Mandatory Digital ID

Pete Wishart Excerpts
Tuesday 21st October 2025

(1 week, 2 days ago)

Westminster Hall
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Pete Wishart Portrait Pete Wishart (Perth and Kinross-shire) (SNP)
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I beg to move,

That this House has considered the matter of mandatory digital ID.

It is a pleasure to serve under your chairship once again, Mr Turner. I did not know I was so popular today. I am delighted to see so many colleagues joining us in this short debate. I warmly welcome the Minister to his new role. We were shocked and appalled by his unjustified defenestration at the Scotland Office. We were energetic supporters of the “get Ian a job—any job” campaign, so we are delighted to see him here in his rightful place today. It has to be asked, though: who has he upset in the last few weeks to be landed with this particular poisoned chalice? But here we go again. It has taken 20 years, but ID cards are back, this time in a shiny new digital format, turbocharged by all the new features of modern technology.

Tony Blair famously tried to introduce ID cards back in the 2000s before being forced to abandon them by a fantastic campaign by civil liberty campaigners, Members of this House, and the millions of ordinary UK citizens who simply refused to have ID cards foisted upon them. But they are back. Like a spectre from the political grave, ID cards are with us once again. It is just possible that Tony Blair might reach his ultimate aim and aspiration of getting ID cards back, only this time in the form of his proxy, the current Prime Minister.

I had the misfortune of being around back in the 2000s, along with the right hon. Member for Goole and Pocklington (David Davis), who is sitting behind me. We were part of the campaign that defeated Tony Blair at that point, and we look forward to defeating him again. The tone of the debate seems eerily familiar. Once again we have a Government earnestly assuring us that digital ID is a benign, benevolent scheme designed purely to make life easier for the general public. They talk about the Tesco clubcard and never having to find your utility bills ever again, as though it is nothing more than a boarding pass. It is a sort of, “Do not worry your silly little heads about this mass data collection or our new-found ability to monitor your every move. We are the UK Government; of course you can trust us.”

Well, we have heard it all before, and we know that this campaign is only going to be ramped up because the concerns remain the same: the threats to our privacy and civil liberties, the risk of mass surveillance, the dangers of Government overreach, and the too real vulnerabilities that come with storing vast quantities of personal data. We have only to look at the newspaper headlines this morning to see the true effects of that particular fear, with the breakdown in Amazon workplaces. Imagine if it were the personal data of everybody across the United Kingdom.

Scott Arthur Portrait Dr Scott Arthur (Edinburgh South West) (Lab)
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I thank the hon. Member for securing this debate, because it is an issue that the general public are engaging in. He will know that Scotland has its own identity card, known as the Scot card, which is used to store benefits data, debt data, the checks to make sure people can work with vulnerable people, court data and tax data. It is quite incredible. There are real fears that this—

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Scott Arthur Portrait Dr Arthur
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Does the hon. Gentleman share the concern of Big Brother Watch that there is a mandatory ID system in Scotland in all but name? Does he share the concerns of my residents that the data could be leaked?

Pete Wishart Portrait Pete Wishart
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I am not going to waste time responding to all that nonsense. It is a voluntary scheme. Does the hon. Member know the difference between voluntary and mandatory? All he needs to do is shake his head or nod. The detail is at hand. This new scheme has been objected to because it is mandatory—one of the few mandatory ID systems anywhere in the world. The Scot card is great. It is up to the individual user what gets put into it and what gets shared.

This new scheme could barely have got off to a worse start. Support for digital ID has collapsed since the public have been able to see the Government’s proposals. The petition calling for the proposals to be scrapped has become one of the fastest growing ever. It is now at almost 3 million signatories, and I am pretty certain that by the time I sit down it will be well over 3 million.

I heard the Minister’s car-crash interview on Radio Scotland. He told us simultaneously that the Government plans were both compulsory and voluntary, and went on to say that apparently digital ID would be “mandatory for some purposes”—a sort of partial compulsion, a digital half-pregnancy. Maybe this is a Schrödinger’s Britcard.

Alex Easton Portrait Alex Easton (North Down) (Ind)
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Does the hon. Member agree that the vast majority of the population across the UK, including in Northern Ireland, clearly see this for what it is—as a breach of their data, as spying on them—and that the mass of the population are now opposed to it?

Pete Wishart Portrait Pete Wishart
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Absolutely. As I said, support for it has been plummeting right across the United Kingdom, and I am not surprised.

Let us just dispel the notion that this is voluntary. This is a mandatory scheme. It is compulsory. It is to be compulsory for work, and if it is compulsory for work, it will be mandatory full stop. The only people who will not need one of these Britcards are those who plan never to work, rent a home, have access to public services or take part in normal life.

As we know, all this emerged from our friends in Labour Together. It was they who first proposed it, and it has been adopted by the Labour party. For some reason, they thought they would call it the Britcard—almost immediately alienating most of Scotland and probably about half of Northern Ireland at the same time. Given its recent controversies, it is probably a good idea for the Minister and his Government team to stay as far away from Labour Together as they possibly can.

Let us have a proper look under the bonnet of the great British Britcard. The Government say that it will be free of charge this time around, and available to all citizens and legal residents. So far, so good, but we still do not know its reach. Who will be expected to take one? There are already rumours that 13-year-olds might have to have a Britcard, although that has been disputed by the Government, and we already know that our veterans will be the first of the many digital guinea pigs.

Stuart Anderson Portrait Stuart Anderson (South Shropshire) (Con)
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As a veteran, I was disgusted to see yesterday that veterans are being used as guinea pigs, with a smokescreen, to test this system. Our veterans do everything for us. They are brave people. They should not be the ones on whom this is tested. Does the hon. Member agree?

Pete Wishart Portrait Pete Wishart
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I most definitely agree with the hon. Gentleman. It is absurd and unfair that our veterans are the guinea pigs who will test this out for the Government.

We are told that digital ID is essential to tackling illegal working and illegal migration. When we look at the evidence on mandatory ID across the world, that just does not stack up. Under the Government’s plan, anyone seeking work must prove their right to work through this digital ID, giving the Home Office sweeping new powers over individuals’ daily lives, from employment to housing and basic public services. There is no clear evidence whatsoever, from anywhere mandatory ID is in place, that it reduces illegal working or irregular migration.

Let us be absolutely clear: illegal working does not stop because people are forced to carry digital ID cards; it stops when people are allowed to work legally, contribute to society and live without fear. Big Brother Watch has called mandatory digital ID a “civil liberties nightmare”, and it is absolutely right. Amnesty International warns that such a scheme risks becoming “a honeypot for hackers” and a tool for state surveillance—again, absolutely right.

The UK has never been a nation where it is normal for someone to have to prove who they are when they are not suspected of doing anything wrong. I do not share the concept of being British, but there is something particularly un-British about having to surrender huge amounts of personal data just to access basic services. A “papers, please” culture, even in digital form, seems so alien to this country.

Alistair Carmichael Portrait Mr Alistair Carmichael (Orkney and Shetland) (LD)
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I agree with most of the hon. Gentleman’s conclusions. Does he agree that, in hindsight, the Scottish Government’s use of a covid passport was a mistake, especially in a way that exposed the Government to criticism from the Information Commissioner about the lack of transparency on how that data was used?

Pete Wishart Portrait Pete Wishart
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We are getting a little bit off-track, but I will answer that because the right hon. Gentleman needs an answer: no, I do not think that was a mistake. It was the correct thing to do.

Mandatory digital ID would fundamentally change the trust-based relationship between citizen and state, replacing it with one of constant verification and oversight. Let us not forget about the danger of mission creep. Once this type of infrastructure exists, it rarely stays confined to its original purpose. The Government say that the police will not be able to demand to see a person’s digital ID, but does anyone seriously believe that will not change over time?

This is about not just what this Government might do, but what every future Government might do. We are empowering not just this Labour Government, but every Government that will come after it. Imagine Prime Minister Farage, with all his authoritarian tendencies, with the data of the nation at his fingertips. It scares me half to death and it should scare the whole House half to death.

Then there is the cost. The Government have been very coy about the cost. They are reluctant to give us even a ballpark figure, and they are absolutely right—those prepared to work out an estimate on their behalf have said that, initially, this could cost anything between £1.2 billion and £2 billion. That is a gross underestimate. Laughably, our friends in Labour Together told us that it would be £1.4 million. We need only look at the costs of the physical ID to get a sense of what it will eventually cost. The physical ID would cost £5.4 billion. Some people reckon it would get above £15 billion, possibly to £19 billion or £20 billion.

Digital ID is much more technical and complicated to administer than the physical version. Do the sums work out? How much will this cost? All our constituents should be asking every Member of Parliament whether we should spend billions of pounds on a scheme that nobody wants and that there is no demand for when a cost of living crisis is raging in every single one of our constituencies. Are we seriously going to spend billions of pounds on an unpopular, crackbrained scheme that no one wants or needs?

Then there is what is happening elsewhere. We have heard foreign examples to suggest that this is just business as normal for this Government. They are keen to promote the Estonia scheme. I have had a good look at Estonia. Estonia is 10 times more digitally engaged than the United Kingdom. It is an entirely different nation. But even with all their knowledge, experience and digital systems, there have been catastrophic data leaks, which has led to real problems and issues for the citizenry. Look across Europe: Europe, like Scotland, is developing its own type of digital wallet. That is the right thing to do. People like having these things in a digital wallet. The key difference is that it is not mandatory—we come back to that feature again.

In Scotland, we are developing the ScotAccount, which has proven very popular. I encourage people to use it. There is nothing wrong with having things in a digital wallet. It becomes wrong only when it is made mandatory—when people are expected to carry one even though they do not want to.

Scott Arthur Portrait Dr Arthur
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Will the hon. Gentleman give way?

Pete Wishart Portrait Pete Wishart
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I will not give way to the hon. Gentleman again.

That is the issue, and the Government seem cloth-eared about it. In Scotland, we will have to pass what is called a legislative consent motion to allow this to go through, given our responsibilities for devolved services. We are not going to do that. The Minister will have to decide whether he accepts the democratic will of the Scottish Parliament or whether he will do a Tory and impose it on us anyway. I challenge him to do that in the run-up to the Scottish election, because he will turn this into a nightmare for the Government and a constitutional nightmare for the hon. Member for Edinburgh South West (Dr Arthur).

We do not want these things. We think they are thoroughly bad. We saw them off in the 2000s, and we will see them off again. The public hate them, and I believe the petition now has more than 3 million signatures, so we are getting there with the general campaign. I pity the Minister for having to take this through; he would have been much better off had he kept his place in the Scotland Office.

We saw off ID cards in the 2000s. Twenty years on, whether it is plastic cards or digital apps, this is still a data-grabbing, liberty-eroding, multibillion-pound waste of time. We beat them in 2005; and the SNP, with our leadership of the campaign in this Parliament, will ensure that we see them off once again.

None Portrait Several hon. Members rose—
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Oral Answers to Questions

Pete Wishart Excerpts
Thursday 16th October 2025

(2 weeks ago)

Commons Chamber
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Lisa Nandy Portrait Lisa Nandy
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I really appreciate the urgency of this issue. The example of Daisy from the hon. Member’s constituency is similar to examples from many other Members. As a Labour Government, we obviously believe strongly that people must be fairly paid for their work, which is why we have put transparency and remuneration at the heart of the principles that will govern our approach. Like I said, we have made progress with the expert working group, and we will be able to announce the details shortly. We are also establishing a parliamentary working group, which I very much hope the hon. Member will participate in, to make sure that we hear the views of people from across the country through their MPs. I will be able to deliver a statement to the House by the end of this year on the future of the copyright framework.

Pete Wishart Portrait Pete Wishart (Perth and Kinross-shire) (SNP)
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The Government continue their haphazard approach to artificial intelligence and copyright. I wish they would get that resolved. One thing that has concerned and upset the sector was the comments of a newly appointed special adviser to the Secretary of State for Science, Innovation and Technology, who said,

“whether or not you philosophically believe the big AI firms should compensate content creators, they in practice will never legally have to”.

I am really hoping that the Secretary of State distances herself from those comments and that that is not the intention of her Government.

Lisa Nandy Portrait Lisa Nandy
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I am happy to give the hon. Gentleman that assurance: that is not the Government’s intention. He says that there has been a “haphazard approach”. Actually, no country in the world has yet managed to resolve this matter. We appreciate the urgency and we are determined to address this and become the gold standard. The creative industries are at the centre of our industrial strategy for a reason: because we know that they lead and light up the world. Whatever AI model develops in future, human, good-quality content will be at the heart of that. We have to and will protect it and I am happy to give him that assurance.

Oral Answers to Questions

Pete Wishart Excerpts
Thursday 3rd July 2025

(3 months, 3 weeks ago)

Commons Chamber
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Lisa Nandy Portrait Lisa Nandy
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My hon. Friend makes an important point. It is absolutely fitting that Oasis are returning to Greater Manchester, and Bury is a very fitting venue, not least because my hon. Friend has long championed live music and also indulged—or should I say inflicted?—live music on many of us for years. He will know that this Government are keen to ensure that the communities feel the benefit. In particular, the Minister for Creative Industries, Arts and Tourism has been working hard with industry to introduce a levy on arena and stadium tickets to ensure that we support small venues and help more artists tour nationally. The arts and music in particular are an ecosystem, which we are determined to rebuild after 14 years of neglect.

Pete Wishart Portrait Pete Wishart (Perth and Kinross-shire) (SNP)
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I very much support the creative industries sector plan. I think it will do a lot of good in ensuring that live music is promoted, and I hope to see some of the trickle-down effect that the Secretary of State talks about, but the creative industries sector plan also talks about establishing a copyright regime that values and protects human creativity. Can she say when we might see the promised report, when the working groups might be set up, and who will be asked to serve on them?

Oral Answers to Questions

Pete Wishart Excerpts
Thursday 3rd April 2025

(6 months, 3 weeks ago)

Commons Chamber
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Chris Bryant Portrait Chris Bryant
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The Bunker looks absolutely amazing. It is a not-for-profit organisation—apart from anything else—that gives young people and others an opportunity to learn how to play, perform and record. That is precisely the kind of venue we want to be able to support, which is why I am determined to get this voluntary levy over the line as soon as possible, so we can put millions of pounds into small venues. The last time I was in Sunderland was for P!nk at the Stadium of Light. Perhaps a helpful line from her is:

“What about all the plans that ended in disaster?”

I am determined that that is not going to be one of them.

Pete Wishart Portrait Pete Wishart (Perth and Kinross-shire) (SNP)
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For the first time since 2003, no UK artist has made it into the world top 10 album or singles charts. That is partly down to effectively closing the EU to touring artists, where followings now cannot get built and remuneration is not made for artists. The Minister promised to fix this. When will we get our artists back into Europe?

Chris Bryant Portrait Chris Bryant
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The hon. Member makes a good point—obviously, we need more songs from Runrig to get us back to the top of the charts.

To make a serious point, it is absolutely essential for new and emerging artists in particular that they have the opportunity to tour across the whole of Europe. I am determined to get this over the line. It is one of the things that we need to renegotiate with the European Union. We have a key meeting coming up in the next few weeks, and I hope we will be able to make some progress.

Oral Answers to Questions

Pete Wishart Excerpts
Thursday 16th January 2025

(9 months, 2 weeks ago)

Commons Chamber
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Lisa Nandy Portrait Lisa Nandy
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My hon. Friend is absolutely right that talent is everywhere, but opportunity is not, and we are determined for that to change. I am not sure whether I have mentioned that I recently went on a visit with Ed Sheeran—[Interruption.] Thirty-eight times, says my hon. Friend the Minister for Creative Industries, Arts and Tourism. In Ipswich, an entire ecosystem is being created that equips young people with those skills and that love of music at school, and goes all the way through enabling them to perform at smaller and larger live music venues, and to get the skills that they need to work in the music industry. We would like to replicate that model around the country. We are working with the newly formed Ed Sheeran Foundation and others to progress this model. As my hon. Friend the Minister mentioned, I have asked him to come up with a 10-point plan to support the music industry. By the time we have finished, it will probably be about 100 points, but we make no apologies for wanting to grip this issue and bring the magic of music to every child in the country.

Pete Wishart Portrait Pete Wishart (Perth and Kinross-shire) (SNP)
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As the Secretary of State will know, Scotland’s budget commits to a landmark £34 million uplift in cultural spending, with £20 million going to Creative Scotland to support creative education funding groups, such as Sistema Scotland and the Youth Music Initiative. Will she encourage her Scottish Labour colleagues to get behind this spending, and to vote for the budget?

Lisa Nandy Portrait Lisa Nandy
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I recently met incredible groups from Scotland that are doing great work through charitable trusts to extend the power of music to every child in Scotland. They have a particular emphasis on children in care, which we really welcome, and would like to replicate. Scotland is also creating music libraries across the country to ensure that young people have access to instruments. I have discussed that with Angus Robertson, my counterpart in the Scottish Government. This Government want a much more constructive relationship with the Scottish Government. When it comes to music, party political differences should be laid aside, and we should work together to make sure that all young people can access the magic that music brings.

Oral Answers to Questions

Pete Wishart Excerpts
Thursday 18th April 2024

(1 year, 6 months ago)

Commons Chamber
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Lucy Frazer Portrait Lucy Frazer
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I hope the shadow Secretary of State does very well on Sunday, and I wish her the best of luck. I am absolutely committed—these are not just warm words—to ensuring that more girls and women get involved in sport. I say that they are not just warm words because we have a plethora of policies already in play on this issue, whether that is: investing in football and working with Karen Carney on her women’s football review; building pitches to ensure that girls and women have priority access to sport; the £400 million for multi-sport facilities, which goes across the country; or the taskforce that I talked about, which will get 1 million children more active. We are particularly prioritising people who are inactive at the moment, which unfortunately does include girls.

Lindsay Hoyle Portrait Mr Speaker
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I call Tanmanjeet Singh Dhesi to ask question 3. [Interruption.] Will the Secretary of State answer the question and allow the shadow Minister to come in?

Pete Wishart Portrait Pete Wishart
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rose—

Lindsay Hoyle Portrait Mr Speaker
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Can you sit down, please? Question 2 has been withdrawn. We are now at question 3.

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Lindsay Hoyle Portrait Mr Speaker
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I call the shadow Secretary of State.

Pete Wishart Portrait Pete Wishart
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rose—

Lindsay Hoyle Portrait Mr Speaker
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Order. The hon. Member complained about the other question, but it is not my fault that no Government Members have stood to ask a supplementary question. I keep a political balance, and I am not going to break that for him. I call Thangam Debbonaire.

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Lucy Frazer Portrait Lucy Frazer
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I am pleased to have spoken to Karen Carney on a number of occasions about her review and the importance of women’s football, and I am also pleased to take on board all her recommendations. The Government approved all the review’s recommendations, and I am pleased to chair the first implementation group, which is ensuring that the recommendations will be implemented by the Football Association and others.

Pete Wishart Portrait Pete Wishart (Perth and North Perthshire) (SNP)
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Since I last raised the closure of small music venues, two a week continue to close. There is now a growing consensus within the live music sector that a £1 levy should be put on large music venues and those who are making massive profits at live events. The Culture, Media and Sport Committee is looking at this, and I have listened very carefully to the evidence. If it is recommended, will the Minister put in place a levy similar to the one in other countries across Europe?

Julia Lopez Portrait Julia Lopez
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We are very sympathetic to that concept, which has worked well in football. We are closely watching the industry discussions about the idea of a levy that would support grassroots music venues which, as we all know, are the talent pipeline for our world-leading music industry. We do not want to see them wither, so we are watching this matter closely and I have had recent discussions with relevant organisations on it.

Oral Answers to Questions

Pete Wishart Excerpts
Thursday 11th January 2024

(1 year, 9 months ago)

Commons Chamber
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Lindsay Hoyle Portrait Mr Speaker
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Let us hear from the industry. I call Pete Wishart.

Pete Wishart Portrait Pete Wishart (Perth and North Perthshire) (SNP)
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The music industry is just about the most unequal sector in the whole of society. Those at the bottom—the vast majority—earn an absolute pittance, while those at the very top have unimaginable earnings. Surely we should be doing everything possible to try to change that. It is the sensible option: they do it in France, and the Scottish National party Government are considering doing it in Scotland. Will the Minister support that effort and initiative in Scotland, and if it shows that it can help redistribute some of this money, will she follow that example?

Julia Lopez Portrait Julia Lopez
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I thank the hon. Gentleman for telling us what the Scottish National party is doing. I had understood that it was cutting a substantial amount from the arts budget. We have been supporting, for instance, the Edinburgh grassroots hub. I think there is a great deal of appetite in this place for a solution; I also think that the best option is for those in the industry to get together, and we are backing discussions of that kind. Indeed, before I went on leave I talked to Mark Davyd of the Music Venue Trust about the issue.

Public Broadcasting in Scotland

Pete Wishart Excerpts
Thursday 15th June 2023

(2 years, 4 months ago)

Westminster Hall
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Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.

Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.

This information is provided by Parallel Parliament and does not comprise part of the offical record

Pete Wishart Portrait Pete Wishart (Perth and North Perthshire) (SNP)
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I beg to move,

That this House has considered the Fifth Report of the Scottish Affairs Committee, Public broadcasting in Scotland, HC 1048, and the Government response, HC 1305.

I thank the Liaison Committee for enabling this short debate, and I welcome you to the Chair, Mr Efford; in these situations, young bucks like us are great examples to the younger Members in this House. I also welcome the Minister to his place. I do not know how many times he has been recalled to the Department for Culture, Media and Sport, but it is great to see him providing maternity cover. He and I have had some great scraps in the past couple of decades as we have sought to ensure that the creative sector is defended and protected.

John Nicolson Portrait John Nicolson (Ochil and South Perthshire) (SNP)
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He’s the Frank Sinatra of the Commons, isn’t he?

Pete Wishart Portrait Pete Wishart
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Absolutely, and I look forward to his closing remarks in this debate. The Scottish Affairs Committee held evidence sessions for this inquiry between July 2021 and January 2023. In that period, we examined the performance of public sector broadcasters in Scotland, and the general environment for broadcasting in Scotland. The Committee’s report was published on 2 March 2023. We found that Scottish broadcasting is generally in a reasonably good place. Scottish viewers can access a wide range of content, whether through the new streaming services that are now in practically every household, or through the established means of public service broadcasting. The services offer TV content that is made specifically for Scottish viewers—Scottish content—and globally recognised shows that are filmed in Scotland.

The screen sector is worth about £500 million to the Scottish economy, and between them STV, ITV and BBC have jointly spent £71.3 million on first-run content made specifically for viewers in Scotland. We have all seen the fantastic new programmes and series that have started to emerge across a number of services, including “Shetland”, “Outlander” and the fantastic “The Rig”, starring Martin Compston, which I think we have all particularly enjoyed over the past few months. Some of those shows have resulted in a nascent hospitality and tourism sector in some areas; people come to see where famous “Outlander” scenes featuring Jamie were filmed. I was in the States recently with colleagues from the Committee, and that was one of the points that came across to us: people were keen to come to Scotland to see the many locations where these fine shows were shot. I am delighted to be joined by colleagues from the Committee, who I know will be keen to contribute to today’s proceedings.

We also found that the independent production sector is thriving. The Committee heard from various witnesses that the prospects for independent TV producers in Scotland are better than they have ever been. That is great progress since the last time we looked at broadcasting some eight years ago.

As hon. Members would expect, we also identified a number of difficulties, challenges and issues, which our report highlights. The first regards Freeview, which is very important for Scotland. Scotland has more Freeview viewers than anywhere else across the United Kingdom; a third of Scots depend on Freeview as their essential and exclusive means of accessing content. The Government’s intention is to keep Freeview going until 2034. Our report asks for that to be continually reviewed. We should look at the numbers and ensure that Freeview will still be available to Scottish viewers at that point.

We looked at issues around the proposed privatisation of Channel 4. When we started the inquiry, it was to be privatised, and by the end of it, it was not. The Committee is very proud of one thing that came out of the inquiry: through our conversations with Channel 4 executives, we managed to secure Scottish participants on “Gogglebox”. It is not often that a Select Committee can claim any sort of success, but we were able to ensure that when we watch “Gogglebox”, Scottish participants will be there.

On inter-Government relations, which my Committee obviously has a rolling brief on, we called for a new inter-ministerial group on media and culture. It would serve as a forum for joint working between UK and Scottish Ministers, and help to improve outcomes in the screen industry across the whole of the United Kingdom. The Government response was received on 19 April and we published it on 28 April. In their response, the Government noted that the draft Media Bill was introduced to the House on 29 March and confirmed to us that

“a Culture and Creative Industries Inter-ministerial Group will be set up this year”

to support intergovernmental relations. The Committee particularly welcomed that. In his summing up, can the Minister tell us what progress has been made on establishing the group, and whether he has had time to consider the terms of reference under which it will be established?

Philippa Whitford Portrait Dr Philippa Whitford (Central Ayrshire) (SNP)
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A positive change in recent years is that independent producers are not all sitting in London. It used to be that people in the creative industries eventually had to come to the capital of the UK, or else they could not progress. Does my hon. Friend celebrate Channel 4 not only not being privatised, but opening a hub in Glasgow, where it is promoting training and access to skills in the industry, so that it will hopefully thrive even more?

Pete Wishart Portrait Pete Wishart
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My hon. Friend is quite right to point to those innovations, which we welcomed in the inquiry and report. The developments she mentions are significant. I remember the situation when I was a new Member of Parliament: London-based producers and commissioners did most of the commissioning when it came to Scotland. Now, there are opportunities for people in Scotland to ensure that commissions are considered by a whole range of public sector broadcasters, as well as the streaming services.

Two issues dominated the inquiry and report, and we spent a little time looking at both to see if there was anything we could do to help resolve matters associated with them. It will not come as a surprise that the first was the prominence of Scottish television, which is timely given that prominence is considered in the draft Media Bill. There are a couple of things I want to press the Minister on a little more. There is no statutory requirement for public service broadcasters’ on-demand streaming services such as iPlayer or STV Player to be featured prominently on smart TVs or streaming sticks. That risks public service content becoming more difficult to access in the shift away from traditional TV broadcasting modes. We heard that the new TV platforms do not give that type of content the same sort of prominence as is secured on Sky, Freeview or Virgin TV, which have the benefit of the electronic programme guide that ensures that stations such as STV are prominently featured. I think STV is No. 3 on both Sky and Virgin TV and is easily found on the Freeview service.

New legislation to ensure prominence for public service broadcasters’ on-demand services on internet-enabled TV was unanimously supported by all public service broadcasters who came to our Committee. It was something they were keen to stress to us throughout all our evidence sessions. The Committee’s report recommended that the UK Government bring forward “time-sensitive reform” within two months of the report being published. Within that time period, the Government brought forward their draft Media Bill and mentioned prominence in the provisions. I look forward to the Minister’s remarks on that; however, it is only a draft Bill with no time.

I heard the comments today at Culture, Media and Sport questions: we still do not know when the Bill will be introduced to Parliament, and the Minister was not able to reassure us that it would be delivered in this Session. That is important. Is there anything, over and beyond what is in the draft Bill, that the Government could do to address the issue of prominence? I worry that if nothing is done to resolve the issue, the habit will be formed, and systems might become embedded that make it difficult to locate services. I appeal to the Government to have a look at that again. The draft Bill would allow regional variation in the degree of prominence that regulated internet-enabled TV platforms would have to give certain content, but we need progress on that as a matter of priority.

Another issue, not covered much in the report, has emerged since its publication. In a recent meeting, STV was keen to communicate to us what was being asked of public sector broadcasters such as STV that wished to be hosted on big global networks, such as Amazon. STV told us that Amazon had indicated that it wants 30% of STV Player inventory to sell its own ads as a prerequisite if the STV player is to be on Amazon’s platforms. Thirty per cent of total assets is an almost outrageous demand. That is something that Ofcom can resolve; it has the regulatory powers to get involved in such situations, and I hope that encouragement from the Minister might just encourage it to do so. This issue is exercising colleagues in Scottish television, and it may inhibit their ability to appear on some of the big global network platforms.

John Nicolson Portrait John Nicolson
- Hansard - - - Excerpts

Does my hon. Friend accept that one of STV’s problems is that it does not know whether any of the other broadcasters will give in to this blackmail? If one gives in, it will be absolutely necessary that all the others do. Thirty per cent is an eye-watering percentage of the company’s profits, and paying that would restrict its ability to invest.

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Pete Wishart Portrait Pete Wishart
- Hansard - -

I was loth to use the word “blackmail”, although it is pretty hard to get away from that term, given that this is a gun to the head for so many public sector broadcasters. My hon. Friend is absolutely right about the sense of not being left behind. Because of Amazon’s importance, its worldwide reach and ability to get into households in Scotland, broadcasters have to take it seriously. He and all my colleagues listen carefully to representations from Scottish television. I hope that the Minister can put this right.

Philippa Whitford Portrait Dr Whitford
- Hansard - - - Excerpts

On that point, the sheer eye-watering ask of 30% of revenue could encourage other platforms, including those that are created in the future, to push for the same amount. That would quickly wipe out the viability of public sector broadcasters such as STV.

Pete Wishart Portrait Pete Wishart
- Hansard - -

My hon. Friend makes a very good point. We have discovered that public sector broadcasting in Scotland is in a reasonably good place, but it remains fragile. Recovery and being able to provide the content that Scottish viewers want is important, so we have to be careful with all this. I know that the Minister is listening carefully, and I am sure that we will hear from him about this issue being taken forward.

Deidre Brock Portrait Deidre Brock (Edinburgh North and Leith) (SNP)
- Hansard - - - Excerpts

Does my hon. Friend agree that this issue is particularly disappointing given that witnesses from Amazon and Netflix came to the Committee, and what they said sounded very positive? They said that they were working closely with public service broadcasters to deliver production. That makes it particularly odd that this has come up as an issue.

Pete Wishart Portrait Pete Wishart
- Hansard - -

Indeed. Unfortunately, we were not able to press the main streaming services on this issue when they came to give evidence, because it had not emerged as a particular difficulty at that point. As my hon. Friend rightly points out, witnesses did say that there is a good relationship between the streaming services and the public service broadcasters. We heard in the Committee that there is room for everybody. Obviously, people who are in the habit of watching “Eastenders” or “Coronation Street” will prefer to watch public service broadcasters through Freeview, and that will be their evening viewing. Other people like to watch feature films and to binge on mini-series.

We have found a positive broadcasting environment that enables viewers to access a range of content that was unimaginable when the Minister and I were mere slips of boys watching glorious coloured television for the first time, as well as—when Channel 4 arrived—“Brookside” and “The Tube”. These are different days. It is unfortunate that there seems to be a dispute. It has really put a spoke in the works of what was described to us as a healthy working arrangement. We hope the issue can be sorted out.

There is one thing that we are not making progress on. It will not surprise you, Mr Efford, to see football—or “the fitba”, as we say in Scotland—come up in a debate on broadcasting in Scotland and what is available to viewers. We did not really expect, although we should have, that once we started bringing people in to discuss this topic, football would become the main focus of conversation.

What is happening to Scottish football fans is excruciatingly unfair. This conversation is timely because the Euro qualifiers return on Saturday, with the mighty Scotland taking on Norway. As you know, Mr Efford, we are top of group A, looking down at Spain, Norway and the rest of them below. Never before—or not since probably 1998, when we were last in the World cup—has Scotland had such an exciting national football team. People want to watch it. There is huge excitement about international football and the prospects for the Scottish football team. The only problem is that we have to pay to watch it. We are the only part of Great Britain where that happens; Northern Ireland is in the same situation. People in England and Wales can watch their national football team free to air—no problem. But in Scotland, they have to fork out or go to the pub to watch it with friends. That is not a bad prospect, but why is it only Scots on this island who have to pay? And the cost is not cheap.

In a competition to secure the rights to host and broadcast Scottish football, Viaplay was successful, and it has the rights until 2028. A standard Viaplay subscription for a month is £14.99. Viaplay has been reasonably generous and allowed a package that amounts to £59 if someone takes up the opportunity to buy for this year. We have a cost of living crisis. People are struggling to meet household bills. Mortgage rates are going through the roof. We still have very high energy costs. The subscription is a lot of money to ask people to pay when everybody else in the United Kingdom is able to access and watch the football for nothing.

Before Viaplay, the rights were owned by Sky, which had the rights during the 2018 and 2022 World cup competitions, as well as during the UEFA European championship in 2020, which were all shown on Sky. To show how important this is and what a big issue this is for Scottish football fans, in an online report by The Scotsman in November 2020, 92% of respondents agreed that Scotland’s men’s national football team games should be available on free-to-air TV.

We know the situation is complicated. We know there are lots of complex arguments, and that the future of the national game is in question. The Scottish Football Association relies on the money that it secures from selling the rights to a variety of broadcasters. Without that, it would not be able to invest in grassroots sport or support and resource a number of activities, so it is immensely important to it. It cannot gift this away for nothing. It rightly relies on the money to develop and build the game. All that has to be taken into account, and nothing should be done that would threaten that type of investment and resource.

There are ways through this. We identified two ways forward in the report. One is a voluntary arrangement between the Scottish Football Association and Scottish football fans and the rights holder. It is worth highlighting a couple of examples of how this could work. When Sky had the rights, it allowed the play-off final between Scotland and Serbia in the last European cup to be broadcast free to air, so that Scottish viewers could see it. During our inquiry there was a generous offer once again by Sky. Scotland had qualified for the final of the play-offs, and that was going to be free to air, too. Those are the sorts of voluntary arrangements that football fans would love the broadcasters to make. It is a generous offer that would be recognised and celebrated. It might even encourage take-up of the subscription services. That is a way it can be done, and we encourage more discussions and conversations about allowing particularly critical games to be free to air.

As for the listed events schedule, things are a little more complicated and technical there, but it is within the gift of the Government to say that those events should be free for Scottish viewers, recognising that everybody else in the UK has an opportunity to watch their country’s games. Can Scotland’s qualifying games be included? I know that is not the Government’s intention, and that they would have problems with such a thing, but perhaps this could be done, with compensation given for the loss of the revenue that the Scottish Football Association would normally secure from selling off the rights.

We have to start addressing this issue. I had a look round the whole of Europe to find out what other major footballing nations had done. It could be argued whether Scotland is a major footballing nation, but we are huge supporters, and we love our football. Looking at the teams that normally qualify, Scotland is one of the few countries in Europe that cannot access their national football team’s games, free to air.

Philippa Whitford Portrait Dr Whitford
- Hansard - - - Excerpts

I read somewhere—although I cannot vouch for the accuracy of this—that in relation to the size of its population Scotland has one of the highest attendance rates at football games, where people are engaging. But is it not vital that young people who are not going to games are able to see their team playing? We talk in lots of other sectors about the need to see role models in order to aspire. My hon. Friend talked about grassroots football being supported by the revenues, but it will not be there if we do not inspire children to want to go and play the game.

Pete Wishart Portrait Pete Wishart
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Absolutely—my hon. Friend is spot on. Scotland is a football-crazy nation, and it has been substantially proven that we have some of the highest numbers per capita going to football games. There is huge interest in our national football team, particularly now that we have such an exciting product to see, and it is good to be able to watch your heroes play. We have made huge strides in the promotion and viewing of women’s football; thank goodness we have free-to-air access to the Scotland women’s football team—it is great that that opportunity is afforded. We are trying to make football a community-based interest, and sitting around with the family to watch free-to-air football competitions is a healthy thing to do. I just wish that we could do it more.

The current lack of opportunities to watch Scottish international football on free-to-air broadcast is letting down fans in Scotland, who are at a disadvantage compared with fans in England and, for now, Wales. Wales has a curious arrangement, which the Committee found very attractive. It gets permission from Sky to show matches on the Welsh-language station, so people are able to watch their football team, albeit that they are listening in Welsh, which I am pretty certain is not a huge distraction for Scottish football fans.

Philippa Whitford Portrait Dr Whitford
- Hansard - - - Excerpts

We have Alba.

Pete Wishart Portrait Pete Wishart
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As my hon. Friend the Member for Central Ayrshire (Dr Whitford) says, we have BBC Alba. Could something be done to see whether a similar arrangement could be made? There are a number of ways to explore this issue, but the current situation cannot go on.

The last indignity is that when we all sit down to watch the football at 5 o’clock on Saturday evening—I know that all my colleagues will be shouting on Scotland to ensure that we stay in a dominant position in group A —and turn on the BBC or Channel 4, it will be the England game that is on. We are not able to see our national football team, but we also have the indignity of being forced to watch another nation’s match. That is a huge disadvantage for my hon. Friends, who I know are great football fans, so it has to be sorted out.

We on the Committee were disappointed by the Government’s response to our report. There was a sense that they recognised the issue, but they did not express great sympathy for our situation. They suggested that it was nothing to do with them and that there was nothing they could do to resolve it.

I want to say one more thing, which is down to my hon. Friend the Member for Paisley and Renfrewshire North (Gavin Newlands), who has done a power of work on all this, as I am sure colleagues recognise. My hon. Friend has got everybody together and made sure that roundtables have been put together so that this issue can be discussed. He has built great relationships, formed real alliances with football fans and the Scottish Football Association, and got everybody together. Everybody is working together; we just need the Government to engage a bit more in order to help us sort this out. It is not good enough to say that it is all a matter for the Scottish Government, because broadcasting is a reserved issue. It is really a matter for the Government to fix, to ensure that we get the same access that everybody else does across the whole United Kingdom. Let us see what we can do to fix this. I know we are all looking forward to seeing what the team can do on Saturday.

I am conscious that I have said a lot about our report, and I will be interested to hear what the Minister has to say in response. What we have found is that things are relatively good just now, notwithstanding some of the issues we have identified—particularly the tricky issue of the relationship with Amazon. Viewers in Scotland are now able to see more content in a variety of different ways—more than they have been in the past. It is a great difference even from when I was a new Member, 20 years ago. There is now much more opportunity for people to enjoy broadcast television. Satisfaction rates with the BBC started from a low base and have improved, which is something else that we noted in our report, so there is a sense that the public sector broadcasters are responding to what Scottish people want and to their viewing habits.

Scottish viewers want to see much more Scottish content. When they turn on the television, they want to see their national life and culture reflected, and we are increasingly getting to that position. Innovations such as “The Nine” on the BBC have been fantastic. We now have STV giving a news service at 6 o’clock. I remember the conversations we had historically here about a “Scottish Six”, and we now have that “Scottish Six”, albeit delivered by Scottish Television. I think that is welcomed by Scottish viewers.

We are in a reasonably good place. There are difficulties. I am grateful to the Government for their response to some of the things we have highlighted, but I think they could do so much more, particularly on Scottish football. I look forward to the Minister’s closing remarks.

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John Whittingdale Portrait Sir John Whittingdale
- Hansard - - - Excerpts

I think 2034 is still a long way off, and this technology is developing fast. Obviously, as we look at the roll-out and at consumer behaviour, that will influence our decision as to how much further to go. The roll-out is happening fast: Scotland is already approaching 70% gigabit coverage, and we anticipate that within a few years every part of the United Kingdom will have access to gigabit coverage. I was pleased to announce earlier this week that the Government will support the provision of gigabit coverage under Project Gigabit to the inhabitants of Papa Stour, a remote part of the Shetland islands, who will in future be able to obtain gigabit coverage from a low Earth orbit satellite as a result of Government investment in this area. No matter what part of the United Kingdom or how remote the area, it is our ambition that everybody should be able to enjoy gigabit coverage in due course. That may affect decisions as to how we continue to ensure that they have access to high-quality television content.

The hon. Member for Perth and North Perthshire concentrated a lot on the issue of listed events. This has always been a “but”. Under the Broadcasting Act 1996, we have a small number of events that are seen to be iconic, which bring all the nations of the United Kingdom together and should remain free to air. The obvious ones are things like the Olympic games, the grand national and the Derby. It is not the case that England football matches are listed. The reason people can watch them on television is that the free to air broadcasters have obtained those rights, but they do not have any exclusive ability to bid for them; others could, too. What are listed events are the FIFA World cup finals, women’s World cup finals, UEFA championship finals and UEFA women’s championship finals. If—as I am sure the hon. Gentleman and his colleagues believe will happen in due course—Scotland reaches the finals in one of those competitions, that will be free to air under the listed events regime. Until then, the Scottish team will have the same rights as the English team and those of other nations of the UK in terms of the football authorities’ ability to decide who they should sell their rights to.

Pete Wishart Portrait Pete Wishart
- Hansard - -

The Minister is right that we mentioned the events as an example of something that could be done, without any real expectation that that would be delivered, because we understand the complexities and exclusivity of the listed events schedule. The point we are making is that it is a matter of scale. Scotland has 5.2 million people, whereas England has 55 million to 60 million, so the rights have greater value when it comes to England than Scotland. We are looking for a little more support, encouragement and understanding of our particular issues, given the difference in scale of the populations, and for that little bit of input from Government to help us to resolve this. That is our plea on this issue.

John Whittingdale Portrait Sir John Whittingdale
- Hansard - - - Excerpts

Of course we are happy to keep it under review. I suspect the hon. Gentleman is as aware as I am that the determination whether an event should be included in the listed events regime has considerable financial consequences for the sport involved. We have to strike a balance between giving as many people as possible the opportunity to watch that particular sporting event and the wish to obtain the revenue to put it back into the sport, which is possible from the sale of sporting broadcast rights to whoever is willing to pay the most. That is generally something that I have felt the sporting authorities are well placed to do. A significant proportion of the Scottish FA’s income comes from the sale of broadcast rights to a subscription service. Of course it needs to be kept under review. Although broadcasting is a reserved matter, sport is not. The Scottish Government might like to consider that, and if they have views we will be happy to hear them.

At the moment, we do not intend to change the listed events. As the hon. Member for Barnsley East (Stephanie Peacock) said, we are currently examining whether the digital rights should be packaged with the linear broadcasting rights so that they come under the same rules, and we will come forward with conclusions on that matter in due course. I understand the frustration, but Scottish football benefits considerably from the sale of broadcast rights. It is also important to talk to the Scottish FA. I urge the hon. Member for Perth and North Perthshire to talk to the Scottish Government. I am happy to continue the dialogue with him.

Turning to that dialogue, mention was made of the establishment of the inter-ministerial group. Two days ago, I was happy to have a call with the Scottish Government Minister for Culture, Europe and International Development, Christina McKelvie. We confirmed that the inter-ministerial group is being established to cover the creative industries. I look forward to working through that with her. The purpose of my call was to give her advance notice of the Government’s package of measures that was announced yesterday—the creative industries sector vision—which contains really good news for Scotland. We hope that through the extension of the creative industries clusters programme the existing clusters will be increased by six. There is already one in Edinburgh; I am sure that there will be considerable interest from across Scotland, as there will be from elsewhere.

There is also the CoSTAR—convergent screen technologies and performance in real-time—package for research and development for some of the latest screen technologies. Four new R&D labs are being established. One of the preferred bidders is in Dundee. There are also various other measures, including the tripling of funding for the music export growth scheme. I know that the hon. Member for Perth and North Perthshire has a distinguished record in music. Whether MP4 would qualify under the music export growth scheme I am not entirely convinced. Nevertheless, I know that as a great music supporter he will welcome that.

This has been an important debate. I want to see broadcasting thrive in all nations of the United Kingdom. The situation in Scotland is good at present, but that is not to say that there are not important issues, which we have had the opportunity to debate this afternoon. I thank the hon. Gentleman for securing the debate and look forward to continuing to work with him and with Members across the House to ensure that Scotland and the rest of the UK continue to have some of the most successful broadcasters in the world.

Pete Wishart Portrait Pete Wishart
- Hansard - -

Thank you to everybody who has taken part in the debate. I was right to predict that it would be a convivial and consensual affair. I am grateful to the shadow Minister and the Minister for their contributions, and particularly to the shadow Minister, the hon. Member for Barnsley East (Stephanie Peacock), for reiterating a number of our recommendations and conclusions. I am pretty certain that the Minister picked up on that.

On the football issue, there is one last thing that I think is important to address. At this point, we are trying to seek a solution. We recognise that we are a smaller market. We will not have the advertising revenue that is available to those that want to provide free-to-air viewing in the rest of the UK, particularly in England. We understand, too, that of course the SFA is totally dependent on the income that it receives from selling on the broadcasting rights. It is about getting together to see whether, through these sorts of conversations, we can find a way forward that will enable Scottish football fans to secure the same rights as everybody else on this island.

I am really grateful to everybody. I am glad that the report has been so positively received and that our recommendations and conclusions will be taken seriously. I commend the report to the House.

Question put and agreed to.

Resolved,

That this House has considered the Fifth Report of the Scottish Affairs Committee, Public broadcasting in Scotland, HC 1048, and the Government response, HC 1305.

Oral Answers to Questions

Pete Wishart Excerpts
Thursday 15th June 2023

(2 years, 4 months ago)

Commons Chamber
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John Whittingdale Portrait Sir John Whittingdale
- View Speech - Hansard - - - Excerpts

I am surprised that the hon. Gentleman has failed to recognise the announcements yesterday, which will grow the creative industries sector by an additional 1 million jobs, with £50 billion of growth. In particular, the music exports growth scheme has already proved very successful, and we are tripling its funding to £3.2 million. I hope he will draw that to the attention of his constituents, who I am sure will welcome it.

Pete Wishart Portrait Pete Wishart (Perth and North Perthshire) (SNP)
- Hansard - -

10. What discussions she has had with representatives of the creative industries on the impact of artificial intelligence on that sector.

Lucy Frazer Portrait The Secretary of State for Culture, Media and Sport (Lucy Frazer)
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AI has enormous potential to deliver better public services, and high-quality jobs and opportunities, but it is really important that, while we recognise its benefits, we also manage the risks. There are particular risks to our creative industries, as in the domain of copyright. I recently met my colleague from the Department for Science, Innovation and Technology, Viscount Camrose, and the Intellectual Property Office on this very issue. I have also met stakeholders across the media and creative industries, including UK Music, Universal, the Alliance for Intellectual Property, the British Phonographic Industry and the News Media Association, among others.

Pete Wishart Portrait Pete Wishart
- View Speech - Hansard - -

All these engagements are always important and valuable, and I thank the Secretary of State for that. She will know that the creative sector is always at the forefront of technical innovation, but it has always somehow managed to lose out, and the potential for this happening with AI is profound. AI firms are already saying that they do not need permission or licences from rights holders to ingest their content, so can I ask her a very direct question: does she believe that the ingestion of content without permission is copyright infringement and is therefore illegal?

Lucy Frazer Portrait Lucy Frazer
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The hon. Member is absolutely right to recognise how the creative industries are at the forefront of some of our industries, and I hope he welcomes the sector vision that we announced yesterday, with an additional £77 million to support them to continue to grow. As he will know, the IPO is talking to industry and to AI firms. I know that the first working group meetings were held last week and that it is considering this very issue.

Smaller Musical Genres: Scotland

Pete Wishart Excerpts
Tuesday 31st January 2023

(2 years, 8 months ago)

Westminster Hall
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Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.

Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.

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Mark Hendrick Portrait Sir Mark Hendrick (in the Chair)
- Hansard - - - Excerpts

I will call Pete Wishart to move the motion, and then the Minister to respond. As is the convention for 30-minute debates, there will not be an opportunity for the Member in charge to wind up because the debate is too short. I will not call any Members to make speeches other than Mr Wishart and the Minister, so other Members can make interventions only.

Pete Wishart Portrait Pete Wishart (Perth and North Perthshire) (SNP)
- Hansard - -

I beg to move,

That this House has considered Government support for smaller musical genres in Scotland.

I look forward to serving under you in the Chair, Sir Mark, in this afternoon’s short but hopefully important debate. I refer to my entry in the Register of Members’ Financial Interests.

When I was thinking about how to open this debate, I thought I would start with something profound and interesting—perhaps that music is the sustenance and nourishment of the soul. It is the one thing we turn to when we feel happy, and when we are trying to escape or evade any feelings of melancholy. It is what we turn to when we have that special occasion or anniversary, during time with friends, and when going out in the evening. Music is absolutely everywhere, and it has a multiplicity of genres. Music is a great chronicler. It takes you back to that time in your life, that special experience, that moment. It is almost instant recall: a song comes on, and we remember exactly where we were and what we were feeling in that moment. Everybody has a favourite song, or several favourite songs.

Then I thought that as the debate is about musical genres, I could perhaps look at the sheer infinity of music available, and the multiplicity of genres everywhere around the world—at how those 12 available notes have fired human imagination, and how we have managed to sequence and organise them in so many different and profound ways to create a huge catalogue of wonderful works of artistry—songs, compositions and beautiful sounds.

After all that, I thought I would open this debate with what is probably the most profound thing that anyone has ever said about music—what Eric Morecambe said to André Previn as he grabbed his lapels: “I’m playing all the right notes, but not necessarily in the right order.” That sums it up for me: not necessarily in the right order. Music takes us where the imagination dictates and determines. Music is only semi-constructed sonorous chaos, and that is the way it should be.

I have probably bored you before, Sir Mark, by telling you about my life in music. I had 16 wonderful years in the music industry, playing keyboards with Runrig. We were lucky and had great success, but I come from what is probably the smallest of the small genres: I played in a Gaelic folk-rock band. When I started out, we were probably the only Gaelic folk-rock band in existence. We were never going to get played on commercial radio, or on Radio 1—there was not great demand for Gaelic songs about medieval clan battles on Skye, or cuddy fishing in the Minch—so it was to the specialist radio stations and programmes that we turned for some sort of support.

The support was there on Radio Scotland, in the guise of the people who championed us and backed us—people such as Iain Anderson, Tom Ferrie and Robbie Shepherd, all providing a fantastic service. That gave us a break, and an audience to build. It helped to develop and shape our career. More than anything else, it gave us hope; here were our songs being performed on Radio Scotland. The songs of this Gaelic folk-rock band—it was never going to be the trendiest band in the world—were being played, and that was so important to us. We went on to become one of the top rock bands in Scotland, selling millions of albums worldwide and sustaining a great touring career. That is what it is all about. That is what small, specialist radio programmes and stations can provide. They give opportunity, but more than anything else, they give hope.

Why this debate, and why today? Because of the simply appalling decision by the BBC and BBC Scotland to cancel “Jazz Nights”, “Pipeline” and “Classics Unwrapped”. These are indispensable specialist programmes that serve a distinct and particular audience—programmes that do not really exist anywhere else, and that the audience turn to for the services that they want, and aspire to be on.

I do not think I have ever seen anything like the overwhelmingly negative response to the decision to axe these three important programmes. It has united the whole of Scotland’s musical community in condemnation. Already, three distinct petitions exist to have the programmes restored and put in the right places, so that they continue to be a feature of BBC Scotland’s scheduling. In the last few minutes I have heard that they have collected a combined 20,997 signatures, such is the interest, and the desire to save these programmes.

The head of jazz at the Royal Conservatoire of Scotland, Tommy Smith, has co-ordinated an open letter, which I think he has sent to the Minister, as well as Ministers in the Scottish Government. The letter is signed by the cream of Scotland’s cultural voice—people such as Nicola Benedetti, who is responsible for the delivery of the Edinburgh festival; Sir James MacMillan, one of Scotland’s prime composers; our national Makar; Scottish Opera; and of course various luminaries from the jazz world. All have voiced their concern about what will happen if these programmes are taken off air.

The letter rightly notes that this decision comes at an extremely difficult time for all parts of the cultural and creative industries. I do not think I need say that to the Minister, because she is more than aware of the distinct challenges that everybody in the cultural sector is experiencing. The pressure on the music industry is acute. I think what that letter said is that we must do everything we can to protect the infrastructure that supports our fragile but world-leading Scottish cultural ecosystem. More than that, what comes across in the letter is passion—passion for the music that these programmes support; passion from those who assemble the programmes and put them together; and passion from the broadcasters who present them, and from the audiences who lap them up and love every minute. Nicola Benedetti from the Edinburgh festival, one of the signatories, said:

“Axing these programmes is to perform a heartbreaking disservice to the irreplaceable role they have played in the lives of musicians and music lovers across the country and all parts of society.”

She is spot on.

This chorus of disapproval underlines just how much support there is in our small nation. It is a nation that excels way beyond what might be expected, given the number of people in it, in every sphere of cultural activity—a nation that is internationally renowned, and a brand that is known. We feel this is important. There is a real sense that we in Scotland will do everything we can to defend and protect our cultural output, and ensure that we recognise the distinctive flavour of all its different parts.

Patrick Grady Portrait Patrick Grady (Glasgow North) (SNP)
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I congratulate my hon. Friend on securing this incredibly important debate. A fantastic example of how Scotland’s cultural and music scene can be shared with the entire world is the Celtic Connections festival, which we are right in the middle of, and which is celebrating its 30th year. That forum has nurtured the kinds of bands and different genres that he has talked about, and has brought them to a wider audience, helping people not just in Scotland but around the world to understand and explore the whole range of music that can be connected to through such a festival.

Pete Wishart Portrait Pete Wishart
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Absolutely; my hon. Friend is quite right to mention Celtic Connections, because they do not come any better than that. I remember when it all kicked off, back in 1993. It was a few concerts in the concert hall in Glasgow. It is now at practically every venue in central Glasgow, and I think it goes on for 10 days. Of course, like my hon. Friend, I will have the great pleasure of attending a performance on Friday evening. We are all looking forward to that, although I think he will probably have better luck than me at cadging tickets for the club activities in the evening, but we will see how that all ends up. I am looking forward to it. It is a great example of how smaller, niche music is supported, although the festival not small anymore because of the support it has been given over the years.

I want to come to jazz in particular, because it is important. The cutting of “Jazz Nights” comes at a time when Scottish jazz is really doing well. Jazz has flourished in Scotland in recent years, and our emerging artists have started to gain national and international recognition. One of those, of course, is the wonderful Fergus McCreadie, who won the Scottish album of the year and was nominated for last year’s Mercury prize. I do not know if the Minister has had an opportunity to listen to his album, “Forest Floor”; I know that she will rush to stream it this evening, because it is a wonderful example of virtuosity, and it combines a number of genres and disciplines. It is a wonderful piece of work, and he is only in his 20s. I mention him because he is a great example of what “Jazz Nights” did: he got his first break from it. It supported and sustained him; it played his music, and now he is on the point of embarking on an international career. That is the type of thing it should be doing.

We should recognise that Edinburgh is the home of international festivals, particularly the jazz festival. Edinburgh is becoming increasingly renowned as a European, if not world, centre for classical music. No wonder, with facilities such as the redeveloped Usher Hall. It is a great place to watch classical music. Again, if the Minister is looking for recommendations, she should go there some day to see some of the wonderful concerts that it puts on.

Alison Thewliss Portrait Alison Thewliss (Glasgow Central) (SNP)
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My hon. Friend has strayed too far into Glasgow for my liking. Would he agree that the Royal Conservatoire of Scotland, based in my Glasgow Central constituency, is a huge part of that flourishing scene, in which there is classical, jazz and pipe music, and that there is now collaboration between those three? It is key that young people hear that music on the radio, and that it reaches a wider audience, because it will not be picked up by the commercial stations. The BBC has a key role in identifying and promoting young talent, which can then go on to great success.

Pete Wishart Portrait Pete Wishart
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My hon. Friend is absolutely correct in her assessment and description of the wonderful work that goes on in the Royal Conservatoire of Scotland. It has fantastic staff. I have not had an opportunity to visit for a while, so I will put that on my list now; I will definitely go and see it. John Wallace, a distinguished former leader of the conservatoire, asked what the point of cutting all these programmes is. He is right to ask. We must ensure that young artists get to hear themselves on the radio.

When we want to hear these genres of music, we naturally turn to the BBC. The BBC remains the dominant force in UK broadcasting because of its distinctive funding arrangement, and because the licence fee allows it to do things that no other operator can. We turn to it when trying to find the things that we want. Even with all the increased competition over the years, the BBC still accounts for 47% of radio consumption. That privileged position makes it especially important that BBC radio provides programmes that are distinctive and of public value. The BBC has statutory responsibilities and obligations to do so, and Ofcom is there to ensure that the BBC fulfils them. The BBC has a clear commitment to ensure that all genres of music are played, and to serve an audience beyond the mainstream. That is what the BBC is supposed to do. Instead, there has been a reduction in important public value obligations, and a loss of distinctiveness.

Ofcom is consulting, and is expected to produce its final proposals in a few months’ time, and a new operating licence comes into effect from April. The Department for Digital, Culture, Media and Sport is also having its mid-term review of the BBC, and of course we are all expecting the White Paper with great anticipation. The Minister and I discussed that at length when she appeared before the Scottish Affairs Committee. There are lots of things going on. With all this activity and all these reviews, I plead with her not to lose sight of the prime objective of serving all audiences and ensuring that everyone has something that they can listen to. It is so tempting to play to the mainstream only—to appeal to the mass audience. We should ensure that everyone is served.

Let us look at the BBC’s obligations and responsibilities as outlined by Ofcom. It says that the BBC should ensure a

“range of programming is provided”

across all its services. Specifically on radio services, Ofcom says:

“the BBC should ensure its portfolio of stations offer the broadest variety of output and that the range of musical output on its popular radio services is broader than that of comparable providers”.

The BBC’s decision to cut jazz, classical and piping programming will vastly reduce its fulfilment of that commitment, and the way that it represents and platforms some of Scotland’s most dynamic and emerging music scenes. It is clearly a breach of what is set out in the charter and in regulation. I hope that the Minister will remind BBC Scotland of its obligations and responsibilities.

In response to the chorus of disapproval, the BBC has got in touch with all of us about the subject. My hon. Friend the Member for Glasgow Central (Alison Thewliss) met the BBC last Friday, I believe, and heard some of its alternative proposals. None of what has been suggested comes close to beating it on satisfaction grounds or to making up for the loss of these programmes. The BBC seems to be proposing a series of amalgamations where it takes these programmes off-spectrum, puts them online and diverts people to other services. That is simply not good enough. It does not even start to address what is being lost.

My appeal to the BBC is to listen to people on the frontline, such as those at the meeting with my hon. Friend. They are the ones who know the genres, how they work and operate and what they require in order to survive, sustain and develop. Is there anything the Minister could do to encourage the BBC to engage positively with them? The BBC has engaged positively in the past, and I know that the people at BBC Scotland are good guys. I believe they have the best interests of our nation at heart. They want to serve these audiences, but they just need encouragement to do the right thing and make sure the services are safe.

This is a hard time to be a musician. I would have hated to be a musician during this period. I was one in the ’80s and ’90s, which were days of bounty. It is an entirely different regime now. Streaming accounts mean that musicians earn very little from their recorded work. Then there are the effects of the pandemic and a cost of living crisis. I think I saw a survey showing that over 90% of musicians are now concerned about the impact of the cost of living crisis on their ability to perform. There was a report yesterday about the loss of venues and clubs, which is restricting live performance.

We have had the impact of Brexit. Europe is practically closed to new artists with all the different paperwork that is required. This is not a good time. We do not need these difficulties to be compounded with the loss of an opportunity to be played on the radio. We may not get all the right notes in the right order, as specified by our good friend the great late Eric Morecambe, but I hope we can bring some support to the sector and encourage people to think again and look at the damage this might bring to the sector. I hope the Minister will do all she can to ensure that people are aware of the responsibilities and obligations and think again about the damage.

Mark Hendrick Portrait Sir Mark Hendrick (in the Chair)
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Just before I bring the Minister in, there is the possibility of a Division fairly shortly, but I will apply any injury time from the vote to the debate.