artefacts and carrying out reconstruction? Can we do a lot more to try to prevent these things from happening in the first place? There were tales in the middle east of the residents of a town, in the face of ISIL, linking hands around some of their important monuments to try to protect them—huge bravery in the teeth of such savagery. Surely we could do more to make sure that we get there before the terrorists and that the terrorists are deflected.
When will we hear further about the Army working group? How many people is it likely to include? The excellent Lieutenant Colonel Tim Purbrick, who gave a presentation to the all-party group on archaeology, is hugely impressive and hugely keen, and he wants to get on with it. Perhaps the Minister can give us a progress report on when we might see some tangible results.
Baroness Neville-Rolfe, in the other place, told peers that work was going on in the Department to consider
“what cultural property should be covered in the UK”.—[Official Report, House of Lords, 6 June 2016; Vol. 773, c. 584.]
Perhaps the Minister can update us on what progress has been made on that, and on when we can expect a definitive list.
Then, of course, there is the thorny issue of when cultural property is attacked by terrorist organisations such as Daesh or Boko Haram that are not covered in the Bill because they are not covered by the protocols to the convention. Effectively, we are asking whether the Minister will pursue the possibility of a third protocol. I know we are only just about to sign the first and second protocols and the convention, but if we are to bring the convention up to date, that will require international co-operation to counter those terrorists who are not part of states.
Penultimately, the heavy workload on the excellent Metropolitan police art and antiques unit has been mentioned. If the Bill is to be effective, that workload will be increased, yet there has, as I mentioned, been only one prosecution to date under the Dealing in Cultural Objects (Offences) Act 2003. Will the Minister give some assurances that that unit, which is the responsibility of the Home Office, will be properly resourced so that it has enough people with the skills and training to track down the minority of criminals who should have been tracked down before now?
Then there is the issue of scheduled ancient monuments —archaeology in the ground. There are some 20,000 scheduled ancient monuments in the United Kingdom, but they are not included in the proposed list because they are not graded in the same way as listed buildings, for example. What added protections are there for those monuments, given that they are not specifically covered in the Bill?
What is the future of the blue shield scheme, which the Secretary of State described as the “cultural equivalent” of the Red Cross, as it is currently a completely voluntary organisation that is also, to some extent, undermined by the lack of a central team to co-ordinate its activities and avoid duplication? I think she is supportive of the excellent work by Professor Peter Shaw of Newcastle University, who has done so much to champion this whole cause.
Finally, I cannot resist echoing a point raised, slightly impertinently, by the hon. Member for Cardiff West: how does it help to find the archaeologists of the future, who may go into the Army to be part of the new team of monuments men, when we are about to lose the A-level in archaeology? How are we to find the expertise that is so essential to carry out the terms of the legislation that we are belatedly but thankfully scrutinising today? Will the Minister, as a result of these deliberations, have a conversation with her colleague the Secretary of State for Education to see what can be done to keep that important subject on the curriculum? I studied archaeology at school to A/O-level. I did not, however—I am sorry to burst the hon. Gentlemen’s balloon—go to a private school. It was an important subject then and it is an important subject today, across so many areas.
This is a really important Bill. It may be specialist in nature, but it has been pored over, in various forms, for the past 62 years, in expectation of this day. We now, at last, need to get on with it.
Louise Haigh (Sheffield, Heeley) (Lab)
It is a pleasure to rise to support the Bill. As my hon. Friend the Member for Cardiff West (Kevin Brennan) said, the previous Labour Government put this issue on the political agenda in 2004 and pushed a draft Bill in 2008. The Bill is long overdue, 62 years after the convention was first brought forward. As has been made very apparent during this debate, cultural property is not just bricks and mortar—it is the very fabric and soul of society and our history. It deserves our prioritisation, our attention and our protection. As has been elucidated, unfortunately we do not have to look too far, even today, to see examples of wilful cultural destruction, from Daesh’s destruction at Palmyra and al-Qaeda’s demolition of the mosques and mausoleums in Timbuktu, to the destruction and churches in Mosul, which, as the hon. Member for Tonbridge and Malling (Tom Tugendhat) said, goes hand in hand with ethnic cleansing.
We have heard some excellent speeches. The right hon. Member for Maldon (Mr Whittingdale)—who is, I believe, particularly to be congratulated on bringing this Bill forward—gave a moving account of the courage of Khaled al-Asaad, who laid down his life in the protection of the Palmyra site. Not only is there wilful destruction of such cultural property, but Daesh and others are profiting from the proceeds.
The right hon. Gentleman, among others, made a pertinent point about clause 17 and the difference between “knowing” and “having reason to suspect” that cultural property was illegally acquired. He called for a clearer requirement on dishonesty that exists in similar provisions in legislation such as the Theft Acts. I am sure that the Minister will provide us with an assurance that the threshold is not low to scoop up innocent people but rather ensures that prosecutions are brought against anyone who has not conducted their due diligence. Only a single prosecution has been brought under the Dealing in Cultural Objects (Offences) Act 2003, and it has been criticised for its low threshold. I hope that the Minister will stick to her guns on that.
The hon. Member for Argyll and Bute (Brendan O'Hara), who spoke on behalf of the Scottish National party, made some excellent points about the plundering of cultural artefacts by Daesh and the role of the European art market.
The right hon. Member for Wantage (Mr Vaizey), who is not in his place, was full of self-deprecation about how unsuccessful he was as a Minister in introducing the proposed legislation, but he welcomed, as we do, the cultural protection fund. He was right to point out that the British Museum is free to visit, and that is thanks to the last Labour Government, who acknowledged that there should be no class barrier to accessing and participating in culture. Unfortunately, he showed none of the humility that my hon. Friend the Member for Cardiff West called for in recognising some of the less desirable aspects of our history with regard to our colonial past.
The hon. Member for Hendon (Dr Offord) made an impassioned case for the Bill in relation to illegal antiquities from Cyprus that turn up in London, the biggest art market in the world. It is vital that we enforce against that here, because it is so difficult to do so in war zones such as Syria and in Cyprus.
Similarly, the hon. Member for Enfield, Southgate (Mr Burrowes) said that it is important that we ratify not only the convention, but the two protocols, to bring us into line, finally, with other Security Council members and to ensure that we are at the front of the pack of the five permanent members.
The hon. Member for Newark (Robert Jenrick) was rightly praised by a number of hon. Members for the role he has played in the Bill’s progress. He pointed out that a great wrong is finally being righted, and he is to be congratulated on his persistence. He spoke in particular about those on the frontline who risk their lives to protect their living histories and about why our cultural diplomacy and how we back it up through our legislation and the cultural protection fund are so important. He was also right to say that the Bill is symbolic.
The hon. Member for Somerton and Frome (David Warburton) pointed out that protection is more necessary than ever and that there should be similar protection in conflicts that involve non-state actors. I hope that the Minister will address that in her response.
The right hon. and learned Member for Harborough (Sir Edward Garnier) called for greater clarity on the definition of cultural property and pointed out that many new forms of heritage have been developed since the 1950s. Greater clarity is also needed on the definition of occupied territory, given that there are many different forms of it in the world, with Crimea being an interesting example.
Last but by no means least, the hon. Member for East Worthing and Shoreham (Tim Loughton) praised the renowned dexterity of my hon. Friend the Member for Cardiff West in his opening speech. The hon. Gentleman said that it was important that we hurry up and get on with the Bill, so that we can lead the way and be the first of the five permanent members of the Security Council to ratify the convention, not only to secure and promote London’s reputation as the centre of the international art market, but to prompt other states to ratify the convention and to prosecute those who hypocritically profit from trade on the international black market and, in some cases, as he pointed out, loot to order.
We welcome the Bill and the fact that the Government have finally made time for it. The ratification will put the UK at the forefront of international cultural property protection. My hon. Friend the Member for Cardiff West has asked me to thank Ministers for allowing him to meet the Bill team in preparing our response.
Will the Minister assure us that legitimate art dealers will not be caught up by clause 17? In her opening remarks, the Secretary of State said that she did not think that that would be the case, but can the Minister be more explicit?
Will digital formats be protected? My hon. Friend Lord Stevenson said in the other place:
“Who could, these days, expect to understand, debate and discuss the culture of any country or time without having regard to the moving image?”—[Official Report, House of Lords, 28 June 2016; Vol. 773, c. 1476.]
We appreciate how tricky it is to capture the spirit, purpose and language of an instrument that was drafted more than 60 years ago, while creating a relevant and effective regime for the present day, but we would appreciate the Minister’s comments on that.
My hon. Friend the Member for Cardiff West will probe further the issues raised by several Members about mens rea, but we are generally supportive of the Government’s position, which would require effective due diligence by art dealers in relation to clause 17. Finally, we ask the Government to think again about the removal of art history, archaeology and classical civilisation A-levels, for which my hon. Friend has passionately made the case. They are vital if we are to enforce the measures in the Bill and promote our cultural diplomacy across the globe. We are pleased to support this Bill on Second Reading.
The Parliamentary Under-Secretary of State for Culture, Media and Sport (Tracey Crouch)
It is with great pleasure and pride that I close the Second Reading debate on the Bill. This piece of legislation has been a long time coming, and I pay tribute to the former Secretary of State, my right hon. Friend the Member for Maldon (Mr Whittingdale) for his success in securing a slot for the Bill this Session. The debate has shown us that there is cross-party consensus in the House, as there was in the other place, on this Bill, and that we are all working to achieve the shared goal of protecting our cultural heritage.
I thank Members of the House who have, over a number of years, pushed for the Government to ratify the convention and accede to its two protocols. I would like to give a special mention to my hon. Friends the Members for Enfield, Southgate (Mr Burrowes), for Newark (Robert Jenrick) and for East Worthing and Shoreham (Tim Loughton), and to the work of the all-party group on cultural heritage. I pay tribute to the hon. Member for Bishop Auckland (Helen Goodman) for her campaign when the Labour party was in government.
I thank all the stakeholders who have helped the Department for Culture, Media and Sport to bring the Bill before this House, particularly Professor Peter Stone, Professor Roger O’Keefe, Neil MacGregor, and Michael Meyer of the British Red Cross, who have all worked closely with the DCMS for many years on the subject. In addition, I thank the police, the Ministry of Defence, the armed forces, and Historic England and its counterpart agencies in Scotland, Wales and Northern Ireland for their support in bringing forward this Bill. The art market and the British Art Market Federation have also been effective in working with the Department to highlight the Bill’s impact on an important sector of our economy. The Government appreciate and support the work of all those stakeholders to keep the Bill in the spotlight, enabling us to have this well-informed debate.
We have had a good debate that has covered many aspects of the Bill, and I would like quickly to address some of the key points. The two main themes of Syria and the mens rea clause were raised by many. I will deal with some of the specific issues that Members have raised, but some will need to be dealt with beyond the Chamber, so I hope that colleagues will bear with me.
Syria is a complex matter, and we need to remember what the Bill does and does not do. The Bill enables the UK to ratify the convention and both its protocols, delivering a strong message that the UK will not tolerate illicit dealing in cultural property. The Bill applies to the situation in Syria, although its application is limited in part because the UK does not recognise Daesh as a state and because Syria has not ratified the second protocol. However, UK nationals fighting with Daesh could be prosecuted for serious violations under clause 3, because article 15(1)(e) of the second protocol covers property protected under the convention, which Syria has ratified.
Many Members raised concerns about clause 17. It is important to note that the Bill will not require the art market to change how it operates. The matter was not raised on the Floor of the House during scrutiny of the Bill in the other place, but I understand that there is concern in the House. As such, I would be happy to have a meeting with anyone who wants to discuss the matter further. In addition, the Secretary of State and I will meet the chairman of the British Art Market Federation on Wednesday.
If I may, I will explain the Government’s position on clause 17. As dealers should be carrying out due diligence for any piece of cultural property that they wish to buy or sell, in accordance with industry standards, we do not consider that the legislation imposes any extra burdens on those in the art industry. In order for a criminal case to proceed, the prosecution must be satisfied that there is enough evidence to provide a realistic prospect of conviction, and that there is enough evidence that prosecution is needed in the public interest. Where there is credible evidence to suggest that an object may have been unlawfully exported, we consider that a dealer would not be acting in good faith if they proceeded in a deal involving that object unless further due diligence were undertaken to rebut that evidence. On that basis, we do not believe that honest dealers should be concerned about the risk of prosecution.
A question was asked about whether the definition of the mens rea exists in other legislation. The answer is yes. The Iraq and Syria sanctions orders create similar offences with similar penalties, using as the mens rea the very similar standards of “reason to suppose” and “reasonable grounds to suspect”. The art market has continued to operate successfully while complying with the Iraq and Syria sanctions orders, so we see no reason why that should be any different in relation to the offence under the Bill. The Government’s view is that the sanctions orders provide the most appropriate models for the offence created under the Bill, given the particular and very serious risk posed to cultural property during times of armed conflict. However, we have listened to the concerns that have been raised, and we are very happy to meet anyone to discuss this matter further.
I will turn to the specific points that colleagues have raised. The hon. Member for Cardiff West (Kevin Brennan), like the hon. Member for Sheffield, Heeley (Louise Haigh) in her summing up, mentioned the issue of digital forms. The reassurance that the noble Baroness Neville-Rolfe gave in the Lords remains true—this was repeated by the Secretary of State in her opening speech—which is that the rare and unique film or music can be included in the scope of the Bill. The hon. Member for Cardiff West also mentioned the issue of recent conflicts, including about how the Bill will apply in Afghanistan. That country has not yet ratified the convention, so the Bill’s application there will be limited.
My right hon. Friend the Member for Maldon and other hon. Members mentioned the cultural protection fund. Typically, he was incredibly understated about the role he played in securing the fund. In fact, he did not mention his role and that of my right hon. Friend the Member for Wantage (Mr Vaizey) in the establishment of the fund. I reassure him and other hon. Members that it is making good progress. My right hon. Friend the Member for Maldon rightly paid tribute to the MOD. The MOD has operated as though bound by the convention, so the Bill will have no material effect on the conduct of UK military operations.
The hon. Member for Argyll and Bute (Brendan O’Hara) raised some interesting points. I just want briefly to say that we welcome his contribution and the support of the Scottish Parliament for the Bill.
My right hon. Friend the Member for Wantage started this Bill, so I will finish it for him. He raised the issue of the monuments men. The Bill continues to enjoy the full support of the MOD and the armed forces with regard to the monuments men and women. The MOD has consulted international partners to identify best practice, and it has tasked the Army with examining the best means of delivering the unit. Initial thoughts suggest a small unit of up to 20 personnel from across all three services. I look forward to updating colleagues further in due course.
My hon. Friend the Member for Hendon (Dr Offord) raised the question of Cyprus. I think we all agree that the division of Cyprus continues to cause difficulties across a range of issues, and that the most effective way to resolve them is through a just and lasting settlement. It remains important to ensure that the illegal export of cultural property is tackled and the property returned to its legal owners.
I am very grateful to my hon. Friend the Member for Enfield, Southgate for his support, and I welcome his sporting comparison with Formula 1. As he knows, I am hugely competitive, and the idea of our being the first permanent member of the UN Secretary Council to ratify the convention and the two protocols thrills me enormously. To keep the motorsport analogy running, we in the Department are the drivers on that grid, but the car has very much been built and developed by the Members of this House, including by my hon. Friend.
My hon. Friend the Member for Newark has been rightly praised by all colleagues for his role on this Bill. He made the point that we are not the epicentre of illicit trade; nor do we want to be. He spoke with great knowledge about our art market, and about how the Bill may have an impact on auction houses. He will be aware that the market is very much self-regulated, and that is how it should remain. He will also be aware that the art market itself, through its codes of due diligence, sets the common principles of practice in dealing, with a checklist for dealers. The Bill will not change that. Regardless of whether they are large or small houses, dealers should always be concerned about whether cultural objects have been lawfully exported from any territory. Let us be clear that the dealing offence applies only to a very small but very special category of cultural objects—those which are of great importance to the cultural heritage of every people.
I am grateful to my hon. Friend the Member for Somerton and Frome (David Warburton) and my right hon. and learned Friend the Member for Harborough (Sir Edward Garnier) for their comments and support. My right hon. and learned Friend raised two additional points about the definitions of cultural property and of occupied territories. On occupied territories, it is for the Foreign Secretary to decide on a case-by-case basis. On the other definition, article 1 of the convention defines cultural property, but we will shortly hold a round-table meeting of experts to consider what cultural property should be covered in the UK.
Finally, my hon. Friend the Member for East Worthing and Shoreham was right to pay tribute to the International Committee of the Blue Shield, a voluntary organisation made up primarily of cultural heritage experts keen to mitigate damage to cultural heritage during and after conflicts and natural disasters. My Department is grateful for the support the ICBS has given in shaping the Bill.
The cultural protection fund is work in progress. My hon. Friend asked some specific questions about its future application. I will ensure he gets updated on that on a regular basis.
This debate has shown how important cultural heritage is to all world citizens. The Bill offers the UK the chance to demonstrate its world leadership in the protection of cultural heritage. Through formal ratification we are sending a clear message of condemnation to those who intentionally destroy cultural heritage in times of conflict and those who seek to profit from the illegal trade in the cultural property and heritage of occupied territories. Combined with the cultural protection fund and the existing legislative framework designed to tackle illicit trade and terrorism-related activities, the Bill is another positive step towards ensuring our cultural heritage is protected for future generations. I commend it to the House.
Question put and agreed to.
Bill accordingly read a Second time.
Cultural Property (Armed Conflicts) Bill [Lords] (Programme)
Motion made, and Question put forthwith (Standing Order No. 83A(7)),
That the following provisions shall apply to the Cultural Property (Armed Conflicts) Bill [Lords]:
Committal
(1) The Bill shall be committed to a Public Bill Committee.
Proceedings in Public Bill Committee
(2) Proceedings in the Public Bill Committee shall (so far as not previously concluded) be brought to a conclusion on Thursday 17 November.
(3) The Public Bill Committee shall have leave to sit twice on the first day on which it meets.
Consideration and up to and including Third Reading
(4) Proceedings on Consideration and any proceedings in legislative grand committee shall (so far as not previously concluded) be brought to a conclusion one hour before the moment of interruption on the day on which proceedings on Consideration are commenced.
(5) Proceedings on Third Reading shall (so far as not previously concluded) be brought to a conclusion at the moment of interruption on that day.
(6) Standing Order No. 83B (Programming committees) shall not apply to proceedings on Consideration and up to and including Third Reading.
Other proceedings
(7) Any other proceedings on the Bill (including any proceedings on consideration of any message from the Lords) may be programmed.—(Christopher Pincher.)
Question agreed to.
House of Commons Commission
Ordered,
That Dame Rosie Winterton be appointed to the House of Commons Commission in place of Mr Nicholas Brown under the House of Commons (Administration) Act 1978, as amended.—(Michael Ellis.)
Cultural Property (Armed Conflicts) Bill [ Lords ] (First sitting)
Tuesday 15th November 2016
(8 years, 1 month ago)
Public Bill CommitteesRead Full debate Cultural Property (Armed Conflicts) Act 2017 Read Hansard Text Amendment Paper: Public Bill Committee Amendments as at 15 November 2016 - (15 Nov 2016)
The Chair
Before we begin, could everyone ensure that their phones are switched off? The selection list for today’s sitting is available in the room and online, and it shows how the amendments have been grouped together for debate. Amendments grouped together are generally on the same or similar issues. I am aware that there are very experienced Members in the room, but there are also some who are not so experienced, so I will spend a moment running through the process.
A Member who has put their name to the lead amendment in a group is called first. Other Members are then free to catch my eye to speak on any or all of the amendments within that group. A Member may speak more than once in a single debate. At the end of a debate on a group of amendments, I shall call the Member who moved the lead amendment again. Before they sit down, they need to indicate whether they wish to withdraw the amendment or seek a decision. If any Member wishes to press any other amendment or new clause in a group to a vote, they need to let me know. I will work on the assumption that the Minister wishes the Committee to reach a decision on all Government amendments tabled.
Please note that decisions on amendments take place not in the order in which they are debated, but in the order in which they appear on the amendment paper. In other words, debate occurs according to the selection and grouping list, but decisions are taken when we come to the clause that the amendment affects. New clauses are decided after we have finished with the existing text—that is, after considering schedule 4 to the Bill. I shall use my discretion to decide whether to allow a separate stand part debate on individual clauses and schedules following the debates on the relevant amendments. I hope that explanation is helpful.
Clause 1 ordered to stand part of the Bill.
Clause 2
“Cultural property”
Kevin Brennan (Cardiff West) (Lab)
I beg to move amendment 2, in clause 2, page 1, line 18, at end add
“and shall be taken to include cultural property in digital form.”
The Chair
With this it will be convenient to discuss amendment 6, in clause 8, page 5, line 5, at end insert—
‘( ) Where cultural property is in a digital form, the cultural emblem may be displayed in a digital format.”
I call Kevin Barron.
Kevin Brennan
We are very good friends, Ms Buck, so I do not need to remind you that I am Kevin Brennan, not Kevin Barron, although that mistake has been made previously; the Daily Mail online accidentally knighted me, briefly—
Kevin Brennan
The hon. Lady is quite right. Like her, I am much more shovelry than chivalry.
Amendment 2 stands in my name and that of my hon. Friend the Member for Tooting. As with all the Opposition’s amendments to the Bill, it is a probing amendment. Having closely looked at what was said on Second Reading, Members will realise that we merely seek to scrutinise and stress test the Bill a little. The Bill has completed its stages in the House of Lords, but some outstanding issues remain that we need to explore in Committee, particularly through the amendments that my hon. Friend and I have tabled. An amendment has also been tabled by a Government Back Bencher.
We made it clear on Second Reading that we very much support the Bill, which has been a long time coming. It brings into UK law the 1954 Hague convention, which the UK did not ratify at the time and which has been hanging around waiting for ratification for some considerable time, including after the second protocol was added in 1999. Indeed, it was the Labour Government in 2004 that announced their intention to legislate in this way. They introduced a draft Bill in 2008, which was then scrutinised by a Select Committee but unfortunately ran out of time prior to the 2010 general election and then went into a deep sleep under the coalition Government. It has been revived by this Government, which we think is a good thing, although it is now 62 years since the convention was originally passed.
We are not seeking to challenge the spirit of the convention or the principles of the Bill. In fact, we understand that it is in many ways a different kind of Bill. As the Minister reminded us yesterday in the Programming Sub-Committee, the schedules are in effect there to give the Committee information, rather than to be debated or amended. They actually represent the wording of the convention and the subsequent protocols to it. The first six parts of the Bill are very much for us to debate and amend. As I have said, our amendments will, for the most part, be probing amendments, as this one is. I agree with what the Secretary of State said on Second Reading:
“We want to get on with it”.—[Official Report, 31 October 2016; Vol. 616, c. 700.]
That is why we are here today. I hope that we will be able to conclude our proceedings in the plenty of time given by the programme motion that was agreed by the Government and the Opposition.
We would like the Government to clarify some aspects of the Bill that could create difficulties in future for those who have to interpret and implement it when it becomes law. Amendment 2, which we are considering in conjunction with amendment 6, speaks to one such difficulty. An inevitable consequence of the Bill’s 62-year gestation is that certain aspects of it may well have become outdated. The convention was written in the light of the cultural destruction of the second world war, but quite a lot has happened in the intervening period. The descriptions of the types of cultural property that are in need of protection, which can be found in schedule 1 to the Bill, show their age in the way they refer to physical artefacts and the buildings that house them, with no mention of, for example, those objects that take a digital, rather than physical, form.
The convention, as it is worded, covers cultural property that is “movable or immovable”, but the question that was quite reasonably raised in the other place is whether it covers digital cultural artefacts. For example, would it cover moving images as well as movable or immovable images? I understand that the list in schedule 1 is illustrative and not necessarily exclusive, and that the omission might be seen in some ways as a natural consequence of technological developments rather than any particular negligence at the time, but I still think that it would be useful for the Minister to set out the Government’s position on that.
Having said that it is because of technological developments, it may also reflect a change in mindset since 1954 with regard to what are regarded as cultural objects. It is quite telling that the wording of schedule 1 and the definition of cultural property under article 1 of the convention do not seem to say or to imply that, for example, film would be included as cultural property in that regard. Perhaps people in 1954 did not envisage that film, which was still a relatively new form of artistic expression, albeit more than half a century old, would fall into the category of a cultural object. Lord Stevenson spoke quite eloquently in the other place about the growing and indisputable importance of film, and subsequently television, and the way that they are woven into everyday life, and the way that they reflect, reproduce and challenge the worlds that we inhabit. Therefore, the national film archives in England, Wales, Scotland and Northern Ireland, as well as regional archives, are all of critical importance.
In fact, a couple of years ago I was fortunate enough to visit the British Film Institute’s archives, which are located near Milton Keynes—if the Minister gets an opportunity in her busy life, I recommend she visits them at some stage—to see the work being done to preserve the cultural heritage of the British film industry. In recent years we had the fantastic discovery of the very early Mitchell and Kenyon films, which catalogue life in the Edwardian era in an incredibly moving and powerful way. They reveal the cultural life of ordinary people in this country, not just so-called high culture, showing how they lived and spent their leisure time and their working lives more than 100 years ago with an amazingly vivid quality. While I was there, I was given a DVD of some of the early colour films of Claude Friese-Greene, who developed an early technique for making colour films but was largely forgotten for many years. There are amazingly vivid images of life in the UK from a tour he took in the 1920s.
To confirm that “cultural property” can be interpreted to include that which takes a digital form would clarify that items do not need to be ancient to be covered by the Bill and by the convention. Our creative industries are thriving, dynamic and constantly changing, producing precious commodities that deserve our protection. I therefore hope that the Minister will assure us that they will be granted the protection outlined in the Bill in the event of armed conflict.
The Minister may argue that the Bill, once passed, will take its place among other UK laws on the protection of cultural property and that we would be better off ensuring that digital culture is covered by those Acts, rather than risk amending the Bill. I understand that argument, which is why I outlined that this is a probing amendment to ensure that we have the Government’s position on the record. However, to ensure that we have informed the future interpretation of the Bill, we want to ensure that UK law is as consistent as possible and that there can be no doubt about the importance of digital cultural property or the severity or importance of anything done to destroy it. I hope that the concerns raised are remembered when we decide which items of cultural property are to be safeguarded by the cultural protection fund.
When this topic was debated in the House of Lords, the Minister, Baroness Neville-Rolfe, said that the wording of schedule 1—in other words, the 1954 convention—was
“flexible enough to meet the concerns expressed about what sort of cultural property might be covered.”
However, earlier in the same speech she responded to Labour’s amendment on the topic by saying
“the noble Lord’s amendment risks allowing the development of an interpretation of the definition in the United Kingdom which is not consistent with its internationally accepted interpretation. That would be undesirable. It would create uncertainty and inconsistency in the application of the convention and its protocols and could result in the UK failing to comply with its obligations under them.”—[Official Report, House of Lords, 28 June 2016; Vol. 773, c. 1478-1479.]
In those two statements there is some possibility of misunderstanding. Is interpreting cultural property so as to include that which takes a digital form a fair interpretation of flexible wording, as the Minister seemed to hint at one point in her remarks? Alternatively, is that interpretation—as expressed in a probing amendment in the House of Lords—a threat to the ratification of the convention? She seems to be suggesting that, and both those things cannot be true. We would be most grateful if the Minister clarified the Government’s exact position on that point. The more strongly she expresses the Government’s view that digital property is covered under the wording of the convention, and therefore by the Bill, the better.
Amendment 6 probes how part 3 of the Bill, which relates to the cultural emblem, fits into the digital age. Hon. Members will have noted that the Bill is unusual in another way, besides the fact that we are not debating the schedules, because it contains a picture. That is unusual in a parliamentary Bill.
Kevin Brennan
As my hon. Friend the Member for Rhondda notes from a sedentary position, there is an analogy with the Red Cross symbol, in the sense that we are dealing with an international emblem recognised in law. The picture is not in colour, but the Bill tells us that the colours of the emblem, which is intended to indicate cultural property protected under the convention, should be royal blue and white.
As I mentioned earlier, it is inevitable that a Bill based on a convention written more than six decades ago will be framed partly in ways that are outdated. I have discussed that in relation to the definition of cultural property, but it may be equally applicable to the form of the emblem. There has been broad cross-party agreement on the importance of protecting cultural property. The cultural emblem is crucial to that process, making the protected status of an item known to all those surrounding it, and reducing the chances of it being damaged because that status was not known.
On Second Reading mention was made of the famous use of the cultural emblem in recent years, during the second Iraq war—perhaps in the first Iraq war as well—when it was painted on the roof of a museum in Iraq so that those flying above would know that it was under the convention’s protection. However, there is the potential for that to backfire, as it could signal to looters where cultural property is being stored—we know what happened in Iraq after the invasion.
Leaving that aside, the blue shield is often described as the cultural equivalent of the Red Cross symbol, as my hon. Friend the Member for Rhondda noted. I reiterate the point, made on Second Reading, that the Red Cross supports the Bill. That is a testament to the fact that culture is recognised as important to identity, even by those such as the Red Cross whose first responsibility is the protection of life. Given the importance of the blue shield, we have tabled the amendment to clarify the potential scope of its use.
We welcome the measures that protect against unauthorised use of the blue shield. Its impact should not be diluted. However, the wording in schedule 2 about its authorised uses may be slightly outdated. My concern is to ensure consistency as to formats and the protection available.
I appreciate that the wording of schedule 2 is flexible in the sense that the regulations on the execution of the convention specify that the cultural emblem
“may be displayed on flags or armlets; it may be painted on an object or represented in any other appropriate form.”
The Government have previously said that there is nothing to preclude the emblem being displayed in digital form, for example on a screen or by projection. There could be clear benefits to being able to use the blue shield in digital form; in certain circumstances, for example, it could be projected to prevent the need for it to be painted or physically fixed on protected objects. When this issue was discussed in the Lords, the Government said that digital property such as recorded music could be marked as protected by the emblem if it were added to the physical object containing the digital data.
Kevin Brennan
The Minister refers from a sedentary positon to MP4. I do not think we would meet the high bar required for cultural property.
I remain concerned that the Government’s previous statements on the importance of consistent interpretation could prohibit such an understanding on digital data being implemented in practice. Will the Minister reiterate and expand on the assurance that the emblem could take a digital form? Could the wording of the schedule be interpreted as allowing the emblem to be included in digital format—in a digital file which is protected—as well as on its casing?
Tracey Crouch
It is a pleasure to take my first Bill through Committee under your chairmanship, Ms Buck. I look forward to receiving wise counsel and guidance if I get anything procedurally incorrect.
I am grateful to the hon. Member for Cardiff West and the Opposition for their support for the Bill on Second Reading and in Committee, here and in the other place. Members should always feel honoured to be on a Bill Committee, but I am sure colleagues share my pride in being on this particular Bill Committee ratifying The Hague convention and both protocols, which will make us the first permanent member of the UN Security Council to do so. That will give us great gravitas and status around the world and ensure that we protect cultural property in the future.
I am grateful to the hon. Gentleman and to Lord Stevenson for the amendments. It is important to recognise Members’ concerns that the Bill should enable appropriate protection of all forms of cultural property, including those which have been created using modern digital technology. The tabling of these probing amendments enables us to reassure hon. Members and to reiterate that we do believe that that is the case, and that the amendments are therefore not necessary.
On amendment 2, the definition of cultural property set out in article 1 of the convention and incorporated into clause 2 of the Bill as
“movable or immovable property of great importance to the cultural heritage of every people”
is broad and flexible. It is not limited to those things that are specifically mentioned in article 1 of the convention, which are presented as examples of the sorts of cultural property that are protected by the convention. Other cultural property can also be protected under the convention if it is
“of great importance to the cultural heritage of every people”.
We consider that the definition is already sufficiently broad and flexible and can accommodate modern forms of cultural property such as digital material.
As Members will have seen, Professor Roger O’Keefe of University College London states in his written evidence to the Committee:
“There is no ground for concern and no cause for doubt on this point.”
We also received support on this point from Michael Meyer, the head of international law at the British Red Cross. In his view:
“The examples set out under Article 1 are extensive, but not exhaustive”
and the definition in the convention is
“able to apply to a very broad range of items, which may well include those of a digital nature, such as rare and/or important film and music.”
I reiterate the statement made in the other place that using the definition from the convention does not mean that it is not flexible enough to include modern types of cultural property.
As we stated in the other place, there is also a risk that the amendment would allow the development of an interpretation of the definition in the United Kingdom that is not consistent with its internationally accepted interpretation. That would be undesirable. It would create uncertainty and inconsistency in the application of the convention and the protocols, and it could result in the UK failing to comply with its obligations under them. I must therefore oppose amendment 2.
On amendment 6, the Bill specifies not the format in which the cultural emblem should be displayed, but only the design. The regulations to the convention provide that the emblem may be represented in any appropriate form. The emblem was devised in the ’50s, and although at the time there may have been an expectation that it would be fixed to or painted on objects, there is nothing to preclude it being displayed in a digital format—for example, on screen or by projection. For modern, born-digital material, such as films and music, in practice we would expect the emblem to be displayed on the physical object on which the material is stored or on the building in which the physical storage object is kept, rather than being displayed digitally. That would help to ensure that the emblem is readily visible. That is not to say that it cannot also be depicted in digital form. Next month, we will be holding a roundtable on particular aspects of the implementation of the convention, which will provide a further opportunity to discuss implementation measures. This issue will be on the agenda.
The Government are not aware of any other state parties that have raised concerns about the definition or the rules for displaying the emblem. When the second protocol was agreed in 1999, the definition and the rules relating to the emblem were still considered to be appropriate at a time when digital culture was already well developed.
In conclusion, the amendment is unnecessary and I oppose it. I thank the hon. Member for Cardiff West for giving us the opportunity to clarify that we believe that that issue is included within the wider definition of the convention.
Kevin Brennan
I thank the Minister for her response and for giving the Opposition access to her officials before Second Reading. For a Bill of this kind, it is very helpful to be able to have such discussions and to clarify things in advance.
In a sense, the Minister did not address my point about the potential conflict between Baroness Neville-Rolfe’s remarks in the House of Lords that clarifying the Bill by amending it to include the words “in digital form” would damage the international interpretation of what is meant by cultural property and that the wording of the convention effectively includes digital cultural property. I am not going to press that point, because the Minister and the Government have made it clear that they believe that the definition should be flexible enough to include digital property. It is useful for her to put that on the record and repeat it to the Committee today.
Later in the Bill we will get on to the very interesting subject—hon. Members from both sides of the Committee might want to contemplate this—of which cultural objects and what cultural property in this country, and indeed in each of our constituencies, are regarded as being of sufficient importance to all the people of the world, not just to us and our constituents, to be worthy of protection under the convention. I am sure everybody will spring to life later to give examples from their constituencies, because every hon. Member has in their constituency a cultural treasure that is important to all the people of the world. I look forward to hearing about the cultural richness of this country, including Queen’s Park and north London—your part of the world, Ms Buck, although you are not allowed to talk about it. I accept the Minister’s assurances on amendment 6. On that basis, I beg to ask leave to withdraw the amendment.
Amendment, by leave, withdrawn.
Question proposed, That the clause stand part of the Bill.
Victoria Borwick (Kensington) (Con)
It is a pleasure to serve under your chairmanship, Ms Buck. I would like to declare that I am the president of the British Antique Dealers’ Association, and I have been advised by the British Art Market Federation, the Antiquities Dealers’ Association and LAPADA, all of which have made written representations to this Committee.
I wish to draw the Committee’s attention to the art and antique market’s concerns about the definition of cultural property in the clause, which draws on the convention. I am grateful to the Minister for her clarification. A number of representative bodies of the art and antiques market, which is the second largest such market in the world, have made written submissions to the Committee. I draw Members’ attention to the submissions from the British Art Market Federation, the Antiquities Dealers’ Association, Professor Janet Ulph and LAPADA, among others. They all make clear that they are fully supportive of the Bill.
It is particularly important that honest and well-intentioned dealers and auction houses do not risk criminal prosecution when conducting reasonable due diligence. As the Committee will have read in those submissions, the three aspects of the Bill that concern the trade relate to avoiding uncertainty in the art market and ensuring clarity in the practical operation of the law. There is no doubt that uncertainty hampers the successful operation of any market, and it is reassuring that my right hon. Friend the Secretary of State made it clear on the Floor of the House that she does not want the market to be hampered.
The clause 17 offence that we will come to later of dealing in unlawfully exported property depends directly on clarity and understanding of what is meant in the Bill by the term “cultural property”. As it stands, the punctuation used in sub-paragraph (a) of article 1 of the convention, which is reproduced in schedule 1 to the Bill, means that cultural property is not limited to property of great importance to the cultural heritage of every people, although the Minister has just clarified that cultural property can be protected if it is of great importance to every people. The market seeks absolute clarification of those points. Other categories of property are covered in the definition, regardless of their cultural significance, including works of art, manuscripts, books and other objects of artistic, historical or archaeological interest.
It has been drawn to my attention that the original—and, as article 29 states, equally authoritative—French and Spanish texts of the convention, which I have to hand, are not worded in that way. They use commas, not semi-colons. On account of that, in the French and Spanish versions a work of art must be of great importance to the cultural heritage of every people for the convention to apply to it. I was delighted that the Minister confirmed in the House on 31 October that the Government intend to take the same restricted approach to the definition of cultural property and that the clause 17 offence of dealing in unlawfully exported property will apply only to a very small but very special category of cultural objects—those which are of great importance to the cultural heritage of every people. I thank the Minister for her clarification on that point this morning.
Given what we know about the other versions of the convention and the Government’s intention that the Bill should apply only to objects that are of great importance to the cultural heritage of every people, it cannot surely be right for the wording of the law to be at odds with its intention. I have not tabled an amendment on this important point, but the Government might consider a little clarification on it.
Kevin Brennan
The hon. Lady is making an important point. Given the benefit of her expertise, will she give an example of a cultural object located in the UK that she believes would pass the test in the convention, under the wording as she and the Government interpret it, and perhaps one that she thinks might not pass the test but that some might regard as an object of importance?
Victoria Borwick
I cannot think of something instantly, but the important point is whether the restricted view should apply that the object should be
“of great importance to…every people”.
We are making sure that we do not by mistake include things that are not covered in the convention—in other words, that we do not, through loose punctuation, fail to make it absolutely clear which objects are covered.
Tracey Crouch
I am grateful to my hon. Friend the Member for Kensington for her contribution. The clause defines cultural property by reference to the definition in article 1 of the convention, as we discussed in the debate on the amendments. This is a broad definition, covering a wide range of movable and immovable property of great importance to the cultural heritage of every people.
The convention provides a non-exhaustive list of examples, simply mentioning monuments, buildings, historical and archaeological sites, books, objects and scientific collections. We are clear that all cultural property must be of the greatest importance to all people to be covered by the definition; the punctuation should not be seen as limiting the definition to only the first items listed.
The definition includes buildings where cultural property is preserved or exhibited, such as museums, major libraries and archives, but is sufficiently broad and flexible, as has been said, to accommodate modern forms of cultural property, such as rare or unique film or recorded music, because the list of objects covered is not exhaustive.
Although the definition was drafted some time ago, it is sufficiently flexible to deal with the developments of the digital age. Changing it would risk the development of a definition in the UK that is inconsistent with the current international interpretation. However, I confirm and reiterate that the definition will cover only a very small and special category of objects.
Question put and agreed to.
Clause 2 accordingly ordered to stand part of the Bill.
Clause 3
Offence of serious violation of Second Protocol
Kevin Brennan
I beg to move amendment 3, in clause 3, page 2, line 16, leave out “or”.
The Chair
With this it will be convenient to discuss the following:
Amendment 4, in clause 3, page 2, line 17, at end insert
“, or
(c) a foreign national serving under the military command of the UK Armed Forces.”
Amendment 5, in clause 3, page 2, line 17, at end insert
“or if the act was committed by a private military contractor or an individual employed by a private military contractor, including persons contracted to the UK armed forces.”
Kevin Brennan
These are probing amendments in my name and that of my hon. Friend the Member for Tooting. Amendment 3 is a technical drafting amendment that allows amendments 4 and 5 to make sense. We are exploring which military personnel are bound by the second protocol, specifically in relation to foreign nationals embedded in UK armed forces. At the heart of this debate is the question: who is classed as being subject to UK jurisdiction, for the purposes of the convention and the Bill, and who is not?
I said earlier that it is inevitable when ratifying a convention that was written more than six decades ago that some elements will no longer chime with modern reality and practice, and we are limited in how we can amend the Bill because it forms part of an international convention. The hon. Member for Kensington illustrated the complications when referring to whether the difference between a comma and a semicolon could lead to misinterpretation. She said that she had the Spanish translation available; I am sure that my hon. Friend the Member for Rhondda could cast his eye over that. Although I am tempting him, he is not contributing with his fluent Spanish.
The passage of time provides less of an excuse for uncertainty regarding those parts of the Bill that were written more recently, so gaining clarity is all the more important. On amendment 4, which refers to embedded soldiers, I welcome the fact that the Minister, Baroness Neville-Rolfe, said in the Lords that under the Armed Forces Act 2006,
“regular members of the Armed Forces remain subject to UK service law”—[Official Report, House of Lords, 28 June 2016; Vol. 773, c. 1488.]
even when they are embedded within another army. They remain under the UK’s jurisdiction, and so would remain bound by the second protocol. It is also important to note that the UK armed forces already behave, and are instructed to behave, as if they were bound by the convention and its protocols, and that the impact assessment for the Bill showed that their conduct will have to change very little when the Bill becomes law.
However, the Government have not quite clarified the reverse, which is how the convention and its protocols apply when a foreign national is embedded in UK armed forces, particularly if that other nation is not a state party to the convention or its second protocol. That concern is particularly pressing as the use of embedded forces has become much more prevalent since the convention was originally passed in 1954. The Armed Forces Deployment (Royal Prerogative) Bill, which is awaiting its Committee stage in the other place, is testament to the growing concern about how, when and where the UK armed forces use embedded forces.
The uncertainty that amendments 4 and 5 aim to clarify points to one of the Bill’s vague points: while it is clear about which institutions will be affected, it does not address their internal nuances, or how those institutions interact with each other. That is particularly obvious in clause 5; its interpretation and implementation is complicated by the frequency of use of coalition forces, and the rise in the use of private security firms.
During line-by-line scrutiny of the Bill in the House of Lords, Lord Howarth of Newport recalled that private military contractors had participated in terrible destruction of cultural property at crucial archaeological sites during the Iraq war. However, when asked whether such contractors and the individuals in them would be bound by the Bill, Baroness Neville-Rolfe concluded her remarks by saying:
“I think they are covered.”—[Official Report, House of Lords, 28 June 2016; Vol. 773, c. 1489.]
It is not enough, for our purposes, for a Minister to say “I think”, so I look to the Minister to confirm that they are most certainly covered. Given that we all agree on the severity of the crimes listed in the Bill, it is absolutely right and only fair that we ask for more certainty on who exactly is considered to be under UK jurisdiction—and so criminally liable if they commit such crimes.
I appreciate that the Government have previously referred to clause 29, which states that senior managers of private military contractors are criminally liable for actions committed by their company if they were involved in making those decisions. Our amendments are intended to clarify the remaining ambiguity surrounding the criminal liability of individuals who are under the command of UK armed forces without being members of them, and are not necessarily UK nationals.
In the same debate, Baroness Neville-Rolfe went on to say:
“By making explicit reference to embedded forces and private military contractors in the Bill, we could risk creating doubt and confusion in the interpretation of both the Bill and other legislation.”—[Official Report, House of Lords, 28 June 2016; Vol. 773, c. 1489.]
In my experience, doubt and confusion are created by a lack of clarity, not an abundance of it, so clarity is what we need from the Minister in responding to our amendments. Will she provide us with that? Will foreign nationals embedded in the UK armed forces, private military contractors and the individuals in those contractors, including those contracted by the UK armed forces, be bound by the second protocol and the provisions of the Bill?
Tracey Crouch
I thank the hon. Gentleman for tabling the amendments; that allows the Government to reassure the Committee on this important issue. It also allows me to pay tribute to the UK armed forces, which, as he said, already apply the convention in their actions and behaviours. We should take a moment to thank them for doing so. In addition, it allows me to pay tribute to the excellent monuments men and women, who have done a great deal to protect cultural heritage in conflict zones. We cannot praise them enough for what they have done.
The amendments seek to extend the UK’s jurisdiction over the offences described in article 15(1)(d) and (e) of the second protocol. Under the second protocol, the UK is required to establish jurisdiction over such acts only when they are committed on UK territory or by UK nationals. Extending that to foreign nationals committing these acts abroad would be exceeding our obligations under the convention and protocols.
The amendments would mean that foreign nationals committing such offences abroad would come under our jurisdiction if they were serving under the military command of the UK armed forces, or were private military contractors or their employees. To deal with embedded forces first, when any foreign military personnel are embedded in UK forces, a bespoke status of forces agreement or memorandum of understanding is drawn up that sets out responsibility for the individual involved. That will normally outline that the embedded individual continues to be subject to the jurisdiction of their home state. We would expect that same principle to apply to UK military personnel embedded in overseas militaries.
Therefore, if a foreign soldier were to commit an act set out in article 15(1)(d) or (e) while embedded in a UK unit, we would dismiss them and send them back to their home state to be dealt with for disobeying orders. The individual would face the consequences of their actions on their return home, and there is no loophole for embedded forces; that would apply whether or not a foreign state had ratified the convention or protocols, as the individual would be disobeying an order. Similarly, if a UK soldier embedded in the armed forces of another state broke military rules, we would expect them to be dealt with under the UK’s jurisdiction.
Our concern in the Bill must be to focus on protecting cultural property in the UK and to set clear rules for how UK military personnel and UK nationals operate abroad. We should not be extending our jurisdiction to police foreign nationals committing crimes abroad; that is beyond what is required by the convention and protocols. Private military contractors and their staff are already covered and would be criminally liable in the same way as any other legal or natural person. That means that if an employee of a private military contractor who is a UK national or subject to UK service jurisdiction vandalised or looted cultural property, they would be potentially criminally liable under clause 3 on the same basis as any other person.
Clause 29 also ensures that the senior management of private military contractors are personally liable for offences committed by their organisations if they consented to or connived in the offence. That ensures that senior managers cannot escape the consequences of the actions of their organisations if they were personally involved in them. However, in accordance with our obligations under the protocol, that is limited to UK nationals and those subject to UK service jurisdiction for the offences in article 15(1)(d) and (e) of the second protocol.
To extend our jurisdiction to non-UK nationals for all offences committed abroad would be to go beyond what is required to become party to the convention and protocols. It should be remembered that jurisdiction over the acts in article 15(1)(a) to (c) already extends to foreign nationals committing the most grave offences abroad, as required by the convention and protocols. We would be extremely concerned if amendments to the Bill were to lead the UK to extend our jurisdiction beyond what is necessary to become party to the convention and protocols.
I am sure that we all agree that the UK should not attempt to exceed the boundaries set out in this internationally agreed approach, or become a world policeman in going beyond that. I hope that I have clarified the Government’s thinking on this matter, and that the hon. Gentleman will feel able to withdraw the amendment.
Kevin Brennan
I thank the Minister for her response. On amendment 4, I think she was saying that the answer is no—that foreign nationals serving with the UK armed forces will not be covered, and that the Government do not wish them to be included, because that would go beyond the requirement in the convention. We could debate at some length whether it would be desirable for the UK to seek to do that, but given that we accept that the purpose of the Bill is to bring the convention, as written, into UK law, I will not seek to extend our debate and press the amendment to a vote.
On amendment 5, the Minister has made it clear that as far as the UK Government are concerned, contractors are covered by the Bill and the schedules to it. She gave a clearer explanation than her colleague in the House of Lords, Baroness Neville-Rolfe, who said:
“so I think they are covered.”—[Official Report, House of Lords, 28 June 2016; Vol. 773, c. 1489.]
I thank the Minister for being clear on that point.
That raises an interesting question. Prior to this Committee, I asked the Secretary of State for Defence in parliamentary question 52310 how many members of foreign armed forces have been embedded in the UK armed forces in each year since 2010. I thought that information might be of use to colleagues on both sides of the House in understanding how our armed forces operate. I got back an answer from the Minister for the Armed Forces on 14 November at 5 pm saying:
“This information is not held centrally and could be provided only at disproportionate cost.”
I say gently that that is a good example of how Governments—of all colours, before the Government Whip, the hon. Member for Beverley and Holderness, does his usual chunter at me for saying this sort of thing—fail to answer parliamentary questions. That annoys me, as it should annoy us all, whatever side of the House we are on. Lloyd George, when driving in north Wales, once stopped to ask directions from a local farmer—in Welsh. He said, “Where am I?” and the local farmer said, “You’re in your car.” Lloyd George said that was a perfect example of how civil servants draft and Ministers answer parliamentary questions: the answer was short, accurate and told him absolutely nothing he did not know already.
It would be helpful, if we are properly to scrutinise and understand the Bill, if the Minister’s colleagues in the Ministry of Defence made an effort to tell us how many members of foreign armed forces have been embedded in the UK armed forces in recent years. I understand the point that she made about how they would be disciplined in the event of them breaching the Bill, but it would be useful to all of us in the House to know the answer to that question. I do not know whether the Defence Committee is interested in pursuing that. I may pursue it further, depending on my other priorities, but I would certainly like to know the answer to that question. Perhaps the Minister could pass on our concerns to her colleagues in the Ministry of Defence. On that basis, I beg to ask leave to withdraw the amendment.
Amendment, by leave, withdrawn.
Clause 3 ordered to stand part of the Bill.
Clause 4
Ancillary offences
Question proposed, That the clause stand part of the Bill.
Kevin Brennan
Although we have not tabled amendments to the clauses in this part of the Bill, it would be useful if the Minister briefly explained this clause and some of the others as we go along.
Tracey Crouch
I am delighted to respond to the hon. Gentleman’s request to explain the clause, which contains one of my favourite subsections of all time. I am one of those Members of Parliament who likes to read the legislation that we pass, alongside the explanatory notes. I know that is a terribly quaint thing to do these days. I draw hon. Members’ attention to the wonderfully worded subsection (7), which states that
“an offence that is ancillary to an offence under section 3 includes a reference to an offence that is ancillary to such an ancillary offence, and so on.”
It is an infinite provision, and I thoroughly enjoyed trying to work it out.
Kevin Brennan
On that point, will the Minister explain subsection (7) to the Committee?
Tracey Crouch
I need not do so, because the explanatory notes do it absolutely brilliantly. The lesson for anybody reading legislation is that they should do so alongside the explanatory notes, because that is what they are there for. May I instead recommend that the hon. Gentleman read paragraph 37 on page 10 of the explanatory notes, which gives an absolutely excellent explanation? When I took a picture of the clause and put it up on my personal Facebook page, a lot of my friends who have nothing to do with politics found it as interesting as I did.
Turning to the clause itself, the second protocol requires parties to extend criminal responsibility to persons other than those who directly commit an act outlined in article 15, paragraph 1, of the protocol. It also obliges parties to assert extraterritorial jurisdiction in specified circumstances. The clause ensures that those obligations are fully implemented. Its purpose is to ensure that the UK has extraterritorial jurisdiction to try all ancillary offences in the same circumstances in which clause 3 establishes jurisdiction to try the substantive defence. It does not itself establish the ancillary offences, which already exist under other legislation and apply automatically to offences under clause 3. It applies only to ancillary offences if there is uncertainty about their extraterritorial application. Where the existing law is clear about extraterritorial application, as it is in relation to aiding and abetting and offences under the Serious Crime Act 2007, no provision is made. To make such express provision unnecessarily would be bad drafting practice and could create doubt about other situations for which no express provision is made.
Subsections (1) to (3) set out provisions about jurisdiction that mirror those for the principal offence set out in clause 3. In relation to any of the acts listed in article 15, paragraph 1, sub-paragraphs (a) to (c) of the second protocol, a person can be prosecuted for an ancillary offence committed abroad, regardless of their nationality. In contrast, in relation to ancillary offences concerned with the other acts set out in the article, only a UK national or a person subject to UK service jurisdiction can be prosecuted for an offence committed abroad.
Subsections (4), (5) and (6) take into account the differences in the criminal law in the different legal systems of the UK with regard to the definition of ancillary offences. The intention is to produce the same effect in each legal system. On Report in the other place, an amendment was made to subsection (6) to ensure that the Bill’s provision relating to ancillary offences has the intended effect in Scotland. The amendment was tabled by the Government following consultation with the Crown Office and the Scottish Government. I am grateful to the devolved Administrations for their help and support in drafting the Bill.
Subsection (7) ensures that offences that are ancillary to ancillary offences are also provided for.
I hope that, following that explanation, the Committee is fully appraised of the intention of the clause.
Kevin Brennan
I thank the Minister for a thorough explanation. As I understand it, an example of an offence ancillary to an ancillary offence under subsection (7) might be when someone involved in the theft of an item of cultural property decides to destroy evidence in relation to the theft, and the clause provides for such an offence to be covered.
Kevin Brennan
The Minister is nodding, so I take it that that is also her understanding. Although she is right that we should always read the Bill and the explanatory notes, the explanatory notes—I intend no particular criticism here—do not always tell us much more than the clause. They sometimes seem just to paraphrase rather than attempt to elucidate or give a figurative example. However, on the basis of what she has said, we shall not oppose the clause.
Question put and agreed to.
Clause 4 accordingly ordered to stand part of the Bill.
Clause 5
Responsibility of commanders and other superiors
Question proposed, That the clause stand part of the Bill.
Kevin Brennan
As previously, I would be grateful if the Minister outlined the meaning of the clause for the Committee.
Tracey Crouch
The clause provides an additional form of individual criminal responsibility—that of commanders and superiors for the actions of their subordinates. That concept is one of the recognised principles of international law referred to in article 15, paragraph 2, of the second protocol, which parties to the protocol are obliged to implement.
The wording of the clause is based on article 28 of the statute of the International Criminal Court, which is regarded as an authoritative statement of the general principles of international law in relation to criminal liability. It mirrors the UK’s implementation of other international law, in particular the International Criminal Court Act 2001.
Subsection (1) provides that liability under the provision is to be treated as aiding and abetting in England, Wales and Northern Ireland, and being art and part in Scotland. That takes into account the different criminal law in Scotland. A distinction is drawn between the standards expected of military commanders in relation to the military forces under their command, and other superiors, such as Government officials. That distinction is made to recognise that the latter may not have the same degree of control over their subordinates.
In the case of a military commander, liability will arise only if he or she knew, or owing to the circumstances should have known, that his or her forces were committing or about to commit an offence. In contrast, a superior who is not a military commander will commit an offence only if they knew or consciously disregarded information clearly indicating that the subordinate was committing or about to commit an offence. Importantly, subsection (7) makes it clear that liability under the clause does not preclude any other criminal liability in relation to the same event, so a commander can still be prosecuted as a principal offender under clause 3 as well as under this clause.
The clause ensures that the UK adheres to the requirements of article 15, paragraph 2, of the second protocol, and complies with the general principles of international law in relation to criminal liability.
Stephen Doughty (Cardiff South and Penarth) (Lab/Co-op)
It is a pleasure to serve under your chairmanship, Ms Buck. I apologise for my late arrival in Committee this morning; I was at a Select Committee meeting.
I have some specific questions for the Minister about how the clause will be put into practice. I have had the pleasure of seeing UK armed forces being trained, at very close quarters. I saw infantry, artillery and tank training, and I have always been impressed by the teaching in practice of compliance with international law, including the Geneva conventions. I was in Canada last year at the BATUS training area—British Army Training Unit Suffield—where much of our heavy armour training is done. The Bill will clearly be very much applicable to conduct with respect to artillery, tanks and other vehicles capable of seriously damaging cultural property, so will the Minister say a little about how it will be incorporated into training and what plans the Ministry of Defence has to bring that about?
A point has been made about embedded forces, and situations when UK forces are in command of forces from other countries. The clause states that
“references to a military commander include a reference to a person effectively acting as a military commander”.
There have been circumstances where civilians from the Department for International Development and the Foreign Office have held senior command roles—for example, in the provincial reconstruction teams in Afghanistan. Will the Minister say a little about the practical arrangements for ensuring that personnel, whether they be military, foreign military or civilians acting in a military capacity, comply with the terms of the Bill?
Tracey Crouch
I am grateful for the hon. Gentleman’s contribution. He will of course understand and appreciate that I am not an expert on all things military, but I can tell him that the Bill applies equally to all the armed forces. No distinction is made for the specific services.
Cultural property protection is included in the annual training of all services of the UK armed forces. Specific cultural protection training is not tailored to the RAF, Army or Navy, but is provided for individuals across all three services when a certain deployment determines it necessary. For example, specific cultural property protection issues are covered on the joint targeting course run at RAF Cranwell and the Royal School of Artillery. Those courses are held for all three services and are attended by personnel who have responsibility for target selection and planning. The graduates of those courses have to demonstrate an awareness of cultural property protection issues in various planning exercises throughout the course.
As the hon. Gentleman pointed out, we should recognise that such training is already heavily embedded in our armed forces and we should be incredibly proud of that. There is a great deal of co-operation between the Department for Culture, Media and Sport and the Ministry of Defence in ensuring the ratification of the convention through the Bill, and work is being done to ensure the continued expansion of that. Members will be aware of the specific unit being set up in the Ministry of Defence. That is well under way and a great deal of progress is being made. Everybody, right from the very top of the Ministry of Defence down to the early recruits undergoing training, is certainly 100% behind making sure that we protect cultural property.
Question put and agreed to.
Clause 5 accordingly ordered to stand part of the Bill.
Clause 6
Penalties
Question proposed, That the clause stand part of the Bill.
Kevin Brennan
The clause refers to the penalties that could be handed out to someone guilty of an offence under section 3, or, as discussed earlier, an offence ancillary to such an offence, or indeed an offence ancillary to an offence that is ancillary to the offence under section 3, although that is not specifically mentioned in this clause.
Kevin Brennan
And so on, ad infinitum—and perhaps reductio ad absurdum. The penalty envisaged in clause 6 includes
“imprisonment for a term not exceeding 30 years.”
That is a lengthy term of imprisonment. We know that we are talking about some potentially serious offences, but it would be helpful to the Committee and to those observing our proceedings if the Minister clarified the severity of offence that would be likely to attract a sentence of that length. Clearly, that would not apply to all offences that might be committed under the Bill, although these are offences that, as we heard earlier, relate to cultural property of importance to all people, so an offence committed under the Bill would be a serious offence against all peoples of the world.
If the Minister clarified the thinking on the term of imprisonment and on the kinds of offence that might attract that length of sentence, I am sure the Committee would be enlightened.
Tracey Crouch
The clause sets the maximum penalty for section 3 offences and the associated ancillary offences. The second protocol obliges parties to make the criminal offences established in their domestic law to meet the obligations of paragraph 1 of article 15 “punishable by appropriate penalties”. A person found guilty of an offence under section 3, or a related ancillary offence, is liable on conviction on indictment to a prison term not exceeding 30 years. The maximum penalty introduced by the clause aligns with related provisions in both the International Criminal Court Act 2001 and its Scottish equivalent, and the Geneva Conventions Act 1957.
At first sight, it may seem surprising that offences of that nature, and ancillary offences, attract the same maximum penalty as war crimes covered by the relevant provisions of the 2001 Act, but that flows naturally from the seriousness with which those offences are considered under international law. It is worth noting and stressing that that is a maximum penalty. In practice, the sentence may be much shorter, or even a fine. The maximum sentence is likely to be reserved for only the most heinous crimes against cultural property. Each sentence must be considered case by case, and the Government believe that it should be left to the courts to determine the appropriate penalty based on the facts of the individual case.
The offence in clause 3 could be committed in a wide range of scenarios, with an equally wide variety of possible ancillary offences. I do not think it would be right for us to attempt to address that variety of scenarios by setting different penalties in the Bill. If an individual was responsible for deliberately destroying one of our national cultural landmarks during an armed conflict, I am sure we would wish to see the severest punishment. Likewise, we would want a similar sentence to be available for an individual who masterminded such destruction, or an army commander who ordered it as part of a campaign in full knowledge that the object in question was protected cultural property. That should also apply to UK nationals taking part in cultural destruction of a similar nature during an armed conflict overseas. Accordingly, the maximum penalty is considered appropriate for ancillary offences, as well as for the principal offence.
The clause reflects the seriousness with which the UK views serious violations of the second protocol. It is consistent with existing UK legislation and allows the UK successfully to meet its obligations under that protocol.
Question put and agreed to.
Clause 6 accordingly ordered to stand part of the Bill.
Clause 7
Consent to prosecutions
Question proposed, That the clause stand part of the Bill.
Stephen Doughty
I will ask a simple question; I am not an expert on these matters when it comes to Scottish law. Why does the clause make no reference to consent for prosecutions with regard to Scotland? It references only the Attorney General in England and Wales and, for Northern Ireland, the consent of the Director of Public Prosecutions for Northern Ireland. Is that particular quirk due to the way the Scottish legal system works or something else?
Tracey Crouch
I am not an expert on Scottish law, but I can answer that question. There is no equivalent provision in relation to Scotland as the position of the Lord Advocate, as master of the instance in relation to all prosecutions in Scotland, means that such a provision is unnecessary.
Question put and agreed to.
Clause 7 accordingly ordered to stand part of the Bill.
Clause 8
The cultural emblem
Question proposed, That the clause stand part of the Bill.
Mr David Burrowes (Enfield, Southgate) (Con)
It is a great pleasure and a privilege to take part in the proceedings of the Committee, not least as I am co-chair of the all-party parliamentary group for the protection of cultural heritage. I will not say too much, not least because I do not have much a voice, but I will say that this a particularly uncontentious part of a relatively uncontentious Bill.
I draw particular attention to the emblem of the blue shield, which is, as we know and as has already been mentioned by the hon. Member for Cardiff West, a symbol used to identify cultural sites protected by the convention and the personnel engaged in protecting such property. I also draw attention to the work of the Blue Shield network, which provides support in the promotion of the ratification of the convention and its protocols, as we are doing today. It is also part of the International Committee of the Blue Shield, which is a voluntary NGO, but one that has already been said to be the equivalent of the International Red Cross and Red Crescent Movement, and it needs to be given proper status and support.
The International Committee of the Blue Shield provides an unrivalled body of expertise, which allows the organisation to collect and share information on threats to cultural property worldwide. This is a hugely significant organisation that encourages the safeguarding and restoration of cultural property and raises national and international awareness of cultural heritage. It also provides an important focus for the promotion of not only the ratification but the implementation of the convention, and its work with the Government and with other countries, in terms of the protocols and the convention, is no doubt ongoing. It is worth noting in the submissions to the Committee the support for the Bill from the International Committee of the Red Cross and the offer to support the Government in the promotion of the blue shield emblem, which it has done so admirably with the red cross. I would be interested to hear from the Government on the progress of that in terms of social media and other forms of media that have developed in the 60 years since the introduction of the convention.
Kevin Brennan
The hon. Gentleman’s contribution and expertise in this area are welcome in Committee. When reading the Bill, one issue of interest is the threshold for a cultural object to pass muster under the convention and the Bill, and therefore presumably be covered by the cultural emblem. In the UK, what sorts of object or building will be covered, or, of just as much interest, might not be covered? If we are to raise awareness among the general public of what the Bill means, it is important that there is some idea of how and where that line is drawn.
Mr Burrowes
The hon. Gentleman is generous to call me an expert; I do not think I am a great expert at all. My interest in the subject arose not least from a background of concern around trafficking and the links to trade of human beings within property and a concern about the human value, which is aligned with the property value when we get the destruction we have seen by Daesh and other organisations in occupied lands.
I am encouraged by the Minister’s response to a question already raised that we will no doubt return to: there will be proper engagement with stakeholders and consideration of experts’ views around how we ensure there is proper focus. In one sense, that needs to be wide, as the definition in the convention is, and the purpose of the Bill is to ratify the convention and the definition in article 1, which is properly wide and recognises such categories, while providing sufficient reassurance to the trade and others around the practical implementation of that not just in the Blue Shield committee but beyond, with the Government engaging actively to ensure that proper guidance on implementation is set out. I will return to the clause before I get called out of order by the Chair.
I also want to refer in particular to the UK part of the network, the UK Committee of the Blue Shield, ably chaired by Professor Peter Stone, who is also the 2016 UNESCO chair in cultural property protection and peace. We are well placed in this country to help take the lead on the blue shield programme and provide that important conduit of expertise that draws in the military, Red Cross and UNESCO as observers for that committee. Along with charities and heritage protection organisations across the UK, we are helping to provide a lead in this area.
It is important to recognise that the UK committee has been on the case for some years. Since 2003, Peter Stone has been urging successive Ministers and Committees to do what we are doing today to ratify the convention and both protocols. I draw attention to his submission, in which he makes a pitch for the UK to take a lead internationally, certainly among the permanent members of the Security Council, in ratifying the second protocol and in
“funding a small, permanent office for the Blue Shield”,
which, despite its huge significance, is a voluntary, unfunded international non-governmental organisation.
To achieve cultural equivalence with the red cross, the blue shield needs money and resources. Will the Minister respond on how we will provide that further support and partnership work with Peter Stone’s Blue Shield committee, and recognise the added momentum given to Blue Shield’s work by this Committee’s process of ratification, not least of the second protocol? The easy answer she can give is to join us in commending the great work of Blue Shield.
Tracey Crouch
I am grateful to my hon. Friend the Member for Enfield, Southgate for his contribution. He is an expert, and he should not understate the work he has done on the issue over a number of years. He should be congratulated on his commitment and dedication to the protection of cultural property. I am very grateful for the advice he has given me and my Department in recent months.
My hon. Friend’s contribution allows me to pay tribute to the UK Committee of the Blue Shield and put on the record my gratitude to Professor Peter Stone for the work he has done in advising on the Bill and beyond. My hon. Friend mentioned Professor Stone’s plans for a Blue Shield centre, which I and my Department will continue to work with him on. I agree with my hon. Friend that it will allow us to take an international lead on the issue.
Clause 8 relates to the cultural emblem. The hon. Member for Cardiff West said that the Bill is a piece of legislation with a picture in it. I humbly suggest that if there were more pictures in Bills, more people outside this place might read them.
Tracey Crouch
If it protects beautiful heritage and culture, one might suggest otherwise.
The cultural emblem takes the form of a blue and white shield and allows cultural property protected under the convention to be marked to facilitate its recognition. In introducing the emblem, we will recognise for the first time in the United Kingdom the only symbol in international law for the protection of cultural property during armed conflict. It will act as a means of identification for this country’s most important cultural property and safeguard it in the event of an armed conflict.
Question put and agreed to.
Clause 8 accordingly ordered to stand part of the Bill.
Clause 9
Offence of unauthorised use
Question proposed, That the clause stand part of the Bill.
Kevin Brennan
I am not sure whether this will meet with your agreement, Ms Buck, but it seems to me that, as we debate clause 9 stand part, the Minister might go a little further and discuss how the clause relates to clauses 10, 11 and 12, which are about the authorised uses. The offence is created by clause 9. If that is convenient to the Committee, it might be a sensible way of discussing those clauses.
Tracey Crouch
Clause 9 introduces a new criminal offence of the unauthorised use of the cultural emblem, or any other design capable of being mistaken for it. That offence will meet our obligations under the convention, which sets out rules for the emblem’s use. It also requires parties to prosecute or impose sanctions on unauthorised use.
This will be the first time that the UK legally recognises this important symbol. Our policy is to afford the cultural emblem equivalent protection to that afforded the Red Cross and other distinctive emblems under section 6 of the Geneva Conventions Act 1957. As with the Red Cross, the breadth of the offence reflects the need to protect the potency of the emblem by forbidding its unauthorised use. An offence under this clause will be punishable by a fine. As with prosecutions under clause 3, prosecution under this clause can take place only with the appropriate consent in England, Wales and Northern Ireland. The position of the Lord Advocate makes a consent provision for Scotland unnecessary.
Clause 10 gives the appropriate national authority the power to give general or specific permission for particular uses of the cultural emblem to be authorised. It also enables the national authority to withdraw permission, for example when it is no longer necessary or appropriate. This will ensure protection for the cultural emblem and allow for urgent authorisation of cultural property, which can display the emblem, as may be required in the event of war or armed conflict. Subsection (2) imposes an additional requirement, as required by the convention, that the distinctive emblem may not be placed on any immovable cultural property unless a copy of the authorisation is displayed.
Clause 11 authorises the use of the cultural emblem for moveable cultural property in the circumstances permitted by the convention and regulations. It authorises the use of the cultural emblem when it is used to identify moveable cultural property and the use of three cultural emblems in a triangle to identify cultural property undergoing protected transportation. Finally, it outlines what is meant by cultural property undergoing protected transportation. That meaning is provided for in the convention. For example, should an armed conflict occur in one part of the United Kingdom, the cultural emblem triangle could be displayed on moveable cultural property during its transportation under special protection to a refuge in an area of the United Kingdom not affected by the armed conflict. That will help to ensure that cultural property is not exposed to damage and destruction during its transportation out of a conflict zone. I hope that clarifies the three clauses—10, 11 and 12 —and that they will stand part of the Bill.
Question put and agreed to.
Clause 9 accordingly ordered to stand part of the Bill.
Clauses 10 to 12 ordered to stand part of the Bill.
Clause 13
Defences
Question proposed, That the clause stand part of the Bill.
Kevin Brennan
Again, it might be useful if the Minister outlined the circumstances in which use of the emblem would be subject to a reasonable defence against a prosecution.
Tracey Crouch
Clause 13 sets out three defences to the offence of unauthorised use of the cultural emblem. This is to ensure that any person who already legally uses the emblem, or a sign that so nearly resembles the emblem that it could be mistaken for it, is not disadvantaged and criminalised as a result of the new clause 9 offence. Under subsection (2) it will be a defence to show that use of the cultural emblem is for a purpose for which it had previously been lawfully used before clause 9 came into force. Under subsection (3) it will be a defence to show that the emblem forms part of a trademark registered before clause 9 came into force, and that the trademark was being used lawfully in relation to the goods and services for which it was registered.
Under subsections (4) and (5) it will be a defence for a person to show that a design used on goods was: first, applied to the goods by their manufacturer or someone trading in those goods before they came into the possession of the accused; and secondly, that the person applying the design was using it lawfully in relation to the same type of goods before the clause came into force. The defence in those subsections is intended to protect purchasers of goods already bearing the emblem, or a design closely resembling it. Subsection (6) makes it clear that where the defendant can provide evidence that a defence exists, the burden to prove the offence still lies with the prosecution.
Question put and agreed to.
Clause 13 accordingly ordered to stand part of the Bill.
Clause 14 ordered to stand part of the Bill.
Clause 15
“Appropriate national authority”
Question proposed, That the clause stand part of the Bill.
Kevin Brennan
I think that it would be useful, in this age of devolution, if the Minister outlined the reasoning behind the way in which the appropriate national authorities have been set out in the Bill.
Tracey Crouch
I am very happy to do so. Clause 15 defines the appropriate national authority for each part of the United Kingdom. This explains the term that is used in clauses 10 and 12. For the purposes of part 3, the appropriate national authorities are: for England, the Secretary of State; for Wales, the Welsh Ministers; for Scotland, the Scottish Ministers; and for Northern Ireland, the Department for Communities. I reassure the Committee that these definitions, as set out in the Bill, were agreed with the devolved Administrations.
Question put and agreed to.
Clause 15 accordingly ordered to stand part of the Bill.
Clause 16
“Unlawfully exported cultural property” etc
Question proposed, That the clause stand part of the Bill.
Tracey Crouch
I thought it would be particularly helpful for the Committee to discuss clause 16, because it sets the scene for the discussion on clause 17, which I know we are due to have because amendments have been tabled. Part 4 of the Bill deals with cultural property that has been unlawfully exported from occupied territory. Clause 16 defines what is meant by “unlawfully exported cultural property” and sets out how it is determined whether territory is occupied.
Unlawfully exported cultural property is defined as cultural property that has been exported from an occupied territory contrary to either the laws of that territory or international law. At the time of the export, the territory concerned must have been occupied by another state. Either the occupying state or the state of which the occupied territory is a part must have been a party to the first or second protocol. That means that the earliest date on which cultural property could have been unlawfully exported for the purposes of the Bill is 7 August 1956, which is when the first protocol came into force. If neither of the states concerned became a party to the first or second protocol until a later date, that will be the date from which cultural property can fall within the definition.
The clause sets out what is meant by “occupied territory”. The test for that is based on article 42 of the regulations concerning the laws and customs of war on land, which were agreed at The Hague on 18 October 1907. The article states:
“Territory is considered occupied when it is actually placed under the authority of the hostile army. The occupation applies only to territory where such authority is established and in a position to assert itself.”
Whether a territory is occupied now, or was occupied at a particular time, is a matter that must be determined on a case-by-case basis. The clause provides that a certificate issued by the Secretary of State shall be conclusive evidence as to whether, at a particular time, territory was occupied. That is standard procedure for determining such matters that concern international relations and are considered to be matters of state.
Kevin Brennan
The Minister may not have this information available, and may want to write to the Committee with it, but do the Government have a list of territories that they currently consider to be occupied under that definition?
Tracey Crouch
I do not have that information to hand now, but I do not think we have an official list, because this is often a controversial point. May I suggest that if we are still on clause 16 when we return this afternoon, we perhaps clarify or confirm that point then?
Kevin Brennan
I am grateful. I understand her not having the information now. It might be useful to clarify, for example, whether the Government consider Crimea to be an occupied territory.
Tracey Crouch
Again, if we are still debating clause 16 this afternoon—or perhaps even when we debate clause 17 —if the hon. Gentleman wants to raise the point then, I may be able to give him more information. However, as he can imagine, the definition of occupied territories is sometimes controversial, and it is often open for discussion.
A certificate may not be issued in all cases. Alternative evidence may be used to prove the status of a particular territory. Before I conclude, I have been reliably informed that, yes, Crimea is considered an occupied territory; that at least covers one of the questions that the hon. Gentleman might have wanted to return to this afternoon, allowing us more time for other matters.
Victoria Borwick
I thank the Minister for that clarification, because we all seek greater clarity about what is in the Bill.
I have previously mentioned the uncertainty inherent in clause 2 and how our art market is keen to avoid uncertainty. Another area of uncertainty is an auctioneer’s or dealer’s ability to identify the occupied territories to which the law applies, particularly if an item may have been here previously; of course there is a lot of trading going on all the time, which is why the points about certainty and dates need to be clarified.
Clause 16(6) states that the Secretary of State’s confirmation that a territory was occupied is conclusive evidence of that status once legal proceedings have begun. If the Secretary of State’s word may be provided after the beginning of proceedings, cannot a list of the occupied territories, together with the relevant dates of occupation, be drawn up for all to see? Alternatively, could the criteria that a Secretary of State would apply when determining whether and when a territory is considered to have been occupied be clarified? Examples have already been given, but I could add East Jerusalem, the west bank, northern Iraq, Libya or southern Sudan and I am sure others could add alternatives. For the avoidance of doubt, dealers will need to know at what points since 1954 a particular territory is covered by the legislation.
Kevin Brennan
The hon. Lady raises a valid point. I accept that this was discussed when the draft Bill was considered in 2008, but that Bill did not come before the House in a final form. It is very reasonable to explore whether the Government will consider publishing a list of the territories that they consider occupied during the relevant period since 1954. It would be extremely useful.
Clearly, it is not always going to be easy to ascertain when an object left a particular territory, although we have already clarified that we are talking about a very small number of very important movable objects that might have been removed from a territory, and that in itself should set off alarm bells with any dealer. If it was an object of such cultural importance that it would be covered by the legislation, people would naturally take extra precautions to ensure that the object had not been removed illegally from a territory during a period of armed conflict and occupation. However, it is perfectly valid to ask why the Government are unable or unwilling to produce a definitive list of territories that have been under occupation during the relevant period. Perhaps the Minister could enlighten the Committee further on the Government’s thinking.
Mr Burrowes
I want to raise an issue brought up on Second Reading and in the other place, about the Bill’s applicability to non-state actors, particularly in relation to Daesh, which has prompted a huge wave of concern about cultural property destruction and added an extra dimension to the process that we are in of ratifying the convention and protocols. I am particularly grateful to the Secretary of State for clarifying the categories in the Bill that are applicable and for clarifying where the UK can prosecute.
The Hague convention already extends to non-state actors, and the offences in article 15 of the second protocol may be committed by non-state actors in non-international armed conflicts. The question is how that will be prosecuted. As Syria is not party to the second protocol, there is no possibility of prosecuting the most serious offences in article 15. However, there is scope to prosecute UK nationals involved in Daesh under clause 3 of the Bill.
Is there evidence of UK nationals being involved in such damage or in stealing cultural property in Syria? If there is, we will be able to prosecute them for those heinous crimes after the enactment of the Bill. Many of us, including the UNESCO chair, consider such acts to be on the same level as a war crime, and they need to be dealt with appropriately and punitively.
Tracey Crouch
I am grateful to colleagues for raising a number of important issues. I will respond as best I can.
First, I remind the Committee that this law is not solely concerned with dealing in cultural property; it is about protecting cultural property at home and abroad. We need to keep reminding ourselves of what we are trying to achieve with this Bill. That said, some important issues have been raised.
Colleagues will appreciate that extremely sensitive foreign relations issues are in play when drawing up a list. It is important to reiterate the point made by my hon. Friend the Member for Kensington that the Government are not aware that any of the other 127 state parties to the convention have produced a list of territories that they consider to be or to have been occupied since the convention came into force in 1956. In practice, very few territories are likely to be deemed to be or to have been occupied within the meaning of the Bill. The amount of cultural property from such territories that dealers are likely to come across is expected to be extremely small. That said, I realise that there are concerns.
Legal advice will be available to those who have concerns. If in doubt, dealers can seek appropriate legal advice from a solicitor or barrister who is familiar with public international law. The Bill does not impose any requirements on those who deal in cultural property beyond the normal due diligence that they should carry out in accordance with industry standards, such as the code of practice for the control of international trading in works of art. In the event of legal proceedings, the burden of proof will be on the prosecution to show that the person knew, or had reason to suspect, that the cultural property had been unlawfully exported from an occupied territory.
We will discuss the wording later, but I remind the Committee that the Government will not be publishing a list of occupied territories. It will be determined on a case-by-case basis. Anyone who has a question or any doubt can seek appropriate legal advice. Like the other 127 state parties to the convention, we have no intention of publishing a list.
Victoria Borwick
I am concerned on behalf of traders that there will inevitably be a great deal of cost. As you and the Secretary of State have been kind enough to say that you do not wish to place additional burdens, I am concerned that you are appearing—
Victoria Borwick
I apologise, Ms Buck. High legal costs might be incurred, but I do not understand that to be the Minister’s intention.
Tracey Crouch
I repeat that I do not think that the clause imposes any more requirements on those who deal in cultural property beyond the normal due diligence that they undertake now in accordance with industry standards, so I am not convinced that there will be additional costs. We need to remind ourselves that the offence is not retrospective; it applies only to cultural property unlawfully exported from occupied territories after the date that the convention and protocol came into force for those countries that are party to it, and cultural property needs to be imported into the UK after the Bill comes into force to be an offence.
To clarify exactly what sort of cultural property we are talking about and the dating of that property, I will briefly repeat messages back to my hon. Friend the Member for Enfield, Southgate about Syria. It is important to take this opportunity to clarify how the Bill applies to the situation in Syria. The Bill’s application to the situation in Syria is limited for two reasons: first, while Syria is party to the convention and the first protocol, it has not ratified the second protocol; secondly, the UK does not recognise Daesh as a state.
With regard to the first point, the current conflict in Syria is defined as a non-international armed conflict—a civil war, in other words—and the offences listed in article 15 of the second protocol may be committed during civil wars. However, the application of clause 3 is complicated as it varies depending on whether the state experiencing civil war is a party to the convention and/or the second protocol. The Bill’s application to Syria is limited to the offence set out in article 15(1)(e) of the second protocol, which is
“theft, pillage or misappropriation of, or acts of vandalism directed against cultural property protected under the Convention.”
Because Syria is party to the convention, its cultural property is protected against that offence. The Bill’s application is limited in some respect because Syria is not yet party to the second protocol, which means that the UK cannot prosecute for any of the other four offences set out in article 15 of the second protocol.
Kevin Brennan
I saw the Secretary of State’s letter, together with an explanatory note, that she provided following Second Reading. It made it clear that the Bill could, in effect, apply in civil wars, although that is not the phrase that she used; I think the Minister has confirmed that with what she just said. I am just trying to understand exactly what the Minister meant in relation to the first and second protocols. Is it that Daesh could not be covered by the Bill because it is not a state party or a recognised state, or is it because the second protocol to the convention has not been ratified by Syria?
Tracey Crouch
It is probably both, actually. First, Daesh is not a recognised state, and secondly, not all parts of article 15 apply because Syria has only signed up to the convention. Article 15(1)(e) applies because Syria has ratified the convention, but articles 15(1)(a), (b), (c) and (d) do not apply because Syria has not signed up to the second protocol.
Kevin Brennan
To be clear, does that mean that the Bill could apply to only one side in a civil war—namely, to a recognised Government who were signatories to the convention—while the other side, despite committing identical actions, was not covered because it was not a recognised state under the convention?
Tracey Crouch
We ae going beyond the specific purpose of this legislation. I can tell the hon. Gentleman that the Bill will apply if there is evidence that a UK national has joined Daesh and damaged or stolen cultural property while in Syria. The UK could seek to prosecute that individual under clause 3 on their return to the UK. As I stated, article 15(1)(e) applies to
“theft, pillage or misappropriation of, or acts of vandalism directed against cultural property protected under the Convention.”
Article 15(1)(e) is broad enough to take into account everything protected under the convention, which Syria has signed, but article 15(1)(a), (b), (c) and (d) all refer to aspects that are in the second protocol, to which Syria is not a signatory. I hope that clarifies the point. I appreciate that this is incredibly complicated, but we are limited to talking about some issues relating to UK nationals in Syria.
On the question raised by my hon. Friend the Member for Enfield, Southgate, we are not aware of any UK nationals who have been involved in cultural destruction in Syria. On the second point in relation to Syria, clause 17 creates the criminal offence of dealing with cultural property that has been unlawfully exported from occupied territory. Territory belonging to one country can only be occupied by another state. The UK does not recognise terrorist groups such as Daesh as states, so Syria cannot be classed as an occupied territory, and the dealing offence is not engaged. There is no loophole in our approach to dealing in Syrian cultural property, as sanctions already exist for the sorts of objects that have been illegally removed from Syria. I can confirm that the second protocol would apply to both sides in a civil war if the state had ratified the second protocol, which Syria has not.
Kevin Brennan
That is very interesting. I am still slightly struggling to understand how the second protocol could apply to both sides in a civil war if one of the sides was not a recognised state, Government or signatory to the protocol, but I will let that lie for now; it might be something that we cogitate on, and there might be a way of discussing that when we come to later amendments and new clauses.
I understand what the Minister was saying about clause 16: that the Government will not produce a list because no one else has produced one. That is not necessarily a good argument for a country that is seeking to be a leader in this field. The Minister quite rightly boasted that we will become the first permanent member of the Security Council of the United Nations to ratify both protocols, although we will be the last to bring in the convention overall, so that is not entirely something to boast about—and that goes for Governments of all kinds. Saying that we should not produce a list because no one else has produced seems to be not an argument, but a simple statement of our position and that of other countries.
The Minister hinted that the reason why the Government were reluctant to produce such a list was because it is sensitive—she used that terminology—to talk about whether a country has been occupied since 7 August 1956, which is the date that she mentioned. We are not producing a list because no one else has, and because it might be sensitive to do so, but she said, without feeling too sensitive about doing so—I welcome that very much—that the UK Government considered Crimea to be occupied. That is what I do not understand. If it is possible to say clearly that Crimea is considered an occupied territory, why is it not possible to say whether the UK Government consider other territories to have been occupied since 1956? That makes no sense whatever, unless we are engaged in some kind of history seminar, which we are not; we are talking about the UK Government’s position on whether territories have been occupied since 1956. The Government are happy to say that Crimea is occupied, but not whether they consider other countries or territories to have been occupied in that period.
Victoria Borwick
I think the point is that if a Security Council resolution regards a territory as being occupied, surely that is on the record.
Kevin Brennan
It may well be on the record, but the hon. Lady herself made the point that clause 16(6) says that territory is considered occupied if, once proceedings have begun, a certificate is issued by the Secretary of State, whatever the UN has said. The Bill says:
“a certificate by the Secretary of State is conclusive evidence as to whether, at a particular time, territory was occupied by a party to the First or Second Protocol or by any other state.”
Can the Minister add further clarity to that? We have not really had a full explanation as to why the Government are reluctant to produce that list. There may be reasons, but I am not sure that we have teased them out yet.
Mr Jonathan Djanogly (Huntingdon) (Con)
This is an interesting discussion, but I wonder whether the reason goes more towards the effectiveness of the convention. If states have not been producing lists, could it be that some countries are bringing prosecutions that other countries would not, because they view what should go on the list differently? If so—this is perhaps one for the Minister—perhaps this should be looked at internationally, so that an agreed list is formed.
Kevin Brennan
The hon. Gentleman is an eminent lawyer and understands these matters much better than I do. I am sure that he is correct to say that that is part of the problem, but I imagine that agreeing on a list internationally will be much more difficult than the UK Government drawing up their own list of territories that they consider to be occupied. After all, we are bringing these provisions into UK law, so it would be during proceedings in the UK when this would be a matter of importance. I do not think that there is any great logic in why the Government have said that they are not prepared to produce a list. We will not vote against the clause, but if the Minister has anything further to add, I am sure it will be helpful.
Tracey Crouch
The only thing that I would like to add is that the hon. Member for Cardiff West is a very experienced and somewhat naughty man for leading me down a garden path; I will now no doubt get a smacked bottom from the Foreign Secretary for declaring, on the record, that comment about Crimea. It is important to stress that this is an incredibly complex area, involving sensitive issues relating to foreign affairs. No other state that is part of the convention has produced a list. I appreciate that the hon. Gentleman does not think that a reliable or worthy response to the issue. We want to make sure that we introduce the Bill and ratify The Hague convention properly, so that we protect cultural property in the United Kingdom and abroad.
We firmly believe that the Bill does not place any further burdens or restrictions on the art market. There is nothing in the Bill that those in the art market do not already do, in terms of due diligence. Where they have concerns, we would expect them to seek appropriate legal advice, as they currently do. There is a whole wealth of people out there who are able to provide that.
Victoria Borwick
I want to take the Minister up on the due diligence point, if I may. Inevitably, there are different levels of due diligence, and different categories. There is no accepted level of due diligence. This goes back to the point made about getting absolute clarity in the Bill, because nobody wants there to be confusion later. We all have the right spirit here; we are just making sure that things are absolutely clear. There are inevitably different levels of due diligence for different categories of objects, with the risk of forfeiture and potentially a prison term.
Tracey Crouch
I hope that those in our art market, with all their expertise and with the market’s worldwide reputation for being one of the best, have the highest standards of due diligence, and that when it comes to these specific cultural objects of great importance to all people, as defined by the convention, they take particular care with due diligence, as set out by their own industry codes and standards of ethics. They are self-regulated, and they provide a gold standard of best practice for the rest of the world, and I hope that they will continue to do so.
I reiterate that we do not think it is necessary to produce a list; we do not think that it would be helpful in a wider sense. A certificate from the Secretary of State would only be used during a dispute on an issue. We believe that this is the right way forward, and I hope that the clause will stand part of the Bill.
Question put and agreed to.
Clause 16 accordingly ordered to stand part of the Bill.
Cultural Property (Armed Conflicts) Bill [ Lords ] (Second sitting)
Tuesday 15th November 2016
(8 years, 1 month ago)
Public Bill CommitteesRead Full debate Cultural Property (Armed Conflicts) Act 2017 Read Hansard Text Amendment Paper: Public Bill Committee Amendments as at 15 November 2016 - (15 Nov 2016)
Kevin Brennan (Cardiff West) (Lab)
I beg to move amendment 7, in clause 17, page 8, line 12, leave out
“or having reason to suspect”.
The Chair
With this it will be convenient to discuss amendment 1, in clause 17, page 8, line 12, leave out “having reason to suspect” and insert “believing”.
Kevin Brennan
It is a great pleasure to serve under your chairmanship, Mr Turner. You missed an exciting sitting this morning, when the Committee Room was fizzing with debate on all sides—I am sure that it will be the same this afternoon. It is appropriate that you should be in the Chair, because I know that, as well as representing the Isle of Wight and its great cultural treasures, as you do so assiduously, you are originally from Coventry. The subject of the Bill was initially born of the experiences of world war two, when the cultural treasures of cities across Europe, such as Coventry and Dresden, were destroyed terribly by bombing. I am sure that the Bill will be close to your heart, and it is therefore appropriate that you should be chairing proceedings this afternoon.
Along with amendment 7, which was tabled by my hon. Friend the Member for Tooting and me, we are discussing amendment 1, which was tabled by the hon. Member for Kensington, who I am sure will want to speak to it in due course. We are all trying to tease out from the Government exactly what they are trying to achieve with this part of the Bill and what the practical effect of clause 17 will be on people who are dealing in cultural items when they have to operate under the Bill’s provisions.
Amendment 7 is another probing amendment, because we want further clarity on the Government’s intention. It proposes removing the phrase
“or having reason to suspect”
from the clause, which is on the offence of dealing in unlawfully exported cultural property. Some concern has been expressed about that particular phrase because of the so-called mens rea—I understand that is what lawyers call it—meaning the intention of someone accused of committing a criminal act of some sort. Would having that phrase in the clause affect honest people who are simply trying to do their job? Will the clause achieve what the Government undoubtedly intend it to achieve, which is to unambiguously target those with criminal intent?
Labour Members are supportive of the Bill, but as it stands the clause creates concerns that there would be a risk that a dealer or auction house might face a criminal prosecution when conducting what they would describe as honest due diligence.
Mr David Burrowes (Enfield, Southgate) (Con)
As I am a lawyer, anyone who mentions mens rea will make my ears prick up and get me excited after lunch. The shadow Minister mentioned the need to consider the practical effect, which is the important issue. Will he give an example of the practical effect that goes to the heart of both his amendment and that tabled by my hon. Friend the Member for Kensington and that would not be dealt with already, not least under the sanctions orders that cover Iraq and Syria, which are already having practical implications?
Kevin Brennan
I am very interested to hear what gets the hon. Gentleman excited after lunch, or indeed at any time of the day. To answer his point, I am sure he is anticipating what the Minister might say in response, but I shall rehearse the issues a little as I go through my remarks. It is important that we get these points on the record and air the concerns of those outside the Committee so that the Minister has an opportunity to respond. As I said, this is a probing amendment. At the end of our debate we will withdraw it, because we have sympathy with the point that the hon. Member for Enfield, Southgate makes. However, I want to ensure that the concerns expressed to us in representations are on the record and have been rehearsed.
Although a conviction might ultimately be avoided, no one wants to take a chance on the possibility of people being prosecuted, with all the reputational damage and cost that could be involved. Concerns have been expressed that the result could be to turn legitimate sales away from the UK, impacting upon the future success of the art market, which is a large industry in this country. It depends, crucially, on persuading sellers throughout the world to use the UK’s services. The British Art Market Federation states that its members
“are committed to conducting due diligence on artworks before they are sold. This may involve written evidence of provenance, consultation where necessary with external bodies, including databases of stolen objects and inquiries of the vendor.”
It goes on to argue:
“It is rare, however, that an artwork, particularly an older one, has an unbroken chain of provenance going back to the time it was created. It is also rare that there is comprehensive documentary evidence to support provenance, particularly the further back in time it goes.”
Often that evidence has been lost or perhaps never existed in the first place, as it may have been considered unnecessary at the time.
The retention of documents or records has assumed greater importance in recent years, as more and more claims have been made for the restitution of works of art that were looted during the second world war. Until relatively recently, owners rarely retained copies of export licences. As I understand it, the practice was that they were surrendered to customs authorities at the time of export. Even the authorities themselves did not retain such records beyond a limited time. I am told that objects that were legitimately exported many years ago, even from the UK, routinely lack such documentary evidence that might prove the provenance.
The argument has been put to the Committee that the absence or paucity of documentary evidence does not necessarily indicate that an object is of illicit origin. Due diligence, in practice, can therefore usually come down to trying to make judgments on the legality of an object and therefore whether or not it can be legally sold. As I am sure the hon. Member for Kensington will remind us, the BAMF is not the only body with a behavioural code. The Antiquities Dealers’ Association also has a code of practice that is meant to ensure that dealers buy and sell in good faith. Against that backdrop, it argues that clause 17, as drafted, could present its members with some difficulties.
It was pointed out on Second Reading that other offences dealing with crimes of dishonesty—for example, offences under the Dealing in Cultural Objects (Offences) Act 2003—opt for the phrase “knowing or believing”. Some argue that that phrase would be superior to the one used in the Bill, as there is a difference between having knowledge and acting in spite of it, and not having sought out that knowledge in the first place. Current principles indicate that under current law the former would be a criminal offence and the latter, although it would be frowned upon, probably would not meet the bar of being a criminal offence.
The BAMF argues that changing the phrasing of mens rea in the Bill to include the phrase “having reason to suspect” muddles the legal principle and could create ambiguity, and therefore the opposite outcome to the one we all want. It suggests that those who have acted criminally could be emboldened to exploit the muddled language to avoid conviction, while legitimate operators would be put off buying and selling by the potential of a criminal conviction. The issue has been raised many times during the passage of the Bill, so this is a probing amendment to understand fully why the Government have not responded and changed the wording.
From memory, the Secretary of State said on Second Reading—I will check the record when I sit down—that she would go away and consult the Minister and others to see whether the Government should take on board the concerns expressed on the Floor of the House and in the other place and then offer an amendment. I would be grateful if the Minister, when she responds, could indicate whether the Secretary of State has fulfilled that commitment and what the outcome of those discussions was.
Victoria Borwick (Kensington) (Con)
It is a pleasure to serve under your chairmanship, Mr Turner. I declare an interest as president of the British Antique Dealers’ Association. I have also been advised by the British Art Market Federation, the Antiquities Dealers’ Association and LAPADA, all of which have made written representation to the Committee.
Amendment 1, which stands in my name, relates to the most important point made in the submissions from the art and antiques trade, including from the British Art Market Federation, the Antiquities Dealers’ Association and LAPADA, and from Professor Janet Ulph. I have spoken before of the need for certainty in law—a point that other colleagues have made—so that well intentioned and honest dealers and auction houses are clear as to what is permitted. That is even more important when there is the possibility of a criminal conviction. The concern is over the level of knowledge of wrongdoing required before a dealer or auctioneer can be judged to have committed a criminal offence—what I understand the lawyers call mens rea—and whether that has been expressed to an appropriate level in the Bill.
Clearly no one objects to the word “knowing” in the relevant subsection. If a dealer knows that cultural property was unlawfully exported from an occupied territory, they are guilty of an offence. The problem lies with the additional criterion for committing an offence when someone has “reason to suspect” that an item was unlawfully exported. Despite carrying out appropriate provenance checks on an item of cultural property, a dealer or auctioneer might, just prior to exhibiting it at an antiques fair or auction, receive an unsubstantiated allegation that it was illegally removed from an occupied territory, or a request for evidence that it was legally exported. The allegation might be totally groundless, but the seller, despite genuinely believing that the item had not been illegally exported, would fear that the allegation could be deemed “a reason to suspect”, and that could lead them to withdraw the item from sale. The time-dependent opportunity to sell it would be lost, and the very act of withdrawal could well damage the artwork’s future saleability.
My right hon. and learned Friend the Member for Harborough (Sir Edward Gamier), a former Solicitor General, made that point succinctly in an article in The Times on 3 November—it has been appended to the submission from the Antiquities Dealers’ Association. He wrote:
“The mere making of an unfounded allegation that an item was unlawfully exported from an occupied territory after 1954 may place in the mind of the potential dealer or auctioneer a reason to suspect that it has been unlawfully exported; and although it may later turn out to be untainted, he will not go near it.”
Mr Jonathan Djanogly (Huntingdon) (Con)
Although I have no interest in any bodies that sell art, I appreciate the importance of art sales to this country. I would therefore like to say a few words. I have read the Second Reading debate, along with subsequent briefings from various parties. This has clearly become a contentious issue for a number of right hon. and hon. Members, and indeed for a significant section of the art market. My hon. Friend the Member for Kensington and the hon. Member for Cardiff West have set out those concerns very effectively, and I do not intend to rerun them. I note the Government’s position that this offence and the change in the criminal intent required will not in practice make a difference to the operation of the art market in the UK. I am sure that the Minister will elaborate on that point.
I appreciate the practical reality of the change in legal approach. Whatever the Minister says today, nothing will be able to stop a prosecuting lawyer advising that this is new law and that it is therefore open to be tested in the courts. Furthermore, because of the nature of the changes, there are those in the auction market and wider art market who would have concerns that the existing, accepted levels of due diligence will be threatened by the legislation, and uncertainty is always the enemy of business. The art sellers’ fear is that, as a result, Britain could lose its international pre-eminence in the art sales arena—a scenario that none of us would want to see.
I have a suggestion. When I was a shadow Minister, I scrutinised the previous Labour Government’s Bribery Act 2010, which mostly had cross-party consensus. The Act also addressed corruption. As with this Bill, we had to persuade large sections of the business community that its practical application would not disrupt their operations. The route devised to address those concerns was for the relevant Department to publish guidance. There was significant and wide consultation on that guidance, which addressed the more day-to-day, process-type decisions and due diligence considerations that could not realistically have been included in the legislation.
For example, if the famous picture to which my hon. Friend the Member for Kensington referred had been removed from a Soviet-occupied country in the 1970s—a country that is no longer occupied, of course—would it come within the Bill’s scope? Or if the same picture had been shown in a widely distributed sale catalogue for a certain period of time, would it be acceptable for an allegation of dodgy provenance to be made on social media half an hour before the sale, so that the auctioneer would stop the sale, possibly affecting the picture’s value and a possible future sale, even if the allegation was subsequently disproved? If so, under what conditions would that be acceptable? Those concerns also apply to clause 2 and what constitutes property that is important to all peoples.
By using guidance that is properly consulted on, acceptable practice norms could be established and generally supported with the buy-in of our art selling and auctioneer communities. That could address many of the practical concerns raised on this clause. I would be grateful to hear the Minister’s views on what I hope she will take as a positive suggestion.
Mr Burrowes
It is a pleasure to take part in the debate on clause 17, which drew a lot of attention from both Government and Opposition Members on Second Reading, as well as in the other place and among the all-party group on the protection of cultural heritage. I welcome the involvement and contributions of the Antiquities Dealers’ Association, the British Art Market Federation and others, which have drawn their expertise to the Committee’s attention in their submissions. I very much respect their concerns, amplified by my hon. Friend the Member for Kensington, about mens rea, which, as I said earlier, gets me interested.
Were one to have a blank canvas—I suppose this is an appropriate forum in which to discuss canvases—there would be an even greater weight to the argument. As a criminal lawyer, when I look across the family of dishonesty-type offences, I will plainly be looking at the state of mind. In the normal course of dishonesty-type cases, one would look to ensure that there is a subjective test that is consistent not only in terms of enabling a prosecution, but with an eye to how the judge would distinguish between or collate the subjective and objective elements in the summing up to the jury. I appreciate that everyone wants to ensure that prosecutions under the Bill are successful.
Having said all that, although I accept that there is genuine concern about the potential effect on the market, I say, respectfully, that it has been somewhat overstated. Given that we do not have a blank canvas, the idea that the implementation of the Bill will cause such repercussions on the market has been overstated. Elements of the canvas are relevant and show things working, albeit in a slightly different form. The Syria sanctions order and the UN’s Iraq sanctions order are relevant and give some texture to enable us to recognise that a precedent has been followed in relation to this particular element of the subjective and objective tests.
One can also look further afield. We can have our own views, but to give a sense of balance, if one looks at the recent written submissions to the Committee, some significant views have been brought to our attention. Mr Michael Meyer is head of international law at the British Red Cross, a respected body of international import when one is dealing with issues of international humanitarian law. In his written evidence, he makes the point that the British Red Cross is a neutral body that is keen to maintain its neutrality—the commonality of that view was shown in both this House and the other place.
In paragraph 5 of his submission, he outlines some concerns that have also been raised in this debate. He then says:
“However, it appears that, in practice, the clause should place no greater burden on dealers than already exists to conduct appropriate due diligence. In other words, the threshold of ‘reason to suspect’ is not so low as to have an adverse impact on the legitimate market, while at the same time acting as a necessary and suitable deterrent for those who may be less scrupulous. The wording is somewhat similar to that used in the existing Iraq and Syria sanctions orders. There is also very similar wording found in section 17 of New Zealand’s Cultural Property (Protection in Armed Conflict) Act 2012.”
Interestingly, the latter Act also dealt with the ratification of The Hague convention.
The written evidence from Peter Stone, the UNESCO chair in cultural property protection and peace, to whom I have referred previously, asks the Committee not to amend the Bill. He draws attention to clause 17 and prays in aid the note submitted by Professor Roger O’Keefe of University College London law school, who was involved in scrutinising the draft Bill before the Culture, Media and Sport Committee. He, too, very much supports the current wording and suggests that appropriate due diligence and legal advice can deal with concerns.
The Parliamentary Under-Secretary of State for Culture, Media and Sport (Tracey Crouch)
As always, it is a pleasure to serve under your chairmanship, Mr Turner. Welcome to the afternoon session. As the hon. Member for Cardiff West pointed out, the morning’s session was full of consensus and we moved quite swiftly through the Bill. It is a pleasure to continue this morning’s work.
Before I get into the detail of clause 17, allow me—for the second time—to answer directly the hon. Gentleman’s question, this time on consultation, which he raised about the Secretary of State and I holding further meetings. I can confirm that the Secretary of State and I have both had further meetings with stakeholders, as have officials. I am grateful for the time that others have afforded us to have further discussion on this clause.
Kevin Brennan
The Minister also said on Second Reading—it is in column 700 of Hansard—that she would meet concerned parliamentarians. Was she able to do so, as part of that process?
Tracey Crouch
I am pleased to confirm that I have had meetings with concerned parliamentarians since Second Reading, and I am sure that I will continue to do so before Report, if necessary.
The debate this afternoon has been interesting. I am grateful to colleagues for raising these issues, because it allows me as Minister to try to reassure them and other stakeholders who are concerned about clause 17.
Clause 17 creates the offence of dealing in cultural property that has been unlawfully exported from occupied territory. An offence is committed if a person deals in unlawfully exported cultural property when they do so knowing or having reason to suspect that it has been unlawfully exported. The amendments tabled to clause 17 seek to modify or remove the “reason to suspect” element. It is therefore important to explain our approach to the mental element of the dealing offence.
First, we did not develop this approach in a vacuum. The wording was developed following discussions with the police, who felt that this threshold was appropriate. Crucially, I understand that the national policing lead for cultural heritage crime remains content with our approach. Secondly, the mental element of the offence created by clause 17 is comparable to similar offences concerning cultural property implemented by the Iraq and Syria sanctions orders, which use “reason to suppose” and “reasonable grounds to suspect”. The offences created by those sanctions orders are the most appropriate comparators, as they deal with cultural objects which have come from situations of conflict. Thirdly, we know that the Bill sets a lower threshold for criminal intention—or mens rea—than other existing legislation, including the Dealing in Cultural Objects (Offences) Act 2003. However, the Government consider this to be appropriate, given that it is designed to protect a very special and limited class of cultural property that is of great importance to all people, as defined by article 1 of the convention.
As part of my discussions with concerned stakeholders in the House, I have taken representation from those with close connections to the art market. When they have been discussing issues around the difference between the mens rea in the 2003 Act and in this Bill, there was a suggestion that perhaps we should review the 2003 Act when the opportunity arises. If there is continued concern about the differences between the mens rea in this Bill and that in the 2003 Act, we will certainly look to increase the mens rea in the 2003 Act, rather than watering down the mens rea in the Bill.
To be clear, we arrived at our approach for three main reasons: first, following consultation with the police; secondly, due to the close analogy with the Syria and Iraq sanctions; and thirdly, because we are looking to protect such a small and special class of objects. We are pleased to note from the written evidence the support we have for that approach, including positive statements from academics, the British Museum and the Council for British Archaeology. I draw Members’ attention to the views set out in the British Museum’s written contribution:
“We feel it is particularly important that there is no watering down of responsibilities or requirements in the Bill. Specifically we feel that in regard to the Clause 17...it is imperative that the wording should remain ‘knowing or having reason to suspect that it has been unlawfully exported’”.
I find the museum’s views particularly compelling as its officials regularly offer their expert advice to the art market as part of the due diligence process.
My hon. Friend the Member for Enfield, Southgate stole my quotation from the British Red Cross, but it is worth repeating that it said that
“it appears that, in practice, the clause should place no greater burden on dealers than already exists to conduct appropriate due diligence. In other words, the threshold of ‘reason to suspect’ is not so low as to have an adverse impact on the legitimate market, while at the same time acting as a necessary and suitable deterrent for those who may be less scrupulous.”
I want to move on to consider the impact of our approach and explain how it will work in the real world. Reason to suspect is primarily an objective test, in that the prosecution need not show that the defendant personally suspected that cultural property was unlawfully exported—only that a reasonable person would have suspected that it was. However, the prosecution must be able to point to something that would or should have caused a reasonable person to suspect. It therefore has to be shown that the defendant was personally in possession of the knowledge that would cause a reasonable person to suspect.
A dealer who took possession of an object merely for the purpose of carrying out due diligence would not be committing an offence, as that would not be classed as dealing. They would commit an offence only if, having been through the due diligence process, they went on to deal with the object after discovering or having had reason to suspect that it was unlawfully exported. The Bill will not require art dealers to change how they operate. The art market is a self-regulated industry and the trade associations already have clear due diligence guidance and checklists in place, which they expect dealers to follow before putting an object forward for sale.
My hon. Friend the Member for Kensington and others raised concerns in the consultation in the run-up to the Bill that a phone call received or accusations published in a blog post shortly ahead of a sale could stop it from proceeding. However, those are already issues for the market, and they will not be solved by watering down our Bill. If new, convincing evidence is presented about the provenance of an object shortly before an auction, we would already expect dealers to pause and consider whether they need to undertake further due diligence. If, however, the claim is a completely false accusation with no evidence to back it up, it may be perfectly legitimate for a dealer to ignore it. Such accusations are unlikely to be considered a reason to suspect that an object has been unlawfully exported. We have listened to the concerns of the art market, but it has not provided any compelling evidence to support the idea that the Bill would create insurmountable problems for the market, or increase the amount of due diligence that it needs to undertake.
The hon. Member for Cardiff West has suggested removing “reason to suspect” altogether, which would mean that an offence would be committed only if it could be proved beyond reasonable doubt that a defendant knew that they were dealing in unlawfully exported cultural objects. That sets the bar far higher than for either handling stolen goods under the Theft Act 1968 or dealing in tainted cultural objects under the 2003 Act. I am concerned that requiring proof of actual knowledge on the part of the dealer, as opposed to reason to suspect, could actually discourage less scrupulous dealers from carrying out due diligence, and enable them to turn a blind eye to things that would cause a legitimate dealer to ask more questions.
I appreciate that the Opposition’s amendment is probing, but I was a little surprised by it, given that on Second Reading the hon. Member for Sheffield, Heeley (Louise Haigh) criticised the threshold of the 2003 Act for being too high and seemed content with the level of mens rea proposed in the Bill. She hoped that on that point
“the Minister will stick to her guns”——[Official Report, 31 October 2016; Vol. 616, c. 736.]
The amendment would make it much harder to prosecute dealers who deal unlawfully in cultural property. That seems to me to be an extraordinary change in position; but fortunately the amendment is merely probing.
My hon. Friend the Member for Kensington has proposed amending “reason to suspect” to “believing”. Her amendment would raise the threshold for criminal liability so that proof was required of the dealer’s belief that the object was unlawfully exported. That would be seen in a number of quarters as a watering down of the Bill. The offence created by clause 17 will not have an adverse impact on legitimate dealers who have continued to operate since the Iraq and Syria sanctions came into force, but it will cause unscrupulous ones to think twice. Dealers should always be concerned to establish that any cultural object that they are asked to deal with has good and lawful provenance. The argument that this new offence will stifle the art market seems to imply that dealers are happy to risk dealing in unlawfully exported objects as long as they cannot be prosecuted. Dealers should not be taking such risks in any event; where there are question marks over provenance, they should simply not deal in those cultural objects. I would like to stress once more that the Bill should not require changes to the due diligence processes that the art market already follows.
I refer to the wise counsel of my hon. Friend the Member for Huntingdon and his experience of the issue with regard to the Bribery Act 2010. I confirm that the Government are committed to updating the guidance available to all stakeholders in this Bill. We stand ready to work co-operatively with the art market to ensure that all dealers understand their roles and responsibilities. That could if necessary include consultation before the guidance is issued, if that is helpful. I hope that reassures hon. Members and that the hon. Member for Cardiff West feels able to withdraw the amendment.
Kevin Brennan
I thank the Minister for her response. I confirm that amendment 7 is a probing amendment. She quite rightly picked up on the summing up that my hon. Friend the Member for Sheffield, Heeley made on Second Reading. This is an important issue and the debate has been useful, and a probing amendment is a useful vehicle for a debate. The Minister just mentioned the hon. Member for Huntingdon, and it is useful to have on the record her commitment on the guidance.
Several extended metaphors have been used during our debate. The hon. Member for Kensington talked about gold-plating. I do not think anything that is gold-plated is covered in the Bill; it might not be of sufficient cultural importance. [Interruption.] I have at last provoked a reaction from my hon. Friend the Member for Rhondda, who insisted that he would take no part in today’s proceedings. He did comment from a sedentary position that it was a rather extended metaphor about the blank canvas. Of course, we want to make sure that nobody gets framed.
One of the many interesting things that the Minister said was that the Government are considering increasing, or strengthening, or decreasing the mens rea, whichever way round it is. I do not know the correct phrase; I am not a lawyer.
Tracey Crouch
I said that we would be happy to consider doing that, if the art market and stakeholders were interested in making sure that the Bill and the 2003 Act were more aligned.
Kevin Brennan
I will not get into a discussion on the difference between being happy to consider something and considering something, much though I would enjoy that. I will rephrase: the Minister confirmed that she would be happy to consider changing the threshold in relation to the 2003 Act.
The Government’s position is quite interesting. There has been only one successful prosecution and conviction under the 2003 Act, in May this year; somebody was convicted after having gone around historical churches across the country and stolen Bibles, statues, friezes and even two 15th century oak panels in Devon. They pleaded guilty to 37 offences of theft under the 2003 Act and received a three-year sentence. However, the Government were keen to say on Second Reading—this is how I understand their position—that that in no way reflects the Act having too high a threshold for prosecution, and that it might in fact be a result of the Act acting as a deterrent. I do not believe that. I think that if people are being prosecuted, it is under the Theft Act 1968 or other Acts relating to these sorts of offences.
The Chair
With this it will be convenient to discuss new clause 3—Cultural property: duty to provide information—
‘(1) Auctioneers and traders within the United Kingdom shall have a duty to provide buyers and potential buyers of items of cultural property (including antiques, cultural artefacts and artworks) with information to enable buyers and potential buyers to decide whether the item has been unlawfully exported within the meaning of section 17 of this Act.
(2) The Secretary of State may make regulations specifying the nature of the information to be provided under subsection (1).
(3) Regulations under this section—
(a) shall be made by statutory instrument, and
(b) may not be made unless a draft has been laid before and approved by resolution of each House of Parliament.’
Kevin Brennan
It is me again, I’m afraid, Mr Turner. Hopefully we will be able to get through our proceedings fairly expeditiously this afternoon. I will make some brief remarks on the clause before I turn to new clause 3.
To return to what we were just discussing, the Bill’s focus on preventing the illegal exportation of cultural property from occupied territories is certainly vital, and we very much welcome that. Daesh, which sometimes calls itself ISIS, has set up a so-called ministry of antiquities. If ever there was a perverse use of that terminology or an example of Orwellian newspeak on stilts, that is it, because that body exists simply to turn cultural property into income streams for that terrorist organisation by exporting and selling stolen precious items abroad. We have discussed the concerns regarding the phrase “reason to suspect” in clause 17(1), so I do not intend to rehearse those points.
New clause 3, which stands in my name and that of my hon. Friend the Member for Tooting, aims to ensure that the art market produces and keeps records necessary to determine whether an item has been illegally exported. Once again, it is a probing amendment, but we want to hear the Government’s response to our suggestion. We have heard that there is not always a good paper trail in the arts market for objects of the kind that we are discussing, so the new clause is an attempt to look at the problem of ineffective accountability from a different angle. It is no use punishing legitimate operators for a lack of knowledge when there is little reliable paperwork. That could divert resources away from stopping criminals carrying out the activities that the Bill intends to deter people from doing. If we ensure that reliable paperwork is produced and kept, perhaps we can hold the market to account more effectively.
I mentioned on Second Reading that cultural property is important in at least two ways. The first is through its monetary value, and the second is through its importance culturally and to the morale of a particular country—or, indeed, the world. We have heard much about the importance of heritage to morale, in terms of cultural, national and personal identity. We have also heard how groups such as Daesh mobilise cultural property for money by illegally exporting artefacts and selling them on the international market. UNESCO found that looting is happening on an industrial scale in the middle east, and that is what we are trying to discuss and seek a way of tackling with the new clause.
I have outlined the challenges that the art market faces in trying to assert provenance. Paperwork stretches back only so far, and that which existed before the 1990s was not always kept by owners or authorities. That has resulted in what some have seen as a culture of non-disclosure in the art market. With our earlier amendment 7, I was keen to show that we do not in any way oppose the art market. Rather, we want to support those who work to make it exemplary, by providing a legal backstop to their codes of practice and due diligence. As I have mentioned, this is a very valuable industry, worth many billions of pounds under some estimates, and London’s art market is the second largest in the world. We want to support those who work to ensure that its reputation remains high, and that it therefore continues to hold a pre-eminent role in the world.
Of course, an object’s entire paper trail cannot be retroactively reconstructed, but we can put in place robust measures to ensure that records are reliable from this point. We should aim for the transparency that we demand in other industries because, as in every industry, there are activities and actions of individuals within it that have to be deterred and prevented. A lot of investigative work was done by both Channel 4’s “Dispatches” and The Guardian into some of those activities. I understand that the Metropolitan police have stated that the market has improved recently, largely due to the due diligence practices that we have discussed. Building on that, it is not unreasonable to expect, as a minimum, that the identity of an item’s owner and buyer should be made known, as referred to in subsection (1) of the new clause.
Subsection (2) would have the Secretary of State bring forward regulations regarding specific requirements for transparency. I think that a similar amendment was proposed in the House of Lords, to which the Government objected because it would have put too much detail in the Bill. That is always an objection that Governments, often reasonably, but at other times unreasonably, bring forward. In this version, we have allowed the Secretary of State the opportunity to bring forward those regulations on what would be specifically required for transparency. That is so that there can be appropriate consultation with the market, and an opportunity for others to make representations on the exact detail of what that transparency would consist of. It is not possible to trace the entire provenance of every item, but if the Secretary of State were to ask, or require, that an effort be made to identify owners since 1970—the date of the UNESCO convention—that would go a long way towards helping to improve the market.
I have outlined that there are self-regulatory codes of practice in place in the art market. I am happy to praise the industry for putting those in place and for the improvements in recent years. However, the Government have acknowledged that that is partly due to the effect the 2003 Act had in incentivising due diligence, so legislation can have an impact on improving due diligence. With this new clause, we are suggesting that we should not be complacent. The Bill is an opportunity to incentivise further transparency and deter further fraudulent behaviour. Does the Minister agree with that? We are approaching the same issue of criminality from a different angle, and our aim is to establish effective enforcement and deterrents. I look forward to hearing the Minister’s response on new clause 3.
Victoria Borwick
I wish to comment on new clause 3 on behalf of the art and antiques trade, because I believe that it is entirely inappropriate. I believe that there is considerable misunderstanding about the information available for millions of works of art, antiques and antiquities owned by citizens and institutions in this country. The submissions from the trade make it clear that the vast majority of cultural objects, whether held privately, in museums, or being bought or sold on a daily basis, are not supported by historical or documentary evidence of previous ownership, or the dates and locations of their previous whereabouts—what the art market calls provenance.
That is inevitable when you consider that works of art have been entering and leaving this country for hundreds of years. Documentary evidence may never have existed, may have been lost with the passage of time, or may never have been considered necessary. Until very recently, owners of objects rarely retained copies of export licences, and the originals would have been surrendered to the authorities. Although it would now be considered good practice to retain such information, it is not possible retrospectively to create a paper trail for the majority of objects where none exists.
The absence of such documentary evidence by no means necessarily indicates that an object is of illicit origin. On a daily basis those in the trade have to make honest judgments for the majority of objects for which no documentary evidence exists. Taking that into account, when a dealer is in possession of information demonstrating that an object was legally exported, then all is well and good. If they have information to suggest that it was illegally exported, they would be breaking the law if they sold it.
As I have mentioned, the vast majority of cultural works of art on sale in this country are, for historical reasons, not accompanied by such information. Although specialists will often be able to identify the date of manufacture and country of origin from the style, condition and craftsmanship exhibited by an item, in the case of an item likely to have been made abroad, the date it left the country of origin and the date it arrived in Britain will often simply not be known.
My final comment about new clause 3 concerns client confidentiality. The Minister in the other place, Baroness Neville-Rolfe, expressed concerns that passports containing details of previous owners would infringe article 8 of the European convention on human rights. The retention of the names and addresses of previous owners would interfere with the right to respect for private and family life.
Kevin Brennan
Does the hon. Lady acknowledge that the detail proposed in the amendment that was tabled in the Lords is not included in this new clause, and that any such detail would be outlined in regulation after discussion with industry?
Victoria Borwick
Although I accept that, it is also an important briefing point today as to why the art and antiquities associations feel so strongly about this. The Government’s opinion is that such a level of interference could not be justified as necessary for the aim of protecting cultural objects. I maintain that the same considerations would apply to the proposals contained in the new clause, and I therefore ask my colleagues to reject it.
Tracey Crouch
I actually agree that it is important that dealers in cultural property provide appropriate information on the provenance of the items they sell, but I am unable to support new clause 3, for the following reasons. First, it would introduce a statutory requirement for the art market to provide information about provenance for the first time. As I have said before, I believe that it is appropriate to allow the art and antiquities trade to regulate itself. The established trade associations possess codes of ethics that they expect their members to abide by, and we expect them to enforce those codes strictly.
Furthermore, we believe that the existing legal framework, along with the new offence we are creating, provides a sufficient incentive for legitimate dealers to ensure that they do their due diligence and pass on relevant information concerning an object’s provenance. The Government are not in the business of imposing disproportionate regulatory burdens on well functioning markets. Indeed, we have a manifesto commitment to cut red tape further. We believe that the current self-regulatory approach to the art market works well and that there is no need to add an additional statutory burden.
Secondly, new clause 3 appears to be an attempt—I am not sure whether this was the Opposition’s intention—to shift responsibility for making decisions about whether a cultural object has lawful provenance to the buyer. It seems strange to put the focus on the buyer in this way. It could result in buyers being far more cautious about purchases, which would genuinely risk slowing down the art market. Our expectation is that dealers should carry out due diligence, seeking advice as appropriate and taking a view on an object’s provenance before offering it for sale. If there is a question mark over provenance, it simply should not be for sale.
Thirdly, we cannot understand the Opposition’s motivation in tabling both new clause 3 and amendment 7, which I appreciate has now been withdrawn. Raising the threshold of the mens rea to such a high level and putting the onus on buyers to make decisions about whether or not an object has lawful provenance would significantly water down clause 17, while at the same time putting additional burdens on both buyer and seller. I must therefore strongly resist new clause 3.
Kevin Brennan
I thank the Minister for her response. She will understand that, in tabling probing amendments, we sometimes have to probe from one direction and sometimes from another in order to find out whether the Bill is sound.
Kevin Brennan
I will not go any further.
It is not entirely illogical if, as the Minister has said, auctioneers and traders should have a duty to determine provenance. They should have a duty to tell the person to whom they are selling the item what its provenance is, and that is what is envisaged in new clause 3; it would require nothing more than passing on information. I take the point that those matters could be covered in industry codes of practice, but the problem with such codes is that it is usually only the good guys who sign up to them, whatever field we are talking about. The purpose of regulation is to cover everybody, not just members of industry bodies who pay their subscriptions and obey codes of practice that they have signed up to. However, the new clause was a probing amendment and I will therefore not seek to press it.
Question put and agreed to.
Clause 17 accordingly ordered to stand part of the Bill.
Clauses 18 to 27 ordered to stand part of the Bill.
Clause 28
Immunity from seizure or forfeiture
Question proposed, That the clause stand part of the Bill.
Kevin Brennan
We now come to part 5, which is on property removed for safekeeping. It would be helpful if the Minister outlined the Government’s approach.
Tracey Crouch
Clause 28 provides immunity from seizure and forfeiture for cultural property that is protected under article 12 of the convention—that is, property being transported to the United Kingdom for safekeeping, or en route through the UK to another destination for that purpose. The protection rightly extends to any vehicle in which such cultural property is being transported. Immunity from seizure and forfeiture is also provided for cultural property for which the UK has agreed to act as a depository under article 18 of the regulations. In that case, the property is protected while it is in the control of the Secretary of State or any other person or institution to whom the Secretary of State has entrusted it for safekeeping. However, if the property leaves the custody of that person or institution—for example, because it is stolen—it is no longer protected and may be seized by the police in order to return it.
The clause provides wide immunity from seizure and forfeiture for the cultural property to which it applies. The clause fulfils an important role in implementing our obligations under the convention and its regulations: it ensures that property entrusted to the UK for protection during a war is guaranteed to be returned. Although existing legislation already provides protection for some cultural property, most notably for state-owned property, it is not sufficiently comprehensive to meet our obligations.
Question put and agreed to.
Clause 28 accordingly ordered to stand part of the Bill.
Clauses 29 to 33 ordered to stand part of the Bill.
Schedules 1 to 4 agreed to.
New Clause 1
Enforcement: costs
‘(1) The Secretary of State shall lay before Parliament each year a report setting out the costs incurred by the following bodies in fulfilling the requirements of this Act—
(a) the cultural property protection unit within the Ministry of Defence,
(b) Border Force,
(c) the Arts and Antiquities Unit of the Metropolitan Police,
(d) UK police authorities, and
(e) any other publicly funded body carrying out functions for the purposes of cultural protection under this Act.
(2) The first report under subsection (1) shall be laid within 12 months of this Act being passed.
(3) Reports laid under this section shall include an account of how bodies specified under subsection (1) communicate and cooperate with each other in protecting cultural property in compliance with this Act.’.—(Kevin Brennan.)
Brought up, and read the First time.
The Chair
With this it will be convenient to discuss the following:
New clause 4—Safeguarding cultural property—
‘At the end of the period of one year following the passing of this Act, the Secretary of State shall lay a report before each House of Parliament on which cultural properties situated within the UK have been listed as protected by this Act, and how the Government has safeguarded them against the foreseeable effect of an armed conflict, in accordance with Article 3 of the Convention.’
New clause 5—Cultural Protection Fund—
‘At the end of the period of one year following the passing of this Act, and every two years thereafter, the Secretary of State shall lay a report before both Houses of Parliament on the work of the Cultural Protection Fund in supporting the implementation of the Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict of 1954 and the Protocols to that Convention of 1954 and 1999.’
Kevin Brennan
New clauses 1, 4 and 5 stand in my name and that of my hon. Friend the Member for Tooting. New clause 1 is designed to facilitate discussion on how much the cultural protection outlined in the Bill will cost the publicly funded bodies involved in its implementation, how the Government propose those costs should be met and how those bodies will be joined up in that effort. For the sake of clarity, I will go through each of the bodies specified in the new clause in turn.
Will the Minister indicate how much funding the cultural property unit within the Ministry of Defence will receive, what its size and resourcing will be and how each of those factors are projected to look in future? I am aware that the Ministry of Defence, like all Government Departments, is operating on a tight budget. I am also interested in the funding that will be available for training. We understand that the MOD will be looking for members of the armed forces who are knowledgeable about archaeology and other historical subjects, as was discussed on Second Reading. I pointed out then—I was backed up by the hon. Member for East Worthing and Shoreham (Tim Loughton)—that, with regard to joined-up Government, talking about having more members of our armed forces who are experts in those fields while simultaneously cutting so-called soft subjects in our schools, such as archaeology, art history and classical civilisation at A-level, seems to me to send out an extremely mixed message.
Nevertheless, will the Minister indicate what funding will be made available to try to compensate for the knowledge gap that will create in future, and to ensure that membership of the so-called monuments squad—I will call them that rather than monuments men—will not be limited to those fortunate enough to have been offered those now-rare subjects in school or as an enrichment to their school activities? The impact assessment seems to suggest zero cost to the Ministry of Defence. We are always interested to know how something can be delivered at zero cost, so perhaps the Minister could clarify that.
Kevin Brennan
The Minister says “Tory Government” from a sedentary position. I hope that she is not saying that they are not paying the people in the monuments squad for their work. We in the Opposition certainly believe in the rate for the job when somebody is working. I am sure that she will clarify that in her response.
The second body mentioned in our new clause is the Border Force, which we all know has been subject to large budget cuts—more than £300 million in the run-up to 2015 by the coalition Government—and simultaneously came under the increasing pressure of public expectation in relation to preventing illegal immigration. As we see with every public service, expectations are high, but it is difficult for those expectations always to be met if funding is continuously cut. That said, I understand from the Government’s assurances in the Lords that any new costs incurred by the Border Force in enforcing the Bill will not be significant, and that its new responsibilities will not differ greatly from its current day-to-day business.
The Government have stated that the Border Force already carries out the functions required by the Bill in relation to the 2003 Iraq and Syria sanctions. Will the Minister assure us that that is indeed the case? Furthermore, while the work derived from the Bill may not differ significantly from the current everyday business, is there likely to be an increase in workload in relation to the Bill? If so, what provisions are the Government making?
It has been stated that, in regard to a code of practice, resources on cultural goods are available on the Border Force intranet site, and I understand that the Border Force will be expected to seize goods when instructed to do so, rather than be expected to discover the goods’ illegally-exported status itself. As I mentioned, many duties under the Bill are already performed by the Border Force. Does the Minister think that the passage of the Bill will require further robust training in the handling of cultural goods?
Baroness Neville-Rolfe stated:
“Enforcement practices relating to combating smuggling are often the same regardless of the type of goods.”—[Official Report, House of Lords, 28 June 2016; Vol. 773, c. 1529.]
While that may be true, there are also unique sensitivities when dealing with often antiquated and fragile items of cultural property, which, as all parties have agreed, are of immeasurable value. This question is particularly relevant in the light of comments made by the former director of the unit within the Metropolitan police, Dick Ellis, who said:
“These pieces are moving through customs, they’re moving through our ports all the time. And yet not a single item is seized in this country… these sorts of objects when they’re looted in Syria, when they’re looted in Iraq, are helping to fund terrorism, why on earth aren’t we doing more to stop them coming on to the market?”
That is not just a question for the Border Force, because, as the new clause specifies, institutions need to communicate and co-operate with each other to protect cultural property. The Government have clarified the fact that the Border Force would not be expected to identify illegal goods, so the matter of how those separate institutions, with their separate but related functions, will be joined up is therefore crucial.
Does the Minister feel that a dedicated unit within the Border Force, with a close communication link to the equivalent unit within the Metropolitan police, is necessary properly to enforce the Bill and, crucially, to provide a robust and credible deterrent with respect to those who would attempt to bring illegally exported cultural property into the UK?
I turn now to the arts and antiquities unit of the Metropolitan police, which is composed—
Victoria Borwick
As a point of record, because it keeps coming up as an error, it is the art and antiques unit. I believe that point has been made before. It is not art and antiquities; it is the art and antiques unit.
Kevin Brennan
I am pleased to have that correction, because my notes say “antiquities” so I shall correct myself as I go along. I turn to the arts and antiques unit of the Metropolitan police, which I understand is composed of three people. As the hon. Lady has visited, perhaps she can tell me whether I am right in that.
Kevin Brennan
The hon. Lady is nodding, so at least I got that right.
For now, suffice it to say that regulating this industry—which, particularly in relation to the auction market, is sometimes lacking in information regarding who owns what, as we have heard already—poses a rather large challenge for this team of three people.
Indeed, Dick Ellis, the aforementioned founder of the unit, has acknowledged that the team is not big enough—again, the hon. Lady is nodding—to solve the problems in the industry. Furthermore, it seems that, apart from an evidence room, this team does not have any special resources or equipment.
Does the Minister foresee this unit’s workload, and of course the subsequent cost, increasing in any way following the passage of the Bill, given the lack of special resources for the long-term storage of cultural property during legal proceedings? Will the Metropolitan police unit receive more resources or will items be kept elsewhere— [Interruption.]
Kevin Brennan
We were discussing new clauses 1, 4 and 5. Before the Division bell rang, I was saying that the Metropolitan police does not have many special resources for the long-term storage of cultural property during legal proceedings and asking the Minister whether any more resources will be provided to the Metropolitan police unit, or whether it is intended that, should items need to be stored, they will be stored somewhere else in a specialist environment, such as the British Museum.
That brings me to museums, galleries and archives, some of which receive public funding. Baroness Neville-Rolfe stated that while she was slightly open-minded on the topic, she thought it generally inappropriate for establishments to display artefacts deposited there for safekeeping. Does the Minister feel that that rules out the possibility of museums, galleries, archives and the like covering the costs of safekeeping, if they want to put items on display, by charging for entry to see them? Again, I am not advocating that, but I wondered if that was a point that the Government had in mind. How should these sorts of institution be funded if they have to perform that task?
Furthermore, the question of joined-up governance returns. How will information pass between the agencies involved in enforcing the Bill? That is especially relevant in relation to the private military contractors and embedded soldiers mentioned previously. Institutions are not as homogeneous as one might think. In essence, the new clause asks how the Government plan to facilitate giving already fairly thinly stretched institutions more to do without any additional resources.
New clause 4 aims to probe the Government on the methods and criteria used to determine which items of cultural property are chosen for protection under the Bill. We have heard in previous debates how the value of cultural property is bound up in both money and morale. Its destruction is therefore used as a weapon of war; it is an attack on people’s pride and identity, and a method of funding further warfare.
There has been cross-party agreement that the importance of cultural property and heritage is a holistic matter. That understanding is crucial to the success of the Bill, but it also poses a challenge when designing criteria. We already have systems of classification for our heritage worldwide, such as designated world heritage sites, and in the UK, such as grade I listed buildings. Can the Minister explain how these criteria in various fields will be joined up, how objects in fields that do not necessarily have an internal ranking system will be incorporated, and which heritage bodies will be consulted in the process?
We said earlier that these cultural objects have to be of great importance and significance, but how one judges that is perhaps ultimately a matter of taste. For example, there are some—I am not necessarily among them—who think that Buckingham Palace is a particularly bad example of botched architecture, and that the way that it was converted to give it its current façade was the 19th-century equivalent of using concrete cladding on a house. However, one would expect a building of such eminence—it also contains significant artworks—to be a cultural object of significant importance, and to be covered by the provisions of the Bill. I mentioned grade I listed buildings. How far down the grades of buildings are the Government willing to offer protection under this legislation? In other words, can they give us some idea of how limited the protection is likely to be under the Bill?
Laying before Parliament a report that outlined a list of properties protected by the Bill would allow for crucial debate and discussion. As I mentioned at the outset, perhaps MPs could bid for the inclusion of an item of cultural property in their constituency that is of great importance to not just them and their constituents, but all peoples of the world. I would say that Llandaff cathedral in my constituency, which was bombed and badly damaged in the second world war, and which has an extremely beautiful and important modern statue by Epstein, is a piece of cultural property that should be of importance to all people. It is difficult to know where the threshold will be in the Bill, so I am interested to know how the Government will liaise with experts from various fields to ensure that adequate measures are taken. Preparing this report will ensure that the public and their elected representatives feel content that their precious heritage is covered. Can the Minister explain how the qualifying artefacts will be determined and what say, if any, the public would have in that process?
New clause 5, which is in my name and that of my hon. Friend the Member for Tooting, seeks to ensure the transparency and accountability of the cultural protection fund. We want to probe how the Government plan to provide for this fund, how it will be resourced and how its different parts will be joined up. We are happy that the Government have committed to giving the fund £30 million over four years, and have set out a timetable for bids and consultation on the fund. Do they have a view on the level of their commitment to the fund following the initial four years? Though the £30 million is welcome as a start, the fund’s aims are ambitious. Are there plans to enhance that level of funding?
The fund will
“support projects involved in cultural heritage protection; training and capacity building; and advocacy and education, primarily focused in the Middle East and north Africa.”—[Official Report, House of Lords, 6 June 2016; Vol. 773, c. 584.]
The proposed report would allow Parliament to monitor whether more funding was required to fulfil those ambitions, as I suspect it might well be.
We certainly welcome the co-operation between the Department for Culture, Media and Sport and the British Council, and agree with the consultation’s conclusion that the British Council’s network and management experience excellently complement the expertise of the heritage industry, and that this collaboration is important to the fund’s success. Can the Minister tell us more about that, and especially about training and resource sharing between those institutions? I understand that the Government have indicated that they are involved with the British Council in developing a long-term strategy. With regard to the long term, the report proposed in the new clause could facilitate debate about the future resource needs of the fund; what countries and technologies should be focused on; and striking a productive balance between providing emergency support for cultural property in areas of armed conflict and supporting the safeguarding of items in peacetime.
There are, of course, many parties that those running the fund will need to liaise with in order to accomplish this, including non-governmental organisations, the military, police, Border Force, museums, archives and galleries—all those bodies that I mentioned previously. I reiterate the proposal made by Lord Collins of Highbury, who argued that the fund’s work, especially on supporting economic and social opportunities through cultural heritage, should be carried out in collaboration with the Department for International Development. Will the Minister indicate whether that will be the case, and outline how the cultural protection fund will relate to the voluntary fund established under the second protocol and run by UNESCO? Again, that is a matter of joined-up government and ensuring good value for money.
As I understand it, the Government have pledged to make sure that the cultural protection fund will be included in their yearly report on this Bill if it is of direct relevance, and that its spending will be scrutinised biannually by the OECD. That commitment is appreciated, but this fund deserves scrutiny in itself, not conditionally depending on its relevance to the Bill. This new clause would provide a mechanism by which the fund’s resourcing and operating could be scrutinised by Parliament, and its impact could thereby be maximised. I look forward to the Minister’s response on new clauses 1, 4 and 5.
Mr Burrowes
I want to comment on two aspects of the new clauses. First, I commend Detective Sergeant Claire Hutcheon, who has led the Metropolitan police’s art and antiques unit so admirably, and who is retiring in January. She has done admirable work and gained from experience over many years. Although the unit is small in number, it certainly has the quality. She has spread her expertise around forces across the country, pulled in support and expertise, and shared good practice so that forces do what they can on illegal trade. She has also built up a good partnership with the trade, and there is good understanding and confidence there that needs to be continued. There is some concern that the new office holder may have to start again at zero. There needs to be proper good practice, which might perhaps benefit from the guidance that we might hear about in relation to this Bill. It would be good to hear from the Minister that there is continued support for that unit and for the resources; it has not been up to full strength for some time—I think it is pretty much up to a full strength of about three—but it certainly punches above its weight.
I also want to draw attention to the excellent cultural protection fund, which is in its early stages and has £30 million. I know that the Minister is competitive, and recognises that if we are in competition with France on the ratification of the protocols, we need to get there first, but there is also an issue of money, because François Hollande has announced $100 million as part of the global endeavour to protect cultural heritage. I ask the Minister whether there is support for the global endeavours. The second protocol provides for a voluntary fund for cultural heritage; I understand that that is distinct from our cultural protection fund. Nevertheless, there is an indication, and I hope an intention, that there will be a contribution to UNESCO. It takes its hits and criticisms but, particularly in this regard, we must recognise UNESCO’s pre-eminence and the support for it. I hope that there will be a mechanism that allows for support, particularly from ill-gotten gains, through the recycling of money into the fund. When these crimes are prosecuted, the proceeds could go into a global pot.
Tracey Crouch
Before I turn to the specific aspects of the new clauses, it might be helpful if I addressed a number of wider issues raised by the hon. Member for Cardiff West. He asked a specific question about the Ministry of Defence; I am sure that he and members of the Committee will respect that the matter is obviously one for the Ministry of Defence, but I will do my best to answer as much as I possibly can on the specifics of the unit to which he referred.
The joint military cultural property protection working group was established in early 2014 to develop the concept of a unit of cultural property protection specialists, in accordance with our obligations under article 7.2 of the convention. The MOD is currently tasking Army command with looking at plans for the creation of the cultural protection unit. Some preliminary work has already been completed, and it is expected that the unit will be able to form up 12 to 18 months after formal approval.
The convention for the protection of cultural property places a number of commitments on the MOD, most of which we already comply with. Article 7.2, however, obliges states to plan or establish specialist cultural property units to secure respect for cultural property and to co-operate with the civilian authorities responsible for safeguarding it. There is flexibility on the size and composition of such units, and other nations’ solutions vary from six to 360 people.
The MOD has tasked the Army with examining the best means of providing this capability, and the Army’s initial thoughts suggest a relatively small unit, at least in peacetime, of 10 to 20 personnel from across all three services. They will be predominantly or even exclusively reservists, with command at lieutenant-colonel level, although expertise will be more important than rank. Although planning is at an early stage, the Army is expected to respond to the Ministry of Defence in the next few months on how such a unit could be established. My hon. Friend the Member for Enfield, Southgate, recently asked the Secretary of State for Defence at Question Time to update the House on that matter, and I am sure that interested Members will continue to press the Ministry of Defence.
The three new clauses proposed by the hon. Member for Cardiff West deal with important matters in which I know members of the Committee have a keen interest. Alas, I cannot support their inclusion in the Bill. New clause 1 deals with the cost of implementing and enforcing the provisions in the Bill. We have already clearly set out our forecast of the costs in the impact assessment. Where there are ongoing costs, for example for the Border Force, the police and the armed forces, it is likely to be extremely difficult to disaggregate the costs associated specifically with the Bill from those incurred in other related cultural protection work.
For law enforcement agencies, it would be extremely difficult—if not impossible—to separate the cost of enforcement related to cultural property from ordinary enforcement costs. Even if it is possible to do so, the costs involved are likely to be disproportionate to the costs that the new clause requires us to identify and report. It is for the Border Force, the Metropolitan police and other police authorities to decide how best to allocate and use their resources, in the light of the priorities and the legislation that they are required to implement and enforce.
Kevin Brennan
When the Minister referred to the impact assessment, I took a glance at it and noted that, under the section outlining the Metropolitan police arts and antiquities unit—
Kevin Brennan
It says “antiquities” in the Government’s own impact assessment, I am afraid.
Kevin Brennan
The hon. Lady cannot intervene on me because I am intervening on the Minister. The number of personnel to be trained from that unit is four. We heard earlier that there were only three people in that unit, so I hope that is a helpful sign that the Government anticipate that the unit will expand.
Tracey Crouch
May I put an audible “tut” on the record at our mistake in the impact assessment? I know that people have concerns about the size of the Metropolitan police art and antiques unit, but the nature of its work—for example, it works collaboratively, including with international partners—means that its size is not a real reflection of its impact. A significant proportion of its work is from international law enforcement agency requests for assistance. I hope that responds in part to the hon. Gentleman’s question about the size of the unit.
With regard to the Border Force and the expertise required in identifying cultural property unlawfully exported from occupied territories, we do not foresee the Border Force playing a major role in discovering such objects unless specific intelligence has been received that objects from an occupied territory may be coming into the country. We think that it will be a rare event for a Border Force officer to be faced with something that they can clearly identify as having been illegally exported.
Kevin Brennan
I have a point relating to prosecution that the Committee will be interested in: I understand from the impact assessment that it is envisaged that there will be only one prosecution every 30 years under the Bill. Will the Minister confirm that my interpretation is correct?
Tracey Crouch
I am sure that if it says that in the impact assessment, that is indeed the correct interpretation, but I am happy to provide further information on that on Report if that helps.
I will go back to the points on policing that the hon. Gentleman raised with regard to new clause 1. He will, of course, be aware that we have created elected police and crime commissioners to give strategic direction and to hold police forces to account for operational policing decisions, including how resources are directed between different units and functions. In London, the Mayor of London has that responsibility. We do not think it is necessary or desirable for the Government to cut across that democratic approach to accountability in policing by requiring the Secretary of State to take a specific interest in the funding of individual police units or functions. Moreover, it does not seem to me to be particularly helpful to isolate the implementation and enforcement of the Bill from the excellent wider work being done by so many bodies to protect cultural property.
That also applies to the provision in subsection (3) of the new clause, relating to communication and co-operation between public bodies. As with the costs, I do not think it is helpful to treat that separately from the regular contacts between public bodies on wider cultural protection work. Public bodies are required to report on their work costs and spending, and hon. Members are always extremely assiduous in holding them to account for their use of public money and the way in which they implement and enforce legislation. I am sure that the Bill will be no exception. A separate statutory obligation on the Government to report to Parliament on the costs associated with the Bill therefore seem unnecessary, which is why we oppose new clause 1.
New clause 4 deals with matters of an administrative nature that are not specifically covered by the Bill. We are already considering the administrative measures that will be needed to implement the convention and its protocols once the Bill is passed into law. We will reflect on issues raised during the passage of the Bill as part of that process. The hon. Gentleman mentioned specific items. We do not think it is appropriate to confirm whether a specific cultural object will be afforded protection.
We want to ensure that the views of stakeholders are heard. Next month we are holding a round table discussion with key stakeholders to discuss the categories of cultural property that will be afforded general protection under the convention, and what additional safeguarding measures might be required. The hon. Gentleman might be interested to know that our provisional thinking is that general protection status would extend to buildings, historical gardens or parks of grade I or category A status; cultural world heritage sites; and nationally important collections in museums, galleries and universities, as well as in the national record offices and our five legal deposit libraries. However, we are still determining our categories, and discussions with key stakeholders are ongoing.
Victoria Borwick
Will the Minister consider inviting members of the trade and those who deal in cultural objects to participate in the consultation, to ensure that we have effective legislation?
Tracey Crouch
I will certainly take that away, discuss it with officials and report back to my hon. Friend.
In practice, a range of safeguarding measures will already be in place for most cultural property under general protection in the UK. Existing listing, designation and accreditation schemes generally require certain measures to be in place to protect cultural property from, for example, fire, flood and other emergencies and natural disasters. Article 5 of the second protocol expands on the meaning of “safeguarding cultural property” by giving some examples of the kind of preparatory measures that should be taken in peacetime. Those include the preparation of inventories, the planning of emergency measures for protection against fire or structural collapse, the preparation for the removal of movable cultural property or the provision for adequate in situ protection of such property, and the designation of competent authorities responsible for the safeguarding of cultural property. The first three measures all represent common-sense precautions and are likely to be covered by existing contingency planning for an emergency or natural disaster.
Once we have decided which cultural property will receive general protection, we will be in a position to decide which are the most appropriate competent authorities for safeguarding that cultural property in the event of armed conflict. Our current thinking is that the most appropriate body to undertake the peacetime safeguarding measures is the existing owner, guardian or trustees of a cultural property.
It is also important to note that article 26 of the convention requires state parties to report at least every four years to the director general of UNESCO on their implementation of the convention. In practice, UNESCO asks state parties to provide information on the measures they have undertaken in relation to relevant peacetime safeguarding provisions as part of the periodic reporting, and those reports are published on the UNESCO website. The UK Government will therefore already be reporting on the safeguarding of cultural property as a matter of good practice, in line with the reporting obligation in article 26. A separate statutory obligation to report to Parliament on matters that are administrative and not part of the Bill appears to be unnecessary.
On new clause 5, I know that many hon. Members are interested in the cultural protection fund and wish to be kept informed about it. However, the cultural protection fund is not part of the Bill, and the new clause therefore introduces a new subject that is beyond the scope of the Bill. It is also unnecessary. The British Council, which is responsible for administering the cultural protection fund, will publish an annual report on the work of the fund. That report will be publicly available. If the fund supports projects with direct relevance to the Bill and to the convention and its protocols, we will work with the British Council to ensure that the annual report includes appropriate mention of them. Our priority is to work with the British Council on the first round of bids, but we cannot make future funding commitments at this stage. I hope the hon. Member for Cardiff West is reassured that information about the cultural protection fund will be made available.
With regard to a point made by my hon. Friend the Member for Enfield, Southgate, parties to the second protocol are not obliged to contribute to the fund for the protection of cultural property in the event of armed conflict, but once the UK has ratified the convention and its protocols, we will begin to consider our role as an active state party. It would not be appropriate—certainly not on the face of the Bill—for the Government to commit to any funding prior to becoming a party to the convention or its protocols. However, I assure him, not just as a consequence of my own competitiveness but because it is morally right to do so, that we will continue to play, or wish to continue to play, a leading role in the the world on this issue. Those are the reasons why I oppose new clauses 1, 3 and 5, but I hope the hon. Member for Cardiff West is reassured by my comments.
Kevin Brennan
It is new clauses 1, 4 and 5. The Minister did have to shuffle through a number of papers so it is understandable that the numbers became confused. We are discussing new clauses 1, 4 and 5.
I thank the Minister for a very thorough response to the new clauses. I take issue with one thing she said—that our new clause 5 is beyond the scope of the Bill. Had it been beyond the scope of the Bill, Mr Turner, you would have ruled it out of order and the Committee would not have been able to discuss it. Because it was completely in order and within scope when we tabled it, we have been able to debate it at considerable length and had the benefit of the Minister’s very thorough and helpful response to new clause 4, notwithstanding her view that it was beyond scope. She did give a very thorough response and I am grateful to her for that. It has been very useful to get all of that on the record and it gives clarity on a number of points.
The impact assessment does indeed make interesting reading, not least the point about the Government’s assumption that a prosecution under the Bill will take place only once in every 30 years. The Minister did say that she might take the opportunity to respond on and confirm that point on Report. If such an opportunity does not arise, I am sure that a letter to members of the Committee to clarify the point would suffice. On that basis, I will not press the new clauses and I beg to ask leave to withdraw the motion.
Clause, by leave, withdrawn.
New Clause 2
Report on topics for updated Protocol
‘Within 12 months of the passing of this Act, the Secretary of State shall publish a report setting out the UK’s priorities for topics to be included in an updated protocol to the 1954 Hague Convention.’.—(Kevin Brennan.)
Brought up, and read the First time.
Kevin Brennan (Cardiff West) (Lab)
I beg to move, That the clause be read a Second time.
Having made remarkable progress during the day, we have reached our final debate on the Bill and amendments to it. New clause 2, which stands in my name and that of my hon. Friend the Member for Tooting, calls on the Government to set out what its priorities will be in the event that a third protocol to the convention becomes the subject of international discussion. Inevitably, this Bill does look back as we are ratifying The Hague convention of 1954, but as the first two protocols show there certainly is an appetite to ensure that the convention remains up to date, relevant and effective.
One could make many suggestions regarding what a third protocol could specify. During our discussions, two specific questions have been raised repeatedly and would benefit from being marked as UK priorities in the report proposed in the new clause. They are, first, the application of the convention to cultural property in digital form, and secondly, the applicability of the convention to conflicts such as the one in Syria. These are both areas where the age of the convention has started to show and which could be updated in a third protocol.
On Second Reading, I raised a question that many across the House have also asked about how the ratification of the convention would apply to conflicts such as those in Syria and Iraq. The Minister kindly circulated a note—actually, I think it was the Secretary of State rather than the Minister—using Syria as a case study and outlining how the convention and its protocols relate to conflicts not of an international character. I appreciate that, as it helped to clarify a few issues. I welcome the assurance that a UK national involved in the destruction of cultural property in a country that has signed the convention would be criminally liable. That is very important, not least in the light of recent developments. To be absolutely clear—I think we rehearsed this somewhat earlier on—I believe the Secretary of State’s note means the convention does apply during a civil war. The Minister also said earlier that it would apply to both parties in a civil war, even when one of them is not a recognised state. Clarity on that is important.
Ideally, we would need a ministerial note or clarification to explain whether or not and to what extent the convention applies to a certain type of conflict. A third protocol would be an opportunity to aim for a more standardised safeguarding strategy for cultural property worldwide where it is involved in any kind of armed conflict. I think this idea has some cross-party support. The hon. Member for Enfield, Southgate asked in Hansard in column 698—I am trying to remember whether it was on Second Reading or whether it was a question—
Kevin Brennan
It was. The hon. Gentleman asked:
“are the Government supportive of looking at future conventions to try to make sure that Daesh comes within the provisions, although the Iraqi and Syrian sanction orders cover the gap?”—[Official Report, 31 October 2016; Vol. 616, c. 698.]
That is a very good question. A third protocol could offer an opportunity to streamline the law. Instead of plugging the gaps with new legislation, there could be a consistent and indubitable catch-all that would assure the necessary protections for the property most valuable to nations and their identities.
The destruction of cultural property in the middle east has been mentioned many times as one of the motivations for the passage of this Bill, yet the Bill does not apply to so many of those situations. In the light of the work carried out involving the cultural protection fund in that same region, it seems that protecting artefacts in Syria and its surroundings is a priority for us all. The Government acknowledge that too. A report would not only provide a platform to express that, but it could kick-start action to bolster protections and provisions where they are currently most needed.
I and my hon. Friends have highlighted the matter of digital content falling within the definition of cultural property. The Government indicated there should be a certain level of consistency with regard to an internationally accepted interpretation of what cultural property means. They said at the same time that amending the Bill to specifically include digital content could jeopardise that consistency. It seems to me that formalising an internationally accepted interpretation of cultural property that includes things such as digital content would be a crucial component of a third protocol, bringing the legislation firmly into the digital age.
The more consistency there is in both the wording and the interpretation of our international laws, the greater the chance of holding those who violate them to account. Our support of current and developing technologies should be unambiguous and undeniable. Given the importance of our national and regional film archives and that of the precious cultural property currently being created, I hope the Government agree that the protection of digital property should be championed by the UK on the international stage.
We cannot as a country unilaterally decide on the priorities and the announcement of any third protocol to the 1954 convention, but a report on the topics the UK would like to focus on allows for a productive and constructive dialogue on key issues, potentially putting such a protocol on the agenda of the international community. It would also provide the UK with an opportunity to demonstrate its desire both for international co-operation and to show leadership in this area, which I think we should be doing.
Internationally, the UK is in a position in which we are choosing to leave the European Union rather than, as some of us would have hoped, to be a leading player. With the sorts of turmoil we see going on in the world, including on the other side of the Atlantic, this would indicate that the UK can and will continue to work productively and co-operatively with other nations. We may be late in ratifying the convention, after 62 years, but we can show that this is not due to a lack of commitment to its ideals and ambitions.
Does the Minister agree that the two topics we have just discussed, and perhaps others, would be among UK priorities for a third protocol? What other topics might she consider? Do the Government have any plans to work towards developing a third protocol?
Tracey Crouch
I thank the hon. Member for Cardiff West for raising the issue of updating the protocols to the convention to reflect the need to protect cultural property from destruction by, for example, terrorist groups such as Daesh. We covered Syria and digital cultural property in some detail earlier, and I am sure that we will return to those issues, so I do not intend to go over those arguments again. We are, however, absolutely united in our condemnation of the terrible damage to cultural heritage that Daesh has wrought at sites such as Palmyra and the destruction and looting of cultural heritage as a tactic of war and terror more generally.
That said, the new clause seems to assume that an updated protocol is inevitable. We are not aware that UNESCO is considering that. It is not included in the organisation’s medium-term strategy, which sets outs its priorities until 2021. We are also unaware of calls from other state parties for the protocols to be reconsidered at this time. Indeed, I understand that the process to reopen discussion on protocols or propose a new one is not as easy as the Opposition might believe. I am told that it would take a minimum of eight years to agree a new text or protocol.
Tracey Crouch
If the hon. Gentleman will hold his horses for a second, given the delay in the UK’s ratification, publishing a list of our future demands within a year of Royal Assent may not be the wisest way to win support for that. Once the UK has ratified the convention and current protocols, we will be closely involved in the related UNESCO discussions, and that will be the best way to influence any future work.
Tracey Crouch
Before the Divisions, we were talking about a third protocol, in the light of the Opposition’s new clause 2. We do not feel that it would be appropriate to include that new clause in the Bill. Rather than focusing on how an additional protocol might better address the specific issue, our priority must be ratifying the convention and acceding to its two protocols. That will be a significant milestone for the UK that has not been achieved by other permanent members of the UN Security Council. It will send the strongest message about the UK’s commitment to protecting the world’s cultural property and signal our condemnation of the recent abhorrent cultural destruction. Although I recognise the good intention behind the new clause, I hope that the hon. Member for Cardiff West will appreciate that it is beyond the scope of the Bill and therefore withdraw it.
Kevin Brennan
It is not beyond the scope of the Bill, as I have pointed out already, but I will not labour the point—although that is my wont. We have discussed the third protocol, which is not the title of the latest book by my hon. Friend the Member for Rhondda, although it would be a very good title for a parliamentary thriller, if that is what he has been composing during our deliberations—that might explain his uncharacteristic reticence.
It is difficult to say on the one hand that we should pat ourselves on the back for being the first in the Security Council to ratify both protocols, and on the other hand that we should not pat ourselves on the back by suggesting a third protocol, because it has taken us 62 years to ratify the convention. There might be a slight circularity to that argument.
The purpose of new clause 2 is to encourage the Government to take the lead in this area, which we should do internationally, and to think about how we can update our international agreements on the protection of cultural property in armed conflicts to ensure that they move with the times and cover the new types of cultural property being developed as a result of the digital revolution and the new types of threat, warfare and armed conflict we face with the rise of entities such as Daesh. Having said that, in the interests of us completing our proceedings, I beg to ask leave to withdraw the motion.
Clause, by leave, withdrawn.
Tracey Crouch
On a point of order, Mr Turner. I am grateful to you for allowing me this opportunity to thank everyone for participating in the Committee. This is the first piece of legislation that I have taken through the House, and I believe that it is your first chairing of a Committee in this House, so it is a first for both of us. Hopefully we have managed to muddle our way through it correctly and in order.
I want to pay tribute to all those who have helped to make the Committee happen. I am grateful that my first piece of legislation is, by and large, full of consensus. Although there are issues that I am sure many will raise on Report and seek further clarification on, it is a tribute to what we are discussing that we have managed to get through the Bill in the way we have. I would like to thank you, Mr Turner, and Ms Buck for chairing the Committee, as well as the Clerks, the Hansard reporters and the Doorkeepers.
I would like to thank my excellent Bill team of officials from the Department for Culture, Media and Sport and other Departments, including the Ministry of Defence and the Foreign Office, all of whom not only have been brilliant advisers to myself as Minister, but have been open and accessible to other Members, including Opposition Members, for discussion.
I would like to thank those who have submitted written evidence and participated in the development of the Bill over a number of years. The hon. Member for Cardiff West pointed out in his opening remarks that the Bill has been a long time coming, since the second protocol in 1999. We should pay tribute to those in the previous Labour Government who started this process. I am pleased that it was this Government—under the former Secretary of State, my right hon. Friend the Member for Maldon (Mr Whittingdale), and my right hon. Friend the Member for Wantage (Mr Vaizey)—who managed to introduce the Bill in Government time during this Session.
Finally, I would like to thank all members of the Committee. I thank the Opposition for their amendments, which allowed us to have a full debate on many aspects of the Bill. Despite gentle probing from many directions, the record will show that we have managed to discuss a great many issues that people both inside and outside this place really do care about.
Kevin Brennan
Further to that point of order, Mr Turner. May I echo everything the Minister has said? She is quite right that it is important to probe Government legislation from every direction, and that is what we have sought to do in the course of our proceedings. Thank you, Mr Turner, for chairing our proceedings and keeping us in order—including on new clause 5, which of course was in order all along. I also thank Ms Buck for chairing our proceedings so ably this morning; perhaps you could pass that on, Mr Turner, on our behalf.
I would like to thank all members of the Committee. I know that for a number of Members it was their first time serving on a Bill Committee. It is not always this consensual when we discuss legislation. Nevertheless, this has been a useful example of the importance of Committee stage in teasing out and putting on the record the Government’s intentions and so on. I would also like to thank the Whips for keeping us in order and enabling us to get through proceedings in an expeditious fashion.
I also thank the Clerks, the Hansard reporters, all those from the sector who have made submissions, the civil servants, the Doorkeepers, the police and everyone else, including my researcher, Haf Davies, who has been very helpful in preparing for today. It may have taken us 62 years, but we are engaged in an extremely important process. We can all take some pride in the fact that finally, after Report and once the Bill gets Royal Assent, we will have ratified The Hague convention, albeit 62 years after it was originally brought about.
Bill to be reported, without amendment.
Cultural Property (Armed Conflicts) Bill [Lords]
Monday 20th February 2017
(7 years, 10 months ago)
Commons ChamberRead Full debate Cultural Property (Armed Conflicts) Act 2017 Read Hansard Text Amendment Paper: Consideration of Bill Amendments as at 20 February 2017 - (20 Feb 2017)
Kevin Brennan (Cardiff West) (Lab)
I beg to move amendment 4, page 2, line 6, at end insert
“, which includes a digital attack if the cultural property in question is in digital form.”
This amendment would make explicit that an offence is committed if the act committed under paragraphs (a) to (e) of paragraph 1 of Article 15 of the Second Protocol is a digital attack, where the cultural property in question is in digital form.
Mr Speaker
With this it will be convenient to discuss the following:
Amendment 5, page 2, line 17, at end insert
“, or
(c) a foreign national serving under the military command of the UK Armed Forces.”
This amendment would ensure that an offence is committed if an act described in paragraph 1(d) or (e) of Article 15 of the Second Protocol is committed by any foreign national serving under the military command of the UK Armed Forces.
Amendment 1, in clause 17, page 8, line 12, leave out
“or having reason to suspect”.
Amendment 2, page 8, line 12, leave out “having reason to suspect” and insert “believing”.
Amendment 3, page 8, line 12, leave out “having reason to suspect” and insert “suspecting”.
Kevin Brennan
The amendment seeks to probe the Government’s thinking on whether digital attacks on cultural property would be considered as damaging cultural property under the Bill. I say in passing that we very much support the Bill, having first introduced it ourselves, but sadly we ran out of time in the Parliament prior to 2010. The Bill will bring into domestic law the offence created by article 15 of the second protocol to the 1954 Hague convention, so it is not before time. I am glad that there is House-wide support for the Bill, but we want to probe a few more points during the remaining stages, to make sure that the Government’s position is clear and on the record before it is sent for Royal Assent.
During previous debates, both here and in the other place, there have been many discussions about the digital reach of the Bill. Given that the original convention was written in 1954, with a subsequent protocol, that was obviously long before issues of digital property would have been actively considered. We welcome the numerous assurances provided by the Government, including by the Minister in Committee, that cultural property in digital form could be protected. If it is true that digital property is protected under the Bill, it would be natural that digital attacks on that property are also covered. The purpose of the amendment is to get the Government to confirm whether that is the case.
It would not be reasonable to recognise digital cultural property but not digital attacks on such property. Given that the Bill involves creating criminal offences, it is important that the Government put their thinking on the record. Their response to an amendment discussed in Committee highlights the need for clarity. We debated whether the cultural emblem of the blue shield, which the Bill introduces from the convention and which marks a protected item, could be shown in digital form. The Minister said:
“For modern, born-digital material, such as films and music, in practice we would expect the emblem to be displayed on the physical object on which the material is stored or on the building in which the physical storage object is kept, rather than being displayed digitally. That would help to ensure that the emblem is readily visible. That is not to say that it cannot also be depicted in digital form.”––[Official Report, Cultural Property (Armed Conflicts) [Lords] Public Bill Committee, 15 November 2016; c. 9.]
That could be interpreted as assuming that cultural property, even that which is digital, would be attacked only in a physical sense—in other words, that any attacker would be in close physical proximity to the item and able to see the blue shield on its casing. In reality, however, digital content is more likely to be attacked by way of hacking, in which case the question of how the blue shield could flag up digital cultural property to a potential attacker is relevant. Somebody hacking into a database of some sort will not see the shield on the hard drive’s casing.
Tom Tugendhat (Tonbridge and Malling) (Con)
The question is slightly harder to answer than it might initially appear. On operations, foreign armed forces are embedded with and serve alongside British troops in various guises and in many different capacities. Unless the hon. Gentleman can be more specific, I can understand the MOD’s difficulty.
Kevin Brennan
It is certainly within the power of the Ministry of Defence to answer the question in terms of its own definitions. However, it cannot have been that hard, because the Minister for the Armed Forces subsequently changed his mind and wrote to me, telling me that he could give me some information. It is always dangerous to intervene too early during the development of an argument. On 28 November, the Minister decided that he could provide some information, albeit not as precise as one might have desired.
Kevin Brennan
I will give the hon. Gentleman five out of 10 on that basis. The Minister for the Armed Forces wrote:
“As my formal PQ response made clear—a definitive response to your question could only be provided at disproportionate cost.
However, it is roughly estimated that at least 200 members of foreign armed forces are either liaison officers or on exchange officer roles annually across the three services.”
He went on to confirm that the Department “does not routinely collect” the requested information about embedded foreign armed forces.
That does at least tell us what kind of numbers we are talking about, albeit not in precise terms. However, the point of my question was to get a general idea of how many people might be impacted by this legislation and to understand whether the Government had a grip on the rough ballpark figures.
Our concern was how the Bill would impact on foreign nationals embedded in the UK armed forces who were involved in the destruction or illegal exportation of cultural property. In her response to my amendment in Committee, the Minister said that
“if a foreign soldier were to commit an act set out in article 15(1)(d) or (e) while embedded in a UK unit, we would dismiss them and send them back to their home state to be dealt with for disobeying orders. The individual would face the consequences of their actions on their return home, and there is no loophole for embedded forces; that would apply whether or not a foreign state had ratified the convention or protocols, as the individual would be disobeying an order.”––[Official Report, Cultural Property (Armed Conflicts) Public Bill Committee, 15 November 2016; c. 14.]
Now that we have a figure from the Government on the number of foreign nationals to whom the Bill will apply, albeit a rough one, I just wonder—
Tim Loughton (East Worthing and Shoreham) (Con)
I appreciate that these are probing amendments, because if the hon. Gentleman were to press them to the vote, I do not think he would get much support from the people behind him. However, will he explain what he thinks is the difference between the terminology in the Bill, which is
“a person subject to UK service jurisdiction”,
and that in his amendment, which is
“a foreign national serving under the military command of the UK Armed Forces”,
because he has not answered that question yet?
Kevin Brennan
I do not think that is a question for me to answer. It is one for the Minister to answer in her response. As for his comments about those on the Benches behind, I always prefer these odds when debating in the House of Commons.
What assessment has been made of whether this matter constitutes a risk or a loophole? In Committee, the Minister mentioned that when a foreign national is embedded,
“a bespoke status of forces agreement or memorandum of understanding is drawn up that sets out responsibility for the individual involved.”—[Official Report, Cultural Property (Armed Conflicts) Public Bill Committee, 15 November 2016; c. 14.]
Is responsibility for protecting cultural property a part of that understanding? If it is not, will it be following the passage of the Bill?
As the House knows, the UK armed forces already abide by the terms of the convention. I very much welcome that, and I want to take this opportunity to pay tribute to their work and their outstanding contribution. I hope the Minister will be able to reassure the House that although the armed forces are a complex organisation, the application of the Bill will be consistent for everybody who serves in them.
The other amendments in this group were tabled by Government Members. We had fairly extensive discussions in Committee on the impact of the Bill on the arts market so I do not propose to say anything further on that matter.
Sir Edward Garnier (Harborough) (Con)
I am very sympathetic to the shadow Minister, the hon. Member for Cardiff West (Kevin Brennan). He has ploughed a lonely furrow with great elegance and humour. At least he can claim to have 100% support from the representatives of the Labour party today. I am not entirely sure that I can, but I will have a go and see whether I can tempt the House towards supporting my amendments—amendments 1, 2 and 3. I am very happy to say that they were co-signed by my hon. Friends the Members for Kensington (Victoria Borwick) and for North West Norfolk (Sir Henry Bellingham). Like the shadow Minister, although we are few in number we are very high in quality.
Sir Edward Garnier
Modesty is not a word I have ever heard of. It may be, to refer to the Dealing in Cultural Objects (Offences) Act 2003, a cultural object, but clearly one that is far too expensive for me to have ever clapped eyes on.
If I may, I would like to tease out from the Government further information on, and their thoughts about, their policy in relation to clause 17, which sets up the offence of dealing in unlawfully exported cultural property. I should say by way of introduction—if, three minutes into my speech, I am entitled to call these words an introduction—that it strikes me that the Bill is, by and large, entirely uncontroversial, deeply unexciting and about 50 years too late. That said, if we are to introduce uncontroversial Bills 50 years too late, we might as well get the law right. It strikes me that clause 17 contains a self-evident defect, which I dealt with on Second Reading on 31 October 2016. If I may, I would like briefly to rehearse those arguments for the following reasons.
I convinced myself—I remain convinced and have yet to be persuaded otherwise by the Government—that the second element of the criminal intent provision in clause 17, which I criticised, is legally incoherent. Beyond that, I have yet to be persuaded by the Secretary of State and the Minister of either the content or quality of the counterpoints they made in response to the concerns identified in my three amendments. We have had a number of meetings, both one-on-one and collectively —possibly with my hon. Friend the Member for Kensington, but certainly with other representatives of the art market—and I think it is fair to say that our concerns about the wording “having reason to suspect” in clause 17 have not been answered satisfactorily.
There has been some assertion: “This wording is better,” say the Government. There has been further assertion that the wording that I prefer, which comes from the Dealing in Cultural Objects (Offences) Act 2003, has failed to lead to the prosecution of any people guilty or suspected of being guilty of offences under that Act and that therefore the level of criminal intent needs to be lowered.
Mr David Burrowes (Enfield, Southgate) (Con)
I apologise for missing the start of my right hon. and learned Friend’s speech—
Mr Burrowes
My right hon. and learned Friend does himself an injustice: repetition can be a good thing, if he is right, but it might not be such a good thing if the point is overstated. I refer him to the Iraq (United Nations Sanctions) Order 2003, as well as the EU Council regulation on Syrian cultural property, where the wording is:
“had no reason to suppose”.
That is similar to the wording in the Bill, and I understand that there has been no grave injustice served on those law-abiding, prudent antique dealers who have been observing those provisions.
Sir Edward Garnier
My hon. Friend anticipates me: that was the fourth point I was going to make in due course. The difficulty in his making that point—I am grateful that, either through his own research or thanks to assistance from other hon. Friends, he has been able to make it to me—is that those are statutory instruments, which were never debated on the Floor of the House. I am not even sure they were debated in Committee. The whole point about passing criminal legislation that could lead to an individual being sentenced to seven years’ imprisonment or, if a company, to an unlimited fine is that we ought to pass good law. We ought to debate it and we ought to allow an idea to be tested, sometimes to destruction. The Afghanistan and Iraq orders that my hon. Friend talks about have not been tested in this place. The 2003 Act was tested in this place and this Bill is being tested in this place, and if the Government do not enjoy that, well I am sorry for them.
Mr Burrowes
My right hon. and learned Friend is dealing with his fourth point, but I wonder whether one of his subsequent points deals with international best practice in relation to United Nations resolutions, including paragraph 7 of Security Council resolution 1483 of 22 May 2003 or Security Council resolution 2199 of 2015, which focus on the same provision of “reasonable suspicion” that is in the Bill, which are obviously binding on all UN members and which are also part of the international legal architecture of our accession to The Hague convention.
Sir Edward Garnier
I am sure that my hon. Friend will have plenty of opportunity in the next two or three hours to make his own speech, but I am always very happy to take his interventions. If, however, he looks at The Hague convention—which is being brought into our criminal law by this Bill—he will see that there is no rubric or form of words that are required by that convention to be imported into our criminal law. If we are to base our criminal law on a form of precedent, I would look to the most recent statute, which is the 2003 Act, rather than two undebated and, I think, time-limited statutory instruments. But anyhow, my hon. Friend will no doubt have an opportunity over the next few hours to develop the points that he has thought a great deal about.
I have yet to be persuaded that the Government’s counter-arguments, which I rudely describe as mere assertions, deal with the points that I made on Second Reading. I will not repeat what I said on Second Reading—I know that the hon. Member for Cardiff West, speaking from the Opposition Front Bench, has carefully read what I said on 31 October and recited it every week at the Labour party parliamentary meetings, which is why Labour Members have not attended this afternoon—but I make a serious point: the content of clause 17 sets up two systems, which is to say, actual knowledge, which is fair enough, and “reason to suspect”, which in my view is not fair enough and could lead to the conviction of people for lacking curiosity or being careless, rather than for having the requisite criminal knowledge.
During the meetings, as I say, the Government undertook to find out from the Crown Prosecution Service how many cases had been dropped or not pursued by virtue of what was described as the high level of criminal intent required under the 2003 Act. As I understand it—the Minister will correct me if I am wrong—there is no information to support that assertion. That argument, it seems to me, falls away.
To persuade me and those who think like me who come from the art market rather than from Parliament that this is a perfectly acceptable way to design this clause, it has been said, “Don’t worry; we will produce some guidance to the CPS, or the CPS itself will produce some guidance, which will inform the decisions of the police or prosecutors about whether to prosecute under the ‘reason to suspect’ arm of clause 17.” Of course, we have not seen that guidance, and we do not know where it is or what it will say; neither do we know what its legal effect will be.
I repeat that we are here creating an offence that could lead to somebody being sent to prison for seven years. Now if I am about to be sent to prison for seven years, I would rather like to know why. If I am to be prosecuted—even if I am later acquitted—I would again like to have some clearer information about the basis on which I am to be prosecuted.
I would hope, too, that all of us in the Chamber would like to keep an eye on the public expenditure implications of running prosecutions. We all know that the court system is overloaded; we all know that bringing prosecutions is expensive and has to be paid for by the taxpayer. If we are asked to introduce into our criminal law wording that foments uncertainty and a sense of unfairness, we should all be a little more careful before permitting such wording to go ahead.
As I said a few moments ago, I shall not repeat everything I said on 31 October, because it is there on the record for everyone to see. Let me finish, however, with this plea. If the Government are not persuaded to get the law right, simply because so few people are interested in this subject, and they know that they can whip the Government party to come in here and vote for whatever it is they want, I say fair enough in that I accept the arithmetic of our legislative democracy. It would be foolish of me to think that by standing up and speaking on a Monday afternoon I could persuade others to defeat the Government.
I am not going to press my amendments to the vote. I do not know whether my hon. Friends the Members for Kensington and for North West Norfolk have other plans, but for my part, I shall not urge them to press these amendments. What I do urge, however, is that the Government at least condescend to tell us what on earth they are on about. So far, we have not had any genuine information or any genuine evidence or any thoughtful response to the concerns that I have expressed. As I said on the previous occasion, these are not just my concerns; they are shared by many who have worked for many years in the art market and have practical experience of the difficulties caused by woolly wording.
My arguments have also been assisted by and based on what has been said by people who have far greater legal expertise than I have. I listed their names on Second Reading. They include a former Lord Chief Justice, a professor of law at Leicester University, a highly respected Queen’s Counsel who specialises in criminal law, and many others who—while approving of the policy behind the Bill and the inclusion of this ancient convention—fear that we are setting off on a wrong track that may lead to injustice. I know that my hon. Friend the Minister hates injustice of all sorts, and I suspect that, when she finds it in a Bill of which she has the conduct, she will probably want to do something to correct it.
Brendan O’Hara (Argyll and Bute) (SNP)
Let me begin by repeating what I said on Second Reading. Both the SNP and the Scottish Government welcome the Bill and the purpose that it serves. Like the hon. Member for Cardiff West (Kevin Brennan), I support its enactment.
When talking about amendment 4, the hon. Gentleman made some good points about the use of the blue shield in digital form, which seems to be an eminently sensible idea. I also agree with his amendment 5. It is only right that foreign troops who are embedded in United Kingdom forces adhere to the same standards and rules as those forces. The Government can be assured of our support for this important legislation, so that the United Kingdom can ratify the 1954 Hague convention for the protection of cultural property in the event of armed conflict, and accede to both the 1954 and the 1999 protocols.
Although the United Kingdom has never ratified the Hague convention, it is widely and rightly acknowledged that UK armed forces already comply fully with it during military operations, and that they also recognise the blue shield, which is—as the hon. Gentleman explained—the emblem that identifies cultural property that is protected under the convention and its protocols. I think it would be useful if the Government considered extending it to digital property. Ratifying the protocols would allow the Government to give our troops formal responsibility when they are operating in armed conflict.
We firmly believe that, no matter where it is located in the world, we all benefit from having a rich and diverse historical and cultural heritage, and that every effort must be made to protect that in time of war—and, indeed, at all times. I do not expect to hear many, if any, dissenting voices when it comes to the principles of the Bill. We all recognise that a people’s culture is a crucial part of who they are now and what they were in the past. For virtually all communities, regardless of where they are in the world, cultural heritage is a symbol whose importance cannot be overstated.
With your permission, Mr Deputy Speaker, I shall return to a theme on which I touched briefly on Second Reading: the fate of the Parthenon marbles, which are still referred to by some as the Elgin marbles in memory of the man who misappropriated them from the Parthenon just over two centuries ago. What better way could there be of marking the passing of the Bill than allowing the Parthenon marbles to return to—
Mr Deputy Speaker (Mr Lindsay Hoyle)
I have tried to allow the hon. Gentleman some latitude, but, as he knows, we are dealing with amendments rather than with Second Reading speeches. Tempted though I was to hear the hon. Gentleman’s Second Reading speech again, I must keep him within order.
Brendan O’Hara
I will be very brief indeed, Mr Deputy Speaker.
We know that there has been systematic looting of priceless artefacts, and that a flood of artefacts are coming on to the market throughout Europe, America and the far east. We must do everything that we can to protect those artefacts, and I hope that the Government will take on board the amendments tabled by the hon. Member for Cardiff West. I think it incumbent on all of us to protect the cultural heritage, regardless of whose it is. I look forward to supporting the Government, and I am sure that they will accept the amendments.
Victoria Borwick (Kensington) (Con)
I declare that I am president of the British Antique Dealers’ Association and that I have also been advised by the British Art Market Federation, the Antiquities Dealers’ Association and LAPADA, all of which have made written representations on this Bill. I concur with the comments of my colleagues that the art and antiques industry is fully supportive of the principles and aims of this Bill.
Kevin Brennan
Does the hon. Lady take any comfort from the Government’s impact assessment of the Bill, which envisages that there would be one prosecution every 30 years under the Act?
Victoria Borwick
Of course we all hope that is the case, but that is why we all in this House, jointly I believe, are seeking clarification: we do not want unsubstantiated allegations that something was illegally removed from an occupied territory, or a request for something that was legally exported. The allegation might be totally groundless when something is just about to be sold or exhibited, but the seller, genuinely believing that the item had not been illegally exported, would fear that the allegation could be deemed “a reason to suspect”, and that could lead to the item then being withdrawn from sale. The time-dependent opportunity to sell it would be lost and the very act of withdrawal could well then damage the artwork’s future saleability. The mere making of an unfounded allegation that an item was unlawfully exported from a potentially occupied territory after 1954 may place in the mind of a potential dealer or auctioneer a reason to suspect that it has been unlawfully exported, and although that might not later turn out to be the case, he will not go near it because it has been tainted.
I give as an example an old master picture that has changed hands on the legitimate open market in Europe in the past few years. It is sent to London for sale by auction. Due diligence is carried out and its known provenance is investigated, as is its sale history, and checks are made that the item has not been stolen. The picture is then included in an auction catalogue which is published several days before a sale. An allegation is then made that it was removed from an occupied eastern European country in the 1960s. Time is necessarily short to investigate whether that is true. Attempts to resolve the matter beyond doubt before the auction do not succeed, and even though it may well prove groundless, the allegation itself represents a reason for suspicion under the terms of the Bill as currently drafted. Not wishing to run the risk of prosecution, the auction house has no alternative but to withdraw the picture from the auction, to the disadvantage of its owner who, at best, will have to wait for another auction and, at worst, will face financial loss, as marketing it for a second time could adversely affect its value. The rarer and more valuable a picture or piece of art it is, the greater is the risk that a successful sale will be prejudiced by its withdrawal from an auction. In time, the allegation could well prove groundless, but the damage will have been done.
I recall the Secretary of State saying on the Floor of the House on 31 October that
“It is important that we are clear that the Bill will not hamper the way in which the art market operates.”—[Official Report, 31 October 2016; Vol. 616, c. 700.]
The closest existing legislation to the current Bill is the Dealing in Cultural Objects (Offences) Act 2003, to which my right hon. and learned Friend the Member for Harborough (Sir Edward Garnier) referred earlier. It is concerned with illegally removed archaeological material and objects that have been taken illegally from monuments or historical structures. However, unlike the Bill—in which the types of cultural property covered are extensive and could even include cultural property in people’s family collections—the 2003 Act does not cover works of purely artistic interest. The Act states:
“A person is guilty of an offence if he dishonestly deals in a cultural object that is tainted, knowing or believing that the object is tainted.”
Sir Edward Garnier
My hon. Friend refers to the 2003 Act. She and I will recall that the genesis of the Act was the ministerial advisory panel’s report on illicit trade, which was published in 2000. The report suggested that the gap in the Theft Act 1968 should be filled by what became the 2003 Act and by the “knowing or believing” test for mens rea. Is it not a pity that the Government do not seem to remember that, and that they seem to be moving down a different route?
Victoria Borwick
I thank my right hon. and learned Friend for giving us the benefit of his experience, which I hope will prompt the Government to reconsider.
As the British Art Market Federation and others have stated, the existing statutes mean that a dealer acting with honest intent and conducting reasonable due diligence is highly unlikely to run the risk of prosecution, unless it can be shown that they have wilfully acted dishonestly. I understand that the Government have cited article 21 of the second protocol of the convention as justification for a lower level of mens rea, but I draw my hon. Friend the Minister’s attention to article 15 of the protocol, which indicates that an offence has occurred if a person intentionally commits an act of theft or misappropriation against cultural property protected under the convention. Surely that suggests that an element of dishonest criminal intent is required by the convention. I seek that assurance. If the Bill were to introduce a lower threshold of mens rea, that would amount to gold-plating, which appears to run counter to Baroness Neville-Rolfe’s assurances in the other place that
“the Government intend to do only what is necessary to meet our obligations under the convention and its protocols.”—[Official Report, House of Lords, 6 June 2016; Vol. 773, c. 586.]
For all those reasons, I am concerned that the words “having reason to suspect” are inappropriate. Terms such as “believing” or even “suspecting” carry greater certainty and clarity. I emphasise that this is a point of law; it does not weaken or water down the Bill. We all understand that the objective is squarely to target those with criminal intent. I ask the Minister to consider these views and those of the art and antiques industry when drawing up the detailed regulations that will ensue from this legislation.
Mr Burrowes
It is a pleasure to take part in the later proceedings of this important Bill. I am co-chair of the all-party parliamentary group on cultural heritage; it is excellent to see the Bill on its way and at long last to enable our ratification of The Hague convention, which will be very welcome. Having said that, I very much respect this level of scrutiny and the concerns outlined by my right hon. and learned Friend the Member for Harborough (Sir Edward Garnier) and my hon. Friend the Member for Kensington (Victoria Borwick). We also had exchanges on this issue in the Bill Committee. I welcome that because the concern among dealers has been outlined, not least to the all-party parliamentary group.
The British Antique Dealers Association, the British Art Market Federation, the Antiquities Dealers Association and LAPADA all made considered written representations, which need to be fully respected, and I join them in wanting to ensure confidence in the market. The last thing we want to happen is for the Bill in any way to provide uncertainty or ambiguity in the codes of practice and guidance, which are very welcome—they are welcomed not least by the all-party parliamentary group. We want London to be the centre of excellence for dealers’ associations, and we want there to be true confidence in the market.
The all-party parliamentary group has deliberated on some of the scaremongering stories out there. We recognise that the London dealers’ market has a very good record, and we want to ensure continuing confidence in that market. I have due respect for the concerns that have been expressed, and I look forward to further roundtable meetings and the publishing of guidance.
My right hon. and learned Friend the Member for Harborough, a former Law Officer, pleaded for guidance to be published at this stage. As he will know, some of us who scrutinised the Bill in Committee, including the shadow Justice team, are on his side in pleading for such guidance to be published before the end of our proceedings. Sadly, those pleas have been made in vain in some ways. I share his concern that there should be as much transparency as possible.
It is important to recognise that other stakeholders are concerned about amending clause 17. Although the antiquities and antiques dealers’ associations are important and must be listened to, we must also listen to the police. I understand that police representatives have said that they support the Bill as currently drafted. I have an interest as a criminal defence solicitor, and I am not necessarily surprised that the police support the current wording, but it is worth taking account of other interested parties, such as the British Red Cross and the British Museum.
Sir Edward Garnier
I was puzzled by the reference to the British Red Cross in a letter from the Minister, so I checked it with the Secretary of State for Culture, Media and Sport, and she, too, was a little puzzled by the reference. I am not sure that the Red Cross has anything whatever to do with this. This is all about preventing the unlawful trade in items unlawfully exported from occupied territory. The Red Cross has lots of things to worry about, but I am not sure its main aim in life is supporting this Bill.
Mr Burrowes
I do not often disagree with my right hon. and learned Friend, but the British Red Cross has a great deal of interest because, in many ways, it is the pre-eminent body in dealing with issues of international humanitarian law. What we are doing here is ratifying The Hague convention, in which the Red Cross plays a crucial role.
I quoted Mr Michael Meyer, the head of international law at the British Red Cross, in Committee. If you will forgive me, Mr Deputy Speaker, I will repeat what I quoted because it is of direct relevance:
“However, it appears that, in practice, the clause should place no greater burden on dealers than already exists to conduct appropriate due diligence. In other words, the threshold of ‘reason to suspect’ is not so low as to have an adverse impact on the legitimate market, while at the same time acting as a necessary and suitable deterrent for those who may be less scrupulous. The wording is somewhat similar to that used in the existing Iraq and Syria sanctions orders. There is also very similar wording found in section 17 of New Zealand’s Cultural Property (Protection in Armed Conflict) Act 2012.”
That Act followed New Zealand’s ratification of The Hague convention. What that international lawyer says is relevant because, although I respect the well-made point that this Parliament is considering how the convention is applied domestically through our courts, we are catching up on ratifying The Hague convention and setting ourselves on an equal footing from an international legal standing. I pray that in aid.
I am arguing against myself to some extent here, but I recognise that if we were dealing with a simple issue relating to another dishonesty offence being added to the criminal legal handbook, I would be joining my right hon. and learned Friend in expressing concern about the disparity on mens rea in respect of this offence and the normal panoply of dishonesty offences. However, we are dealing with a unique offence in unique circumstances.
The shadow Minister made a point about the impact assessment and the view that there will be one prosecution. That is relevant because we are talking about an exceptional prosecution in respect of an exceptional piece of property that comes through to the market in this country and how it is then dealt with. We should therefore not overstate the concern, and we need to take into account the confidence of the market. We are dealing with exceptional cases, which need to be dealt with appropriately and carefully. That is why we need to have regard for what is already in place, not least how other cases are dealt with in international practice and how we have applied other relevant legislation.
Sir Edward Garnier
Does it follow from what my hon. Friend is saying that he does not know whether any convictions under the statutory instrument have been for the “knowing” or for having “had no reason to suppose”? He does not know either way, does he?
Mr Burrowes
What I do know either way is that no antiquities dealer has come forward about being unjustly convicted and there has not been a campaign about such. None seems to have been unjustly convicted under this order—or there has been no evidence that there has been an iniquity in relation to an arrest, prosecution or seizure under the order or, indeed, under the other relevant provision, the European Union Council regulation on Syrian cultural property. That refers to
“Syrian cultural property goods and other goods of archaeological…importance…where there are reasonable grounds to suspect that the goods have been removed from Syria without the consent of their legitimate owner”.
Again, I am not aware of any antiquities dealer having fallen foul of those provisions, with the complaint being that the net is cast too widely.
I concede that, in terms of mens rea, there is a difference between normal dishonesty offences and this particular offence, but in respect of the actual impact of the Bill, I am not aware of a serious problem. Rather, the answer is that, with the appropriate legal advice and the due diligence that one would expect of any decent, law-abiding antiquities dealer, they will be able to chart their way through the legislation.
Another relevant aspect is international practice. We are in the process of ratifying The Hague convention and putting ourselves into line internationally. It is important to refer to paragraph 7 of UN Security Council resolution 1483, which came into being on 22 May 2003 and is obviously binding on all UN member states. It was made in direct response to the looting of cultural institutions in the immediate wake of the invasion of Iraq. All member states signed up to taking
“appropriate steps to facilitate the safe return to Iraqi institutions of Iraqi cultural property and other items of archaeological, historical, cultural, rare scientific, and religious importance illegally removed from the Iraq National Museum, the National Library, and other locations”.
Paragraph 7 says specifically that that should be done
“by establishing a prohibition on trade in or transfer of such items and items with respect to which reasonable suspicion exists that they have been illegally removed”.
Similar wording is used in United Nations resolutions.
That similarity continued in paragraph 17 of UN Security Council resolution 2199, from 12 February 2015. Again, it is binding on UN member states. It was adopted in direct response to the looting of Iraqi and Syrian cultural property in the course of the ongoing armed conflicts in those states. The Security Council reaffirmed its decision and recognised that there was a corresponding obligation for cultural property illegally removed from Syria since 15 March 2011. On the standard of knowledge considered sufficient by the Security Council, of which the UK is of course a permanent member—we want to ensure we are right up there in terms of signing up to ratifying the two protocols—there was the same equivalence in relation to reasonable suspicion.
Victoria Borwick
On the point about the uncertainties, perhaps the Minister will clarify whether the legislation is going to be retrospective. Is it going to apply to items that are imported in future, or to items that are currently in the country? Alternatively, will it apply only to what happens after the Bill is passed? We are talking about items that move from country to country, particularly those in areas of potential conflict, so it would be helpful if there was clarity in the Bill about the date on which an item was imported.
Mr Burrowes
I am happy to facilitate the Minister’s being able to respond to that question.
On 18 January 2012, before the adoption of paragraph 17 of Security Council resolution 2199, an EU Council regulation emphasised the same points made in the Security Council resolutions. It referred to situations in which
“there are reasonable grounds to suspect that the goods have been removed from Syria without the consent of their legitimate owner or have been removed in breach of Syrian law or international law”.
The amendments have been tabled in good faith and are well intentioned, and in ordinary circumstances I would think they were well merited and had substance. In this particular case, however, given the context, I do not think they are necessary or, indeed, desirable, especially when one takes into account the international best practice or hears from stakeholders such as the Red Cross and the British Museum. I shall conclude with the words of the latter:
“We feel it is particularly important that there is no watering down of responsibilities or requirements in the Bill. Specifically, we feel that in regard to the Clause 17…it is imperative that the working should remain ‘knowing or having reason to suspect that it has been unlawfully exported’”.
The Parliamentary Under-Secretary of State for Culture, Media and Sport (Tracey Crouch)
I am grateful to all those who have contributed to this good debate on Report. I propose to respond to the amendments in the order in which they have been grouped.
I am grateful to the hon. Member for Cardiff West (Kevin Brennan) for his explanation of amendment 4. He and Lord Stevenson have been passionate about ensuring that digital property is protected—I congratulate them on their efforts. The hon. Gentleman raised really interesting points about the risk of cyber-attacks. We should always be vigilant in protecting against and resisting such attacks. This is a complex and, indeed, developing area, but the amendment is both unnecessary and inappropriate. It is unnecessary because we consider that article 15 of the second protocol is already capable of covering cyber-attacks in the context of an armed conflict. As clause 3 is drafted with reference to article 15, the Bill is also able to cover such attacks.
The amendment is inappropriate because the precise meaning of article 15 is a matter of international law and we should not seek to elaborate on its meaning. The amendment would risk creating a divergence in meaning between our own law and international law, and not only would that be unhelpful, but it could ultimately place us in breach of our international obligations. Clause 3 as drafted is sufficient to implement the convention effectively in the UK, so I must oppose the amendment.
Let me briefly address the other issues that the hon. Gentleman raised about digital property. The roundtable on implementation took place on 5 December with representatives from the heritage and museum sectors, and experts in cultural property protection. On the subject of the cultural emblem, we discussed its digital display, which stakeholders broadly welcome. I can reassure the hon. Gentleman that digital issues will continue to be fully considered as part of the ongoing discussions about this particular aspect of the Bill.
I am grateful to the hon. Gentleman for tabling amendment 5, not least because it allows me to highlight the tremendous work of our armed forces on cultural property protection. Our military already take the protection of the world’s cultural heritage very seriously. Not only is respect for cultural property upheld across the UK’s armed forces and reinforced in policy and training, but the joint military cultural property protection working group provides an important focal point for progressing numerous aspects of cultural property protection.
Planning for the new military cultural property protection unit is continuing apace. The unit will ensure that cultural property is protected from damage and looting, and it will provide advice, training and support across our armed forces. I am sure that the whole House will join me in commending this important work.
Amendment 5 would extend the UK’s jurisdiction over the offences described in sub-paragraphs (d) and (e) of article 15.1 of the second protocol. If it were passed, foreign nationals committing those offences abroad would be subject to our jurisdiction if they were serving under the military command of the UK armed forces. This issue was raised in Committee and, to be helpful, I will be more than happy to set out our position again. Before I do so, however, let me respond to the hon. Gentleman about the reply he received from the Minister for the Armed Forces regarding the number of foreign personnel embedded in UK armed forces. That is a matter for the Ministry of Defence, and I am really sorry to say that I have nothing further to add to that correspondence.
In Committee, I stated that we should not extend our jurisdiction beyond our obligations under the convention and protocols. Clause 4(3)(b) currently covers all those subject to UK service jurisdiction, regardless of nationality. Although that is not expressly required by article 16(1), it does no more than reflect the existing position under the Armed Forces Act 2006. This is quite a different matter to extending jurisdiction to all foreign nationals serving under UK military command, which would be inappropriate. It is important that we respect the service jurisdictions of our allies in relation to their personnel when they are embedded in the UK military, as we rightly expect our service jurisdiction to be respected when our own service personnel are embedded in the forces of another state.
Such arrangements are often reciprocal. If we try to impose UK jurisdiction on foreign embedded forces, other states will be less willing to allow UK forces to be embedded with them. Clearly, that would be detrimental to the operation of UK armed forces. As I explained in Committee, these arrangements are reflected in status of forces agreements or memorandums of understanding, and a foreign soldier committing a serious violation would be dismissed and returned to their sending state. It should also be remembered that, as required by the convention and protocols, jurisdiction over the acts described in sub-paragraphs (a) to (c) of article 15.1 of the second protocol already extends to all foreign nationals committing the gravest offences abroad.
The scope of jurisdiction set out in clause 3(4) is in line with that required by the second protocol, taking into account existing provision in the 2006 Act. This ensures that all people subject to UK service jurisdiction can rightly be prosecuted on the same basis, regardless of nationality. To go any further would be to interfere needlessly with the service jurisdictions of our allies in a manner that would be at odds with standard military practices. Given that explanation, I hope that the hon. Member for Cardiff West will not press amendments 4 and 5 to a Division.
Sir Edward Garnier
The Minister’s point is confusing. She says that the examples she gave do not provide reason to suspect. In fact, they provide reason to suspect, but it might be that that suspicion is not true. That is the distinction that the Government fail to understand.
Tracey Crouch
But my point is that this issue already exists in the art market—the Bill does not alter that at all. Art market dealers should be carrying out due diligence in all cases. The hypothetical circumstances and examples that have been given make no difference as to whether such cases are covered by the Bill or by existing legislation. The Government consider that the offence as drafted is the most appropriate way to achieve the protection needed to deter people from unlawfully importing exported cultural property into the UK.
The offence created by clause 17 is consistent with similar offences created by the Iraq and Syria sanctions orders, which use “reason to suppose” and “reasonable grounds to suspect” as the basis for determining criminal liability. The offences in the sanction orders are the most appropriate comparators for the offence created in the Bill, as they also deal with cultural property that is unlawfully removed from conflict zones. We therefore refute the suggestion that the drafting of the Bill is novel or contentious, as some have suggested. The Iraq sanctions order has been in place since 2003, and the Syria sanctions order since 2013, and they have not had an adverse impact on the art market. While I hear what my right hon. and learned Friend says about the fact that they are statutory instruments, they are still the law. The fact is that they have not had an adverse impact on the art market, and we still think they are the best comparators.
Thirdly, key stakeholders, including the police, academics, museums and the Council for British Archaeology, support us in our view that the threshold is appropriate. One leading academic, Professor Roger O’Keefe of University College London, has confirmed his view that the drafting of the offence reflects international best practice, as was highlighted by my hon. Friend the Member for Enfield, Southgate (Mr Burrowes). Furthermore, we have discussed the issue at length with art market stakeholders, and we have listened to their concerns carefully, but they have provided no clear evidence that the mens rea in the Bill would create insurmountable problems for the market or increase the due diligence that dealers need to undertake. It will, however, provide a deterrent for those unscrupulous dealers who might be tempted to deal in unlawfully exported cultural property.
My right hon. and learned Friend the Member for Harborough also mentioned guidance. To reassure those with concerns on this issue, we made a commitment to work with art market stakeholders, with a view to providing guidance where necessary to assist the art market in understanding the new dealing offence and complying with the Bill. My officials are taking that forward with art market stakeholders, the Crown Prosecution Service and the police. A meeting to discuss the issue was held last week, and a further meeting is planned for 1 March.
With that, I hope my colleagues are reassured and feel that they do not need to press their amendments to clauses 3 and 17.
Amendment 4 negatived.
Third Reading
Queen’s consent signified.
Tracey Crouch
I beg to move, That the Bill be now read the Third time.
Today is an important milestone in our drive to protect cultural property not only in this country but around the world, and particularly in places where it is threatened by armed conflict. The 1954 Hague convention for the protection of cultural property in the event of armed conflict and its two protocols are an important part of the international legal framework for protecting cultural property. Since 2004, successive Governments have promised to bring forward the legislation required to enable the United Kingdom to ratify the convention and accede to the protocols. I am delighted that this Government have finally been able to do so, and I thank my right hon. Friends the Members for Maldon (Mr Whittingdale) and for Wantage (Mr Vaizey) for securing time for the Bill in this Session.
The Bill, together with The Hague convention and its protocols, fits into the wider framework of our initiatives to protect cultural property. I recently had the pleasure of visiting the British Museum to learn more about its Iraq emergency heritage management training scheme, which is helping to build capacity in the Iraqi state board of antiquities and heritage by training staff in a wide range of sophisticated techniques of retrieval and rescue archaeology. The scheme is supported by £3 million from our new cultural protection fund. That fund, which is managed by the British Council, is so far supporting nine projects to the tune of £8.8 million, using British knowledge and expertise in places where cultural heritage is at risk.
The first group of Iraqi participants completed their training in November. One of them has already been appointed by the Iraqi state board to lead the assessment of the site of Nimrud, which was recently liberated from Daesh control. The second group of participants is now in training at the British Museum, and I am delighted that they are in the Public Gallery to witness our debate and the passing of this important Bill.
Mr Burrowes
I commend the Minister on navigating us through to this stage. She has now become an international advocate, having travelled to conferences to extol the virtues of our commitment to cultural property. Will she also pay tribute to Professor Peter Stone of Newcastle University and the UK Committee of the Blue Shield, who want us to establish a centre of excellence for the collection and sharing of information on threats to cultural property worldwide? We are an exemplar on that, and we could perhaps do more with more funding.
Tracey Crouch
I am grateful for my hon. Friend’s intervention. I am sure that the Prime Minister was paying close attention to our proceedings in Committee, during which my hon. Friend asked me to consider going to Abu Dhabi for an international convention on cultural property, because, shortly after he made that request, the Prime Minister wrote to ask me to attend that convention. I am really pleased that I went to that excellent convention. I met some leading figures from around the world, including the head of UNESCO, and the event gave us an opportunity to show that the UK is leading the way on this matter. I will come to my hon. Friend’s point about praising Professor Stone later.
The creation of the new cultural property protection unit in the British Army—a modern-day version of the famous monuments men, and of course women—will ensure that respect for and protection of cultural property is embedded in our armed forces. The unit is expected to consist of between 10 and 20 specialist reserve officers. It will provide advice, training and support across the armed forces, ensure that cultural property is protected from damage and looting, and be able to investigate, record and report cultural property issues from any area of operations. I congratulate Lieutenant Colonel Tim Purbrick on his work so far to develop this unit, and I look forward to following its progress.
Those initiatives are ensuring that the United Kingdom is a world leader in the protection of cultural property. Passing this Bill, and becoming a state party to The Hague convention and both its protocols, will cement that position. The Bill introduces into UK law the provisions that are necessary to ensure that we are able to comply with the convention and protocols when they come into force. Together, they provide protection for the most important cultural property—that which is of the greatest importance for the cultural heritage of every people. As I confirmed in Committee and in my subsequent letter to hon. Members on 19 December, the definition of cultural property set out in the convention is broad and flexible. It could include cultural property on film and in digital form, provided that it satisfies the requirement of being of the greatest importance for the cultural heritage of every people. The Bill makes it an offence to attack or destroy such cultural property during armed conflict, in violation of the convention or second protocol. It regulates use of the cultural emblem—the internationally recognised sign used to identify cultural property that is protected by the convention. It also makes it an offence to deal in unlawfully exported cultural property from an occupied territory, and ensures that we are able to protect cultural property that is brought to this country from areas of conflict until it can be returned.
This has been my first Bill as a Minister. It has been a pleasure and a privilege to be responsible for such an important measure that has become so widely and internationally welcomed and supported, not just in Parliament but beyond. The Bill has been well debated and scrutinised in both Houses. I am grateful to all hon. Members who contributed to our proceedings. I thank Opposition Front Benchers, particularly the hon. Member for Cardiff West (Kevin Brennan), for their support. I also thank the Whips and the Clerks for their assistance. Looking back, I thank the Culture, Media and Sport Committee for its scrutiny of the draft legislation in 2008. At that time, the Committee was chaired by my right hon. Friend the Member for Maldon, who championed this cause by ensuring that we could introduce the Bill during this Session. I thank the devolved Administrations in Scotland, Wales and Northern Ireland, who have been fully supportive of the Bill. This has been an excellent example of us working together as one United Kingdom to achieve a common goal on an issue of great importance to us all.
My thanks also go to the many stakeholders who have advised and supported us during the preparation and passage of this Bill: academics, particularly Professor Roger O’Keefe and Professor Peter Stone; the police, including Chief Constable Paul Crowther and his team; specialist agencies such as the Red Cross—I am pleased that Michael Meyer is in the Gallery today to show his support—and many other representative organisations. They have all contributed their specialist knowledge and expertise, which has been most welcome and much appreciated.
Last but not least, I thank the officials who have worked on this Bill—not only those who have supported me and my ministerial colleagues in taking the Bill through Parliament, but their predecessors who worked on these issues, drew up the draft Bill 10 years ago, and ensured that that was not forgotten but was ready when a place was found for it in the legislative programme. Their efforts have finally borne fruit, and it is only right that we should acknowledge their contribution.
Passing the Bill moves us one step closer to finally ratifying The Hague convention, acceding to the protocols and, I hope, achieving our aim of becoming the first permanent member of the United Nations Security Council to do so. Indeed, it seems that our initiative in introducing the Bill might well have encouraged France and China to begin their own procedure to accede to the second protocol, proving once again that the UK is the world leader in the protection of cultural property.
We look forward to continuing to work closely with our partners and stakeholders to develop and enhance the protection of cultural property in this country and around the world. It has taken 60 years for us to get around to ratifying The Hague convention. The Bill has been waiting for almost 10 years to get on the statute book. That it is finally on the verge of becoming law is true testament to this Government’s commitment to protecting the world’s cultural heritage.
Although I have acknowledged that the Bill seeks to protect a limited class of cultural property, it should not be lost on Members that, in passing it, we will be taking essential steps to protect the world’s most pre-eminent cultural heritage for the benefit of all people and future generations. At a time when cultural property is facing global danger, that cannot happen soon enough. I commend the Bill to the House.
Kevin Brennan
I echo all the thanks given by the Minister. I also note our achievement in saving A-level art history along the way as well. We raised the issue on Second Reading and managed to save the Government from themselves, so this outbreak of cross-party collaboration has been worth while.
We do not oppose the Bill, as we have said all along. On the contrary, we are very proud to support the ratification of the 1954 Hague convention. The Bill has been 63 years in the making and I am pleased that the ratification of the convention will show that protecting cultural property is a UK priority. Culture is essential to society. It is not an added luxury. It preserves our past, inspires our future and enriches us as human beings.
The convention is particularly laudable in its internationalism and collectivism, and in its acknowledgement that the culture of one is important to the culture of all across the world. As has been pointed out many times during our debates, the process of ratifying the convention has been done on a cross-party basis in this House and in the other place. The process was begun by the last Labour Government. Unfortunately it was not completed by 2010, but I thank my colleagues and former colleagues for putting the issue on the national agenda as far back as 2004 and for publishing a draft Bill in 2008. In 2015, the Government announced their intention to ratify the convention, and thanks are due to the right hon. Members for Maldon (Mr Whittingdale), the former Secretary of State, and for Wantage (Mr Vaizey), who played a part at that stage.
Likewise, I thank the Minister for her contributions in this Chamber and in Committee; for her responses to the sometimes annoying amendments that we tabled in Committee; and for granting us access to her officials during the course of the Bill, which was extremely helpful. The Bill is about co-operation and mutual respect, so it was entirely appropriate that we co-operated across party lines in order to get it on the statute book. The way in which the Minister has steered the Bill through and the courteous manner in which she has conducted herself throughout the debates is a useful example that all Ministers in her Department and others should follow.
Likewise, we should thank all those individuals and organisations that submitted evidence and participated in discussions, as well as those who campaigned for the convention’s ratification in the intervening years. I also thank my colleagues in the other place, particularly Lord Stevenson of Balmacara and Lord Collins of Highbury, for their robust and informed questioning as the Bill went through its respective stages in the House of Lords.
I am also grateful for the previous work of my hon. Friend the Member for Bishop Auckland (Helen Goodman) and for the work of the Clerks, Hansard reporters and Door Keepers in making possible the passage of the Bill.
Before our debate comes to an end, I want to re-emphasise a point I made on Second Reading that, in the light of recent events, has sadly become even more relevant. The destruction of Palmyra in Syria has been mentioned many times during our debates as a tragedy and an outrage that made clear the importance of ratifying a convention that pledges to protect cultural property, even if it does not directly apply to that circumstance.
While the Bill was proceeding through its stages, the Government recently announced their plan to suspend the scheme inspired by Lord Dubs’s amendment and to stop accepting unaccompanied young refugees. All of us who strongly support the Bill would assent to the notion that Governments should be judged principally on how they treat people, rather than how they treat palaces. I hope that rather than being an inconsistency, the passage of the Bill will mark a turning point in this Government’s thinking. We should extend to Syrian people fleeing conflict and seeking refuge the same respect and protection that we are offering to their ancient architecture.
Again, we are proud to support the Cultural Property (Armed Conflicts) Bill. It is not often that the House is united in passing a Bill of such historical significance with such a degree of consensus, and I also welcome the support of SNP colleagues throughout this process. I hope that the passage of the Bill gives the UK an opportunity to demonstrate international leadership and to create a legacy of which all of us can be proud.
Sir Edward Garnier
I thought, listening to all these paeans of praise, that I had wandered into the BAFTAs, but they are well placed, and I congratulate my hon. Friend the Minister. She says it is the first Bill she has conducted through this place as a Minister, and I hope it is not the last. I wish her every success.
That having been said, as we used to say, this is not simply formulaic; there is a purpose in having a Third Reading debate, albeit that such debates are now very truncated and that as I think we all agree, apart from my point of disagreement, this is a wholly uncontroversial and utterly worthwhile Bill. Its genesis was several decades before my hon. Friend was even a twinkle in her parents’ eyes; sadly, I am older than the convention, but there we are. Perhaps I am a cultural object.
Sir Edward Garnier
I know I am a treasure, but the Minister is so kind.
I will make three quick points, if I may. First, it is important not to confuse evidence for an offence with the definition of an offence. Those are two different legal concepts, and in our enthusiasm to pass this Bill into law, we are in danger of allowing that confusion to remain. Despite the fact that I accept the political reality, I think clause 17(1) is and remains flawed, and I am not yet convinced that what the Government propose is the right answer, but there we are, I have lost that particular argument.
Secondly, I hope we will see the guidance for prosecutors and the police soon. As my hon. Friend the Member for Enfield, Southgate (Mr Burrowes) said, Governments often talk about guidance and secondary legislation is often drafted to achieve clarity. It is no good just saying things; we need to do things. I hope that we will see the guidance long before the end of the summer, and that it will be available to be considered in published form.
Thirdly and finally, I urge my hon. Friend the Minister to press the Foreign Office to come up with some form of definition of “occupied territories”. It is a movable feast, and I appreciate that the facts on the ground and the law relating to the status of particular parts of the world change almost week by week. However, if there is to be guidance on whether it is appropriate to prosecute under clause 17(1) for “having reason to suspect”, we equally need guidance on what an occupied territory is as a matter of fact and as a matter of law.
Victoria Borwick
As president of the British Antique Dealers’ Association, I know, as I have said previously, that the arts and antiques industry fully supports the aims of the Bill. There are still areas of concern, however, which have been mentioned. In particular, it is important that honest and well intentioned dealers and auction houses do not risk criminal prosecution when conducting reasonable due diligence. We have discussed the aspects of the Bill concerning the trade that relate to avoiding uncertainty in the art market and ensuring clarity in the practical operation of the law. There is no doubt that uncertainty hampers any market. It is reassuring that the Minister has made it clear on the Floor of the House today and previously that she does not want the market to be hampered. I thank her for that assurance.
The clause 17 offence of dealing in unlawfully exported property depends directly on the clarity and understanding of what is meant in the Bill by the term “cultural property”. As it stands, the punctuation that is used in article 1(a) of the convention, which is reproduced in schedule 1, means that cultural property is not limited to
“property of great importance to the cultural heritage of every people”.
Although the Minister has previously reassured us that cultural property can be protected if it is of great importance to every people, the market seeks absolute clarification on these points, as has been said by other hon. Members. Other categories of property are covered by the definition, regardless of their cultural significance, including
“works of art; manuscripts, books and other objects of artistic, historical or archaeological interest”.
I am delighted that the Minister today confirmed her statement in the House of 31 October that the Government intend to take the same restricted approach to the definition of “cultural property” and that the clause 17 offence of dealing in unlawfully exported property will apply to only a very small but special category of cultural objects—those that are of great importance to the cultural heritage of every people.
Another area of uncertainty is an auctioneer or dealer’s ability to identify the occupied territories to which the law applies, particularly if an item may have been here previously. Of course, a lot of trading goes on between countries all the time. That is why the points that have been made about certainty and the dates of an occupied territory need to be clarified.
Clause 16 states that the Secretary of State’s confirmation that a territory was occupied is “conclusive evidence” of that status once legal proceedings have begun. If the Secretary of State’s word may be provided after the beginning of proceedings, cannot the list of occupied territories, together with the relevant dates of occupation, be drawn up for all to see? Alternatively, could the criteria that the Secretary of State would apply when determining whether and when a country is considered to have been occupied be clarified? I could add to the list east Jerusalem, the west bank, northern Iraq, Libya or southern Sudan. I am sure that other countries could be added. For the avoidance of doubt, art and antique dealers need to know at what point since 1954 a particular territory is covered by the legislation, and whether or not that will be retrospective.
Even if those operating in the art market can identify the territories and the periods when they were considered to be occupied, there is the added issue of determining whether objects left those territories during the period of occupation or at another time, and whether those objects were here before, during or after that period. We need that clarity. The precise historical date or year when an object left a territory could well be difficult to ascertain, which is why the trade asks for clarity in and guidance on the final definitions. We are talking about territories that were deemed to be occupied prior to 1954, so surely this is historical and factual information that should be readily available to the arts and antiques trade, and others, to provide absolute clarity.
In 2008, the Government’s response to the territory question was that a dealer who had carried out proper due diligence checks would be unlikely to be convicted of a criminal offence. I urge the Minister to ensure that that response is clarified and brought up to date.
The Government added that they were unaware of any other parties to the convention having drawn up such a list. I struggle to understand how a law concerned solely with objects unlawfully exported from occupied territories can be expected to operate effectively when there is no means by which anyone is able to identify those territories. Do the Government expect a dealer or auction house to submit requests for confirmation of a territory’s status to the Secretary of State on a case-by-case basis, prior to handling an antique, as part of their due diligence? I urge the Government to prepare a list of the territories covered and the relevant dates, so that proper guidance can be given. As the application is retrospective to 1954, that information must be available and must be a point of record. I ask the Minister to consider these points and others when preparing the regulations governing the Bill.
Question put and agreed to.
Bill accordingly read a Third time and passed, without amendment.
Royal Assent
Thursday 23rd February 2017
(7 years, 9 months ago)
Lords ChamberRead Full debate Read Hansard Text Amendment Paper: HL Bill 93(b) Amendment for Third Reading (PDF, 97KB) - (30 Jan 2017)