Museums Reviews

John Glen Excerpts

Tuesday 14th November 2017 Written Statements

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)]

Today DCMS publishes “The Mendoza Review: an independent review of museums in England” and the “Strategic Review of DCMS-sponsored museums”.

Neil Mendoza was the lead, independent reviewer. He was supported by officials at DCMS. Throughout the process Neil engaged closely with the museums sector, Arts Council England (ACE), Heritage Lottery Fund (HLF), Historic England (HE), and relevant Government Departments.

The Mendoza review of museums in England

The Mendoza review is the first in over a decade to examine the English museums sector. It was commissioned in response to the culture White Paper in 2016 which called for

“a wide-ranging review of national, local and regional museums, working closely with ACE and HLF”.

Therefore, it has looked at what the national infrastructure for museums is, what it could and should be, the museums sponsored directly by Government, and the challenges and opportunities for all of England’s museums. While it focuses primarily on the 1,312 ACE accredited museums, it does consider the wider context of the sector, which encompasses approximately 2,000 museums in England. The review does not cover the policy of free admission to the permanent collections of national museums as this is a manifesto commitment.

The Mendoza review proposes recommendations enabling a more strategic approach to public funding for museums from Government and their arm’s length bodies. It highlights the increased importance for Government and their ALBs—including the national lottery—of distributing funding in a more joined-up and effective fashion. The roles and responsibilities for relevant stakeholders are divided as follows:

a more strategic and focused approach by DCMS and its ALBs;

a more prominent and assertive role for Arts Council England;

a more strategic use of lottery funding for museums;

a more active role for Historic England;

and national responsibilities for national museums.

The review also sets out ideas for local authorities on how to make best use of their museums, and best practice suggestions for the sector itself.

The report is available at: https://www.gov.uk/government/ publications/the-mendoza-review-independent-review-of-museums-in-england

Strategic review of DCMS-sponsored museums

Alongside the Mendoza review we publish the “Strategic review of DCMS-sponsored museums”. This is the first clustered review undertaken by any Government Department, following Cabinet Office guidelines for tailored reviews. It examines the form and functions of 16 ALBs (15 museums and the British Library) sponsored by DCMS, their functions, forms, effectiveness, efficiency and accountability. Of particular importance was establishing the extent of the leadership and co-ordinating activity these ALBs provide, nationally and internationally, identifying any areas for improvement. It should be read alongside the Mendoza review for a full picture of the role, importance and significance of the sponsored museums, especially after the UK’s exit from the European Union, and how the findings from this review feed into and support its recommendations.

Both reviews benefited from the independent challenge panel, members of which were appointed to ensure the review’s robustness and impartiality. I am also grateful to the following Government Departments who sat on the programme board: Her Majesty’s Treasury, Cabinet Office, the Department for Education, the Department for Communities and Local Government and the Ministry of Defence. Finally, I would like to thank all those who contributed evidence to the review through the public consultation.

The report is available at:

https://www.gov.uk/government/publications/strategic-review-of-dcms-sponsored-museums.

[HCWS240]

Underwater Cultural Heritage

John Glen Excerpts

Tuesday 31st October 2017 Written Statements

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)]

In the culture White Paper, published in March 2016, we undertook to review the Government’s position on ratification of the 2001 UNESCO convention on the protection of the underwater cultural heritage. Earlier this year we said we were considering plans for a review, with a view to making an announcement.

Since we published the culture White Paper, we have had to reconsider our priorities and our ability to carry out a review in the light of changing circumstances.

As a result, we have decided to defer the review while we focus our efforts and resources on delivering new and more immediate priorities.

The Government have adopted the principles set out in the annex to the convention as best practice in the management of underwater cultural heritage. There is no change to this.

We remain committed to reviewing the Government’s position on ratification of the convention when priorities and resources permit.

[HCWS208]

National Railway Museum and Ownership of National Assets

John Glen Excerpts

Wednesday 25th October 2017 Westminster Hall

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)]

It is a pleasure to serve under your chairmanship, Mr Chope. I thank the hon. Member for Luton North (Kelvin Hopkins) for proposing this debate about the National Railway Museum and the ownership of national assets. I am grateful to the large number of hon. Members who have contributed. In my response I will seek to address the specific points made.

As we have heard, the collections of our national and regional museums are of profound importance. We can be extremely proud of the local, regional and global significance and diversity of many of those items. It is right to ensure that the collections are managed well.

The hon. Gentleman is concerned that the National Railway Museum has disposed of assets that should be retained within the national collection. However, I do not agree with his proposal that the National Railway Museum reopens this question. The museum is bound by the National Heritage Act 1983, but is not required by that to consult the public before disposing of items. Those are curatorial decisions and are therefore independent from Government—and I believe rightly so. I will go into some detail on how the process works.

While the 1983 Act sets out some restrictions on the museum’s disposal powers, the Science Museum Group, of which the National Railway Museum is a part, has a rigorous process in place to ensure that disposals are consistent with those restrictions. Having spoken to Andrew McLean, the assistant director and head curator at the museum, yesterday afternoon, I am confident that the decision to transfer the engines, particularly the engine to Swanage railway, was the right decision in this circumstance. It does not set any precedents, as I think the hon. Member for Argyll and Bute (Brendan O’Hara) suggested, but follows accepted museum practice. It has been undertaken in this way in other situations for many years. It would not be appropriate for me to intervene, even if I desired to do so.

Since I took on this ministerial role, I have had the opportunity to visit many museums and heritage sites all over the country. I have not been to York or Darlington yet, but there is always a new opportunity.

[Kevin Brennan]

We could go together.

[John Glen]

Perhaps we could—I welcome that.

I have been deeply impressed by the passion that staff and visitors have for their museums and how seriously museums take their duty to preserve and care for their collections, which in many cases, including the national collection, are specifically held in trust for the public now and for the future.

The hon. Member for Darlington (Jenny Chapman) gave a passionate defence of and was an advocate for her museum. I point out to her that Arts Council England is investing £118 million in museums in the current period, up to next year, and from 2018 many more museums will be part of the national portfolio. Museums will be able to apply for grants from the Arts Council, so there are more opportunities. I recognise the funding constraints and urge her to liaise with her local museum on how that could happen.

The National Railway Museum sites at York and Shildon are among the most popular museums in the UK. Visitor numbers are around 750,000 a year and were boosted in 2015-16 by the exciting arrival of the Flying Scotsman. The collection there includes more than 250 locomotives and rolling stock, 628 coins and medals, and nearly 5,000 pieces of railway uniform, equipment, documents, records, artwork and photographs. Such a fantastic and popular array of objects—especially including large locomotives—naturally requires a lot of management. The curators and museum in York need to be given full credit for the role they have played, not only within their own precincts but in the regeneration of York. They must decide what to display to the public, and how best to construct an interesting and informative narrative around the collection, and take into account the historical and physical quality of the objects. With locomotives, a large amount of storage space is also required.

It is clear from what we have heard that the hon. Member for Luton North holds the National Railway Museum collections in great esteem, as we all do, and naturally is concerned to ensure that they are being well managed. That is of great importance to me too, particularly as the assets of our national museums are, in essence, owned by the public and their upkeep and display contributed to by taxpayers. It is only right and proper that national museums are run at arm’s length from Government. We expect, however, that collections are reviewed regularly to ensure that they remain relevant, appropriate and accessible to the widest possible audiences. The collections management policy of the Science Museum Group, including its disposal guidelines, is publicly available. For clarity, I will set out how such decisions are made.

Recommendations for disposal must be approved by a board of survey—as the hon. Member for York Central (Rachael Maskell) mentioned—held at the individual museum site, where they are peer-reviewed by colleagues. Recommendations then go to the collections and research trustee sub-committee, followed by the Science Museum board of trustees. It is in the nature of the heritage transport sector that some charitable institutions with heritage rail collections do not necessarily operate as accredited museums. As such, when disposal to a national or accredited museum is not possible, the aim is to keep objects in the public domain. The Science Museum Group also gives priority to transferring items to museums or heritage organisations with a local or regional connection. That decision-making process is not random, but clear and well considered, with a number of checks.

The National Railway Museum’s decision to deaccession this particular locomotive was based on three factors: first, duplication of this type of locomotive within its collection; secondly, the vehicle being in particularly poor condition; and finally, the vehicle being more suited to a museum telling local and regional stories. I am confident that due processes were followed and that the museum made the right decision for the object.

Swanage Railway Trust is a well respected heritage railway organisation, which has the knowledge, skills and storage facilities to care for the engine in a way that will let future generations enjoy it. Indeed, only yesterday we found out that it had received a generous private donation that will allow it to strip down and examine the T3 to establish whether it can be restored to full working order. Swanage Railway believes that the engine can tell its story most effectively by hauling trains on a branch line railway that it was built to run on more than 120 years ago, and I am inclined to agree.

[Martin Vickers (Cleethorpes) (Con)]

I speak both as a railway enthusiast and an officer of the all-party group on heritage rail, which is particularly interested in ensuring that locomotives are in steam and that people see them running. I have visited York on many occasions and the days on which the locomotives are in steam draw the real crowds. Will the Minister assure us that if locomotives are transferred, whether to Swanage or wherever, they can be seen operating on the many preserved lines we have up and down the country?

[John Glen]

The principle behind decisions on disposal and dispersal of assets are designed to maximise public exposure to fully functioning assets, so that as many interested people as possible are brought into the country’s museums. I cannot give categorical assurances on exactly how the assets will be displayed and used, but I imagine that is the aspiration in every case.

That recent development in Swanage demonstrates that the move there was in the best interests of the engine and the public who want to see it. Swanage Railway has a long historical association with the T3 and receives more than 200,000 visitors a year. In the long term, it hopes to fully restore the engine to steam and increase its accessibility to the public. Those goals may not have been possible for the National Railway Museum, given the range of issues that it has to deal with. For those reasons, the National Railway Museum and trustees of the Science Museum felt that Swanage Railway would be extremely well placed to look after the engine and display it to a wider audience.

The news of the transfer was generally well received, both locally and with the descendants of the locomotive’s designer, William Adams. Indeed, only Steam Railway magazine, to which the hon. Member for Luton North contributed, raised any concerns. No other organisations have come forward to say that they wanted to acquire the T3. The museum abides by the Museums Association’s code of ethics on disposals and best practice. That includes advertising objects for disposal in some circumstances. The museum has committed to going above and beyond that and will advertise every rail vehicle disposal to ensure that the best home can be found for these important objects.

More broadly, the question of how to make disposals sensibly and ethically is taken very seriously by the museums sector. The hon. Member for Cardiff West (Kevin Brennan) asked about the Mendoza review of museums in England. That will report soon and will look at collections management, including disposals. On funding, some proposals are being examined for how we can encourage better collaboration between big national museums and regional and local museums. I hope that that will provide more opportunities in due course.

In conclusion, although I understand and appreciate the sincere concern of the hon. Member for Luton North that the national collections are well managed, I do not agree that the disposal of the T3 engine should be re-examined. I understand that the National Railway Museum has invited him to visit the museum to discuss the matter in person. I encourage him to take up that offer, because I think that such a meeting would allay many of his fears. I have every confidence that the museum has managed, and will continue to manage, its collections to ensure that it can inspire its visitors, but I will continue to observe the sector closely in my role as Minister.

First World War Servicemen: Memorial Plaques

John Glen Excerpts

Friday 20th October 2017 Commons Chamber

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)]

I thank my hon. Friend the Member for Morecambe and Lunesdale (David Morris) for securing this debate, and I commend him for his eloquence, emotion and seriousness of purpose.

It is interesting to hear of the number of memorial plaques and scrolls that were issued to the families of the fallen, reminding us of the huge losses suffered by Britain and the then empire. As we have heard, the plaques were issued by the Government to the next of kin of those who died serving with the British and empire forces in the first world war, along with a commemorative scroll and a message from the king. While most were issued in the years immediately after the war, the fact that they were issued until the 1930s reminds us that the loss of life from the first world war continued after the guns fell silent on 11 November 1918. The fact that over 600 were issued to the families of women is a stark reminder of the important role that women played during the war. Once issued, the awards became the property of the families to do with as they saw, and see, most fitting. Many are still treasured by descendants, but, as my hon. Friend points out, in some cases they were donated or used in local memorials, and many local museums have them in their collections.

As I am sure my hon. Friend will understand, it is not practical or possible for our national museums to accept every item offered to them. This is especially apparent, given the tragically large scale of distribution of the plaques. When I visit museums, which I have done numerous times in my first four months as a Minister, it is amazing to see the number of items kept in storage. As with all museums, the Imperial War Museum has strict criteria for accepting items. These are determined by its acquisitions and disposal policy, which is available on the Imperial War Museum website. Decisions have to be made on what is of most value in the context of its collections, and in telling the stories of the causes, course and consequences of the first world war. I am sure the hon. Members will agree that it is not for Government to decide what should be done with items that are in the private ownership of families or collections.

[Victoria Atkins]

Will you allow me a moment, Madam Deputy Speaker, to thank my hon. Friend the Member for Morecambe and Lunesdale for making such a moving speech, and also for presenting me with a valuable and special token of the, sadly, very short life of someone who would have lived in Spilsby, in my constituency?

The Minister is talking about museums. We have a wonderful museum in Alford, just as few miles down the road from Spilsby, where that young man came from. It is run by volunteers, and currently has an exhibition commemorating the centenary of the first world war. The collection has been gathered from local people who have lent objects that have been found in their attics, or in their grandparents’ homes, to the museum at Alford Manor House. It will be my very great honour to lend this plaque to the museum until next year—with, obviously, the consent of my hon. Friend.

[David Morris]

indicated assent.

[John Glen]

I am grateful to my hon. Friend for her intervention. She has made the case for the importance of local museums all over the country, and the enormous impact that they can have as communities seek to do the right thing by those who came before them and remember appropriately the sacrifices that were made.

It is very difficult to categorise the appeal of the plaques to their owners 100 years on from the war. Indeed, the Passchendaele centenary has shown us how varied are the connections that people feel to the fallen of the first world war, not only through direct family relationships but through associations based in their local communities, or connections through a school, regimental club or society. While it is not appropriate for the Government to consider collecting plaques that are no longer in the hands of the families of those who lost their lives during the war, a number of other options are open to those who possess a plaque or wish to find out more about how to commemorate an individual.

As my hon. Friends mentioned, local, regimental or corps museums associated with the place where the person commemorated lived, or was born, may have an interest in the plaques, or, indeed, in any other items relating to the first world war and its aftermath. They may also have further information about that person and his or her experience of the war. Local museums may be seen to have a stronger claim to the acquisition of such items, and are often well placed to exhibit them in their local context. That, I think, brings more meaning to the community that the individual came from.

[Bob Stewart (Beckenham) (Con)]

Families now remember their fallen by dedicating a corner of their living room to the young man, or young woman, who is lost. They have the helmet, the hat, the belt and the medal. The medal usually has the young person’s name on it, written around the ring. The families generally have the letter of condolence as well. Families whom I have visited, because the people whom they have lost were under my command when they were killed, have had one of these pennies in the room. That brings family history to life, because, from the first world war to the present, it shows the family connection. It is wonderful to see that.

[John Glen]

I thank my hon, and gallant Friend for what he has said. Whenever I think of him, I think of his service and the sacrifices made by him and by those alongside him. Once again, he has made a very important point.

There are also two invaluable online resources that help to commemorate those who fell. They provide more information about the person commemorated, and give those in possession of a plaque the option to make their information publicly available. The Imperial War Museum’s Lives of the First World War project is a permanent digital memorial which records the stories of individuals from across Britain and the Commonwealth who served in uniform and worked on the home front. The website currently has more than 7.5 million individual life stories and more than 120,000 registered members. The site offers the opportunity to add details of medals and service to an individual’s record, as well as photographs of items, thereby creating a permanent digital memorial of their first world war story.

A notable example is Isaac Rosenberg, the artist and poet. His online life story on the site includes pictures of Isaac and his gravestone, as well as an image of the next-of-kin memorial plaque received by his family. He served as a private in the 1st Battalion, King’s Own Royal Lancaster Regiment, where his experiences inspired some of his finest work. He was killed during the German spring offensive near Arras on 1 April 1918, but is remembered to this day.

The Royal British Legion also has its Every One Remembered database, which aims to ensure that by next year every man and woman from across the Commonwealth who fell during the first world war is remembered individually by those living today. This shows us that, while the way that people commemorate may have changed thanks to technology, the desire to remember the fallen is undiminished.

In the aftermath of the war, in addition to the memorial plaques, the fallen were recorded on many memorials up and down the country, and indeed across the world. As part of the Government’s centenary programme, there are many ways that communities can find out more about these memorials. I invite all hon. Members to encourage their constituents to explore the funding and training available and to get involved in recording and preserving them.

The war memorial portal project has seen the Imperial War Museum, Heritage England and other partners develop a new portal called ukwarmemorials.org, which hosts information on all UK war memorials and signposts routes for advice and funding. The portal has the most up-to-date advice on conserving and repairing memorials, and will continue to grow over the coming year. The site also contains information about other work that Historic England, the Imperial War Museum, the War Memorials Trust and Civic Voice are undertaking as part of the centenary programme to record and conserve memorials. To date, Historic England has added 1,860 memorials to the heritage list for England and expects to have listed 2,500 by the end of the centenary. Supporting this, Civic Voice has run over 180 workshops to train communities to survey and record the status of local memorials. I suggest that hon. Members recommend the site to any constituents with an interest in local memorials.

The War Memorials Trust, which provides a programme of grants to help to repair and conserve memorials, has to date made over 360 repair grants across the country, totalling some £1.4 million. It is also worth recognising the work of the Department for Communities and Local Government and the Victoria Cross commemorative paving stones project, which my hon. Friend the Member for Morecambe and Lunesdale alluded to. This project aims to commemorate each of the 627 men who won the Victoria Cross during the first world war by placing a commemorative stone in the town or village of their birth or, in the case of those born overseas, at the National Memorial Arboretum. The stones will be a visible reminder of the heroic contribution made by local people, as my hon. Friend referred to so eloquently.

In a debate on memorials to the fallen of the first world war, it is also appropriate to commend the work of the Commonwealth War Graves Commission. Its Menin Gate memorial and Tyne Cot cemetery recently hosted some of the Government-led events to commemorate the centenary of Passchendaele, the third battle of Ypres. However, it should be remembered that there are nearly 300,000 war graves in the UK from the first world war and other conflicts at 13,000 locations—details of local sites can be found on the CWGC website.

As we look ahead to the significant centenaries of 2018, the Government will of course be doing all we can to draw attention to different aspects of commemoration, and to the ways in which we remember our war dead. As part of that, we will of course do our utmost to ensure that the public are informed of the options open to them if they are in possession of memorial plaques, or indeed of any other personal items, and of how they can use them and resources such as Lives of the First World War to explore their own family and local history.

The memorial plaques and the many other memorials to the fallen of the first world war are a constant reminder of the huge sacrifice made by a whole generation 100 years ago, and I hope that through our commemoration programme, and by working with our partners on innovative ways of commemoration, we can ensure that future generations never forget those who fell.

Question put and agreed to.

The Arts: Health Effects

John Glen Excerpts

Wednesday 11th October 2017 Westminster Hall

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)]

It is a pleasure to serve under your chairmanship, Ms Dorries. I thank my right hon. Friend the Member for Wantage (Mr Vaizey) for bringing this matter before us today. I would also like to acknowledge the excellent contributions. We have had 11 Back-Bench speeches and several interventions, and I will try to respond to some of those, but I also want to respond to this excellent report.

I know that my right hon. Friend has been a passionate co-chair of the all-party parliamentary group on arts, health and wellbeing, as he was with this agenda as a Minister. I welcome this excellent report: it is thorough, wide-ranging and extremely welcome, and I have studied it carefully.

There are many intensely moving personal testimonies in the report that demonstrate the arts’ power to improve our quality of life from childhood through to our later years. As the report sets out, there are figures that show that the arts have a significant positive effect on our health and wellbeing, which has been echoed in many of the contributions this afternoon. For example, the report states that music therapy reduces the need for medication in 67% of people suffering from dementia. Artlift, an Arts on Prescription project in Gloucestershire, has shown a 37% drop in GP consultation rates and a 27% drop in hospital admissions. A study of deprived communities in London, published in 2012, showed that after engaging with the arts in various forms 79% ate more healthily, 77% engaged in more physical exercise and a staggering 82% said that they enjoyed greater general wellbeing.

I acknowledge that the arts can also help with the management of long-term health conditions and their prevention. The report highlights, helpfully, how dance has been used as a form of early intervention with psychosis and has led to clinically significant improvements in wellbeing, communication and concentration among young people.

The arts can and must play a major role in helping us to meet the growing challenges we face in health and social care. As such, we need to make a vital cultural shift to ensure that the arts are fully embedded in the health and social care system. I am sorry I am not a Health Minister, but I am obviously able to interact with other Ministers and I hear that point, which has been made a number of times today. I take that on board.

In last year’s Culture White Paper—my right hon. Friend was the driving force behind it—we made several commitments to build on our good work in bringing arts and health together. When I spoke at the launch of the report in July, I stated my commitment to its recommendations. In particular, I have asked my officials to explore the potential to develop and lead a cross-Government strategy, alongside other Departments including Health and Education, to support the delivery of health and wellbeing through arts and culture.

The report also made other recommendations, including the establishment of a national-level strategic centre for the arts, health and social care sectors. We must be realistic about that taking some time to establish, but it is a task I am engaged in. It will require a joint effort by a number of leaders and experts in the sectors, including from NHS England. I support such an aspiration and encourage the sharing of best practice between the arts, health and social care sectors. The more documented and measured outcomes that exist—we have heard good examples today—the more compelling the case is to strengthen the resolve across Government.

Last month I visited the Koestler Trust, a great arts charity for offenders, to hear more about its work and the impact of its awards and mentoring programmes on the most vulnerable people. The evidence was that its awards and programmes have had a positive impact on the lives of vulnerable people and offenders. Last year’s annual survey of award entrants showed that 82% felt that the awards had improved their confidence levels. I feel strongly that we must continue to promote and support such work.

I am delighted that the impressive work of charities such as Koestler will continue to be supported through the Arts Council national portfolio in the next investment period, which is 2018 to 2022. I am also keen to host another roundtable discussion with arts organisations and the Prisons Minister to build on the work of my right hon. Friend the Member for Wantage in that area. My officials are working urgently to help to arrange that discussion.

Last month, when I was in the Lake district, I visited Theatre by the Lake, an impressive organisation that works with different community groups to address rural isolation. It was the recent winner of the Alzheimer’s Society award for dementia-friendly organisation of the year, in recognition of its special performances for those suffering from dementia. That is vital work and, clearly, many theatres up and down the country make a significant contribution to wellbeing in their communities. I acknowledge that—we need to work to document it and to bring it into the heart of policy making.

Museums also do great work for people with dementia. As was mentioned by the hon. Member for Liverpool, Walton (Dan Carden), who is no longer in his place, the House of Memories project in Liverpool has had great success with the local clinical commissioning group and is now exploring how to expand that outside its area, possibly using a franchise model. The project has trained more than 11,000 health, housing and social care workers in how to use the museum’s collections to connect with vulnerable dementia sufferers, generating an estimated £12.6 million in social value.

Just the weekend before last, on my second visit to Manchester as Minister, seeing its wonderful museums and galleries, including the impressive Whitworth Art Gallery, it was clear to me how deeply embedded in the city’s health and wellbeing programmes those institutions are. That was a conscious decision by the director, and that sort of leadership will be needed if we are to get the agenda moving across our nation.

The evidence is growing, but more is needed. The Mendoza review of museums, which will shortly be published, has examined the impact of museums on culture and health, and I hope that that work will allow my officials to develop the evidence base about the impact that museums have had on many fields, so that it can be shared more widely around Government.

In the interests of time, I have to abbreviate my remarks, but I will just mention libraries, as it is Libraries Week; I will visit a library in Pimlico tomorrow. My right hon. Friend, who was formerly the Minister with responsibility for libraries, will be aware of the Department’s work with the libraries taskforce, which he set up with the Local Government Association. The membership of that taskforce includes Public Health England and NHS England, in recognition of the importance of public libraries in providing information and support to local people. That taskforce has published a document setting out a vision for public libraries in England, which outlines an ambition for how libraries can deliver better outcomes for communities.

Over the last five years, the Arts Council has invested £41 million in the Creative People and Places programme, building supply and demand in places where engagement with the arts appears to be significantly below the average. So there is work being done on that and I can give the hon. Member for Batley and Spen (Tracy Brabin) more details about that work later. The Cultural Commissioning programme, which is also funded by the Arts Council, is another important element of its work.

In conclusion, it is undeniable that the arts and wider cultural sectors can and should play a key role in addressing some of the most pressing issues faced by both our health and social care systems. It is also important to recognise that politicians, arm’s length bodies, health and social care commissioners and the sectors themselves need to work together to get this matter right. It is an enormous challenge, but it is one that I take very seriously and will take forward. I hope that many of the Members who have contributed today will help me with the next steps to take these recommendations forward and make the aspirations that have been expressed real, so that they can have a real impact across our country.

Oral Answers to Questions

John Glen Excerpts

Thursday 14th September 2017 Commons Chamber

[Ben Bradley (Mansfield) (Con)]

2. What assessment she has made of trends in the level of tourism to the UK in the next five years.

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)]

Data from Visit Britain show that 2016 was a record-breaking year for tourism, with 38 million inbound visits, and the Government are working hard with Visit Britain and the sector more broadly to achieve the aim of 40 million visits per year by 2020.

[Ben Bradley]

Mansfield is the biggest and best town in Nottinghamshire, with a wonderful theatre, a nationally acclaimed museum and Sherwood forest on its doorstep, but we do not make the most of those assets. In fact, we do not have a single major hotel in the constituency. Will the Minister join me in commending the work of Mansfield Town football club, which is striving to bring such a hotel to the constituency, and will he offer the Government’s support in making Mansfield a tourist destination in the future?

[John Glen]

I commend my hon. Friend for his ambition, in his first three months in the House, and I certainly pay tribute to Mansfield Town football club. I would say to him and to all hon. Members that there are such opportunities, particularly looking at the Discover England Fund, which specialises in supporting tourism products outside London. I would draw his attention to that in the first instance.

[David Hanson (Delyn) (Lab)]

North Wales has been identified as one of the places to go to in the world this year, and with Chester on our doorstep and Liverpool close by, we are a tourist destination of choice. When can the Minister give certainty about visas, or the potential for visas, for European Union citizens post the EU exit, because we service Ireland and we have many visitors from the mainland EU?

[John Glen]

I certainly recognise the many attractions of the right hon. Gentleman’s part of the world, and I visited Liverpool during the recess. With respect to visas, I will be having a roundtable discussion with many representatives from the tourism sector in two weeks’ time, and I will be looking to take this forward across the Government in the coming weeks.

[Jeremy Lefroy (Stafford) (Con)]

Stafford has wonderful tourist attractions, not least the town centre, but also Shugborough and Weston Park. However, to get to Stafford from the M6, people have to come off at junctions 13 or 14, both of which are blighted constantly by lots and lots of litter. What can my hon. Friend do to persuade Highways England of the need to keep our major roads cleaner to attract more tourists?

[John Glen]

I have experienced that difficulty in my constituency, and I am very sympathetic to what my hon. Friend says. Perhaps I could have a conversation with him to work out where those particular spots are and approach Highways England to see whether we can get a resolution.

[Christine Jardine (Edinburgh West) (LD)]

My constituency, Edinburgh West, is—like the rest of Edinburgh and much of Scotland—highly dependent on tourism. We have the new attraction of the bridge, Edinburgh zoo, the rugby and the world’s biggest international festival. Will the Minister assure me that he will press Her Majesty’s Treasury to take the same sort of initiative on lowering VAT for the tourism industry that our partners in the EU have done to support that industry and boost their communities?

[John Glen]

I thank the hon. Lady for her question. The Secretary of State and I visited Edinburgh during the recess, and we saw the many attractions, particularly the festival. I certainly listen very carefully to representations from across the tourism sector about what we can do to encourage more visitors, and I take her point on board.

[Mr Ranil Jayawardena (North East Hampshire) (Con)]

3. If she will make it her policy to allow the installation of community ATMs in listed phone boxes without their having to first be de-listed.

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)]

Amending the listed status policy in the way that my hon. Friend suggests will not be possible, but the installation of community ATMs in listed phone boxes is possible provided listed building consent is granted by the relevant planning authority.

[Mr Jayawardena]

I thank my hon. Friend the Minister for that clear answer. BT provided a phone box cashpoint in Odiham in my constituency, and I have asked it to do the same in Hartley Wintney, but it is restricted by the listed status there. Will my hon. Friend meet me to discuss how the community benefit can be delivered either through amendments to the listed status or through other measures, which could prevent the boxes from being removed in future?

[John Glen]

I commend my hon. Friend on his determination to get this sorted. I will work with him and the residents of Hartley Wintney to look at what the local authority can do, because it is the prime mover and can provide the listed building consent that he seeks.

[Mr John Whittingdale (Maldon) (Con)]

4. What progress her Department has made on establishing a public service broadcasting contestable fund.

--- Later in debate ---

[Kelvin Hopkins (Luton North) (Lab)]

6. What recent discussions her Department has had with the National Trust on its stewardship of places of cultural value and heritage.

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)]

My Department has regular conversations about shared interests with the National Trust, such as conservation, participation and world heritage. I will be meeting Dame Helen Ghosh, director general of the National Trust, next month.

[Kelvin Hopkins]

I thank the Minister for his answer. I should say that I am a member and a supporter of the National Trust. I must ask, however, whether the licensing for trail hunting on National Trust land is consistent with his aim of preserving and protecting historical places and spaces, considering the growing evidence of illegal hunting, particularly under the false alibi of trail hunting, and the damage that can cause.

[John Glen]

That is certainly a matter I will need to raise with the director general of the National Trust. Such matters are for National Trust members, and the National Trust has its own policies in place. I believe that a resolution is going to its annual general meeting in the autumn. This is a matter for it to resolve.

[Steve Double (St Austell and Newquay) (Con)]

I thank the Minister for his recent visit to Cornwall. I am pleased to be able to confirm to the House that the Minister is a fine figure of a man when wearing a wetsuit. On his visit, I am sure he will have learned that Cornwall has a disproportionately high number of National Trust properties, many of which are kept going not just by the paid staff but by an army of volunteers. Will he join me in paying tribute to those volunteers and thanking them for their excellent work in maintaining our National Trust properties?

[John Glen]

I thank my hon. Friend. I do not know about my bodyboarding, but I certainly enjoyed visiting Watergate Bay, which is a fine destination in Cornwall. Volunteers across so many cultural, arts and heritage organisations do a wonderful job. It is great that they can contribute and offer so much up and down the country.

[Mr Khalid Mahmood (Birmingham, Perry Barr) (Lab)]

Alongside the National Trust, the Minister will be aware of the press coverage over the weekend about a number of high-profile charities that own seats in the Albert Hall. Trustees of those charities have been selling those seats at a very high price. That is a despicable practice; it is no way for such charities to act in a modern society. Will the Minister support the Charity Commission in trying to resolve that issue to ensure that despicable practice stops?

[John Glen]

This is a matter for the Charity Commission, as the independent regulator of charities. I am aware of the controversy reported this week, and I welcome the commission’s attempts to resolve this long-standing and complex issue.

[Deidre Brock (Edinburgh North and Leith) (SNP)]

7. What discussions she has had with the Secretary of State for Exiting the European Union on her departmental priorities for the negotiations on the UK’s withdrawal from the EU.

--- Later in debate ---

[Rachael Maskell (York Central) (Lab/Co-op)]

12. What progress she has made on improving accessibility to heritage sites.

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)]

My Department and arm’s length bodies are committed to ensuring that our heritage is protected for future generations and accessible to all. The Heritage Lottery Fund issues awards to projects that make heritage relevant to everyone, regardless of their personal background, and actively challenges grantees to reach beyond the traditional heritage audience.

[Rachael Maskell]

Clifford’s Tower in York is about to have a £2 million upgrade, but it will not be accessible to disabled people afterwards. It is 22 years since the passing of the Disability Discrimination Act 1995, yet heritage organisations hide behind the term “reasonable adjustments”. What is the Minister doing to ensure that heritage sites are accessible to everyone?

[John Glen]

I am familiar with the case that the hon. Lady mentions. Clifford’s Tower is a particularly difficult site to deal with, but I shall be happy to meet her to discuss her specific concerns, and I will take them to English Heritage directly, if that will help.

[Rebecca Pow (Taunton Deane) (Con)]

On 21 October, the town of Wellington will celebrate the 200th anniversary of the laying of the foundation stone that commemorates the Duke of Wellington’s success at the battle of Waterloo. Although that wonderful monument, which can be seen from the M5, is accessible from the outside, the staircase on the inside is not, because the monument is undergoing a massive restoration project. Will the Minister join me in wishing all the people of Wellington well in the celebrations—in which I will take part—and does he agree that it is very important to restore monuments of such magnitude? That benefits not just local people, but those nationally and internationally, because such monuments are very important to our history.

[John Glen]

I congratulate my hon. Friend on her election to the DCMS Committee and endorse everything that she says on this matter. I will be looking at progress as these improvements proceed, and it was a pleasure to visit her constituency in the recess.

[Julian Knight (Solihull) (Con)]

T1. If she will make a statement on her departmental responsibilities.

--- Later in debate ---

[Gavin Newlands (Paisley and Renfrewshire North) (SNP)]

T2. Scottish politics can be rather tribal, but yesterday Scottish politics united in support of Paisley’s bid to become the UK City of Culture in 2021. Paisley’s bid is now Scotland’s bid. The final stage of the competition is looming, and a win for Paisley would create a bigger legacy than a win for anywhere else. Will the Minister join us in supporting Paisley 2021?

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)]

I support all the bids as they reach the final stages. In two weeks’ time they will be submitted to the panel, which is chaired by Phil Redmond, and I am watching the process closely. I look forward to making an announcement on the successful city at the end of the year.

[Kevin Foster (Torbay) (Con)]

T7. The Minister will be aware of the great success of initiatives such as the Seafood Coast in promoting tourism in Torbay. What further support will the Government offer to encourage more people to come to the coast in the south-west?

[John Glen]

I am looking carefully at the options. As I said, I will be meeting representatives of the tourism sector in two weeks’ time. I hope that the Discover England fund can be extended to encourage more initiatives such as the one my hon. Friend mentions, because they are transformational to local tourism economies.

[Thangam Debbonaire (Bristol West) (Lab)]

T3. Following the creation of the Ebacc, the take-up of music education is going down. Given the value of the UK’s world-leading music industry to our economy—it was £123 million in Bristol alone in 2015—will the Minister please listen to the music industry, reverse the Ebacc and invest in music teaching?

[John Glen]

I acknowledge the challenges to arts, cultural and music education, and I am looking at what can be done, through the cultural development fund, with the Arts Council to find ways of promoting increased participation. I am in active dialogue with other Departments over how we can deal with this reality.

[Mark Pawsey (Rugby) (Con)]

It is almost a year since World Rugby established its hall of fame, appropriately at the birthplace of rugby in the Rugby art gallery and museum. We will shortly have the annual induction of more greats of the game. Does the Sports Minister agree that this could play a major role in attracting local and international tourism?

--- Later in debate ---

[Antoinette Sandbach (Eddisbury) (Con)]

The Sandstone Ridge arts festival in my constituency is looking to have a suffragette theme next year to celebrate women getting the vote. What funds are available for community arts programmes to celebrate that magnificent achievement?

[John Glen]

That sounds like an excellent initiative. Funds are available either through Arts Council England or the Heritage Lottery Fund, and I am happy to work with my hon. Friend to identify the most appropriate route for an application.

[Liz Twist (Blaydon) (Lab)]

T6. Blaydon has a growing number of small and micro-charities, many of which are trying to fill the gaps left by Government cuts to local authorities, and their survival is often precarious. Following the Secretary of State’s discussions within the sector, what action is she taking to help those charities with fundraising and other support?

The 1954 Hague Convention and Protocols

John Glen Excerpts

Tuesday 12th September 2017 Written Statements

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)]

The United Kingdom has formally ratified the 1954 Hague convention for the protection of cultural property in the event of armed conflict and acceded to its two protocols of 1954 and 1999.

Our instruments of ratification and accession were formally deposited with UNESCO this morning. Subject to confirmation by UNESCO, the convention and protocols will come into force for the United Kingdom on 12 December 2017.

The convention and protocols are intended to protect cultural property from damage, destruction, looting and unlawful removal during armed conflict. The Cultural Property (Armed Conflicts) Act 2017 makes the necessary provision in our domestic law to ensure that we can meet our obligations under the convention and protocols.

We intend to bring the provisions of the Act into force on the same date that the convention and protocols come into force.

Before the convention, protocols and Act come into force, we plan to announce and publish a number of implementation measures.

We will announce and publish a list of categories of cultural property in the United Kingdom which we believe meets the definition of cultural property set out in article 1 of the convention and is therefore protected by the convention and protocols. This will be a UK-wide list, agreed with the devolved Administrations. It will not be a definitive or exhaustive list, but it will act as a guide to the cultural property in the United Kingdom which we consider to be protected by the convention and protocols.

We will also make an announcement about safeguarding measures for cultural property in England which is protected by the convention and protocols. The devolved Administrations are responsible for safeguarding cultural property in Scotland, Wales and Northern Ireland.

The convention and Act regulate the use of the cultural emblem (also known as the “blue shield”) that signifies cultural property protected by the convention and protocols and certain personnel engaged in the protection of cultural property. In accordance with the Act, we will publish some permissions to use the cultural emblem in England, which will come into effect on the day on which the convention, protocols and Act come into force. There will be a general permission for education and training purposes and permissions for specific organisations which need to make use of the emblem.

We will make an announcement about our approach to granting permissions to display the cultural emblem in connection with immovable cultural property in England which is protected by the convention and protocols.

Under the Act, the devolved Administrations are responsible for granting permissions to use and display the cultural emblem in Scotland, Wales and Northern Ireland.

We will also publish guidance on the new offence of dealing in unlawfully exported cultural property, which is created by section 17 of the Act, to help people comply with the Act.

[HCWS125]

Coventry City of Culture

John Glen Excerpts

Tuesday 5th September 2017 Westminster Hall

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)]

May I say for the first time from the Front Bench what a pleasure it is to serve under your chairmanship, Sir David? I congratulate the hon. Member for Coventry South (Mr Cunningham) on securing this important debate about Coventry’s bid to become UK city of culture in 2021, and all those right hon. and hon. Members who have contributed—particularly the hon. Member for Coventry North East (Colleen Fletcher), but also my right hon. Friend the Member for Meriden (Dame Caroline Spelman) and my hon. Friends the Members for North Warwickshire (Craig Tracey) and for Rugby (Mark Pawsey).

The hon. Member for Coventry South is a passionate advocate of the city, and this is clearly an exciting time for Coventry and the four other towns and cities shortlisted to be the next holders of the transformative and prestigious title in question. The UK city of culture programme is one of our nation’s crown jewels. The winning area must build a high-quality arts and cultural programme that reaches a wide variety of audiences and participants. The title of city of culture acts as a catalyst that can regenerate and transform a place, enabling it to attract external visitors and investment while engaging and inspiring local communities and institutions, including universities, schools, health trusts and businesses. I note the point made by my hon. Friend the Member for North Warwickshire about its value in the wider area.

[Dame Caroline Spelman]

In the presence of my hon. Friend the Member for Torbay (Kevin Foster), who was a member of Coventry City Council, I would point out that Coventry lost out under the structure of Advantage West Midlands. The Minister has spoken about investment; does he agree that the absolute commitment of the new Mayor of the West Midlands to back the bid, and for the region to get behind Coventry’s case, should help us to win?

[John Glen]

My right hon. Friend’s point is, as always, well made, and she is right. It is useful to have the widest possible base of support across the whole region.

This year, 11 places made an application to become the UK city of culture in 2021 and, following a recommendation from the independent panel chaired by the excellent Phil Redmond, I recently agreed a shortlist of five. It was not an easy decision, as all the bids had real merit. However, I am delighted that the shortlist contains cities representing England, Scotland and Wales, each of which makes a strong case. I have been impressed by the full engagement of all the places making bids. It is even more gratifying to see that making a bid has become a valuable process in itself. It has proved transformational in raising a city’s profile and developing a clear set of cultural aspirations for the future. Feedback from the places that did not make the shortlist—Hereford, Perth, Portsmouth, St Davids, Warrington and Wells—confirms that.

Now, along with Coventry, the other shortlisted places—Paisley, Stoke-on-Trent, Sunderland and Swansea—are embarking on the final stages of the process. I shall announce the winner by the end of this year. There is clearly much to be gained by the winning city. Taking part in the arts can improve self-esteem and confidence. It makes people feel good about where they live and about themselves, raising aspiration and bringing communities together. The arts and culture, through their ability to engage, inspire and challenge us, are instrumental in helping to break down barriers to participation and engagement across race, disability, age, gender, sexual orientation and socio-economic disadvantage. The economic and social importance of culture to place making has never been more understood and acknowledged. That is underlined by the culture White Paper and is evident in emerging data and evidence coming from Hull—the incumbent UK city of culture.

Before I address Coventry’s bid, it may be helpful to set the potential benefits that the city of culture title brings against what has happened in Hull this year. As recently as 2013, The Economist, which really should know better, suggested that declining northern cities should be abandoned. However, only three years later and still not even into its official year as city of culture, Hull became the only UK city to make Rough Guides’ top 10 cities in the world to visit, alongside Vancouver, Reykjavik and Amsterdam. That seemingly remarkable transformation is now backed up by the data emerging from the evaluation of the first three months of this year, including hotel occupancy being up almost 14%, a 17% increase in rail passengers and 37% of local businesses reporting an increase in turnover.

Of course, it is not only about economic regeneration. It is extremely heartening to learn that, in the first three months of 2017, nine out of 10 people living in Hull took part in a cultural activity, and that Hull 2017’s volunteers had already undertaken more than 100,000 volunteer hours. Those are amazing achievements for which Hull City Council and the Hull UK City of Culture 2017 company can be hugely proud.

On Coventry’s bid to become UK city of culture 2021, I acknowledge that the city has much to be proud of. Its contribution to UK culture is already impressive, from Lady Godiva to The Specials and 2 Tone, and it is also home to some of our most important medieval and post-war architecture. Throughout the bidding process, it has sought to highlight its cultural diversity and its rich heritage. Coventry hopes to use the power of culture to cross boundaries, create understanding, nurture respect and embrace humanity. As a city of invention and reinvention—as we have heard from various colleagues —it wants to create a digitally connected and international place, to reimagine the place of culture in a diverse, modern Britain.

[Mr Geoffrey Robinson (Coventry North West) (Lab)]

I am sorry for intervening so late in the debate, Sir David, but I knew I could count on your indulgence, for which I am very grateful, and, indeed, on the Minister’s. I will say a few words along the lines of exactly what the Minister was saying about Coventry. It is all of the things he said, but it is also a city of youth—that is our appeal. On the grounds that Scotland and the north-east have had a city of culture, and Londonderry in Northern Ireland was the city of culture, if there is any sort of turn to be taken or regional coverage to progress, it is clearly time for the midlands to have one. Coventry is at the centre of the midlands, which is at the centre of our bid, and we can assure the House and the country of a very fine series of great, exciting and innovative events, in line with the long tradition of innovation in Coventry.

[John Glen]

I thank the hon. Gentleman; I will reference him later in my remarks. His point about the engagement with youth and the value of the wider application of this title to the area was well made.

Coventry has a rich architectural heritage, with St Mary’s Guildhall, the Charterhouse and, of course—as we heard from my right hon. Friend the Member for Meriden—the magnificent cathedral, which is one of the city’s most important assets and, as a living architectural symbol of the UK’s post-war reconstruction and hope, perhaps one of the most important modern buildings in the UK. The city is also home to two universities, which both contribute to the cultural assets of the city and the UK. Coventry University has developed a strong reputation for the quality of its arts and media courses and for its work as an incubator of the next generation of young talent in the cultural and creative industries. I believe we have at least one of its alumni here today.

Some of Coventry’s other great cultural assets include the Belgrade theatre—the main building-based producing theatre in Coventry—and Warwick arts centre, on the University of Warwick campus, which is one of the largest multi-art form venues in the UK, delivering an extensive programme of performing and visual arts and film. There is also the highly respected Coventry transport museum, which houses the largest publicly owned collection of British vehicles in the world and tells the story of Coventry and its people through the development of the automotive industry. The museum will no doubt hold many memories for the hon. Member for Coventry North West (Mr Robinson), who was involved in the motor industry there for many years. The city’s arts and exhibition space, the Herbert art gallery and museum, hosts major touring exhibitions and permanent galleries chronicling the history of the city.

Coventry is also home to a number of exciting contemporary arts organisations and individuals, and has shown how it can deliver exciting, large-scale events. For example, the Godiva festival is an annual free festival that attracts more than 140,000 visitors. It has a genuinely diverse family audience, drawing from a wide range of communities and across the age spectrum. There is also the Festival of Imagineers, run by Imagineer Productions, which is a week-long festival celebrating innovation linking art, design and engineering, and acting as a catalyst for new creative work at the intersection of art and engineering.

On funding, significant cultural investment has been made in those and other projects and programmes in Coventry over the years. In the 21 years since the Heritage Lottery Fund was created, more than £30 million has been invested in 125 separate projects, including more than £12 million on historic buildings and monuments and more than £4 million on parks. Over the past seven years, Arts Council England has invested more than £21 million, supporting a range of arts organisations and excellent, innovative projects.

In June, ACE announced future funding for 2018-22 to its national portfolio of organisations in Coventry of £8.3 million. That is an increase of almost a third, from £1.5 million a year during the current period to more than £2 million a year for the 2018-22 period. That four years of confirmed funding gives those organisations the ability to plan ahead and develop strategic partnerships, which in turn bring more cultural product and funding into towns and cities.

The cumulative impact of that investment has helped to drive the ongoing development of this historic city. I know there are many more plans in the pipeline, including for Drapers’ Hall, which has received £1 million from the Government, to develop as a venue for music performance and education. Most recently, Coventry has been awarded just under £1.5 million from the Arts Council and Heritage Lottery Fund’s Great Place scheme to stage a programme of events celebrating the heritage and communities of Coventry. The award builds on the city’s new 10-year cultural strategy, its cultural destinations award and its bid to be UK city of culture.

[Gavin Newlands (Paisley and Renfrewshire North) (SNP)]

The Minister is certainly making an impressive case for Coventry. I have no doubt that Coventry would hold the city of culture title with distinction, and that Coventry 2021 would be a huge success. However, with the bigger emphasis on regeneration in this year’s competition, does he agree that Paisley, with its economic and social needs, allied with its many cultural delights, has a strong chance of winning?

[John Glen]

I will not be drawn on the likelihood of that. It is abundantly clear from all that we have heard this morning that, in common with the other shortlisted areas, including Paisley, Coventry has the ambition, the heritage and the cultural infrastructure to be the next city of culture. I think it is apt to finish with some thoughts from a Coventry-based company of artists, Talking Birds, who specialise in acts of transformation. They talk about Coventry as a city rich in possibility, and even though its inhabitants like to think that they are not too attached to the place, the truth is that they are. They enjoy the city’s contradictions and believe in its potential. I wish Coventry the best of luck in its bid. We do not have many more weeks to wait until the outcome.

Question put and agreed to.

Passchendaele

John Glen Excerpts

Thursday 13th July 2017 Commons Chamber

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)]

I beg to move,

That this House has considered the Commemoration of Passchendaele, the Third Battle of Ypres.

Thank you, Madam Deputy Speaker. I would like to reiterate your words of welcome to Mr Nicholls and Mr Wright. I am sure that the whole House is very pleased that they are with us today.

The commemoration of Passchendaele is just one of the national events in our first world war centenary programme, as announced by the previous Prime Minister in 2012. This four-year programme has seen us deliver national events on 4 August 2014 to mark the centenary of Britain’s entry into the war, with services for the Commonwealth at Glasgow Cathedral, at St Symphorien military cemetery and at Westminster Abbey. In April 2015, we marked the Gallipoli campaign in Turkey and at the Cenotaph in Whitehall.

[Mr Jim Cunningham (Coventry South) (Lab)]

I also congratulate the two police officers on their bravery. Does the Minister have any plans to commemorate the battle of Loos?

[John Glen]

That is certainly something that I can consider, but I have no immediate plans at this point.

Last year on 31 May, we commemorated the famous naval battle, the battle of Jutland, with events in Orkney, and then one month later, on 1 July, we remembered the battle of the Somme with national events in France, London and Manchester. Overnight vigils were held at Westminster Abbey and in Edinburgh, Cardiff and Belfast, and replicated in local communities across the UK.

Before I go on, I would like to acknowledge the huge support of my hon. Friend the Member for South West Wiltshire (Dr Murrison), who has shaped and steered this centenary programme. He is a hugely valued colleague, as well as being my parliamentary neighbour. I should also like to take this opportunity to congratulate him on his election to the chairmanship of the Northern Ireland Select Committee. If he brings to that role the integrity, wisdom and hard work that he has brought to this project, the House will be very well served. In addition, I would like to thank the members of the Secretary of State’s first world war centenary advisory group, who have provided vital advice and guided my Department through the programme every step of the way. I was tempted to name all of them, but there are just too many. However, I want to put on record the Government’s gratitude for their work. In just over two weeks’ time we will deliver our next commemorative event. Officially known as the third battle of Ypres, Passchendaele is one of the most famous battles of the first world war.

[Nick Thomas-Symonds (Torfaen) (Lab)]

I, too, want to add my commendation to the police officers who are with us today. The South Wales Borderers and the 2nd Battalion the Monmouthshire Regiment showed incredible heroism and made great sacrifices at Passchendaele. Both included members from my constituency. Soldiers were also lost in the days leading up to the battle. The 2nd Battalion the Monmouthshire Regiment moved up to the forward line on 29 July in preparation for the battle on 31 July. As we entirely appropriately remember those who gave so much in the battle, can we also remember those whose lives were lost, perhaps through wounds, in the days before?

[John Glen]

I am grateful to the hon. Gentleman for that contribution. He makes a wise point with his customary eloquence, and I am sure it will be echoed across the House.

The battle was infamous not only for the terrible conditions but for the sheer scale of the losses. In the region of 250,000 allied soldiers and around the same number of German soldiers, a total of some 500,000 men from both sides, were wounded, killed or missing. Those are quite frankly unbelievable numbers. Fought between 31 July and 10 November 1917, the battle saw the British Army attempt to break out of the notorious Ypres Salient and put intolerable pressure on the German defences. Troops from across Britain and Ireland took part, along with significant numbers from today’s Commonwealth, particularly from Australia, Canada, New Zealand and South Africa. Allied air forces played an important role, providing vital reconnaissance for the ground forces and fighting deadly dogfights with their German counterparts in the skies above the trenches. The battle was conceived, in part, as a means of influencing the struggle against German submarines, and the Royal Naval Division served on Passchendaele’s battlefield alongside other soldiers. Many others contributed during the battle and in the fighting around Ypres during the conflict, including servicemen from India and the West Indies, labourers from China and, of course, the nurses and medical staff who worked behind the lines to treat the wounded.

For all those who fought in that small corner of Flanders in the late summer and autumn of 1917, including those in the Belgian, French and German armies, it would prove to be one of the most gruelling experiences of the conflict. Much of the first world war’s enduring photography, poetry and artwork was inspired by the desolate landscape, which became a featureless quagmire over the course of the battle. After periods of intense rain, the mud became so bad that men and animals could be swallowed up in the swamp. Images, such as the photography of Frank Hurley or the evocative paintings of Paul Nash, are a harrowing reflection of the utter devastation that was wrought.

Many families, villages and towns were touched by the fighting. In Wales, the battle is partly remembered for the loss of the renowned poet Ellis Evans—better known by his bardic name Hedd Wyn—who died on Pilckem Ridge on the opening day of the battle.

[Dr Julian Lewis (New Forest East) (Con)]

I apologise to the Minister because I have to be briefly absent for part of the debate, but I will return at the earliest opportunity. I know that props are not always welcome in the Chamber, but in the light of what he said about photographs, may I share with him a pair of photographs? They show Passchendaele village in June 1917 and in December 1917, and it is possible even from a distance to see how entirely the landscape was obliterated by the bombardment.

[John Glen]

I thank my right hon. Friend for his pertinent intervention, which the whole House will welcome.

[Madam Deputy Speaker (Mrs Eleanor Laing)]

Order. The Minister is right that the whole House will welcome the right hon. Gentleman’s illustration, but the House will note that there is a good reason why we do not use props. I did not stop the right hon. Gentleman in this exceptional circumstance, because he showed us the photographs with the very best of intentions. I am not quite sure how Hansard will record the pictures, but the Minister is right to note the right hon. Gentleman’s point.

[John Glen]

That day also saw the death of the Irish poet Francis Ledwidge. It is important to remember that many of those who fought at Passchendaele were conscripts and that the war had already led to huge changes around these islands. Women were already playing a vital role in the war effort, particularly in the production of munition for the artillery, which was so critical to the outcome of the fighting. For many of us, Passchendaele has come to epitomise the horrors of trench warfare on the western front.

[Sir William Cash (Stone) (Con)]

I think my hon. Friend knows what I am about to say, but does he recall that, through him and the Wiltshire Regiment, I presented the city of Salisbury with a bugle that was used by the 1st Wiltshire Regiment? I understand that it is now in the museum as a recognition and a memory of the brave people who fought in that wonderful battle.

[John Glen]

I am grateful to my hon. Friend for reminding me and the House of that kind gift. It represents a whole plethora of gifts and memories concerning the first and second world wars that many Members of this House and many of constituents have in their families. It is important that we put those exhibits out there so that the next generation can fully grasp what happened during this period of our history.

[Paul Flynn (Newport West) (Lab)]

I rise because of the description of Passchendaele as a “wonderful battle.” For many who were there, including my father, it was a terrible tragedy that resulted from the misjudgment of generals and others. We cannot look at it without remembering that many of those who lost their lives—they did not give their lives—were told that if they went there, they would stop the “Huns” bayoneting Belgian babies. They went there as a result of persuasion and propaganda, and we must remember that if we are going to learn the proper lessons of war and the immense and wasteful loss of human life.

[John Glen]

I am grateful to the hon. Gentleman for his contribution. Every Member will have a different emphasis and interpretation of events, and I hope that the debate will give everyone an opportunity to reflect in our own way on the events of 100 years ago.

Three commemorative events will be held in Belgium on 30 and 31 July 2017 at iconic locations where soldiers fought, survived, died and are commemorated. On Sunday 30 July, we will begin with the traditional last post ceremony at the Menin Gate in Ypres. It is one of the Commonwealth War Graves Commission’s most iconic memorials. It was built to honour all of those who fought around Ypres during the first world war and also bears the names of more than 54,000 individuals who died while serving with the forces of Britain, Australia, Canada, India and South Africa but for whom there is no known grave. Designed by Sir Reginald Blomfield, it is a remarkable monument, and a fitting place to start our proceedings. The last post ceremony has been held there at 20:00 hours every evening since the unveiling of the memorial in 1927—with the exception of the second world war, when the ceremony was held at Brookwood military cemetery near Woking. It is organised by the Last Post Association and its buglers have performed the ceremony since its origin.

The ceremony will commemorate the UK’s shared history with Belgium. A UK military band and the National Youth Choir of Scotland will perform, and wreaths will be laid by representatives of some 23 nations who fought on the Ypres Salient during the war. Two hundred invited guests will attend, as well as 200 descendants who were successful in a public ballot and whose ancestors are named on the Menin Gate. After the ceremony, events will be held outside the Cloth Hall in Ypres’ Market Square to an estimated audience of around 6,000 members of the public, plus our invited guests. We will creatively tell the story of the war in the Ypres Salient from 1914, with a particular focus on the third battle of Ypres of 1917. Projecting on the Cloth Hall, we will use a range of contemporary digital techniques to bring history to life. Projections will enable the use of a broad range of visual media from photographic and film archive to animation. The projections will be supported by live readings and poetry and musical performances, including an orchestra and choir. The event will add a distinctive, engaging and contemporary element to the centenary programme that will help us to reach a wider and, I hope, younger audience, which is a key objective of the commemorations.

On Monday 31 July, exactly 100 years since the battle began, a national commemorative event will be held at the Commonwealth War Graves Commission’s Tyne Cot cemetery near Zonnebeke. In terms of burials, it is the largest CWGC cemetery in the world, being the final resting place of almost 12,000 Commonwealth servicemen, of whom more than 8,300 remain unidentified.

[James Heappey (Wells) (Con)]

My hon. Friend has mentioned the Commonwealth War Graves Commission site at Ypres, and he mentions another now. Will he join me in paying tribute to all those, not just in north-western European but across the world, who maintain our Commonwealth war grave sites with such dignity and who so brilliantly maintain the memory of those who died in service to their country?

[John Glen]

I am extremely grateful to my hon. Friend, as I was just about to do that. He is right to mention their enormous contribution over the last 100 years.

Tyne Cot is the final resting place of almost 12,000 Commonwealth servicemen, of whom more than 8,300 remain unidentified—among them four German soldiers. At the heart of the cemetery is the Tyne Cot blockhouse, a formidable German fortification captured during the fighting and then used as a medical post. After the war, remains were brought to Tyne Cot from across the surrounding battlefields, but most of those buried there are thought to have died during the third battle of Ypres.

When the Menin Gate was constructed, its walls proved insufficient to bear the names of all the missing of the Ypres Salient, so a memorial wall at Tyne Cot bears the names of nearly 35,000 men who were killed after 16 August 1917 and whose graves are not known.

[John Woodcock (Barrow and Furness) (Lab/Co-op)]

Is the Minister troubled, as I am, by the inherent tension within the nation’s commemorative programme for the first world war between the need to remember the sacrifice of previous generations and the desire to instil in current generations the need for patriotism and potential sacrifice in defence of our values? The dreadful, needless mass loss of life in the first world war was perhaps different from the second world war.

[John Glen]

The hon. Gentleman makes a typically thoughtful representation of the challenge in getting these commemorations right. I hope he will recognise that a lot of thought and work has gone into trying to get that balance right. I hope we will begin to understand how it is being balanced when we hear from some of my colleagues, particularly my hon. Friend the Member for South West Wiltshire (Dr Murrison).

I will reflect, as I said I would, on the CWGC, which commemorates 54,000 of the missing on the Menin Gate and a further 35,000 on the memorial wall at Tyne Cot. When the names on other nearby memorials are added, the total comes to some 100,000 soldiers who have no known grave, numbers that are unimaginable in modern-day warfare.

Following the ballot for free tickets launched in January, I am delighted that around 3,900 descendants will attend the event at Tyne Cot. The content and staging of the event will evoke, I hope, a strong sense of place, making full use of the poignancy and historic significance of the cemetery. There will be readings by military personnel and descendants, musical performances by UK military bands, a choir and solo performances, and a formal act of remembrance. Readings of soldiers’ recollections, letters and diaries, as well as poetry, will tell the story of the third battle of Ypres and the experiences of men who fought there. Content will reflect the contribution of men from across the UK and Ireland, as well as from the Commonwealth.

In addition, from 29 to 31 July, the Passchendaele centenary exhibition will be held at Passchendaele Memorial Park in Zonnebeke. We have been working with Memorial Museum Passchendaele, and the exhibition will include contributions from a range of UK and Belgian museums and organisations. There will be artefacts, exhibition-style display boards and panels, living history groups and areas for historical talks and musical performances in open-air and covered areas. Memorial Museum Passchendaele will also have an exhibition entitled “Passchendaele, landscape at war,” which will be open to visitors.

I thank and acknowledge the help and support given to us by all the local organisations and local communities in and around Ypres and Zonnebeke during the planning stages over the last year. Their support has been invaluable, and my thanks go particularly to the mayors of Ypres and Zonnebeke, who have led that contribution.

We have also had a huge amount of support from the Commonwealth War Graves Commission, which is celebrating its own centenary this year. This organisation is one of our key partners, and it does outstanding work in ensuring that 1.7 million people who died in the two world wars will never be forgotten. The CWGC cares for cemeteries and memorials at 23,000 locations in 154 countries and territories across the globe, making sure that our war dead are honoured with dignity. The CWGC recently launched a new scheme for interns who have been welcoming and guiding visitors at major cemeteries and memorials this summer, including at Tyne Cot. Also, the Ministry of Defence is a key partner that is contributing military assets to these events. I am delighted, too, that the BBC will be broadcasting the events on both Sunday night and Monday.

Our key themes across the entire first world war centenary programme are remembrance, youth and education. On youth and education, I am pleased that the National Youth Choir of Scotland will perform at all three commemorative events and that around 100 graduates of the National Citizen Service, aged 16 to 19, will be part of the delivery team at the commemorations. The graduates have undergone an educational programme on the first world war in readiness for their roles in Belgium.

[Martin Docherty-Hughes (West Dunbartonshire) (SNP)]

I am grateful for what the Minister is presenting to the House. I completely agree that it is only right and fitting that we should commemorate the loss of life at Passchendaele. Will he talk about the role of the medical profession after Passchendaele and the trench warfare of the first world war? We are commemorating those who lost their lives, but many of those who came home suffered from shellshock, and so many advances in psychiatry were made by dealing with that on the frontline and with the impact on families. Will that play any part in the commemoration of those who survived?

[John Glen]

Given our understanding of many of the impacts of war, certainly psychologically, we will have those things in mind as we remember the events of Passchendaele, but it is very difficult to go back and reinterpret events as they were at the time and as they were experienced at the time. The hon. Gentleman makes a perceptive and worthwhile point.

The Royal British Legion’s National Memorial Arboretum in Staffordshire is also hosting a special service on 31 July, which will include a broadcast on large screens of our national event at Tyne Cot. Members on both sides of the House are encouraged to attend this free event, if they can. They should encourage their constituents to attend, too.

More Victoria Crosses were won on the first day of the battle of Passchendaele than on any other single day of battle in the first world war, and 61 VCs were awarded during the campaign as a whole. All 61 recipients will be honoured with a commemorative paving stone in the town of their birth on the anniversary of the action for which the Victoria Cross was awarded. The commemorative paving stone initiative forms part of the Government’s first world war centenary programme. In the case of those men born overseas, their commemorative paving stones have been placed at the National Memorial Arboretum.

Passchendaele also saw Captain Noel Chavasse, a medical officer, receive his second Victoria Cross. He was wounded on the first evening of Passchendaele but, under heavy fire and in appalling weather, he continued to search no man’s land to attend to the wounded. On 2 August, while he was taking a rest, his first aid post was struck by a shell. Although he had at least six injuries, he managed to crawl away and was picked up and taken to the 32nd casualty clearing station, Brandhoek, where he died on 4 August 1917.

We are also supporting Passchendaele at Home in partnership with the Big Ideas Company. There are over 400 graves in the UK that are very likely to belong to servicemen injured at the battle of Passchendaele who died of their wounds afterwards. The project will work with schools and communities across the country to identify graves in their area and to find out more about the brave men who fought at Passchendaele.

As the House has heard, and I hope Members agree, these commemorative events to mark the battle of Passchendaele will be both educational and poignant, and they will help us to reflect on this terrible war and battle 100 years ago.

--- Later in debate ---

[John Glen]

This has been an excellent debate that I hope puts the House in good standing with those who are watching. We have had 13 Back-Bench contributions and three excellent maiden speeches. I will not repeat the excellent words of the hon. Member for Cardiff West (Kevin Brennan), who speaks for the Opposition, in going through all of them, but I will mention the three maiden speeches.

First, I pay tribute to the words of the hon. Member for Bedford (Mohammad Yasin). The way he spoke about his predecessor does him great credit. The whole House will be aware of his commitment to Bedford, and we wish him well for his future in the House.

Secondly, I will not say too much to the hon. Member for Glasgow North East (Mr Sweeney) about quaking knees and trembling at the Dispatch Box, but it took me seven years to get here. I am pleased that it will only have taken him a few weeks. I wish him well in his career in the House.

Thirdly, I applaud the young hon. Member for Ceredigion (Ben Lake) on his composed and measured first contribution. He describes his constituency very fully as the capital of Welsh culture, which, from what I heard in other contributions today, is a contested title. I wish him well in the House, too.

I am grateful for all the contributions and, as I reflect on them, I will refer to my hon. Friends. As we have heard, the battle of Passchendaele, which touched communities across Britain and Ireland, and across the world, was a grim series of events. It is right that we take this opportunity to reflect on the bravery, endurance, service and sacrifice of those involved. We should particularly remember that conditions and casualties were horrific for soldiers on both sides.

In the spirit of the personal reflections that so many colleagues on both sides of the House have shared, I will read a first-hand account of Passchendaele given to me by my constituent Colonel Newbould, a distinguished battle tours veteran. It said:

“While I and others were taking supplies into the line at Ypres, we waded through mud all the way. It was very necessary to keep following the leader strictly in line, for one false step to the right or left sometimes meant plunging into dangerous and deep mud-pools.

One of our men was unfortunate enough to step out of line and fall into one of these mud-holes. Knowing from past experience that quick action was needed if we were to save him from quickly sinking, we got hold of his arms and tried to pull him out. This did not produce much result and we had to be careful ourselves not to slip in with him. We finally procured a rope and managed to loop it securely under his armpits.

He was now gradually sinking until the mud and water reached almost to his shoulders. We tugged at that rope with the strength of desperation in an effort to save him, but it was useless. He was fast in the mud and beyond human aid.

Reluctantly, the party had to leave him to his fate, and that fate was gradually sinking inch-by-inch and finally dying of suffocation. The poor fellow now knew he was beyond all aid and begged me to shoot him rather than leave him to die a miserable death by suffocation.

I did not want to do this, but thinking of the agonies he would endure if I left him to this horrible death, I decided a quick death would be a merciful ending. I am not afraid to say therefore that I shot this man at his own most urgent request, thus releasing him from a far more agonising end.”

That is the reality of the human misery that we are commemorating today. It is human misery that my hon. and gallant Friend the Member for Beckenham (Bob Stewart) spoke of with such personal authority when he said that war is disgusting and horrid. But it is important that we as a nation commemorate what happened, and I wish to remind the House that after these events on 30 and 31 July our focus will be on the centenary of the Armistice in November 2018. I urge Members from across the House to consider the resources available to ensure that their local constituencies engage in the commemorative programme.

Many Heritage Lottery Fund projects are taking place up and down the country, in which local communities are exploring and learning about their first world war heritage. Since April 2010, the Heritage Lottery Fund has awarded more than £86 million to more than 1,700 projects covering the whole of the UK to mark the centenary. Some 7 million people have engaged in first world war heritage. As the hon. Member for Cardiff West so rightly said, poetry, songs and arts keep us going. Secondary school students continue to join the battlefield tours, with nearly 1,500 schools taking part so far. The Government want to ensure a lasting legacy of first world war remembrance, and education. After all, we owe it to all those who bravely fought 100 years ago on our behalf. So whether attending events in Belgium or the UK, or watching on television, we will remember all those affected by this dreadful battle 100 years ago and ensure that they shall never be forgotten. It is right that this House remembers all those who made the ultimate sacrifice in the service of their country.

Question put and agreed to.

Resolved,

That this House has considered the Commemoration of Passchendaele, the Third Battle of Ypres.

Perth’s Cultural Contribution to the UK

John Glen Excerpts

Wednesday 5th July 2017 Commons Chamber

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)]

I congratulate the hon. Member for Perth and North Perthshire (Pete Wishart) on securing this debate about the city of Perth’s cultural contribution to the UK—and, indeed, the world. Once again, he has demonstrated that he is a passionate advocate for the city and its ambition to become the 2021 UK city of culture. Of course, as many in the House know, his cultural credentials are exemplary. He was a member of the bands Big Country and Runrig, and is the only MP ever to have appeared on “Top of the Pops”. He has been a passionate advocate for culture in this House.

While listening to the hon. Gentleman’s speech, I was very aware of the qualities of the bid. These are undoubtedly exciting times for Perth, the fair city, as indeed they are for the other 10 areas bidding for this prestigious title. I know that the shortlist announcement is eagerly awaited, and the independent advisory panel for the competition met recently to assess the bids. I will be carefully considering its recommendations before deciding the shortlist, and we expect to be able to let people know the outcome around the middle of this month.

I want to say a few words about the city of culture before I address the hon. Gentleman’s excellent remarks about Perth. The UK city of culture programme enables places in the UK—they do not actually have to be a city—to compete every four years to hold the title. UK city of culture status helps a place to use culture and creativity to regenerate and transform, attracting visitors, bringing communities together, promoting new partnerships and raising the profile of its culture. Competing places are expected to build a high-quality arts and cultural programme that reaches a wide variety of audiences and leads to lasting social and economic regeneration. Derry-Londonderry was the first UK city of culture in 2013, and Hull is the incumbent.

I have been very impressed by the wide range of places that have thrown their hat into the ring for 2021. We have the smallest cities from England and Wales, in Wells, and in St Davids and the Hundred of Dewisland. There are also larger cities such as Sunderland, Coventry and Stoke-on-Trent. As we have heard, we have an old town, in Paisley, and a new one, in Warrington. There is another rural bid from Hereford and a south-coast entrant, in Portsmouth.

Perth itself has ambitions to be a different type of city of culture from what we have seen so far, and that has been eloquently set out by the hon. Gentleman this evening. Smaller entrants may see the competition in a different way—as a means to support and strengthen communities, rather than to promote physical and economic regeneration.

I am very clear that the economic and social importance of culture to places is now widely acknowledged and uncontested. That was underlined in our culture White Paper, which was published last year by my predecessor, my right hon. Friend the Member for Wantage (Mr Vaizey), and it is equally recognised, I hope, in Scotland, Wales and Northern Ireland. Taking part in the arts improves self-esteem, confidence and health, and brings people together. It makes people feel good about themselves and the environment around them. Culture has played a big part in redeveloping and energising Liverpool and Hull. Their national and international profiles have soared as European capital of culture and UK city of culture respectively.

I want to spend a few moments assessing the effects of Hull 2017. Hull has seen a number of key benefits, and its UK city of culture year has also identified many opportunities for the future. I was fortunate enough to be able to see and hear about them first hand when I visited the city in my first week as Minister a couple of weeks ago. In 2013, when Hull was bidding for the title, little more than a third of residents participated in the arts. Now, nine out of 10 residents have attended or experienced a cultural event or activity as part of Hull 2017.

The first three-month season saw about 1.4 million visits to more than 450 events and activities. There were half a million visits to Hull’s museums and galleries in the first four months of the year, and visits to Ferens Art Gallery and Hull Maritime Museum are up by more than 500%. Moreover, 70% of residents say that Hull being the UK city of culture is positively affecting their lives. Almost everyone who has attended an event has enjoyed it. I am also delighted that there have been more than 100,000 hours of volunteering so far. All volunteers have my deep appreciation and thanks.

The economic boost is substantial, too, amounting to £60 million in 2017 alone. Hotel occupancy is up by 14% and train journeys are up by 17%. Almost 90 new businesses and 550 new jobs have been created since 2013, and more than half of city centre businesses reported benefits in the first three months of this year.

I really enjoyed seeing some of the fabulous Hull 2017 projects. A particular highlight for me was Ferens Art Gallery. Some £1.5 million of Government investment has supported the refurbishment of this world-class gallery, which shows some of the finest local and national art. We will continue to showcase the power of culture to transform communities through initiatives like UK city of culture and the great exhibition of the north, which will take place next year in Newcastle-Gateshead, which I also visited a couple of weeks ago.

Let me turn, very happily, to Perth’s bid for UK city of culture 2021. All the 2021 entrants have looked at Hull and seen the opportunities it would bring. We have heard today, very eloquently, about Perth’s ambitions. We have heard how the area faces a “quiet crisis” whereby many people in the region feel alienated. There is enormous beauty, but there are also pockets of poverty and social isolation. The city wants to better connect people in the rural areas, as my new hon. Friend the Member for Ochil and South Perthshire (Luke Graham), from the south of the county, has explained. We want the city of culture programme to help to tackle social isolation, to overcome the public transport barriers that put people off visiting city centre venues, and to help to develop a night-time economy. The city wants to shine a light on its present and future, as well as its glorious heritage. It wants to be seen as one of Europe’s great small cities. Perth’s creative industry sector currently has the capacity to expand, it would be fair to say, so it wants to attract new talent and encourage existing talent to remain.

Perth has already shown with the Ryder cup that it can welcome huge numbers of international visitors, and it wants to sustain that level of tourism. It possesses an enviable collection of cultural and heritage assets. St Ninian’s cathedral, a category A-listed building, has received more than £150,000 from the Heritage Lottery Fund for restoration works. The HLF has also recently provided funding for repairs to St Stephen’s Roman Catholic church, the Perth and Kinross Heritage Trust, and the Croft Woodlands Project.

Perth concert hall is currently hosting the Southern Fried festival of American roots music, and it will be one of the venues for the 2021 Royal National Mòd, if the bid is successful. The Black Watch Museum hosted the ceramic poppy sculpture “Weeping Window” last year as part of the 14-18 NOW first world war centenary arts programme. There are plans to transform Perth’s city hall and ambitions for it to house the stone of destiny.

[Luke Graham]

It is great to hear my hon. Friend listing Perth’s many virtues. Since a Scottish city is yet to be awarded UK city of culture status, does he agree that it is time for the award to come to Scotland—and what better city than Scotland’s newest city in Perth?

[John Glen]

My hon. Friend makes a passionate case. As I said earlier, we do not have much longer to wait.

Perth theatre and St Paul’s church are also being refurbished. I also want to highlight the UK cultural contribution of Perth Museum and Art Gallery. It has hosted the joint Tate and National Galleries of Scotland project “Artist Rooms”. The recent £10 million investment in the gallery offers an exciting opportunity to partner with Tate Britain, focusing on the gallery’s outstanding collection of paintings by John Duncan Fergusson.

I cannot emphasise enough that whoever is the ultimate winner, Perth, like all the bidders, will benefit from having entered the competition. Dundee’s bid for city of culture 2017, although it was ultimately unsuccessful, brought incredible benefits to the area. Dundee has gone ahead with the V&A Dundee Museum of Design and plans to bid to become European capital of culture in 2023. I am very clear that preparing a bid generates new ideas, creates new partnerships and energises the cultural sectors. A candidate city can have a higher profile both at home and abroad, which may bring new investment and opportunities to attract many more visitors. Remember, Hull was successful only the second time around. The area learned so much from its first attempt, and it used that learning when making its successful bid for 2017.

I commend Perth for its ambition in seeking to become UK city of culture 2021 and the enthusiasm that it has shown throughout the bidding process. The prize of UK city of culture status is huge, and I am delighted to see so many—and such diverse—areas seeking the rewards that placing culture at the heart of their offering can bring. The UK has unmatched cultural assets. The UK city of culture competition unleashes the power of culture to transform places’ futures through ambitious, inspiring and groundbreaking projects.

I pay tribute once again to the hon. Member for Perth and North Perthshire and colleagues on both sides of the House, and to Perth and Kinross Council, for all their determined support for Perth’s bid. There is now only a short wait until the House, the country and the world will know which bids will be shortlisted.

Question put and agreed to.