Oral Answers to Questions Debate
Full Debate: Read Full DebateJohn Whittingdale
Main Page: John Whittingdale (Conservative - Maldon)Department Debates - View all John Whittingdale's debates with the Department for Digital, Culture, Media & Sport
(1 year, 1 month ago)
Commons ChamberI will endeavour to be succinct. AI offers huge benefits and opportunities to the creative sector, but it also brings challenges. The Government have engaged extensively with the creative industries and others about it and will continue to do so.
I thank the Minister for his succinct response, but, as he knows, the Select Committee has called for the Government to abandon the proposed copyright exemptions for text and data mining, which the chief executive officer of UK Music succinctly described as a
“green light to music laundering”.
Can the Minister confirm that the Government will not undermine artists and musicians by exempting AI data mining from copyright restrictions?
As the hon. Gentleman is probably aware, there are ongoing discussions between creative rights owners and the platforms and others through the Intellectual Property Office, but it has made clear that, unless permitted under licence or on exception, making copies under text and data mining will constitute copyright infringement.
Does the Minister agree that the nature of AI systems is such that, when they are trained on creative works, both conscious and unconscious biases in music, films and art against certain groups in our society will be reinforced in generative outputs? The Government are seeking a code of conduct on copyright and AI; will they use this opportunity to address that issue and ensure that AI companies take responsibility for protecting against that type of harm? Is he considering an AI Bill, even though it was not announced in the King’s Speech?
There is a great deal of work going on around AI to develop a framework of regulation, as was originally set out in the White Paper. The hon. Gentleman’s point about algorithmic bias is a serious one; it is being studied by the Centre for Data Ethics and Innovation, and obviously we will look very carefully at that.
People working in the creative industries have been completely let down by the Tories, including on real concerns about the impact of AI. The Government have not responded to the consultation on their own AI White Paper or the report on AI and the creative industries. They have not got to grips with the issue at all. Creative people need to know whether they will be properly rewarded for their incredible talents, now and in the future. When will the Government set out a proper plan to protect creators?
The hon. Lady is new to her role and so may have missed the creative sector vision, which was published about six months ago and set out an investment totalling some £50 billion going into the creative industries over the next five years. A great deal of work is taking place on the impact of AI on creative industries, and we are hoping to say more about that before the end of the year.
That is just not good enough. Thanks to the resilience and hard work of those in the creative industries, they are growing faster than many others, but it is people who make the best joy and the best culture, not AI. We are all better off when we draw on everyone’s talents. That is how we grow the creative industries—with people from more diverse backgrounds in more jobs. Tackling AI is a fundamental part of that. To pick an example for the Minister, talent in the north represents just 15% of employment in the creative industries under the Tories, so what are the Government doing to protect and increase that in the age of AI?
With the Secretary of State, I was able to spend Monday in Manchester for the creative industries conference, where we met representatives from right across the sectors, including those from the AI sector. AI is already benefiting the creative industries to a considerable amount and represents real opportunities for them.
I was pleased to visit south Devon in August and to meet members of the Great South West tourism partnership. I am also pleased that Cornwall and the Isles of Scilly have recently been accredited as a local visitor economy partnership and that Devon is working with VisitEngland towards potential accreditation.
As the Minister knows, the tourism sector in our region is iconic, but any rises in business rate bills that local hospitality businesses are required to pay could see many struggle. While it is for the Chancellor to set out tax changes, can he outline what representations he is making to the Chancellor to freeze the business rate multiplier and extend the 75% relief for hospitality for a further year?
I discussed a range of issues affecting tourism in Devon with the Great South West tourism partnership. We covered a lot of ground, and I know that those issues are of great importance to the tourism sector. Of course, we are in regular dialogue with the Treasury, but it is a matter for the Chancellor, as my hon. Friend says.
In June 2022, we published the new national plan for music education, which aims to level up music opportunities for all children and young people regardless of circumstance, needs or geography. Since publication, we have worked with the Department for Education to progress delivery of the music hub investment programme and the music progression fund.
I recently welcomed Bath young carers from the Bath Philharmonia to perform music in Parliament, and it was a wonderful evening. Sadly, too few young people have the opportunity to learn an instrument, or to perform or enjoy music, and the number of GCSE music entrants has fallen by 12.5%. The Minister mentioned the new national plan for music education. Will he update us on how many schools have implemented that plan, and will we get regular updates about any increase in the number of GCSE music entrants?
I am sorry that I was unable to hear the visiting group from the hon. Lady’s constituency, but I am delighted that it came. As I have said, we are investing £25 million in the provision of musical instruments through music hubs. I can tell her that the proportion of pupils studying for a music qualification at key stage 4 over the past years has remained stable at about 7% to 8%.
I have to say that the Bath young carers played wonderfully, and I really enjoyed listening to them.
Ofsted recently stated that there remains a
“divide between children and young people whose families can afford to pay for music tuition and those who come from lower socio-economic backgrounds.”
I share the concern just expressed about the impact this is having. The money promised for musical instruments in June 2022, which the Minister has just mentioned, has still not been distributed to schools, and it now sounds as though that money is not going to arrive until autumn 2024. Will that delay not just mean that more children are not able to learn to play an instrument? What action can the Minister take to speed it up?
I can tell the hon. Lady that the Government remain committed to investment through the music hub investment programme, and I am happy to give her a specific answer to the question she raises about the allocation of that money in writing. The Government are working very closely with the DFE on this, and we also look forward to producing a cultural education plan in early 2024.
I and my officials regularly meet representatives of the creative industries in Scotland, and we were pleased to be joined by representatives from Creative Scotland, the Scottish Government and the Creative Industries Council earlier this week. We will continue to work closely with colleagues in Scotland to ensure that the UK’s creative industries remain world leading following the UK’s exit from the European Union.
Notwithstanding the Minister’s answer, polling by the Independent Society of Musicians has shown that almost half of musicians in the music industry have had less work in the EU post Brexit, and 40% have had to cancel work in the EU due to the increased cost of travelling and working in the EU. How can the Minister continue to pretend that Brexit has not harmed musicians, when the costs are so enormous and have been explained to this Government many, many times?
We are continuing to work to make it easier for musicians from this country to tour in Europe, and we have managed to establish arrangements with 24 out of 27 member states that now allow visa and work permit-free routes for UK performers for short-term touring. We continue to engage in discussions with countries individually to make further improvements.
The post-Brexit tightening of immigration rules and the Brexit-caused cost of living crisis are having a disproportionate impact on the creative sector, as the UK Government continue to squeeze public services. In advance of the autumn statement next week, what representations are the Secretary of State and the Department making to the Chancellor to ensure that the creative sector is adequately funded and protected, so that Scotland can receive the Barnett consequentials from that in order to continue to support our wonderful and, as the Minister says, world-leading creative industry?
The Chancellor has been very generous to the creative industries and I hope that he will continue to be so. However, I would point out to the hon. Lady that Creative Scotland benefits from a grant in aid budget of around £63 million, and I would have thought that she might welcome the fact that in the last March Budget the UK Government announced £8.6 million in support for two of Edinburgh’s world-leading festivals.
Rapid development of AI poses major questions for many industries, including our vital press sector. We are hosting roundtables with broadcasters and news publishers to discuss the risks and opportunities of AI to journalism, and we intend to continue the conversation with the sector over the coming months.
The online advertising taskforce has come forward with a number of measures, and we are looking both to legislate in this area in due course and to introduce non-statutory measures. We are committed to protecting vulnerable people from inappropriate advertising, and to tackling fraudulent advertising.
The inclusion of five additional sports in the Los Angeles Olympics programme could provide extra medal prospects for Team GB, especially as our women are current European flag champions, the England, Scotland and Wales women’s lacrosse teams are in the top 10, and we have two men and one woman in the top 10 for squash. However, to ensure success, funding for the 2028 Olympics needs to be secured before Paris next year, so what discussions is the Minister having with the new lottery provider and the Treasury to ensure that UK sport is adequately funded for those sports and others for LA28?
Local newspapers are under threat. When the community news project was introduced in 2018 for newspapers such as the Cambridge News, it was widely welcomed. The project was supported by tech giant Meta, but it has now withdrawn funding. Will the Minister join me and others in calling for it to rethink its decision?
I met representatives of Meta earlier in the week, and I did make clear to them the Government’s disappointment at the withdrawal of the community news project. We are looking to ensure that newspapers are properly compensated by the tech giants, and measures to ensure that are contained in the Digital Markets, Competition and Consumers Bill.
After the tremendous success of the Commonwealth games in Birmingham in 2021, I was delighted to hear last week that our fantastic mayor Andy Street has secured a £9 million legacy fund from the Commonwealth games for communities to participate in grassroots projects. Does my right hon. Friend agreed that this is a fantastic opportunity for organisations in constituencies such as mine and across the west midlands bid for the fund in order to promote physical and mental activities in local communities?