Oral Answers to Questions
Kerry McCarthy Excerpts(1 year, 5 months ago)
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Kerry McCarthy (Bristol East) (Lab)
The Minister for Media, Tourism and Creative Industries (Sir John Whittingdale)
We are working across Government and with the sector to support touring musicians. Nearly all EU member states offer visa and work permit-free routes, and I welcome the Greek Government’s announcement last week of a new route for UK musicians. We continue to raise touring at the highest level of the trade and co-operation agreement structure and to engage bilaterally with member states. Yesterday, the Secretary of State announced that we will triple funding for the music exports growth scheme over the next two years. That will enable touring artists to break into new international markets.
Kerry McCarthy
I draw the House’s attention to my entry in the Register of Members’ Financial Interests. It seems that piecemeal progress is being made, and the Musicians’ Union and others in the industry are trying to get clarity on such things as whether portable instruments and associated equipment can come in. There have been some developments on that front. Is it the Government’s intention to negotiate an EU-wide cultural exemption? If so, how are those negotiations going? If that is not their intention, can they explain why?
Sir John Whittingdale
We have reached a position where nearly all member states—24 out of 27—offer visa and work permit-free routes for musicians and creative performers, and we will continue to engage with the three remaining. We will also engage on this with the EU in our more general discussions. On the specific issue that the hon. Lady raises about portable instruments, while ATA carnets are new for touring in the EU, arrangements are more workable than has sometimes been reported. We have confirmed that portable musical instruments carried in or on a vehicle can be transported cost free and should not require ATA carnets.
Oral Answers to Questions
Kerry McCarthy Excerpts(1 year, 9 months ago)
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Michelle Donelan
London and the west midlands are among the best-connected regions in the country: coverage in London is at 83% and in Birmingham it is even higher at 93%. However, as my hon. Friend points out, there is still more to do. This month we have brought into force new laws that make it easier for telecom companies to get faster broadband into 9 million flats where people are living, and the vast majority of premises in urban areas will be connected by 2025, whether by Openreach or another provider, at no cost to the taxpayer.
Kerry McCarthy (Bristol East) (Lab)
The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (Paul Scully)
The Government are committed to supporting our grassroots music venues, the lifeblood of our world-leading music sector. Arts Council England has extended its Supporting Grassroots Live Music fund until 31 March 2023. During the pandemic, venues benefited from the cultural recovery fund; we are also supporting venues through the energy bills support scheme and will continue to do so through the energy bills discount scheme until spring 2024.
Kerry McCarthy
I draw the House’s attention to my entry in the Register of Members’ Financial Interests. With Independent Venue Week coming up next week, I pay particular tribute to Big Jeff, the best ambassador for grassroots music venues anyone could ever want, who is finally getting back out on the gig circuit after his terrible accident last year—thank you for indulging me on that, Mr Speaker. The sector is on a knife edge, sustained by a 0.2% profit margin. As I understand it —although the Minister may want to correct me, considering the answer he has just given—it is not included in the support for energy bills from 1 April. Will the Minister, if he does not have good news for me today, take that up with the Treasury as a matter of urgency, because it could be energy bills that finally push many independent music venues over the edge?
Paul Scully
I thank the hon. Lady and congratulate Big Jeff on all the work that he is obviously doing in the sector. We will certainly reflect on that. I think that the new energy scheme strikes the balance between supporting businesses over the next 12 months and limiting taxpayers’ exposure to volatile energy markets, and there is a cap based on estimated volumes. It is really important that we support music venues, hospitality and wider community venues to the benefit of our community and the amazing creative sector.
The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (Paul Scully)
I can confirm that we are looking carefully at this. We have had a range of reactions to the proposals. The Minister for IP, my hon. Friend the Member for Mid Norfolk (George Freeman), welcomed the additional evidence, and the Government have now launched a period of stakeholder engagement on implementation options, taking into account the evidence received. We are confident that, together, we can come up with a proportionate response.
Kerry McCarthy (Bristol East) (Lab)
Paul Scully
I have not heard the song, but I will look it up. As I said to my right hon. Friend the Member for Ashford (Damian Green), we are confident that we will design a balanced approach. We will work with the industry to develop the creative industries sector vision and set out our ambitions for the sector, including in that important area.
Channel 4 Privatisation
Kerry McCarthy Excerpts(2 years, 5 months ago)
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The Secretary of State for Digital, Culture, Media and Sport (Ms Nadine Dorries)
I start by paying tribute to all involved in putting on a wonderful platinum jubilee weekend over the bank holiday. My Department and the royal household spent years preparing for this fantastic event. It was a historic moment for Her Majesty, the country and the Commonwealth, and a celebration for all to remember. Once again, I pay tribute to the BBC and other broadcasters for their extended coverage, including the BBC’s coverage of the amazing concert.
It has been a great few months for our culture and heritage. Just a few weeks ago I was in Coventry, where I was delighted to announce that it will be succeeded by Bradford as the UK’s city of culture. The city of culture competition has been made a permanent fixture on the national calendar under this Government and, for the first time ever, we are awarding the runners-up £125,000 in funding. Local MPs will be involved in the decision making on how that money is spent.
The motion asks the House to support our much-loved cultural institutions. That support is in no doubt as far as the Government are concerned, as evidenced by the £2 billion committed to support our theatres, museums, cinemas, performance venues and other venues through one of the worst crises they have ever faced. I know how important this has been to those cultural institutions up and down the country, not least because they have told me. Theatres have said that without our support their doors would still be closed and their stages bare. Museums have said that without our support they would not have been able to protect their collections and put them back on display.
This Conservative Government have put our money where our mouth is by backing culture, and unashamedly so. There was no procrastination; we did it from the off.
Kerry McCarthy (Bristol East) (Lab)
Will the Secretary of State tell us what Channel 4 said when she suggested to it that it will be privatised?
Ms Dorries
I do not disclose private conversations. I am not sure which aspect of any conversation the hon. Lady wants me to mention.
Straight from the off, we provided £2 billion to support our cultural organisations and institutions across the UK, which is why, after the pandemic, our arts and culture are back with a bang.
Labour’s motion asks us to support our world-renowned British broadcasting, which is also not in doubt. Under this Conservative Government, the film and TV industry is absolutely booming: production studios are fully booked, British-made programmes are celebrated all over the world, and this Conservative Government have just delivered the first broadcasting White Paper in 20 years. It takes into account the huge transformation that the broadcasting world has undergone in the past decade or so, and seriously considers how we can protect our British broadcasters in the rapidly evolving streaming era. Unlike the Labour party, we have not buried our head in the sand. We have not ducked important choices and decisions. We are looking ahead and taking the necessary decisions that will allow broadcasters to flourish.
Oral Answers to Questions
Kerry McCarthy Excerpts(2 years, 7 months ago)
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Ms Dorries
As I have said a number of times at the Dispatch Box, a decision has not yet been reached on the future of Channel 4. This week I met its chief executive, Alex Mahon, and its chair, Dawn Airey, and discussions are still taking place. I have yet to reach a decision, but when I do, all will be considered, including news broadcasting, the future, and the public service broadcasting remit to the nation. I have not made a decision, but when I do I will be here at the Dispatch Box and the hon. Gentleman will know the details.
Kerry McCarthy (Bristol East) (Lab)
The Minister for Media, Data and Digital Infrastructure (Julia Lopez)
I wrote to Baroness Vere of Norbiton, my counterpart at the Department for Transport, in February to discuss plans for supporting domestic tours through the implementation of the dual registration proposals. I am pleased to say that those are being taken forward and should come into force later this year. My Department and the Department for Transport continue to work closely with industry to understand the needs of the specialist events haulage sector.
Kerry McCarthy
I thank the Minister for that response; I am glad that the Government are finally talking about this issue, which has been flagged up as a problem for a very long time, but “later this year” will not be good enough for bands wanting to tour the UK this summer. Harvey Goldsmith has said that there are not enough trucks and not enough drivers, and that we need a solution now. What is the Minister’s answer?
Julia Lopez
That is not the message that I have heard, but I will be meeting UK Music representatives on Monday; if they share the concerns that the hon. Lady has just expressed, I will be happy to discuss those with them. The Secretary of State and I continue to do a lot of work with ministerial counterparts in other countries and across the Government on this issue. We are alive to the sector’s concerns.
Clive Efford (Eltham) (Lab)
Kerry McCarthy (Bristol East) (Lab)
The Attorney General (Suella Braverman)
The UK is playing a leading role in supporting the Ukrainians in their fight against Russian aggression. Over recent weeks, I have had the privilege of speaking to Ukraine’s Prosecutor General, Iryna Venediktova, for whom I have the greatest respect, as she fights tirelessly for justice and accountability for the people of Ukraine. She and I have signed a memorandum on co-operation, which underlines the UK’s support for accountability and reinforces our joint efforts to gather and preserve evidence for use in future criminal trials.
The Attorney General
Absolutely. The Deputy Prime Minister and Lord Chancellor recently announced urgent action he will be taking to target exactly the SLAPP litigation to which the hon. Gentleman refers. He will be introducing measures, in the public interest, so that we stop the abuse of our legal process and ensure that legal tools are not abused and misused in this way.
Kerry McCarthy
We have allowed the system to be misused for a very long time and that is why we are running to catch up now.
What are we doing to gather evidence of war crimes? It was good to see the US Secretary of State Antony Blinken formally accuse Russia of war crimes in Ukraine. Will the Attorney General say what role the UK’s sexual violence in conflict experts could play? It seems clear that rape is being used, once again, as a weapon of war, in Ukraine.
The Attorney General
The hon. Lady raises an incredibly worrying point. It does look as if there is very strong evidence to support claims of sexual violence being used in this conflict, which is completely abhorrent and horrifying. We have a strong track record. A few years ago, the Foreign and Commonwealth Office led the way, alongside Angelina Jolie, in raising the profile of this weapon in conflict and in taking concrete action against it. The Foreign Secretary will make an announcement on the issue very soon. On evidence gathering, as I mentioned, I have reached an agreement with the Ukrainian Prosecutor General. My hon. Friend the Deputy Prime Minister is working to lead an international coalition with the International Criminal Court, focusing on evidence gathering and on building resources to assist an independent prosecution, so that we bring war criminals to justice and secure accountability.
Touring Musicians: EU Visas and Permits
Kerry McCarthy Excerpts(2 years, 12 months ago)
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Kerry McCarthy (Bristol East) (Lab)
It is a pleasure to see you in the Chair, Dr Huq, although it is a shame that you are not contributing to the debate because I know what a music fan you are. I do not think that I have to declare my membership of the Musicians’ Union but I will, although, as I always say on such occasions, I have no musical talent whatsoever, unlike some of my colleagues who are speaking in the debate.
The fact that we are here in November 2021—well over five years since the UK voted to leave the European Union—is a damning indictment of the Government’s failure to prepare for the consequences of Brexit. I think that is, in part, political. The Government just did not want to concede that there could be negative consequences to no longer having freedom of movement and to leaving the market. I have seen that in other sectors, too—the labour shortages in food and farming, for example—and the ostrich approach of burying our head in the sand has had real consequences for the people who are affected.
That approach has included ignoring the warnings from the industry. As my right hon. and learned Friend the Member for Camberwell and Peckham (Ms Harman) said, so many people from across the industry—not just performers, but road crew, lighting engineers, truck drivers and so on—have come forward to try to tell the Government that action is needed, but there has been a refusal to host anything by way of meaningful discussions. An EU official told The Guardian in January that when the EU proposed a standard range of travel exemptions,
“the UK refused to engage in our discussions at all”.
I know there was a bit of to-ing and fro-ing and trying to blame one another for that, but according the EU sources, by June, the UK had still made no approach to remove travel barriers for creative workers.
As well as being political, I think there is an element of incompetence to the Government’s approach. Quite frankly, that is a hallmark of this Government. It is also another sign of the Government’s failure to acknowledge the importance of our creative industries. We have heard about the statistics and the pound signs attached to those industries: we are the world’s second-biggest exporter of music, with an export revenue of £2.9 billion. The value of music, as others have said, is far greater than that. We not only have some of the biggest-selling music artists in the world, but some of the best—those are not necessarily the same thing.
I remember, when I was a student in what was then Leningrad, in the summer of 1984, being besieged by young Russians who were just absolutely desperate to find out more about UK music, which was a lifeline to them and their connection to the west. I remember being asked, on the beach on the bank of the Neva river, how many children Paul McCartney had. I must admit, I did not know, and it was before the internet, but that just shows the soft power connected to our worldwide reputation for music.
We also know that the sector has been incredibly hard hit by covid, which is all the more reason why the Government should pull out all the stops to get it back on its feet. To an extent, the Government have been saved by covid, because people being unable to tour has masked the impact of Brexit on the live music sector. Now that we have, I hope, emerged from the worst of the pandemic, it is absolutely vital that the Government step up the pace on progress.
I am pleased that we have made some progress on visas, although I think it is a bit audacious for the Secretary of State to try to claim credit for that. We need agreements with the remaining six member states, and we also need bilateral discussions, because at the moment, any work is still restricted over all member states to a total of up to 90 days in any 180 days. As we have heard, there is still so much bureaucracy around that.
I will mention carnets and merchandise briefly. We have heard about the costs of taking unaccompanied instruments across borders—those costs are just for the paperwork. We know that smaller and up-and-coming bands in particular do not have lawyers, agents and managers to do all that for them; they have to deal with it themselves, and it is a real deterrent. Tim Burgess from the Charlatans tweeted earlier this week that the band was unable to sell any merchandise during its recent Dublin gig. We know that so many bands rely on merchandise to make a living because of streaming and everything else.
I will finish by talking about cabotage, as I know that that is what is expected of me as a member of the shadow Transport team. UK tour trucks made up close to 80% of the EU market prior to 2016 and Brexit. The three-stop rule for UK trucks forces them to re-route back to the UK, which is incredibly costly and time-consuming if they bother to do so, but most do not, making UK-led tours impossible. The band Public Service Broadcasting recently had to book a German bus for their European tour—something that they described as maddeningly stupid and self-harming. Big US acts have traditionally started their EU tours in the UK, so they fly into Heathrow, pick up the trucks, road crew, sound, lighting, caterers—everything—here. Why would they do that now? They are just going to go to Germany or somewhere else.
We have seen limited progress. The small splitter trucks have been ruled exempt from cabotage rules, and cabotage easement has seen inbound rules suspended on EU-flagged trucks to help the HGV crisis here, but that makes things even worse for UK music hauliers, as it is not reciprocal. UK hauliers have had no Government support to relocate to the EU either—I do not want them to relocate to the EU, but that proposal was put forward by the Government as an answer to the problems back in the earliest stage of the negotiations—so they cannot get around the restrictions that way. The music industry is part of what makes this country great. Why would we want to throw out an integral part of that, and tell it to go and set up shop in France, Germany or Portugal?
UK Music is calling for a derogation from cabotage for all trucks used for cultural events, so I conclude by asking the Minister whether there are active discussions in her Department and the Department for Transport about this issue. When I have tried to talk to the DFT, it has told me that it is a matter for her Department, but when I have tried to talk to her Department, it has told me that it is a matter for the DFT. I rather feel that that has left a big, gaping void in which there are no discussions at all.
Dr Rupa Huq (in the Chair)
I call the only person I know who had an album out last week: Kevin Brennan.
Julia Lopez
I appreciate the hon. Gentleman’s intervention and I also appreciate the point he made earlier about wanting to disentangle this issue, so that it is not an immigration issue; this is about the importance of our creative industries and their economic power. I am happy to explore this issue further in response to some of the points that have been made here this afternoon.
Spain is a major market for UK touring artists, and it is one of the big ones that we wanted to solve. The sector has done tremendous work in advance of the announcement. It was a good example of where we can all work together to dismantle remaining barriers.
Twenty-one EU states have now confirmed that they offer visa and work permit-free routes for musicians and creative performers. I recognise that the visa and permit situation for touring has changed since EU exit, and it requires adaptation, but it is important to recognise that those routes exist. We try to provide clarity on gov.uk, so that people understand the arrangements before they have to leave.
At present, six EU member states do not offer visa or work permit-free touring. We have lobbied and will continue to lobby those countries to allow creative professionals to tour easily. As I say, I want to use the Spain breakthrough as a moment to re-engage with those member states. Those countries would benefit from the cultural exchange and the positive financial spill-overs that touring inevitably brings. UK Music, as others have said, has found that in the UK, for every £10 spent on a ticket, £17 goes back into a local economy. Therefore, if those EU member states change their position, we believe that they will find a similar benefit. We have emphasised that point in our engagement.
Ultimately, those are decisions for those six member states, but we are using the diplomatic tools at our disposal to get a good outcome for our industry. It is important for the Government and the sector to work together in that effort. As I said, yesterday I spoke to the sector and to the touring working group, and the Secretary of State engaged earlier this week with Sir Elton John in a productive and positive meeting. As singers and performers know, combining our voices will make the greatest impact. I appreciate the help of everyone in the Chamber in making the case.
To turn to the concerns about the movement of goods and vehicles, there are new requirements, with potential costs and paperwork to do with the ATA carnet documentation, and the movement of merchandise or of instruments made from protected materials. Some of those were raised in the meeting yesterday. The new cabotage rules can limit the movement of vehicles to a maximum of three stops. As I mentioned at the start of my speech, those changes could be particularly concerning for emerging artists. We have worked across Government to provide clarity on the issues. In many cases, the arrangements are much more workable than is at times reported—that is not to diminish the concerns expressed.
For example, a UK band can pack a van with their instruments, equipment and up to nine people and travel around the EU without being subject to the TCA cabotage restrictions. They may also take their portable instruments and equipment without the need for carnets, and EU rules state that each individual is able to take up to €1,000 of merchandise into the EU to sell on tour without paying customs duties.
In cases when a carnet is required, that is a single document that can be used for multiple items as many times as required in approximately 80 countries around the world for a 12-month period. Carnets have long been a familiar feature of touring. They were needed whenever touring was taking place beyond the EU, including for example to Switzerland, so this is a case of adaptation.
Kerry McCarthy
Will the Minister clarify? When she says that there is one carnet, but everything has to be listed, my understanding is that with a drum kit, someone cannot just say, “Drum kit”, but must specify every different cymbal and drum. Is that the case? Even though it is all on one piece of paper, that could still amount to a huge amount of bureaucracy.
Julia Lopez
I appreciate the hon. Lady’s point and I am happy to take it away. I am fairly new to this area, so with some DFT issues I will not be able to give clarity on all the details. I am happy to write to her.
I have also been listening to the music sector’s concerns about the possible designation of St Pancras as a port designated under CITES—the convention on international trade in endangered species—for artists carrying instruments made of protected materials. The number of CITES ports in the UK has already increased from 24 to 36 over the past year, and the Department for Environment, Food and Rural Affairs and Border Force are working together to look at the possibility of St Pancras being added to that list. I am keen to accelerate that.
The Government have engaged with the sector’s concerns about the restrictions to do with cabotage and cross-trade that apply to single-use trucks, issuing a call for evidence on options in the summer. It is worth reiterating that during negotiations for the TCA, we proposed specific market access rights for specialist hauliers carrying out tours for cultural events, but the EU did not agree. To help artists navigate such issues, we have developed creative sector-specific landing pages on gov.uk to signpost relevant guidance. We continue to work across the board to encourage updates to guidance and to ensure that rules are clear and accessible.
The UK’s cultural and creative industries are an integral part of our economy across the UK, and they play a huge role in a truly global Britain. That point was made by a number of hon. Members today. We continue to support our creative industries through a range of export support programmes, including the music export growth scheme. We also recently launched the export support service, where UK businesses can get answers to practical questions about exporting to Europe. In our meeting yesterday, a Department for International Trade official highlighted some of the new services available to musicians. These are all with a view to strengthening the international reach and reputation of our creatives, and the benefits they bring to our economy, culture and society. I will continue to work with Departments, the creative industries trade and investment board, and sector representatives, such as UK Music, to see what more can be done to help the industries adapt to these new arrangements with the EU.
To conclude, leaving the EU has led to a number of changes. We recognise the uncertainty and concerns felt by our musicians and the creative sectors, and my Department and the Government as a whole have worked very hard to support them. Across issues relating to the movement of people, goods and vehicles, we have engaged extensively with the sector to understand and grip those concerns and help people adapt. Like hon. Members, I want to see UK creatives tour and perform in the EU not just for our musicians but because they have so much to offer people in member states, and I hope we can make sure that can happen.
Oral Answers to Questions
Kerry McCarthy Excerpts(3 years, 4 months ago)
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The Solicitor General
I reassure my hon. Friend that the SFO recognises the importance of whistleblowers to its work, and if appropriate I would be happy to meet him to discuss the case and perhaps the issue more broadly. In that particular case the judge concluded that it was not suitable to make a compensation order, and that is why the SFO concluded that it would not be appropriate to put Mr Foxley’s victim impact statement before the court. I hope to discuss those issues more fully with my hon. Friend.
Kerry McCarthy (Bristol East) (Lab)
The Attorney General (Michael Ellis)
I recognise the need to restore the faith of victims of these horrific cases. The recently published rape review outlines the Government’s ambition to ensure that justice is served and more cases progress through the system. The CPS is fully committed to delivering actions under the rape review, and those will result in improved joint working between police and prosecutors, to build stronger cases earlier and with less intrusion into victims’ private lives.
Kerry McCarthy [V]
The review includes setting the CPS targets of getting rape prosecutions up to 2016 levels. Labour has said that the Government should return to those levels by next year, not by the end of the next Parliament—something the Lord Chancellor said was “constitutionally illiterate.” Will the Attorney General confirm whether the Government intend to stick to those targets, or have they already U-turned on that?
The Attorney General
The matter to which the hon. Lady refers is for the Ministry of Justice, but she is right to raise it because cases involving rape and serious sexual offences are some of the most challenging and complicated cases—I emphasise that—with which the CPS deals. That is why only prosecutors with specialist training manage these incredibly sensitive, time-consuming and complex cases. The CPS is committed to ensuring that specialist prosecutors are equipped to deal with the complexities and sensitivities of those types of case.
For example, in May, the CPS published revised rape legal guidance, following public consultation, including new content on challenging rape myths and stereotypes, and a trauma-informed approach. The reason I raise that is that speed is important, yes, but it is also right that the complexities and sensitivities of those cases are handled by highly trained and professional CPS lawyers. That is what is happening.
Oral Answers to Questions
Kerry McCarthy Excerpts(3 years, 11 months ago)
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Caroline Dinenage
The hon. Gentleman is absolutely right to raise this. Anti-vaccination propaganda can be really harmful and can deter people from getting treatment that could save their life or the life of a loved one. That is why it is really important to bring it to the attention of the social media companies themselves. Last month, my colleague the Secretary of State, alongside the Secretary of State for Health and Social Care, met the social media companies, which agreed to reduce the spread of harmful and misleading narratives, particularly around the potential covid-19 vaccine. We are holding them to account for this; it is vital that they get it right and that their work is transparent and effective.
Kerry McCarthy (Bristol East) (Lab)
The Minister for Digital and Culture (Caroline Dinenage)
The Government continue to engage with creative sectors so that they know how to prepare for changes at the end of the transition period. We are seeking a reciprocal arrangement with the EU that would allow UK citizens to undertake some business activities in the EU without a work permit on a short-term basis. We cannot comment on the details of those arrangements at the moment, as the negotiations are still ongoing.
Kerry McCarthy
As the least musically talented member ever of the Musicians Union, I draw the House’s attention to my entry in the Register of Members’ Financial Interests. I am sort of pleased that the Minister gave that answer, although it does mean that I am slightly floundering as to what question to ask her now, because that was what I was going to ask. Musicians really need that reciprocal exemption. I know she says that what is important is that they are ready and prepared for when they can resume touring again, but it is really late in the day to leave this, and Ministers told the Musicians Union that it would be quite an easy thing to do. Is it possible to get some reassurance to them now, rather than later?
Caroline Dinenage
I pay tribute to the hon. Lady; she may not have musical talent, but she has some of the best musical taste in this House. The cultural and creative sectors are, as she knows, some of the UK’s greatest success stories and produce talent that is recognised the world over. Being outside the EU will not change that, but it does mean that we need practical changes on both sides of the channel. That will not come as a big surprise; DCMS has been engaging for very long time with the relevant trade and membership bodies, which cover a membership of approximately 150,000 businesses and freelancers. We have also had “Get ready for Brexit” and “Check. Change. Go.” public information campaigns, so we have been keeping people updated every step of the way.
Oral Answers to Questions
Kerry McCarthy Excerpts(4 years, 10 months ago)
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Matt Warman
Silicon Stoke is certainly a real possibility, and my hon. Friend is right that that is in part due to this Government’s £5 billion commitment. I welcome the council’s work with certain companies, which shows that if we look further than the usual suspects, we can get action on the ground that delivers huge economic growth.
Kerry McCarthy (Bristol East) (Lab)
Nigel Adams
We will of course consider whether to adopt the copyright directive. I agree that it contains many protections for our creative sector, but the decision will be taken over the coming year.
Racism in Football
Kerry McCarthy Excerpts(5 years ago)
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Nigel Adams
I, too, was shocked by the Bulgarian coach’s response. It was as though none of this had happened: he had not seen it; he had not heard it; and he shrugged his shoulders. It was rather incredible. That does not help when we are trying to erase this evil from the game. I was very encouraged by the comments of the Bulgarian Prime Minister. I do not think that there was much more that we could have asked him to say or do. The fact is he may consider taking away funding from the Bulgarian FA unless its president loses his job. I am very grateful to him for his remarks.
Kerry McCarthy (Bristol East) (Lab)
The Minister was quite complimentary about the way that the protocol worked last night. Kick It Out has issued a statement, saying that
“UEFA must explain why players weren’t sent to the dressing room during Step Two, as is clearly stated in the rules. TV footage also clearly shows that racist abuse continued in the second half, so it is unacceptable that Step Three was not enforced. This match should have been abandoned by the officials.”
Will the Minister reach out to staff at Kick It Out and perhaps discuss his interpretation of the way that the protocol worked with theirs?
Nigel Adams
I am more than happy to speak to Kick It Out about its interpretation. Having spoken to the FA and having received its intelligence, I can say that it is the players’ call. It should be the players’ call. We must support what the players want. They are the ones who, along with the officials and the support staff, are receiving this abuse. They made the decision to stay on during step 2 for the last four or five minutes. The FA did have spotters in the crowd, and the intelligence indicated that the abuse was going on. That might not be the case, because we cannot fill a whole stadium with officers, so it was a call for the players, and I support that, but I am more than happy, as the hon. Lady suggests, to have a conversation with Kick It Out.
Oral Answers to Questions
Kerry McCarthy Excerpts(5 years, 1 month ago)
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Melanie Onn (Great Grimsby) (Lab)
Kerry McCarthy (Bristol East) (Lab)
Ruth Jones (Newport West) (Lab)
The Solicitor General
I am disappointed by the figures that the hon. Lady refers to and I appreciate that they are a cause for concern. However, I would emphasise that they are not indicative of a lack of commitment to prosecute by the Crown Prosecution Service, any of its prosecutors or the Director of Public Prosecutions. We believe that a number of factors have contributed to this. They include perhaps a fall in the volume of referrals from the police and an increase in the volume of digital data. We are looking at the situation closely and a review is under way.
Kerry McCarthy
There have been reports that the number of reported rapes, sexual assaults and harassment allegations in universities has trebled in the last three years, including worrying reports that universities are trying to carry out their own investigations of the assaults. What role does the Minister think that his Department can play in trying to ensure that those allegations are taken seriously and go through the proper judicial channels?
The Solicitor General
I have also heard about the increased statistics from universities, and I urge them to look carefully at how they handle those matters. It is a particularly sensitive issue which they should handle with professional assistance. The reality is that we must do everything we can to deal with those allegations immediately, sympathetically and appropriately in all the circumstances. They are devastating allegations and must be dealt with sympathetically and appropriately by universities and by everyone else.