Data (Use and Access) Bill [Lords] Debate
Full Debate: Read Full DebateBen Spencer
Main Page: Ben Spencer (Conservative - Runnymede and Weybridge)Department Debates - View all Ben Spencer's debates with the Department for Science, Innovation & Technology
(3 days, 12 hours ago)
Commons ChamberIt feels like we are going from “Groundhog Day” to “Lost in Translation” because the Government clearly are not getting the message.
Today I will try something different and tell the House a story—the story of this debate:
A story was read in the deep dark wood,
AI saw the book, and the book looked good.
“Where are you heading to, original tome?
Come here with me, and I’ll give you a home.”
“That’s awfully sweet of you, but no,
I’m meeting my author, and they say where I go.
Now I like you, and I don’t want to cause strife
But they made me with love and words shaped by life.
So if we’re to partner, please do ask them first,
To not would be naughty,” he said with lips pursed.
Perhaps I owe Julia Donaldson an apology, while also thanking her for the national treasure that is “The Gruffalo”—I look forward to the third book in the series. We did not use AI, which was useless, to draft it, just the skills of one of my team members Jacqui Gracey—human skill, talent and transparency over sources and work.
Transparency is fundamental to protect creative endeavours. No one can doubt that the Minister has done his best to demonstrate the enduring nature of the creative spirit in the face of adversity and to avoid committing to a timescale and to legislating on transparency. This week, it is a new parliamentary working group. Last week, it was reviews. Next week, it may even be a citizens’ assembly, but the creative industries are not buying it. Our noble colleagues in the other place are not buying it. Members of Opposition parties, and indeed some Members on his own Benches, are not buying it. They are not buying it because the Government have lost the confidence of their stakeholders that they would bring forward legislation to enact effective and proportionate transparency requirements for AI models in the use of their creative content—AI companies need to buy it.
It is this loss of confidence in the Government’s will to take decisive action that means that nothing short of a commitment to bring forward legislation will be enough to allay the fears of the creative industries.
I thank the hon. Member for his creativity in his speech. The heart of the debate is whether creatives are asked before we steal their material or style, but also that they are remunerated for that. That is a commitment we have heard from the Minister and from the Secretary of State in his media performances on the weekend. This problem predates this year. It dates back to stuff being stolen over a considerable number of years. Why did the last Government not take any initiative to ensure that creatives receive their just rewards for their creativity?
What the last Government did not do is release a consultation that had a ministerial foreword to say that the position of copyright was uncertain. What they did not do was say their preferred option was opt-out, which spooked the creative industry and caused all these problems in the first place. It is this Government’s ham-fisted approach that caused so many of the problems that they are now trying and failing to fix. The Government have played a large part in creating this problem.
I am not going to let the hon. Gentleman get away with that. The last Government did not do anything on this issue, basically because they did not understand what was going on, and the little they did understand about some of the threats from AI, they did not care. As he asked the Labour Benches to do yesterday, the hon. Gentleman should apologise for the last Government’s inaction over the past few years because a lot of this is down to them.
Order. Perhaps the hon. Lady should allow the hon. Member to respond to the first intervention before he takes a second.
Thank you, Madam Deputy Speaker. As I said, this is clearly a tricky area to legislate—I have said that at the Dispatch Box and in Committee many times—but what is not helping is the uncertainty that has been created throughout the debate, whether it is the position of copyright law, preferred third options or the status of opt-out, which is how we got into this pickle in the first place.
There seems to be mass amnesia breaking out across the Chamber because the last Government did do something on this: they set up a working group between AI companies and the creative industries.
No, the AI companies walked away. We are almost at risk of recreating history by this Government wanting to set up exactly the same working group and thinking that by doing the same thing again, the outcome will somehow be different.
I thank the Chair of the Select Committee, who is also trying to break us out of the groundhog day that we seem to have found ourselves in.
The Lords amendment does not fetter the Government’s policy options, nor does it prescribe how proportionate transparency should be achieved. It simply puts a line in the sand for the Government to act on this hugely important issue.
To return to the AI and the Gruffalo,
So on went the story through the deep dark wood
To be loved by its readers, as a good book should.
Yet the AI pondered, as it wanted it now.
“I’ll simply just scrape it”, the AI did avow.
When he was musing, he stumbled across
The author reclining on a patch of green moss.
They had glasses and notebooks and ideas galore.
They had printed five books, but were working on more.
Their eyes came to meet—they were in for a fight.
Both wanted the story, but who was right?
The answer is both, if reasonably sought
For content, not stolen, but licensed or bought.
Be clear what you’re taking, be transparent and true,
And recognise the content and its real value.
Then there’s no monster nor bad guy, just an allegorical rhyme
And a plea to listen and take action in time.
I hope that the shadow Minister sought permission to misappropriate Julia Donaldson’s wonderful work. It is hardly an example that any of us should follow.
We are back here again. I put on record my thanks to Government Front Benchers for their engagement on this issue. It was particularly welcome to see the Secretary of State, in his appearance on “Sunday with Laura Kuenssberg”, take such a human approach to recognising the concern that exists in the creative industries and give a commitment to the nation about the seriousness of what comes from this place.
I also welcome the Minister’s comments that the creative and tech sectors will be involved in the next phase of this work, because that is essential. However, I would like to stress two further points. First, that involvement must reflect the breadth of the creative industries, from music and publishing to games, film and beyond—the necessary mix of expertise. That means the creative sector rights holders and business affairs professionals being involved, alongside the tech experts who understand the complexities of data flows, metadata structures, and the practicalities of any opt-out system or tech solution that is to be developed, notwithstanding the Secretary of State’s clarification that the Government no longer have a preferred position.
We look forward to the consultation and its findings being open and transparent, because while all the creative sectors share in the value of copyright as a principle that is tech and sector neutral, the way that commercial licensing models develop in practice will differ, and it is not for the Government to second-guess that. That is not a problem; in fact, it is a good thing. The emergence of bespoke commercial partnerships is precisely how the Government can achieve their objective of driving effective licensing, but to get there, we need sector-specific insight and specialist input, not a one-size-fits-all approach. I welcome the commitment to include Back Benchers, stakeholders and leaders of industry.
Crucially, the Government must consult and liaise with all of us on the formation of these groups, including their terms of reference—this cannot be presented again as a fait accompli. Too often, we hear of officials thinking or mulling things over, but not sharing what those thoughts are or what the implications of their latest thought could be. With the best will in the world, they cannot know the business as clearly as industry does. I believe that the prospects for both industries have improved as a result of this ping-pong process and the arguments we have been having, both in this House and in the other place.