UK Telecommunications
Rupa Huq Excerpts(4 years, 4 months ago)
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Oliver Dowden
Of course, I would be delighted to come to my right hon. Friend’s Select Committee and outline in further detail the steps that we are taking. In essence, those are to secure the existing supplies and then get new ones in, and we are making good progress on that. Ultimately, it is the Open RAN solution, which means doing things such as launching a flagship Open RAN test bed with mobile network operators and establishing an Open RAN systems integration expert centre through the national telecoms lab. We have a whole range of measures that I am happy to talk to him about at length.
Dr Rupa Huq (Ealing Central and Acton) (Lab)
When I was in China with other MPs a couple of years back, our delegation leader, Ken Clarke, kept going on about how this was a golden era for relations between our two countries. Obviously this is another U-turn, along with school dinners, face masks and the NHS surcharge. Could the Government now apply some consistency to their risky regime standards and stop the UK export of telecommunications spyware and wiretaps to Bahrain, the Philippines, Saudi Arabia and the United Arab Emirates—or did taking back control actually mean handing it over to Trump to settle his old scores and being special relationship poodle?
Oliver Dowden
I think the hon. Lady knows that we have appropriate export controls in relation to all the things that she mentioned.
Oral Answers to Questions
Rupa Huq Excerpts(4 years, 5 months ago)
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Oliver Dowden
The hon. Gentleman is absolutely right to highlight the rich value of culture both to individuals and to our wider economy in the creative industries. I have been engaging extensively with arts organisations and others. That is why I have appointed Neil Mendoza as a cultural renewal commissioner to come up with proposals in this area. I am absolutely determined that, as we go through this crisis, we ensure that we retain the huge strength we have in this nation in the cultural sector.
Dr Rupa Huq (Ealing Central and Acton) (Lab)
My constituents, Stuart and Laura McKay, sank their life savings into a holiday let in East Sussex. It was running successfully for a year, then coronavirus arrived. They are on zero income at the moment, and they do not qualify for any of the schemes because they are trading too newly. They ask whether the Government could introduce something to allow holiday lets for homes, to restart the sector, if we are all going to staycation? They say that, because of Dominic Cummings, they are not hopeful, but maybe the Secretary of State can prove them wrong.
Oliver Dowden
As I have said, I am keen that we get the tourism sector going as rapidly as possible. We have set the ambitious target of 4 July, and if we can do it consistent with public health, we will do so. Self-contained accommodation has a lower risk than other areas, so I would hope that that will be at the front of the queue.
Economy and Society: Contribution of Music
Rupa Huq Excerpts(4 years, 10 months ago)
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Conor McGinn
Absolutely, they are the very definition of holistic therapy. Nordoff Robbins has worked with over 10,000 vulnerable people, holding 37,000 music therapy sessions in 15 different places across the country, and 90% of those who had music therapy last year were clear that it improved their quality of life.
According to a report by the all-party parliamentary group on arts, health and wellbeing, music therapy reduced agitation and the need for medication for 67% of people with dementia. We can all think of many fantastic examples in our constituencies of groups who use music in working with people with dementia.
In Labour’s recent charter for the arts, my party noted the important role of the arts in mental health and wellbeing. I am sure that my hon. Friend the Member for Cardiff West (Kevin Brennan) will speak more about that from the Front Bench. All the evidence suggests that children who are engaged in education through music, or similarly through other subjects such as drama and sport, do better at core subjects such as maths and English. Music can help give young people confidence and creative release. It teaches teamwork and problem-solving skills, and it is often the reason why a child wants to go to school in the first place.
The contribution of the music industry is not just a fantastic national story. The data in UK Music’s report show the tremendous contribution it makes in every town and city across the UK. Merseyside is, of course, synonymous with world-leading British music, and I do not just mean Liverpool. In St Helens, we have a number of excellent local studios that encourage young musicians to nurture and develop their creative talents, such as Jamm, Elusive and Catalyst. Sadly, the Citadel, one of the first music halls in the country, recently closed its doors, but remarkably it has already reinvented itself as an excellent arts provider, using its strong brand to maintain contact and access for people who want to get involved in music and the arts. The Theatre Royal, as I mentioned, as well as other venues, host live music weekly.
St Helens is also the birthplace of: Sir Thomas Beecham, one of the country’s greatest conductors, known for his association with the London Philharmonic and Royal Philharmonic orchestras; the Beautiful South’s vocalist Jacqui Abbott; and Budgie, the drummer with Siouxsie and the Banshees. It is also importantly home to the Lancashire Hotpots. Of course, Rick Astley is from Newton-le-Willows, where I live. I commend him on playing a fantastic gig in his home town last year at Haydock Park racecourse and I commend the Jockey Club on its fantastic initiative, using its venues to promote music alongside horse-racing.
Dr Rupa Huq (Ealing Central and Acton) (Lab)
May I put on record my appreciation of Ealing, which may be little known as a big centre for music, in a heritage way as well? The Who met in Ealing and the Rolling Stones first played there. More recently, we have had Naughty Boy. Does my hon. Friend share the concern of some current musicians that, with Brexit, live touring is in doubt? Any free trade agreement should prioritise that.
Conor McGinn
I do, and I will come to that in my closing remarks.
I could say much more about music in my constituency—I am keen to talk about it to anyone who wants to listen to me—but I want to let other colleagues in, so I will move on, but, before I do so, I want to mention our strong brass band tradition. I am proud to be the vice-president of Haydock Brass Band. We have Rainford Band and Valley Brass. We also have the fantastic St Helens Youth Band, which is nurturing the next generation of talent, and the amazing all-female Trinity Girls Brass Band. They are all national award winners. We also have a fantastic male voice choir in Haydock, which has recently won a national competition.
The St Helens music education hub, led by the local council and supported by the Arts Council, is supporting opportunities for schoolchildren to be introduced to music, but it needs more funding and support.
It is clear that music makes a huge contribution, both economically and socially, in our local communities. What do we need to do to ensure that it continues to flourish in the challenging years ahead? I will briefly highlight some areas that the Government need to focus on during this Parliament as part of an integrated strategy for music.
First, grassroots music venues remain vital to both artists and audiences, but they are still, as has been mentioned, closing at an alarming rate. We must continue to monitor that and respond accordingly. My right hon. Friend the Member for Warley (John Spellar), working in collaboration with the Government, did a tremendous job to ensure that planning laws were amended to integrate the agent of change principle to protect music venues from closure.
[Siobhain McDonagh in the Chair]
Challenges still exist on business rates. I welcome the commitment in the Queen’s Speech to ensuring that music venues benefit from rate relief, but when precisely will that come into effect? Will the Government commit to more frequent business rate revaluations to guarantee that huge hikes in rates do not occur again?
Secondly, copyright provides the framework of growth for music. New protections for creators are coming in the form of a copyright directive that will enable fairer payment to musicians from services such as Google’s YouTube, but our expected departure from the EU may mean we cannot implement the directive after all. Will the Government outline their plans to implement the spirit of the copyright directive and other legislation? The deputy chief executive of UK Music, Tom Kiehl, recently wrote to the Prime Minister. Will the Minister let us know when he can expect a reply?
Thirdly, despite music’s success, there remain significant challenges to our talent pipeline. It is fair to say that we face a crisis in music education, which underlines the threat to our ability to develop future talent. Arts funding in St Helens, which includes music, is down by a quarter since 2013. One of the most working-class areas in the country, which has a proud tradition of music, has seen its funding diminish. Over the past five years, the number of people studying A-level music has declined by 30%. We know that social divides are leading to inequality of opportunity, so will the Government work with schemes such as UK Music’s rehearsal spaces network to increase the provision of music in areas like St Helens? The Government’s commitment to an arts premium might present benefits, but when does the Minister expect to come to the House to provide more detail on what that will entail? Can we see progress on the new national plan for music education?
Fourthly, we know about the importance of music exports: the Government currently support the music export growth scheme, and the international showcase fund contributes to that. What plans are there to ensure that funding remains for those vital schemes?
Fifthly, the music industry relies on workforce that is heavily self-employed—about 72%. What plans do the Government have to make it easier for self-employed people to participate in shared parental leave, given their current disqualification and the benefits to overall diversity in allowing them to participate? I pay particular tribute to my friend Olga FitzRoy for her work on that.
Fiscal incentives such as tax credits have produced huge benefits for other creative sectors, but currently music does not benefit from the same mechanism as film, TV and video games. Will the Minister commit to working with the Treasury to see whether similar support can be made available?
Finally, Brexit and the loss of freedom of movement, in both people and goods, could have a profoundly negative impact on the live music touring experience. Will the Government work towards a passporting arrangement, so that there is a reciprocal system and musicians can continue to perform with minimum disruption post-Brexit? Will they work with EU member states to ensure that the imposition of a carnet system on music equipment does not cause delays to gigs?
In closing, I pay tribute to UK Music, the umbrella body for the commercial music industry. Its chief executive, Michael Dugher, formerly of this parish, will soon be moving on to new pastures. On behalf of everyone in this place who takes an interest in music, I pay great tribute to the tremendous work he has done and the way in which he has led his organisation to aid our understanding.
I applaud the work of UK Music’s chairman, Andy Heath. Andy has been at the helm of UK Music since its inception and has held together the interests of its members. When I look at the unity of purpose within UK Music, in a very diverse sector, and then look at other sectors that do not have that, I see how his formidable leadership has brought people together.
PRS for Music is led by the excellent, recently-appointed Andrea Martin, alongside long-standing chairman, Nigel Elderton. I have a special award for John Mottram who does a lot liaising with Members of this House to promote music.
PPL is led by the superb chief executive Peter Leathem, who, like me, is of good Armagh stock. I applaud the other UK Music members—the Association of Independent Music, the British Phonographic Industry, the Featured Artists Coalition, the Ivors Academy, the Music Managers Forum, the Music Publishers Association, the Music Producers Guild and the UK Live Music Group. They have worked together with great tact and diplomacy, and influenced this House. I especially thank Horace Trubridge and the Musicians’ Union. He is held in high esteem in the trade union movement and the music industry, delivers much for the union’s members and plays a hugely constructive role.
The day before the Prime Minister took office in July, the outgoing Administration produced a disappointing response to the Digital, Culture, Media and Sport Committee’s excellent report into live music. The response failed to grasp the true ambition and potential of our music industry, or to adopt some reasonable and sensible recommendations made by the Committee. This debate presents an opportunity for the new Government. I welcome the Minister, who is returning to his place; I know how much he is personally invested in the subject and pay tribute to him for it.
The new Government can start afresh and set out a new and exciting strategy for how they see the music industry contributing to our lives. I look forward to hearing the rest of the debate, and I welcome the support of other Members in this aim.
Oral Answers to Questions
Rupa Huq Excerpts(5 years, 6 months ago)
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Michael Ellis
Well, in school I played Sir Roderic Murgatroyd from Gilbert and Sullivan. I felt that I had to mention that.
The Government are currently considering the results of a consultation on strengthening the process for retaining national treasures. When an owner or foreign purchaser wishes to export a national treasure and does not accept the matching offer from a public body that has taken the trouble to raise the funds to purchase it, that will be taken into account when making a decision on the export licence application and a licence will normally be refused. However, the owner is not currently compelled to display the item. We are looking at that in greater detail at the moment through the consultation.
Dr Rupa Huq (Ealing Central and Acton) (Lab)
The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (Michael Ellis)
Local authorities have a statutory duty to provide a comprehensive and efficient library service. My Department monitors proposed changes to library service provisions by local authorities, and if DCMS receives a complaint that a council may be failing to meet its statutory duty, we challenge those councils and carefully consider the evidence before deciding if a local inquiry is needed.
Dr Huq
The Manic Street Preachers said “Libraries gave us power”, but since 2010, 230,000 library opening hours have been lost and 127 libraries in England have completely shut their doors. I have three under threat in my constituency. I listened to the Minister’s answer. What advice or assistance can he give Ealing Council, which is struggling to keep its statutory services going with a 64% cut from the Government, to keep these engines of social mobility alive?
Michael Ellis
I would ask Ealing Council, as with other councils, to look at local authorities that are investing in libraries. Local authorities around the country of every political hue are opening, expanding and developing libraries. The first reaction to those facing budgetary challenges ought not to be to cut cultural items, but to provide support for them, and other local authorities have proven that they can do it.
The Solicitor General
As the hon. Gentleman will know, rape is one of the most difficult offences to prove, with cases often relying on say-so and the testimony of individuals—the evidence of two people. I recently met the Director of Public Prosecutions to discuss the issue, and he reiterated the importance of collecting evidence in these terrible crimes so that we can bring successful prosecutions.
Dr Rupa Huq (Ealing Central and Acton) (Lab)
The Attorney General (Mr Geoffrey Cox)
The Crown Prosecution Service works closely with the police, including by providing early investigative advice, to consider any allegations of electoral fraud in accordance with the code of Crown prosecutors. The Crown Prosecution Service recognises the importance of protecting democracy, and all cases involving election offences are referred to specialist prosecutors within the Crown Prosecution Service’s special crime and counter-terrorism division.
Dr Huq
Of 266 reported electoral fraud cases last year, only one resulted in a conviction. The Vote Leave campaign dropping its appeal is as good as its admitting the illegality and illegitimacy of the 2016 referendum result. When will electoral law breaking be treated as a serious crime? Will the Attorney General also ensure that there is a full, transparent, independent inquiry into the foreign funding of Nigel Farage’s new vehicle?
The Attorney General
The hon. Lady is quite right that electoral fraud is serious. From whichever side it comes—a referendum campaign or a political party—it must be dealt with according to the law, and it is dealt with unflinchingly. We have an independent Electoral Commission that investigates electoral fraud, and it is right that the Government should allow the commission to be independent, as it must be. However, if a case is referred to the Crown Prosecution Service, it is dealt with precisely according to the code in the same way as any other offence. It is dealt with by trained specialist prosecutors, and a single point of contact in each police force is also trained in election offences. While there may be many allegations, those that are fit for prosecution will be prosecuted—I can give the hon. Lady that assurance.
Oral Answers to Questions
Rupa Huq Excerpts(5 years, 8 months ago)
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Jeremy Wright
No, but what is truly cynical is to criticise the Government for the transfer of a financial liability without any hint whatsoever from Her Majesty’s Opposition that they would be prepared to take it back. So I would be very interested to hear whether it is the policy of the Labour party, in government, to take this responsibility back into the Government’s hands, and exactly what would be cut, what extra would be borrowed or what taxes would be raised to pay for it. Otherwise, it is just hot air.
Dr Rupa Huq (Ealing Central and Acton) (Lab)
The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (Mims Davies)
The Charity Commission performs a vital role as the independent regulator and registrar of charities in England and Wales. The National Audit Office conducted a review of the commission as recently as November 2017 and was positive in its findings. The commission continues to regulate robustly to ensure that the public can support charities with confidence.
Dr Huq
Some £43 million of public money going on a bridge across the Thames on which zero construction occurred has led us all up the garden path and now we know that the trust is being wound up. The Charity Commission says it will do no further investigation, so will the Government instigate an independent inquiry so that lessons are learned and no project like this ever has the same fate? Frankly, to have a regulator that is not regulating feels useless.
Mims Davies
The hon. Lady raises the specific issue of the Garden Bridge Trust, which is concerning. The commission has rightly scrutinised the trustees’ conduct and management, and the charity itself, carefully, and it continues to monitor the charity’s progress on winding up. I understand that the commission intends to publish a concluding report on the running of the trust and to learn those wider lessons, setting them out for policy makers so that we can learn from them. I am happy to hear from the hon. Lady if she has further concerns.
Oral Answers to Questions
Rupa Huq Excerpts(6 years ago)
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Michael Ellis
My Department is working very hard on that matter. We have been pursuing it and we continue to do so.
Dr Rupa Huq (Ealing Central and Acton) (Lab)
Tourism should not just be beaches and city breaks. The wonders of Ealing include our world famous studios of Ealing comedy and Downton fame, the basement blues club where the Stones first played, and the Questors theatre, the biggest am-dram venue in the world. They should all be linked together in a cultural quarter, but our council is cash-strapped in its provision of even the most basic services. The Minister mentioned the effect of Brexit on the number of overseas visitors. [Interruption.] So my question is—[Interruption.] I was building up to the question, Mr Speaker; thank you for reminding me. What are the Government doing to put suburbs on the tourist trail?
Michael Ellis
We want to support tourism around the country, and of course that includes Ealing. The hon. Lady mentioned Ealing Studios and the Ealing comedies—I think I have a box set actually—and the reality is that VisitBritain and VisitEngland support lots of programmes around the country. [Interruption.] Some of the comedians are on the Opposition Benches at the moment.
Oral Answers to Questions
Rupa Huq Excerpts(6 years, 5 months ago)
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Michael Ellis
Actually, huge investment—an unprecedented amount—has gone into the railways. Our tourism figures are up—they are up vastly on previous years—and they continue to rise, so I do not accept the premise of the hon. Lady’s question. We work very hard to encourage as much tourism as possible, including sports tourism.
Dr Rupa Huq (Ealing Central and Acton) (Lab)
The Minister for Digital and the Creative Industries (Margot James)
The live music industry is a vital part of the UK’s economy, contributing £1 billion annually. We have announced that the agent of change principle will now be included in the national planning policy framework, helping to protect music venues when new housing is built. We will continue working across Government, and with the industry and the Musicians Union, on a range of measures to support the live music industry.
Dr Huq
From Arcade Fire at Wembley to Lovebox at Gunnersbury Park, big gigs in west London are booming, but small venues are on the brink of extinction. The Spinning Wheel in Ealing is now a Sainsbury’s and The Castle in Acton is earmarked to become student housing. What are the Government doing to protect our pubs from rocketing business rates, greedy developers and, now, the shortage of CO2 that is threatening to take the fizz out of beer for fans?
Margot James
The hon. Lady mentions business rates. A £300 million rate relief fund is available to councils to provide flexible support to businesses, including music venues, which I accept cannot hike prices in order to protect themselves. I would draw her attention to successful small venues, such as Base Studios in Stourbridge, which has adopted a very entrepreneurial route and is thriving.
Oral Answers to Questions
Rupa Huq Excerpts(6 years, 8 months ago)
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Margot James
Although the BBC is operationally independent of Government, it must act within the law. We welcome the publication of the BBC’s review of on-air pay and plans to establish a pay policy that rewards people fairly, but it is for the Equality and Human Rights Commission to consider whether to investigate, as the regulatory body responsible, and it has already been in touch with the BBC.
Dr Rupa Huq (Ealing Central and Acton) (Lab)
The Minister of State, Department for Digital, Culture, Media and Sport (Margot James)
I sympathise with the hon. Lady, as I was expecting my other question to go on a bit longer, too.
Music is one of the greatest exports for the UK, and we are determined to ensure that, after Brexit, UK musicians can tour not only the EU but the rest of the world. My Department is working closely with the Department for Exiting the European Union to ensure the best possible outcome for touring musicians on Brexit.
Dr Huq
It is so long since I have had a question, Mr Speaker—[Laughter.]
Ealing, uniquely, boasts a plaque on the spot where the Rolling Stones played their first ever gig, in 1962, but international success such as they went on to achieve is imperilled by the fact that when we leave the EU we will leave behind restriction-free movement for musicians, who travel with all their gear and often at short notice. Will the Government consider UK Music’s proposal for an EU-wide music passport covering crews and haulage, so that bands can continue to bring in £1 billion to the economy and so that fans can enjoy them, too?
Margot James
I assure the hon. Lady that nothing would have stopped the success of the Rolling Stones, but she raises a good idea and we will look into all of those things. We are determined to enable musicians to tour Europe effectively after Brexit, and we are supporting them with the music export growth scheme. More than £2 million has been invested to promote 150 acts, and we have to enable them to travel in the way she suggests.