Oral Answers to Questions Debate
Full Debate: Read Full DebateOliver Dowden
Main Page: Oliver Dowden (Conservative - Hertsmere)Department Debates - View all Oliver Dowden's debates with the Department for Digital, Culture, Media & Sport
(3 years, 6 months ago)
Commons ChamberThe UK’s creative industries are the finest in the world, and this Government are, of course, determined to support them. I deeply regret that the EU rejected our proposals, which would have enabled performers, artists and support staff to work freely across Europe. In recent weeks, I have discussed our approach with leading voices from music, including the head of Universal Music globally and, yesterday, Sir Elton John and his manager, David Furnish. We are working urgently to develop a plan to make it easier to tour across all of Europe.
I thank the Secretary of State for that answer, such as it was. This Government’s Brexit reality has the live music industry staring into the abyss and sports such as Formula 1 unable to operate sufficiently. Mark Davyd, CEO of the Music Venue Trust, has said that his industry has been dealt a no-deal Brexit due to the UK Government’s refusal to get a deal on touring visas with the EU. Will the Secretary of State assure the music industry, F1 and others that he will put their livelihoods before anti-free movement platitudes and go back to the negotiating table with the EU?
Of course we continue to engage with the EU. As I say, I deeply regret that it rejected our offer. It is worth noting that what we put forward was what the music industry had asked for. We will continue to engage with the music industry, and there are opportunities both with individual member states and with the Commission directly.
One of my constituents is the orchestral leader of two major British orchestras. More than 50% of her work with British orchestras is touring abroad in the EU, but she is a self-employed musician, so she does not have anybody to wade through all this new red tape for her. Putting covid to one side, by what specific date does the Secretary of State hope to fix this absurd, bureaucratic, self-defeating situation, so that self-employed musicians can enjoy visa-free travel in the EU?
I agree with the hon. Lady: it is absurd and self-defeating. It could have been solved, and it could still be solved today by the EU matching the offer that we have unilaterally made to EU nationals. She talks about support. I know her constituency well; it neighbours mine. For example, The Horn music venue in her constituency, which is a home to emergent artists, has received a quarter of a million pounds under the culture recovery fund. The Goblin theatre has received £51,000. Wind and Foster has received £63,000. We are demonstrating as a Government through our actions that we are standing behind culture in this country.
The Government are very keen to blame the EU for the barriers being put in place for touring musicians, but Brexit was born and bred in the UK. Does the Secretary of State agree that the onus is on this Government to fix the abject failure in statecraft, and can he confirm what urgent steps are being taken to ensure that touring musicians do not become yet another example of the collateral damage of Brexit?
First, I would like to reassure touring musicians and all those in the creative industry. I know how important the opportunity to tour is for them; it is something I discussed just yesterday with Elton John, and I have discussed it with many others. It is a vital part of them building their careers. That is why we have set up the working group with musicians, so that we can find ways of supporting them to continue to tour not just in Europe but across the whole world. There are huge opportunities for the industry.
I am glad to hear that you are still working with the EU bureaucrats—
Sorry. I am glad to hear that the Secretary of State is working with the EU on this. Music is worth £5.8 billion to the UK economy, and I have been surprised at how many Putney residents and businesses rely on touring. I am glad to hear that the Secretary of State is working on a future plan. Will that plan be across the EU, not requiring red tape for each individual country, which will be a huge barrier? What is the Government’s plan to ensure that creative workers do not miss out on vital earning opportunities and a chance to represent Britain on the global stage?
I share the hon. Lady’s passion for the creative industries. That is why we have put the support in, including in her own constituency. For example, the World Heart Beat Music Academy has received over £100,000, and the Exodus track and the Deptford Northern Soul Club have received over £50,000. On what we are doing to promote touring, there are basically three threads to it: first, we are working with the industry to help it overcome barriers. Secondly, we are working across Government to overcome barriers; and, thirdly, we continue to engage both with the Commission and member states to see what further support we can provide.
I deeply regret that Ministers have rejected the EU’s offer. Like petulant weans, Ministers have walked away from negotiations on musicians’ and artists’ visas. The Government did not get what they wanted, and have given up. Stating that the UK’s door remains open is simply not good enough for the people who desperately need visa-free travel in the EU. Without it, there will be disastrous consequences. British haulage firms go on tours, but they will go bust. British crews will lose out to cheaper competitors from the EU, and all but the most successful bands will struggle to tour in Europe. The result will be bad for the economy and bad for culture. Surely the Secretary of State must now realise, as so many Tory MPs do, that renegotiations are the only option. Going off in a huff is not the answer; this is all far too important.
To be clear to the hon. Gentleman, the reason why we rejected the offer from the European Union, which he seems so keen to accept, was that it was not binding, it did not cover touring, it did not cover technical support staff and, crucially, it did not cover work permits. Of course, we continue to engage with it, but I must say to him that the most devastating consequences for musicians in Scotland would be to rip our precious shared cultural heritage apart by pulling Scotland out of our Union—I would note that £450 million a year is generated in Scotland through domestic music tourism; 90% of the revenue is through domestic markets—and that would be terrible for Scottish musicians.
Last week, I met a number of footballers to discuss the issue of racist and misogynistic abuse on social media as part of a series of roundtables on the future of football. To be clear, we will not tolerate racism in any form, and we are committed to holding platforms to account through our new online safety laws, which we set out to the House in December. I also held a roundtable this week with players and campaigners across a number of sports to discuss the issue of concussion and what more can be done to improve player safety. Of course, in the meantime, we continue to work across Government on a road map for the recovery and reopening of our sectors.
The hopes and ambitions of thousands of Newcastle United fans for their great club are caught in limbo due to the ongoing takeover saga that the English Premier League helped to create. Can there be a more pressing reason for the Secretary of State to deliver the fan-led review of football governance promised in his party’s 2019 manifesto?
I reassure the hon. Lady that I remain firmly committed to the fan-led review, and events such as the meetings to discuss racism that I mentioned will help to frame it. Certainly, the events relating to football finance over the past year have demonstrated the need for that, and we will be making further progress on it this year.
My hon. Friend makes a very important point, and that is something that I have raised with social media companies. I know that many people are concerned that the moderators are not actually based in the United Kingdom, and speed of response is crucial. Through our online safety Bill, we will require social media companies to take swift and effective action against criminal abuse online, and as part of that we will put in place effective user reporting and redress mechanisms.
I call the acting shadow Secretary of State, Christian Matheson.
May I begin by welcoming the hon. Gentleman to his place and, on behalf of the whole Conservative party, wishing the hon. Member for Cardiff Central (Jo Stevens) a swift recovery? I know that she is doing very well.
The hon. Gentleman mentions press freedoms. I have been working closely with my right hon. Friend the Minister for Media. We will shortly be publishing the material to which the hon. Gentleman refers—that is to say, the action plan to provide safety for journalists. That will be coming forth very shortly.
I thank the Secretary of State for his kind words about my hon. Friend the Member for Cardiff Central (Jo Stevens); she will be watching and will be very grateful.
Ofcom is to become a super-regulator with a huge breadth of responsibilities and all their technical complexities, particularly in the digital sphere: online harms and safety, the BBC and broadcasting in general, security of telecoms infrastructure against hostile threats, broadband, and the Post Office. Does the Secretary of State agree that the new chair of Ofcom should have at least some knowledge of and experience in those complex sectors in order to be appointed?
As the hon. Gentleman will know, the position of Ofcom chair is vacant. I can update the House that I will shortly be launching the competition for that new role, and a number of excellent candidates have already expressed an interest.
My hon. Friend raises an important point. Covid has been a stark reminder of the importance of reducing obesity, and that is why it is right that we look to restrict the advertising of those products. I have been clear from the beginning in my discussions with the Prime Minister and others that we must ensure equivalence between the approaches to traditional broadcasting platforms and online. Any restrictions should not disproportionately disadvantage broadcasters over online providers, which is why we will bring in reforms to both media at the same time.
Freedom of expression is one of the cherished liberties that we have fought for, and one that Members of this House have defended for generations. I fully intend to continue to promote freedom of expression. As part of that, we will be publishing the plan for the protection of journalists, which will be coming forward shortly, as I said to the hon. Member for City of Chester (Christian Matheson)
Like my hon. Friend, I am deeply concerned about the growth of online fraud, and we are working closely with industry and law enforcement to disrupt those committing crimes online. While the online harms legislation will focus on user-generated content, we are also determined to tackle fraud such as phishing and fake websites. The Government’s “Cyber Aware” campaign has been set up to inform the public about how to keep safe online.
I join the hon. Gentleman in congratulating Celtic Connections on the huge success of its first wholly virtual festival, with more than 27,000 tickets sold and audiences tuning in from over 16 countries. That is testament to the strength of our United Kingdom. Of course, I will continue to work to provide ways to ensure that artists can continue to tour, but it is a bit rich for the Scottish nationalist party to talk about blame games; they are virtually its raison d’être.
Like my hon. Friend, I very much regret that there will not be fans in the stadiums for the Six Nations, particularly after the interrupted tournament last year, but we in this House all understand the reasons why. We have had to take decisive action to maintain this national lockdown, but we will be working to get fans back in stadiums as soon as it is safe to do so.