Oral Answers to Questions

Julia Lopez Excerpts

Thursday 18th April 2024 Commons Chamber

[Mr Tanmanjeet Singh Dhesi (Slough) (Lab)]

3. What discussions her Department has had with the music industry on taking steps to help reduce ticket prices.

[The Minister for Media, Tourism and Creative Industries (Julia Lopez)]

Our Department speaks regularly to industry stakeholders about how to make sure that live music continues to reach a wide range of audiences. Ultimately, ticket pricing strategies are a matter for event organisers and ticketing platforms, but they have to comply with the relevant laws to ensure price transparency, allowing consumers to make a fair and informed decision.

[Mr Dhesi]

Whether it is on music or other entertainment, this Government have consistently failed to act in the interest of fans when it comes to ticket touting. Last year, they rejected the recommendations and warnings of the Competition and Markets Authority to strengthen legislation and protect consumers from illegal reselling practices in the secondary ticketing market. Will the Minister concede that the problem has got much worse for fans? When will the Government finally put a stop to that?

[Julia Lopez]

I disagree with the hon. Gentleman. The Government brought in the Consumer Rights Act 2015, which was strengthened by the Digital Economy Act 2017, which brought in anti-bots regulation that dealt with some of those secondary ticketing issues. It is a tricky problem to solve. We are trying to do so through those regulations, but if there is more that we can do, we will look into that.

[Mr Speaker]

I call the shadow Secretary of State.

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[Thangam Debbonaire (Bristol West) (Lab)]

Ticket touts are a scourge on our live music industry. Secondary ticketing websites inflate prices and pocket the profits, which makes cultural and sporting events unaffordable for many families and damages the relationship between fans, artists and venues. While the Government fail to act, Labour has committed to tackling soaring ticketing prices on the secondary market. Surely the Minister agrees that only Labour will put fans back at the heart of music and cultural events.

[Julia Lopez]

Surely the hon. Member would not expect me to agree with such a ludicrous statement. We brought in laws and we have anti-bot regulations, and we have had ticket touts arrested for their activities. I know that Labour has brought forward its own proposal—effectively a price cap on resale—which we do not think is workable. We have seen that in Ireland, and it simply increases fraudulent activity; it does not deliver for fans. We simply do not believe that what she is proposing will make any difference.

[Mary Glindon (North Tyneside) (Lab)]

4. What steps her Department is taking to help the heritage sector reach net zero.

[The Minister for Media, Tourism and Creative Industries (Julia Lopez)]

Earlier this year, we published a review of the barriers faced by owners of historic homes to reducing their energy consumption. It made a number of commitments across planning, skills and finance to assist the heritage sector on its journey to net zero, including consulting on the role of local listed building consent orders to drive change at the local level.

[Mary Glindon]

In 2022, North Tyneside’s world heritage site Segedunum was successful in accessing funds through the museums estate and development fund for urgent repairs. That will contribute to reducing the site’s carbon footprint. Currently, other than the Heritage Fund and potential regional government funding, there are no other sources of funding that would help cultural and heritage sites meet climate change targets. What are the Government doing directly to ensure that heritage sites can be resilient against climate change and have sustainable futures?

[Julia Lopez]

I thank the hon. Member for raising that issue. She talked about one of the substantial funds that we have to help repair and restore museums, heritage sites and other activities. I am glad that that is making a big difference in her constituency. We have been looking into the important area of how historic buildings can reduce their energy consumption. It is obviously difficult, since 2% of buildings in the UK are listed. We want to help them to reduce their energy consumption, which is a particular challenge for owners of historic homes. Historic England has guidance to help museums, and we will look at what more we can do.

[Dame Caroline Dinenage (Gosport) (Con)]

When it comes to valuable heritage assets, I am really concerned about those housed in the grounds of our many military estates which are not bound by any of the obligations to maintain and care for them. In many cases, the Ministry of Defence and others are pursuing a policy of managed decline, which is allowing those valuable heritage assets to rot under our very noses. May I encourage the Minister—in fact, the Secretary of State—to speak with Ministers in the Ministry of Defence to challenge that policy and see what can be done to address it? I give her advance warning that I am keen to look at that as part of a Select Committee inquiry.

[Julia Lopez]

I thank my hon. Friend for raising that important point. It is something that we support when an asset is in the community rather than on the existing military estate. I recently visited the battle of Britain bunker at RAF Uxbridge, where there has been an amazing partnership with the local council. She raised an issue specifically about MOD sites that are still in use, which we shall be very happy to look into for her.

[Mr Speaker]

I call the shadow Minister.

[Lilian Greenwood (Nottingham South) (Lab)]

The Heritage Alliance estimates in its refreshed manifesto that the UK needs to double the number of conservation-skilled retrofit workers if we are to meet our net zero targets by 2050. Our built environment is at risk, yet the Government have stalled on training and have no plan to upskill the next generation. Labour will change the apprenticeship levy, making it more flexible to ensure that workers have the skills they need for the future. What is the Minister doing to meet the workforce challenge of retrofitting our heritage buildings?

[Julia Lopez]

Our Department has a huge number of initiatives under way to help people to deal with skills shortages, not just in the heritage sector but in the creative industries. The Secretary of State and I were discussing that with the Creative Industries Council just this week. One of the challenges that we face is the dynamism of the workforce and the need to ensure that it has the specific skills of the kind that the hon. Lady mentioned. We are looking at bootcamps and T-levels, which are much more practical vocational skills. I am happy to look into and discuss with the noble Lord Parkinson what more we can do with the heritage sector.

[Kevin Foster (Torbay) (Con)]

5. What recent discussions she has had with the National League on the financial sustainability of Torquay United Football Club.

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[Andrew Selous (South West Bedfordshire) (Con)]

13. If she will take steps with relevant stakeholders to help provide spaces for artists to create and display their work.

[The Minister for Media, Tourism and Creative Industries (Julia Lopez)]

High-quality affordable workspaces are essential to ensuring that we can retain our finest creative talent. The Government are committed to encouraging local authorities and property owners to make spaces available for cultural activities. Arts Council England is already supporting artists’ spaces through funding and brokering partnerships. The national portfolio boasts numerous workspaces that receive revenue funding, such as Spike Island and Yorkshire Artspace, which offer space for artists to create work and gallery space for exhibiting new work.

[Andrew Selous]

Leighton Buzzard, Dunstable and many other parts of my constituency are blessed with an abundance of artists, painters, sculptors and others, but they have very few places where they can create their work—they need more studio space and more workspaces —and even fewer places in which to exhibit. Providing such spaces should be essential—it aids economic activity, increases footfall and increases wellbeing—so how can we ensure that it is essential, as the Minister said, and not an afterthought? It really does matter.

[Julia Lopez]

I thank my hon. Friend for raising his concerns about the creative community in Leighton Buzzard—it sounds like a buzzing creative community. As I say, we support creative industries primarily through Arts Council England, which has initiatives that look at workspaces. I encourage organisations in his constituency and community to make applications for grants, because there are specific funds available.

[Matt Western (Warwick and Leamington) (Lab)]

Arts venues are vital to our local culture and our communities, but they are also hotbeds for new talent to display or perform their latest works, which is critical to the UK’s creative sector. Pubs are increasingly used for showing artworks as much as they are for performing music—think of pubs such as the Crown Inn back in the day, or the Hope and Anchor in Islington. That is why it is so important that we save pubs such as the Punch Bowl in Warwick, which a developer wants to convert into a house. Last year was the worst year for the closure of music venues. What is the Minister doing to stop that rate of closure?

[Julia Lopez]

We share the hon. Gentleman’s concerns about grassroots music venues, which is why we have a specific fund set aside to help save some of the most treasured community venues. We also have the Localism Act 2011, which allows communities to designate a particular community asset of value, giving communities time to raise funds to save those kinds of assets. It is something that we are talking about a lot with music venue groups, and we are also looking at giving them help to buy the freeholds of properties so that those kinds of assets can stay within communities and remain a talent pipeline, as he suggests, for many years to come.

[Dr Luke Evans (Bosworth) (Con)]

14. What recent discussions she has had with the Premier League and English Football League on the financial stability of football clubs.

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[Dr Kieran Mullan (Crewe and Nantwich) (Con)]

Crewe Amateur Musicals Society opens what I am sure will be a fantastic production of “Kinky Boots” at Crewe Lyceum this evening, but I am concerned that Arts Council funding does not do enough to support existing groups and activities. As well as joining me in wishing the Crewe Amateur Musicals Society good luck this evening, can my right hon. Friend meet me to discuss Arts Council funding?

[The Minister for Media, Tourism and Creative Industries (Julia Lopez)]

I wish the Crewe Amateur Musicals Society the very best of luck with their performance. We channel a very large amount of money to Arts Council England. With lottery funding and Government funding, that is about £444 million every year. We also have a number of tax reliefs for the performing arts. I also encourage the groups in my hon. Friend’s constituency to apply for the latest cultural development fund round, which opened in February and supports organisations such as the one he cites.

[Daniel Zeichner (Cambridge) (Lab)]

T2.   Cambridge has a long-established and flourishing local music scene but, as elsewhere, times are hard. The Music Venue Trust recently reported that, nationally, there have been 67 emergency cases for its experts so far in 2024. With soaring maintenance and operating costs, and with inflation meaning that the grassroots music sector is operating on a profit margin of just 0.2%, does the Minister accept that this is unsustainable for any business?

[Julia Lopez]

It has been a particularly difficult period for a number of music venues. Obviously, we went through the pandemic and then an energy crisis, and we tried to support venues through those difficult times. We are now working very closely with the Music Venue Trust, which has access to Arts Council funding that is helping it to buy the freehold of some music venues. We also have a grassroots music fund that is helping with some of the issues that the hon. Gentleman cites, and I am sure it would be happy to look into the particularly treasured venues in his constituency.

[Richard Fuller (North East Bedfordshire) (Con)]

The Secretary of State will be aware of the proposal by Universal Studios for a theme park in Bedfordshire—a £10 billion investment in the country. She will also be aware of the strong local support, led by Conservative Mayor Tom Wootton, so can she assure me and other Bedfordshire MPs that she is working hard with the Treasury to get a response to that proposal, and that a Government proposal will be forthcoming before the summer?

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[Pete Wishart (Perth and North Perthshire) (SNP)]

Since I last raised the closure of small music venues, two a week continue to close. There is now a growing consensus within the live music sector that a £1 levy should be put on large music venues and those who are making massive profits at live events. The Culture, Media and Sport Committee is looking at this, and I have listened very carefully to the evidence. If it is recommended, will the Minister put in place a levy similar to the one in other countries across Europe?

[Julia Lopez]

We are very sympathetic to that concept, which has worked well in football. We are closely watching the industry discussions about the idea of a levy that would support grassroots music venues which, as we all know, are the talent pipeline for our world-leading music industry. We do not want to see them wither, so we are watching this matter closely and I have had recent discussions with relevant organisations on it.

[Holly Lynch (Halifax) (Lab)]

Further to that question, and as others have said, brilliant grassroots music venues all over the country are struggling with spiralling costs. The Grayston Unity is one such venue that is crucial in not only ensuring access to music, but developing the skills pipeline for people working in that sector and, we hope, becoming the stars of tomorrow. What is the Minister doing to ensure that she understands, and reassures those venues that she gets, the spiralling costs they face?

[Julia Lopez]

As I have said, we have a number of initiatives under way. Arts Council funding is supporting the Music Venue Trust in relation to owning freeholds of properties and we have our supporting grassroots music fund, which has been topped up recently because of some of the issues cited by the hon. Lady. We want to try to help music venues through these difficult times, because we believe they are so valuable, not only to the talent pipeline, but in giving communities access to local music and performing opportunities. We hope that these venues will continue long into the future.

[Several hon. Members rose—]

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[Christine Jardine (Edinburgh West) (LD)]

This is the 900th anniversary of the founding of Edinburgh city and St Giles’ cathedral. Celebrations are planned to mark it, so will the Minister tell us whether the Department is going to be working with the devolved Administration and supporting the local council in celebrating that anniversary? And would she like to come and join the party?

[Julia Lopez]

It sounds like a superb party and I shall certainly send the invitation to Lord Parkinson, who is the ministerial lead on these issues.

[Kevin Brennan (Cardiff West) (Lab)]

At the most recent British-Irish Parliamentary Assembly, I asked the Irish Tourism Minister about their ticketing policy and its success, and they said it was very much a success. So may I suggest that rather than dismiss Labour’s proposals, the Government should look at the evidence from the Irish Government, rather than listening to outlaw companies such as Viagogo?

[Julia Lopez]

I spoke to officials this week about the Irish example and they were concerned that it had led to an increase in fraudulent activity. However, we will obviously keep this under review.

[Clive Efford (Eltham) (Lab)]

Omaze has had a big impact on charity fundraising. Although it is raising money for extremely good causes, does the Secretary of State agree that when people buy tickets for fundraising they should have some idea of what proportion of the money they are spending is actually going to those charities? Should we not have more transparency in this area?