Data (Use and Access) Bill [Lords]

Pete Wishart Excerpts

2nd reading
Wednesday 12th February 2025 Commons Chamber

[Jess Brown-Fuller (Chichester) (LD)]

rose—

[Pete Wishart (Perth and Kinross-shire) (SNP)]

rose—

[Peter Kyle]

I will finish this section of my speech and then give way to those Members who have a considerable interest in this area. Let me say what I have to say, and then I will hear what hon. Members would like to contribute and engage as fully as I can.

The final framework must reward human creativity, incentivise innovation and provide the certainty required for long-term growth in both sectors, but the importance and complexity of this issue means that it should be considered through the live consultation. As I said in that consultation, legislation is ultimately likely to be needed.

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[Pete Wishart]

Of course the creative industries are excited about the inclusion of clauses 135 to 139, which they see as their guarantee and protection against the ravages of generative artificial intelligence. Those clauses are in the Bill to protect our creative industries. Will the Secretary of State assure the House today that he will respect them and keep them in the Bill, with no attempt to water them down?

[Peter Kyle]

I pay tribute to those in the creative arts sector who are in the House today. I know that, for people who engage in that kind of activity, it is not just a job; it is a passion that comes straight from the heart. They are emotionally connected in a profound way to the work that they create, which is a credit not just to them as individuals but to our entire country. I can assure them that I have no intention at all of standing in the way of respect for their work.

As we go through this process, it will be essential that we listen to the voices from both sides. The consultation that is currently live is a meaningful one, and I assure the House that I am engaging with it. I look forward to hearing all the voices in the consultation and, as I have said, it is likely that legislation on this specific issue will come out of it. That would give the House an opportunity to go through this issue in enormous detail at the appropriate time. I am listening carefully and I want to engage with all the voices throughout the Committee stage and ensure that the debate continues.

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[Alan Mak]

The last Conservative Government left Britain with a world-class creative industries sector. It is Labour’s dither and delay that is causing huge anxiety, as I will go on to say.

Rather than solving a problem, Labour is the problem. One way to resolve that is to accept the Conservative proposal, tabled in the other place, to develop international technical standards for watermarks, which the Secretary of State referred to. We welcome the agreement by the Minister in the other place to take that work forward, and both Houses look forward to the outcome with great interest.

As I have said, the creative industries sector is valuable. It is worth £124 billion to the UK economy and employs over 2.4 million people. They will all be damaged by Labour’s approach and they all deserve better, so why has an impact assessment not been published at the same time as the consultation? What has Labour got to hide?

[Pete Wishart]

I have listened very carefully to the hon. Gentleman, as I did during the debate on the creative industries a few weeks ago. During that debate, Members on the Conservative Benches gave the impression that they were for the opt-out solution that the Labour party is putting forward. Is he now telling us that he is against that and that he will support the creative industries in seeing off the challenge from generative AI?

[Alan Mak]

The creative industries sector is telling us that that solution is not fit for purpose. We will hold the Labour Government to account because the creative industries are extremely important.

Under the Conservatives, we became the second largest exporter of television programming and the fourth largest exporter of film, while also being home to world-class theatre, music, broadcasting and journalism.

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[Sir John Whittingdale]

I am very happy to address that. I am not on the Front Bench, but I will tell the hon. Member my view, which is very clear: I have profound reservations about the opt-out, which reverses the whole principle of copyright law. The owners of rights will have to go and say that they do not want to have their rights taken away from them, otherwise there is a right for others to use their content. I would prefer to see an opt-in or, in actual fact, a licensing method whereby rights holders could agree, if they wished to do so, that their content could be used.

[Pete Wishart]

If only the right hon. Gentleman were on the Conservative Front Bench on these issues, we would have a little bit of clarity, but he is absolutely spot on. There is no issue with copyright at the moment and no confusion about what is required in the law. All the Government are doing is trying to create some sort of smokescreen so that they can start to dismantle and water down our copyright regime. What does he think about those attempts, and will he join the rest of us in standing up for the copyright regime as it stands, where there is no question about its legality?

[Sir John Whittingdale]

I assure the hon. Gentleman that I have no wish to replace my hon. Friend the Member for Havant (Alan Mak), who is doing an excellent job. Nevertheless, the hon. Gentleman and I have been involved in discussions on copyright for many years, and I share his view. Indeed, I welcomed the debate that we had in this place just a couple of weeks ago on the creative industries, where a lot of these arguments were rehearsed, and the Minister helpfully agreed that there is no workable opt-out technology available.

The existing opt-out, which the European Union has suggested, simply does not work. On top of that, it is unenforceable. The Minister and the Secretary of State have suggested that they would not proceed unless a workable opt-out could be developed. It would be a first if it were. In any case, I am opposed to opt-out in principle, but it is at present practically impossible to introduce. I hear the Secretary of State talking about the technology companies working to bring a workable solution forward, but I hope that the Minister will again make clear that the Government will not proceed unless there is a viable, workable technological solution that allows rights holders to make clear that they do not wish to have their works used by artificial intelligence training models, and have that enforced.

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[Pete Wishart (Perth and Kinross-shire) (SNP)]

It is an absolute pleasure to follow the hon. Member for Stirling and Strathallan (Chris Kane). He was spot on in reminding us that data has always existed in various forms throughout the centuries, whether in volumes or in little things that we can plug into a computer. The only difference now is that all that data is scraped and ingested into huge machines, which regurgitate it into some form that only they will decide. The hon. Gentleman was also spot on in reminding us about his work at Central FM, a very fine radio station. This hon. Member is always available for interviews at any time that Central FM comes a-calling.

This is an alright Bill. It is good. It is quite fine. It is reasonable in its approach and intent. It is a good shot at trying to redefine our data regulation laws. It will do a good job of ensuring that our public services are more aligned and mainstream, and that access is available to all our constituents. However, it is a much better Bill because of some of the amendments made in the House of Lords. The amendments that were added at the later stages went further on child protection in online data and looked into deepfakes, which was particularly helpful, and I congratulate our colleagues down the corridor on bringing them forward. It is a much better Bill because of the amendments that were delivered by Baroness Kidron on copyright and transparency. They significantly improved the Bill to make it something worth defending and protecting. I hope that that will be the main mission as it continues to go through this House.

You will know, Madam Deputy Speaker, that it is unusual for me to congratulate our be-ermined unelected friends down the corridor, but this oiky Nat will doff his cap to their lords, their ladies, their barons and their earls, because they have done a good job at shaping the Bill. It is certainly a much better Bill than it was on Second Reading down the corridor.

I have a few issues with the Bill. There are concerns about the security of some of this data. I am particularly worried about some of the relationships within the EU-UK partnership, and I just hope that whatever is proposed in the Bill does not drag us further away from the mainstream when it comes to the European Union. The right hon. Member for Maldon (Sir John Whittingdale) and I agree about most things when it comes to the creative sector, but we do not agree about the European Union and the benefits of this country leaving it. I am a passionate remainer, and I hope that at some point I will be able to take our country back into the European Union, as a proud member of the Scottish National party; my intention and ambition is that we go back into that fantastic union of nations that has done so much to enrich our culture and our lives.

[Sir John Whittingdale]

The hon. Gentleman is right that we do not agree on this particular issue. Of course, were we to rejoin the EU, we would then be bound by its legislation on this very issue, which includes the opt-out.

[Pete Wishart]

This is where the right hon. Gentleman and I do profoundly disagree. I look at this arrangement and the partnership across the European Union as a positive—it is a good thing. We were major contributors to some of the EU directives put forward on copyright and artificial intelligence. They miss us, and we miss them; we were just so much better when we were in partnership. I think we will just have to respectfully agree to disagree as we go forward on this particular issue.

[Ms Polly Billington (East Thanet) (Lab)]

I am keen to emphasise that it is of course possible for us to align ourselves with the European directive that the previous Government constructed before leaving the European Union in order to be able to maintain good creative copyright protections for our creatives, without us necessarily having to rejoin the European Union.

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[Pete Wishart]

Absolutely—the hon. Lady is spot on. I know that several Members across the House are looking just now at some of those who took part in the debates we had on the European copyright directive and what it was doing; again, there were disagreements about its value. The hon. Lady is right; we can keep ourselves alive. That is my hope. I just hope that the provisions of the Bill do not do anything to further alienate us from our European colleagues, because it is very important that we keep that alignment.

This Bill is also important because it removes a number of the unnecessary and harmful clauses in the previous Conservative Government’s Bill. We will just have to take with a pinch of salt the ambitions of this Bill, such as the £10 billion in growth anticipated from it. All I will say is that I have heard that all before. I know this is a Government desperate to find growth anywhere—they have made such a mess of the economy since coming to power that everywhere they see the green shoots of growth. We will wait and see whether we will get this £10 billion of growth.

The Government have a first test, which comes with clauses 135 to 139. We do not know if we will get growth from the Bill when it comes to data, but we do know that we get growth from the creative industries in this country, which in 2022 contributed £125 billion to the economy and provided 2.4 million jobs. That is real growth. We should not mess with that and undermine it in the way the Government might be doing with the watering down of the copyright provisions and giving generative AI access to our nation’s creative treasures—I will just say that gently to the Government. However, I do very much welcome the inclusion of clauses 135 to 139.

[Chris Bryant]

The hon. Gentleman has talked quite a bit about clauses 135 to 139. He may end up on the Bill Committee, in which case we will be able to talk through the intricacies of those clauses then. Several of them actually require Ministers to introduce very significant changes via secondary legislation. Is that really what he would like? Surely such matters should be properly included in a Bill.

[Pete Wishart]

Yes, at this stage it is definitely what I would like, because we have got them—they are in a Bill that we will decide and vote on and look at in Committee. They are a security and a guarantee for our creative sector, because they are already in a piece of legislation that we will hopefully pass.

[Chris Bryant]

rose—

[Pete Wishart]

If the Minister is going to say something positive about ensuring that we respect our copyright regime—that it will stay intact and continue to do the job it has been doing so effectively for the past few decades—then I will look at this now. I think I heard the Secretary of State say something about another piece of legislation. It might be necessary to bring in another piece of legislation, and I think we would all welcome that. However, it has to be on the basis of defending and protecting our intellectual property and our copyright regime. I will give way once again to the Minister.

[Chris Bryant]

I am very grateful; the hon. Gentleman is being generous. I completely agree that we need to ensure that the rights of rights holders are protected, that they are able to be remunerated properly for their work, and that human creativity is at the heart of everything. The amendments tabled in the House of Lords state that Government Ministers should basically write the law in secondary legislation, so it would not be on the face of the Bill. He normally opposes such power-making powers being given to Government Ministers, so I am slightly surprised that he is so passionate about them now. I wonder whether it would not be better for us to legislate properly, with all those things laid out for proper scrutiny.

[Pete Wishart]

Again, I am grateful to the Minister for intervening in such a helpful manner. I am not particularly averse to secondary legislation—it has its place and purpose, and if it helps achieve desired outcomes then I have no issue with it. This is what my constituents want. I have been knocked out by the number of emails I have received and secured from my constituents asking me to support the creative sector in the consultation on copyright and AI, and to back the amendments as the Bill goes through the House. There does not seem to be any doubt that most of our constituents seem to be in partnership with their artists and the creative sector on this matter. I think what they want to see is the Government showing the same determination and ambition for our creative sector and our artists. They have that opportunity. I will be patient with the Minister. He has hinted occasionally about having some sort of solution that defends and protects our copyright regime, while at the same time supplies what he requires to ensure ambition in the AI sector. We are all looking forward to doing all that.

[Chi Onwurah]

I thank the hon. Gentleman very much for giving way. I did not include this point in my own contribution, because I did not realise that the AI copyright issue would be such a big part of the debate, but I just want to let him and the House know that the Science, Innovation and Technology Committee and the Culture, Media and Sport Committee sat together with creatives and technologists to discuss how the technology solutions the Minister is looking for could address the exact point that he is making: supporting copyright and providing access to data. Google and OpenAI refused to take part, because they said their response to the consultation was ongoing. As an engineer, I think that you should always be able to explain what you are doing in the midst of you doing it, but that was their position. However, the technologists who were there had a view that technology could—there was not a consensus—support that, although not necessarily immediately.

[Pete Wishart]

I am grateful to the Chair of the Select Committee. She is absolutely right. Her Committee has a central role in looking at these issues and I wish her well in any of the inquiries she launches. It is particularly disappointing that Google and other AI companies will not come to her Committee. I hope that she uses the powers that I know, as a former Select Committee Chair, can be used to oblige reluctant witnesses to come in front of her. I am pretty certain that somebody who is as determined an individual as she is will be able to secure that.

[Mr Frith]

The hon. Gentleman is making a powerful case, as ever, and I agree with much of what he is saying. Does he agree with me that we should be ready to point out where those who contribute to this debate are proxies or funded by tech companies not appearing in public to make the case, but instead making arguments through smaller organisations that can be a little bit more assertive and nimble-footed, and not quite as accountable?

[Pete Wishart]

That is a very interesting contribution from the hon. Gentleman. It would be a useful exercise to find out who is speaking on behalf of certain companies, if they are reluctant witnesses. We should not have reluctant witnesses in this House. People should have an obligation to appear for parliamentary scrutiny. It does not matter whether it is the biggest tech brothers or the smallest company in our constituencies. He is right that that type of transparency would be really useful.

[Sir John Hayes]

We should not be naive about this, because the tech companies have form. All of their pedigree suggests that they cannot be trusted to do the right thing—to manage their affairs, or to protect either the public interest or the interests of the creative industries—so I hope that the Government will take exactly the robust approach that the hon. Gentleman has described. Perhaps one way in which they could do so, given that copyright has been introduced into these considerations via the amendments, is to extend existing copyright to the internet, so that people who publish online are subject to the same restrictions—

[Sir John Hayes]

The Minister says that they are, but they should be subject to exactly the same restrictions as those who print and broadcast.

[Pete Wishart]

Far be it from me, who am on my feet, to get in the way of a conversation between the right hon. Gentleman and the Minister. I was interested by that little exchange. The right hon. Gentleman is right: we have to be careful when it comes to issues such as this. Given his experience of the House, he will have observed over the years some of the ways in which people who are able to make representations can be abused. As we go forward in such a critical area, he is right to issue a warning, and I think the House has heard what he has had to say.

Clauses 135 to 139 are the creative industries’ safeguard and guarantee in the face on an almost existential threat to their ability to sustain themselves and continue to bring that uncontaminated joy of human imagination to the people we represent. They would help to tackle the unauthorised use of intellectual property by big tech companies scraping data for AI. They would enforce transparency and lay out a redress procedure. They would explicitly subject AI companies to UK copyright law, regardless of where they are based in the world. That means—and this is a critical point—that those companies would have to reveal the names and owners of web crawlers that currently operate anonymously. Most importantly, they would allow copyright owners to know when, where and how their work is to be used.

To develop and thrive, our artists need the best possible conditions and political environment, and we have delivered that over the decades. That is why we lead the world when it comes to our contribution to the creative industries, and why we make such massive gross value added in every single sector in which we are predominant. Our leading artists give us a soft power that is the envy of the world, and we must not do anything that threatens our ability to retain it. We have a gold standard IP rights framework enshrined in UK law. We have a copyright regime that protects our artists, and ensures that their wonderful works are properly recognised and that they are remunerated for the products of their imagination.

[Ms Billington]

I am interested by the hon. Gentleman’s remarks about the importance of these clauses—amendments from the other place—which, in principle, I support. He has also mentioned the importance of ensuring that proper scrutiny takes place when it comes to, for example, the tech companies making representations in this place, but those amendments suggest that that would be dealt with only through secondary legislation. If we have an opportunity, as presented by those on the Front Bench, to suggest that we could have proper, primary legislation, why should we accept the idea of secondary legislation, which does not allow for sufficient scrutiny to ensure that we are providing the necessary protections, when we should be debating primary legislation in this Chamber?

[Pete Wishart]

I have probably not explained exactly what my fears and concerns are, and that is probably typical of me. What we currently have in the Bill is a guarantee that we will respect copyright and ensure that there is transparency. Until I am presented with something that covers all the issues that are covered in clauses 135 to 139, with all the security that they would give our creative industries, I will back those clauses to the hilt, and will do everything possible to ensure that they remain within the Bill. If the Minister, as he seems to be suggesting, is going to come back to us with a different Bill, let us see it. Let us see if it does all the things that we all want when it comes to backing our creative sector. If it contains all the provisions that will ensure that our copyright framework is respected, and if transparency is on the face of it, I will back it in a flash; but until I see it, this is all that I have got, and all that the House has got, and we should make sure that we defend and protect it.

There is an idea that somehow our copyright laws are broken. They are not broken at all; our copyright laws work perfectly well. The only people who have an issue with our copyright laws are those running the AI tech giants, who find that such laws get in the way of what they want to do and achieve. Their intention and ambition is to ingest our creative heritage, and to scrape the world for the last bit of human imagination and creative content. That is what has created difficulties and confusion about our copyright regime. There is nothing wrong with our laws. They are really good and the envy of so many, and they have served us well.

I will support the Bill as it goes through the House. As I have said to the Minister, it is a good Bill that generally does all the right things when it comes to data use, which should be supported. It is a better Bill because of the amendments, and I will continue to support it. But if the Minister has a Bill that he wants to present to this House, could he please get on with it? There is a consultation going on just now, which ends, I think, in two weeks on Wednesday. At that point, we will have the information that we require, and I suspect that we will find an overwhelming desire to see our copyright regime protected and defended. If the Minister has a Bill, bring it on. In the meantime, we must support the provisions and clauses in this Bill.

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[Pete Wishart]

Will the Minister give way?

[Chris Bryant]

I will in a moment, if the hon. Member lets me finish this point. I know that people are sceptical because such a means does not exist at the moment. I have said before that the robots.txt system does not work; it effectively means that a person is wiped from the internet, and lots of people do not know how to use it—it is far too technical. If, as my hon. Friend the Member for Bury North said, there were a system of simple digital fingerprinting where people could say, “No, you can’t use my work” or, “Yes, you can use my work for large language model training once you’ve remunerated me,” that would be a great outcome for everybody, because it would lead to a new system of remuneration. That could be done individually or for an artist, it could be done through DACS, and for a musician it could be done through their record label.

[Chris Bryant]

I will in a moment. That is why I am keen on not selling the pass on that possibility by having undermined it before we get there.

[Pete Wishart]

The Minister is right—there is not much difference between us now. We are getting to a place where we are beginning to agree about the way forward, but we are dealing with this Bill, which has clauses that protect copyright and ensure transparency. What I think he is asking us to do is to set those concerns aside for a Bill that might come in the future, which may include the provisions that we already have. Is that roughly a correct characterisation of where we are going?

[Chris Bryant]

No, it is not. What is true is that, as I said, we want to get to a concrete idea of what transparency might look like. Not enough work has been done in the EU or in different territories—in the United States of America, for instance, where different states have different arrangements—and we need to do more about what that should look like in the UK. As I say, if the creative industries and the AI companies can do that together, that could give us a nugget of useful progress. Likewise, if we can get to what I am calling fingerprinting, for want of a better term—I know there is a system of fingerprinting—that would get us to the licensing of 60%, 70% or 80%, and that would be significant. I do not want to sell the pass on that whole package by taking too many steps at this point, but we will discuss this in Committee and on Report. I am conscious that I have Margate behind me, so I give way.

Data (Use and Access) Bill [Lords]

Pete Wishart Excerpts

Consideration of Lords message
Wednesday 14th May 2025 Commons Chamber

[Dame Caroline Dinenage (Gosport) (Con)]

rose—

[Pete Wishart (Perth and Kinross-shire) (SNP)]

rose—

[Chris Bryant]

I probably ought to give way first to the Chair of the Culture, Media and Sport Committee, and then to the hon. Gentleman.

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[Chris Bryant]

Let me finish my point and then I will give way first to the hon. Member for Perth and Kinross-shire (Pete Wishart), who gets very cross if people queue-barge.

I am aware that there are quite a lot of publishing houses in the UK that are determined to secure licensing deals with AI companies, both in the UK and overseas. First, they want to ensure that those AI companies remunerate them and, secondly, they want to ensure that they have very high-quality, up-to-date information and data going into them, so that if somebody searches for immunotherapy, for instance, they will have the latest information on immunotherapy, not stuff that is five, six or seven years out of date, or that may have come from a dodgy source.

The second point I want to make is this. The right hon. Lady said that this amendment would sort the problem today, but it would not. It would do nothing today, or indeed for a considerable number of months. Therefore, there is an issue about what we do today—what we as a Government do, and what we as the creative industries and everybody working together do, to ensure that we protect copyright under the existing law as it is today.

[Pete Wishart]

The Minister keeps saying that we have existing copyright laws that are there to protect the creative industries and our artists, but practically our whole creative heritage is being scraped. There are probably songs in the top 40 that have been totally designed by AI, and there will be books in the top 30 or 40 bestsellers that will be based on AI—probably fully AI. This is happening right now. Surely artists and creators should know when their works are being used. That is why Lords amendment 49B is so important for transparency.

[Chris Bryant]

The hon. Gentleman is absolutely right that there are works out there that have been created with the use of AI. As I have said several times, I have never thought that the creative industries are in any sense luddite; I have always thought that they are at the forefront of innovation in so many areas—at the Select Committee yesterday I referred to Fra Angelico. This is true of every creative industry: they have to innovate in order to succeed. A video games company would say that it is using AI all the time, not necessarily to save money but to improve the product and be at the cutting edge of what they are doing. Even Björn from ABBA has said that he has been using AI because it enhances his work.

One area that is in our consultation but is yet to be addressed by anybody in any of the debates I have heard in this House or the other place is this: what we do about the copyright status of works that are solely or largely created by AI, because it is a moot point what we should do about it under existing law? My point is simply that we need to address all these issues in the round rather than piecemeal, and I will come on to that in more substance in a moment.

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[Chi Onwurah]

I thank the Minister for his inadvertent intervention, and I look forward to my future happiness. Given his reassurances, I think the Science, Innovation and Technology Committee can work with the Government to ensure that the Bill enables scientific research through the use of the fantastic datasets that the UK is proud to have, without exposing the public to the reuse of their data for the purposes of training AI models or for other commercial purposes that are not within the remit of scientific research. I will be pleased to accept the Minister’s reassurances, and on that basis I do not wish to engage in further ping-pong between the Houses.

[Pete Wishart]

In reference to the earlier exchange, it seems that if you remember the Minister’s 60th birthday, you were not really there—but I really was not there. [Interruption.] Did I? I knew there must have been some very good reason. Why I was not there is now in Hansard.

There is profound disappointment within the creative sector today. Everyone in the sector really believed and hoped that the Minister would appear today with something in his back pocket that he would be able to bring out to give reassurance to the many artists and creators right across the country who are extremely anxious and concerned about the direction of the debate and conversations about the use of their work. They are really concerned that some of their precious work, into which they have put so much time, effort, blood, sweat and tears, will be scraped up, trawled through by a bot and ingested by one of the large American tech companies, and then reappear as some minor mirror of itself.

No one has been satisfied with what has been said today, and the Minister has one last chance. I really hope that he can give something to the creative industries, or at least give them some sort of hope as we go forward into the next few months and years, because they are going into the next few months and years unprotected. They will have nothing that they can rely on, other than what is in the amendments, and I know for a fact that the Minister will ensure that they are voted down.

Today has been a curious day, too, because financial privilege has been invoked for a particular amendment. In my almost quarter of a century in this House, I have never seen that before. I think I know why it has been done: it is to ensure that the House of Lords does not get another opportunity to bring this measure back. I say to the Minister and the Secretary of State, who is shaking his head, that the Lords are already designing it. After it goes back to the House of Lords, it will come back once again. I am sure it does not invoke any financial privilege, but it is ultimately disappointing that the Lords will not be able to present the same motion again, which was their intention. That amendment has received overwhelming support from everybody across the creative sector, and I had really hoped that the Government would support it today.

The only reason we are here is the efforts of the Members of the House of Lords. I usually do not pay them much of a tribute or respect what they do, but they have played a blinder. In particular, Beeban Kidron—Baroness Kidron—has stuck to this agenda to ensure that these Lords amendments have been reinserted into the Bill. They have had to do it because the Government have not done so. The Government have done nothing to ensure that our creative sector is protected.

The Government say that there should be more time for this, but we do not have time. We have to act now to protect the livelihoods of 2.4 million creators in the UK against exploitation by some of the richest companies in the world. As I have said countless times throughout this Bill’s passage, if we continue at this rate there will soon be nothing left to protect. The thing is that the Government should have acted earlier. They should have taken steps to protect creators’ rights as a matter of urgency. Instead, it has been left to others to scramble to find a way to ensure that we had these vital Lords amendments to a Bill that, as the Minister has said on several occasions, was not designed for them.

The Government’s motions will in effect set a timeline of several years before any resolution is reached on copyright transparency. I listened very carefully, as I always do, to what the Minister had to say about transparency, but I still do not understand why this cannot be done immediately. All the Government have to do is tell inventors, creators and copyright holders that their work is going to be used or ingested by one of the web crawlers that are in operation. That is all they would have to do, and it could be done very easily. There is no great technical problem in introducing transparency as a priority, and it could possibly happen within a few weeks.

[Alison Hume]

The hon. Member is making some important points. As Lord Brennan said recently, this Bill is an opportunity to regulate AI:

“This Bill, this bus, is an opportunity that the Government should be getting on rather than waiting for another bus several years down the road”.—[Official Report, House of Lords, 12 May 2025; Vol. 845, c. 1932.]

This bus is leaving now, along with the opportunity to protect our creative rights. Does the hon. Member agree with me and share my concern that the Government are going to miss the bus?

[Pete Wishart]

I would always agree with the noble Lord Brennan. As somebody who played with him for many years in a parliamentary rock band, I think we all miss him in this House. He was spot-on when he said that: we have to act now.

Even if the Government want to change copyright law—I still do not know whether that is their intention, and the creative sector strongly opposes that—it will be years before creators have the slightest hope of protecting their work against creative theft. This sector has seen its work taken, used and exploited by tech companies. They came into this process hoping that they would finally get some protection, but instead of being heard, their hopes have been set aside again.

Lords amendment 49B does exactly what the sector has been calling for over many years. The fact that it has been tabled is a credit to the sustained campaign from our artists in the creative sector, who have organised themselves so efficiently and put such a compelling case. They have put so compelling and knowledgeable a case that our constituents have started to understand the complexities of copyright law, and they now realise its value in ensuring that the works of the artists they love, respect and like to listen to are recognised and that they will be compensated for their wonderful works. Despite what the Government say, merely enforcing the existing law will not be burdensome for AI firms, particularly as Lords amendment 49B allows the transparency requirements to be modified for small AI developers and for all UK-registered developers so that they are proportionate. This will prevent start-ups from being burdened with overly onerous regulation. In fact, all this proposal does is put UK start-ups on a level playing field with US tech giants that gain an unfair competitive advantage by ignoring copyright law. Transparency will make the legal risk of copyright infringement too great for AI firms to break the law. It will allow courts to hear cases quickly, establish precedent and kill any argument that there is uncertainty in UK law. If we can see what has been stolen, it is easier to stop its being stolen and to get redress when it continues to be stolen.

It is now up to the Government to fix this. If they are serious about protecting our creative industries—they should be, and I accept that that is what they intend to do—then they cannot stop at working groups and economic impact assessments. That is the bare minimum; it is not, by any measure, enough.

If this is the last opportunity we have to put the case, it is a black day for our creative sectors. They had hoped that this would be the day the Government appeared with something that satisfied at least some of their concerns. They deserve to have their work protected fairly. They were looking for anything from the Government to see that they were clearly on their side and were prepared to do something. I think we already know exactly what they will decide, but the Government now have a choice: remove Lords amendment 49B and turn their back on the creative industries, or find an actual way to protect our creative sector and make sure that they back it.

[Chris Bryant]

I was anticipating more contributions from other Members, but it is a delight to see you in the Chair, Madam Deputy Speaker, and to follow on from the hon. Member for Perth and Kinross-shire (Pete Wishart). I will not speak at great length, Members will be delighted to hear.

First, I want to refer to the matter of financial privilege, because the hon. Member referred to it just now. It is not the Government who decide whether financial privilege is engaged. It is a simple matter decided on advice from the Clerks to the Chair, which is determined from two motions, from 1671 and 1678. Where there is any financial implication of a Bill, or in this case an amendment that comes from the House of Lords, it is a simple matter as to whether or not the financial privilege of the House of Commons is engaged. Anything that obviously requires a system of enforcement is likely to require expenditure. That is why we would not choose to waive our financial privilege in relation to these amendments today.

[Pete Wishart]

A money resolution to the Bill was passed with Second Reading. I looked at it and there is nothing that says there is any financial limit on any measures included in the Bill, so I am a bit confused about why financial privilege has to be invoked on that basis.

[Chris Bryant]

It is not the Government who invoke financial privilege. It is the House that does it, via the Speaker’s Chair. I am afraid that that is a debate we will have to have at another point. Much as I love debating motions from 1671 and 1678, I think we might move forward.

The only point I will make to the hon. Gentleman about his contribution on the creative industries—he knows that on many of these issues we completely and utterly agree—is that if there were a simple way of being able to enforce those rights today, I would seize it. If he wants to write to me with a suggestion on what that actually looks like and what we would do today to be able to enforce the rights under the existing law today, then of course I would be happy to look at it.

I also said that I would respond to the point from the Chair of the Science, Innovation and Technology Committee, my hon. Friend the Member for Newcastle upon Tyne Central and West (Chi Onwurah). The Bill creates no new permission to reuse data for scientific research. It is not the effect of the provisions to provide blanket approval of the reuse of personal data for AI training under the banner of scientific research. I hope that that meets some of her understandable concerns.

Madam Deputy Speaker, I know that it is completely not in order, but I am going to say it anyway and end on this point. We have discussed some very serious points, but I do just wish that Remember Monday will win the Eurovision song contest on Saturday evening, with their song, “What the Hell Just Happened?” I wish Lauren, Holly-Anne and Charlotte all the best of British.

Question put.