Coventry City of Culture

Geoffrey Robinson Excerpts

Tuesday 5th September 2017 Westminster Hall

[John Glen]

My right hon. Friend’s point is, as always, well made, and she is right. It is useful to have the widest possible base of support across the whole region.

This year, 11 places made an application to become the UK city of culture in 2021 and, following a recommendation from the independent panel chaired by the excellent Phil Redmond, I recently agreed a shortlist of five. It was not an easy decision, as all the bids had real merit. However, I am delighted that the shortlist contains cities representing England, Scotland and Wales, each of which makes a strong case. I have been impressed by the full engagement of all the places making bids. It is even more gratifying to see that making a bid has become a valuable process in itself. It has proved transformational in raising a city’s profile and developing a clear set of cultural aspirations for the future. Feedback from the places that did not make the shortlist—Hereford, Perth, Portsmouth, St Davids, Warrington and Wells—confirms that.

Now, along with Coventry, the other shortlisted places—Paisley, Stoke-on-Trent, Sunderland and Swansea—are embarking on the final stages of the process. I shall announce the winner by the end of this year. There is clearly much to be gained by the winning city. Taking part in the arts can improve self-esteem and confidence. It makes people feel good about where they live and about themselves, raising aspiration and bringing communities together. The arts and culture, through their ability to engage, inspire and challenge us, are instrumental in helping to break down barriers to participation and engagement across race, disability, age, gender, sexual orientation and socio-economic disadvantage. The economic and social importance of culture to place making has never been more understood and acknowledged. That is underlined by the culture White Paper and is evident in emerging data and evidence coming from Hull—the incumbent UK city of culture.

Before I address Coventry’s bid, it may be helpful to set the potential benefits that the city of culture title brings against what has happened in Hull this year. As recently as 2013, The Economist, which really should know better, suggested that declining northern cities should be abandoned. However, only three years later and still not even into its official year as city of culture, Hull became the only UK city to make Rough Guides’ top 10 cities in the world to visit, alongside Vancouver, Reykjavik and Amsterdam. That seemingly remarkable transformation is now backed up by the data emerging from the evaluation of the first three months of this year, including hotel occupancy being up almost 14%, a 17% increase in rail passengers and 37% of local businesses reporting an increase in turnover.

Of course, it is not only about economic regeneration. It is extremely heartening to learn that, in the first three months of 2017, nine out of 10 people living in Hull took part in a cultural activity, and that Hull 2017’s volunteers had already undertaken more than 100,000 volunteer hours. Those are amazing achievements for which Hull City Council and the Hull UK City of Culture 2017 company can be hugely proud.

On Coventry’s bid to become UK city of culture 2021, I acknowledge that the city has much to be proud of. Its contribution to UK culture is already impressive, from Lady Godiva to The Specials and 2 Tone, and it is also home to some of our most important medieval and post-war architecture. Throughout the bidding process, it has sought to highlight its cultural diversity and its rich heritage. Coventry hopes to use the power of culture to cross boundaries, create understanding, nurture respect and embrace humanity. As a city of invention and reinvention—as we have heard from various colleagues —it wants to create a digitally connected and international place, to reimagine the place of culture in a diverse, modern Britain.

[Mr Geoffrey Robinson (Coventry North West) (Lab)]

I am sorry for intervening so late in the debate, Sir David, but I knew I could count on your indulgence, for which I am very grateful, and, indeed, on the Minister’s. I will say a few words along the lines of exactly what the Minister was saying about Coventry. It is all of the things he said, but it is also a city of youth—that is our appeal. On the grounds that Scotland and the north-east have had a city of culture, and Londonderry in Northern Ireland was the city of culture, if there is any sort of turn to be taken or regional coverage to progress, it is clearly time for the midlands to have one. Coventry is at the centre of the midlands, which is at the centre of our bid, and we can assure the House and the country of a very fine series of great, exciting and innovative events, in line with the long tradition of innovation in Coventry.

[John Glen]

I thank the hon. Gentleman; I will reference him later in my remarks. His point about the engagement with youth and the value of the wider application of this title to the area was well made.

Coventry has a rich architectural heritage, with St Mary’s Guildhall, the Charterhouse and, of course—as we heard from my right hon. Friend the Member for Meriden—the magnificent cathedral, which is one of the city’s most important assets and, as a living architectural symbol of the UK’s post-war reconstruction and hope, perhaps one of the most important modern buildings in the UK. The city is also home to two universities, which both contribute to the cultural assets of the city and the UK. Coventry University has developed a strong reputation for the quality of its arts and media courses and for its work as an incubator of the next generation of young talent in the cultural and creative industries. I believe we have at least one of its alumni here today.

Some of Coventry’s other great cultural assets include the Belgrade theatre—the main building-based producing theatre in Coventry—and Warwick arts centre, on the University of Warwick campus, which is one of the largest multi-art form venues in the UK, delivering an extensive programme of performing and visual arts and film. There is also the highly respected Coventry transport museum, which houses the largest publicly owned collection of British vehicles in the world and tells the story of Coventry and its people through the development of the automotive industry. The museum will no doubt hold many memories for the hon. Member for Coventry North West (Mr Robinson), who was involved in the motor industry there for many years. The city’s arts and exhibition space, the Herbert art gallery and museum, hosts major touring exhibitions and permanent galleries chronicling the history of the city.

Coventry is also home to a number of exciting contemporary arts organisations and individuals, and has shown how it can deliver exciting, large-scale events. For example, the Godiva festival is an annual free festival that attracts more than 140,000 visitors. It has a genuinely diverse family audience, drawing from a wide range of communities and across the age spectrum. There is also the Festival of Imagineers, run by Imagineer Productions, which is a week-long festival celebrating innovation linking art, design and engineering, and acting as a catalyst for new creative work at the intersection of art and engineering.

On funding, significant cultural investment has been made in those and other projects and programmes in Coventry over the years. In the 21 years since the Heritage Lottery Fund was created, more than £30 million has been invested in 125 separate projects, including more than £12 million on historic buildings and monuments and more than £4 million on parks. Over the past seven years, Arts Council England has invested more than £21 million, supporting a range of arts organisations and excellent, innovative projects.

In June, ACE announced future funding for 2018-22 to its national portfolio of organisations in Coventry of £8.3 million. That is an increase of almost a third, from £1.5 million a year during the current period to more than £2 million a year for the 2018-22 period. That four years of confirmed funding gives those organisations the ability to plan ahead and develop strategic partnerships, which in turn bring more cultural product and funding into towns and cities.

The cumulative impact of that investment has helped to drive the ongoing development of this historic city. I know there are many more plans in the pipeline, including for Drapers’ Hall, which has received £1 million from the Government, to develop as a venue for music performance and education. Most recently, Coventry has been awarded just under £1.5 million from the Arts Council and Heritage Lottery Fund’s Great Place scheme to stage a programme of events celebrating the heritage and communities of Coventry. The award builds on the city’s new 10-year cultural strategy, its cultural destinations award and its bid to be UK city of culture.