Covid-19: Cultural and Entertainment Sectors

(Limited Text - Ministerial Extracts only)

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Tuesday 2nd March 2021

(3 years ago)

Commons Chamber
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Caroline Dinenage Portrait The Minister for Digital and Culture (Caroline Dinenage)
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I beg to move,

That this House has considered covid-19 and the cultural and entertainment sectors.

May I, too, extend a very warm welcome back to the hon. Member for Cardiff Central (Jo Stevens)? It is so lovely to see her back in her place looking so well.

I am so grateful for this opportunity to highlight the Government’s support for our world-class culture and entertainment sectors during what has been an extremely challenging year. The UK has one of the strongest cultural sectors in the world and a really proud tradition of supporting the artists, entertainers and creatives who do so much to enrich our lives.

Experiencing culture, whether it is through visiting a museum, wandering through the gardens of a heritage site or attending the theatre, can do so much for our mental and physical health, and I know that so many of us have leaned on films, TV, virtual exhibitions and all other types of art and entertainment to get us through the last year. Covid-19 has placed unprecedented pressures on organisations and individuals across the economy, but entertainment and culture have been particularly hard hit, relying as they so often do on social interaction and close contact.

Jim Shannon Portrait Jim Shannon (Strangford) (DUP)
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I spoke to the Minister beforehand. As she said, this pandemic has been greatly disheartening for the culture sectors. For example, Scottish dancing and Scottish piping are very important in my constituency, but the problem is that they do not have their own properties and they are not eligible for grants. It is essential that they have a restart grant to allow them to start again, and to allow our children to be active in such a wonderful way. What can the Minister do to make that happen?

Caroline Dinenage Portrait Caroline Dinenage
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The hon. Gentleman is absolutely right to champion those small, local cultural establishments in our communities up and down the country that do so much to entertain us, but also to boost our wellbeing and our general sense of health. That is why, as part of the £1.57 billion culture recovery fund, the Barnett formula extended that funding to all the corners of our great nation. Indeed, the Northern Ireland Assembly saw £33 million, which of course it can choose to use how it wants to support all those wonderful cultural establishments that do so much for us.

Last week, the Prime Minister announced a very cautious but irreversible route out of lockdown, while also acknowledging that the threat from covid remains substantial. I recognise that, although this represents a turning point in the nation’s battle against coronavirus, many of our sectors will be impacted by continued restrictions and, of course, will be understandably frustrated at being unable to fully reopen just yet.

However, there is hope on the horizon through the events research programme announced in the road map, which will explore how larger events across the cultural and entertainment sectors can begin to reopen safely. I recognise, of course, that businesses are so keen to reopen as soon as possible, but, as the Prime Minister said, it is vital to take a measured and careful approach so that it is truly a one-way road out of this pandemic.

The success of the vaccination programme has offered us the protection to very tentatively start removing the restrictions. There will be five-week intervals between each of the four steps, to enable the scientific data to be evaluated and to ensure that the next step is truly safe before we take it.

Under the road map, outdoor sport and leisure facilities will be able to reopen at the second part of step 1, no earlier than 29 March. At step 2, no earlier than 12 April, indoor leisure facilities such as gyms can reopen for use by people on their own or in household groups, as can most outdoor attractions and settings, including hospitality venues that are outdoors, zoos, theme parks and drive-in cinemas.

Step 3, no earlier than 17 May, will see indoor entertainment venues such as museums and cinemas reopening. The Government will also allow some larger performing and sporting events, in indoor venues with a capacity of 1,000 people or half-full, whichever is the lower number, and in outdoor venues with a capacity of 4,000 people or half-full, again whichever is the lower. In the largest outdoor seated venues, where crowds can spread out, up to 10,000 people will be able to attend, or a quarter full, whichever is the lower.

Colum Eastwood Portrait Colum Eastwood (Foyle) (SDLP)
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The Minister will be aware that many entertainers and venues across my constituency and every constituency have been absolutely decimated; their livelihoods have been taken off them. Does she agree that one way to deal with that is to have a creative approach to taxing creatives, as they do in the Republic of Ireland, where there is the artists’ tax relief? The reduction in the VAT rate for ticket sales could be extended to help venues get through this very difficult period.

Caroline Dinenage Portrait Caroline Dinenage
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The hon. Gentleman is absolutely right that the VAT reduction on hospitality and entertainment over the past year has been a great benefit for a lot of our venues. Of course, any announcements about that will be set out tomorrow by the Chancellor in his Budget, but it is an excellent point.

In step 4, no earlier than 21 June, our ambition is to reopen remaining premises. I am sure, Madam Deputy Speaker, that you will be delighted to know that that includes nightclubs. That will ease the restrictions on large events and performances that apply in step 3, subject to appropriate mitigations. However, it is important to stress, as the Prime Minister said, that the decision on each stage will be based on data and not dates. The Government will move cautiously to keep infection rates under control.

However, I know that for so many in the arts and entertainment sector, this proposal represents further months of financial uncertainty, so the Prime Minister provided assurance in his announcement last week that for the duration of the pandemic, the Government will continue to do whatever it takes to protect jobs and livelihoods across the UK. We have been working very closely with the Treasury on this issue to determine the appropriate and most effective response for the sector within the public health context.

In the Budget tomorrow, the Chancellor will set out the next phase in our economic support package. It will reflect the steps set out in the Prime Minister’s approach to easing the restrictions through the road maps. We now know that there will be good news for our sectors tomorrow. There will be a generous package of funding that is about not just survival but planning, preparing and paving the way to the reopening of our sectors. I look forward to hearing more detail from the Chancellor tomorrow, and I am sure hon. Ladies and Gentlemen across the House do too.

Our commitment to supporting individuals and businesses has been steadfast through this challenging period. The Government have supported individuals across the economy through financial packages such as the job retention scheme and the self-employed income support scheme. In particular, the £1.57 billion culture recovery fund—the single largest-ever support package for the arts—has helped to safeguard not only the future of some of the best-loved cultural and creative venues, but many of the jobs and livelihoods of the incredibly skilled people who depend on them. It has also assisted the supply chain organisations, which are recognised as a crucial part of the sector.

We have recognised the significant pressures faced by businesses in our sectors. The Chancellor announced one-off top-up grants for retail, hospitality and leisure businesses, worth up to £9,000 per property, to help businesses through the spring, and £594 million of discretionary funds was made available to support other impacted businesses, in addition to £1.1 billion of further discretionary grant funding for local authorities, local restriction support grants worth up to £3,000 a month and the extension of the furloughing scheme. Business rates relief and numerous loan schemes have provided certainty for businesses and have enabled planning, recruitment and job retention.

We are absolutely determined to make sure our cherished culture and heritage makes it through this crisis. That is why we have also provided sector-specific funding and support. We have worked closely with all our sectors to draft guidance to ensure that businesses are as covid-secure as possible and to protect workers and visitors. To date, £1 billion of the culture recovery fund has been allocated across all four nations of the UK, providing direct support to organisations, both large and small. As I have mentioned, the devolved Administrations have received £188 million through the Barnett formula. Of that £1 billion, £800 million has been awarded to more than 3,500 arts, culture and heritage organisations across England, which has helped to support at least 75,000 jobs.

With your indulgence, Madam Deputy Speaker, I would like to dig a bit deeper into those figures so that hon. Members get a real sense of where the funding has been directed and the kind of organisations that it has supported through an incredibly difficult year. Some 462 awards have been made to applicants whose main art form is theatre, with a value of £183 million. The sector will be further supported through the second round of funding. Some £79 million is being distributed between 514 heritage organisations, 96 grants of which—totalling £17.5 million—are to listed places of worship, and over 15% of funding is to listed historic housing and gardens. We have supported museums, with £49 million being distributed to 156 organisations through Arts Council England alo-ne.

As a result of Government support and guidance—in particular, the film and TV restart scheme—the screen industry has bounced back and recorded the second highest production spend for any quarter on record. The combined total UK spend on film and high-end production was more than £2.8 billion—a drop of only 21% from the 2019 record. The £500 million film and TV production restart scheme has filled the insurance gap, giving productions the confidence to keep shooting and ensuring that family favourites such as “Ant & Dec’s Saturday Night Takeaway” and “Midsomer Murders” continue to entertain us and lift our spirits—although perhaps the murders not so much. Such programmes have also created much needed employment opportunities.

Falling infection rates, the vaccination of more than 18 million people and scientific data about the efficacy of our hugely successful roll-out continue to give this country real grounds for optimism. The road map sets out a clear and cautious route to return to normality. Throughout the pandemic, though, protecting the public has been our top priority, and we will continue to work closely with our sectors to support them to reopen as soon as it is safe and sustainable to do so.

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John Whittingdale Portrait The Minister for Media and Data (Mr John Whittingdale)
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It is a pleasure to respond to this important debate on behalf of the Government. As the Minister for Digital and Culture, my hon. Friend the Member for Gosport (Caroline Dinenage) said at the beginning, this has been a hugely challenging year for the entertainment and cultural sectors. Although the vast number of businesses in this country have suffered from the restrictions of lockdown, it is perhaps, as my hon. Friends the Members for Stockton South (Matt Vickers) and for North West Durham (Mr Holden) said, the entertainment and cultural sectors that have been hit among the hardest in the economy.

I would like to thank all those who have participated in the debate. We have had 55 Back-Bench speeches during the course of the debate, and I know, as you indicated, Mr Deputy Speaker, that more wanted to speak but were unable to do so. The passion shown today is a demonstration of how important culture and entertainment are not just to our economy and our heritage, but to our wellbeing as a nation. A number of speakers emphasised that by pointing out the economic contribution that the creative industries make, in particular my hon. Friends the Members for Clacton (Giles Watling), for High Peak (Robert Largan), for Bury North (James Daly) and for Bolton West (Chris Green), and my right hon. Friend the Member for Chipping Barnet (Theresa Villiers). They all pointed to the vast contribution—£116 billion—that the creative industries make, supporting 2.1 million jobs. However, they also went on to point out that the contribution is not just economic.

The cultural industries and entertainment sector are critical to the wellbeing of the nation. They bring joy to us. Although many have been unable to operate over the past year, I pay tribute to those who have sought to fill the gap, in particular the broadcasters who have done a fantastic job in keeping us entertained and keeping up the morale of the nation. However, it is not the same as being able to enjoy at first hand the cultural interactions that bring so much value to our lives. I think we all yearn to be able to walk through a museum again, to sit and watch a play or, in my case particularly, to go to the cinema and to enjoy live music. As the hon. Members for Cardiff West (Kevin Brennan) and for Perth and North Perthshire (Pete Wishart) said, live music brings an enjoyment that all of us feel is absent from our lives. I have taken particular note of the recommendation from my hon. Friend the Member for Keighley (Robbie Moore) to look up Deco and their mash-ups as soon as I am able to do so again.

A number of Members have spoken with great power about the cultural institutions in their own constituencies. We are, of course, familiar with west end theatre, which is famous throughout the world, but there are other theatres in London, including the Theatre Royal at Stratford, mentioned by the right hon. Member for Barking (Dame Margaret Hodge), and the New Wimbledon Theatre, mentioned by my hon. Friend the Member for Wimbledon (Stephen Hammond). However, as my right hon. Friend the Member for South Holland and The Deepings (Sir John Hayes) said, it is not just about London. We should recognise that the cultural institutions of our country are strong right across all our nations. One of my regrets is that I was appointed to this job just three weeks before lockdown started, and I wish for the day when I can go out and visit some of the places that have been mentioned, including the opera house in Buxton, the railways of Darlington, the zoo in Dudley, the castle in Dover and even Funny Girls in Blackpool.

The best support that we can give to all these cultural institutions is an assurance that the time when they can reopen is coming. That is why the road map is so critical, as my hon. Friends the Members for Gravesham (Adam Holloway) and for Bracknell (James Sunderland) pointed out. We now have a clear plan, which is irreversible. We have a certainty that we can give as to when these institutions can start to operate again. Of course I understand that people would rather this happened sooner, but I can say to my hon. Friend the Member for Bracknell that grass-roots sport, including golf, will be able to resume from 29 March. The reason that we have been able to offer that assurance has been the success of the vaccination programme, as my hon. Friends the Members for Blackpool South (Scott Benton) and for Dudley North (Marco Longhi) pointed out, and I pay tribute to all those who have worked so hard to roll it out and continue to do so—including, indeed, my hon. Friend the Member for Dudley North, who told us that he was a volunteer in his local vaccination centre.

The worst thing that could happen to our cultural institutions would be to give them a date on which they could reopen and then have to reverse it again. We all know the huge disappointment and, indeed, cost to many who had planned to reopen. An example was Bill Kenwright’s “Love Letters”, which was due to reopen at the beginning of December but, just a few days later, London was put back into tier 3 status and it was unable to go ahead. So we need to be relatively confident about those dates.

Several hon. Members mentioned the work that the Department is doing, particularly to explore how large events can return, preferably without social distancing and restrictive capacity caps. I want to assure my hon. Friend the Member for Loughborough (Jane Hunt), my right hon. Friend the Member for Chipping Barnet and my hon. Friend the Member for Wimbledon that we have established the events research programme to look at how those large events can resume. In doing so, we are looking at the pilots that were conducted last year to consider the effectiveness of various measures to reduce the transmission risk in larger venues, including testing. Officials from my Department and from the Department of Health and Social Care are working closely to combine the existing workstreams into one overall research programme, and that programme will start with events such as Project Encore, which will hopefully set out the road map for when those larger events, which are perhaps the most challenging, can start again.

A number of my hon. Friends have recognised the huge commitment that the Government have made to the cultural sector through the £1.57 billion cultural recovery fund. I would like to thank my hon. Friends the Members for Heywood and Middleton (Chris Clarkson), for Gloucester (Richard Graham) and for North Norfolk (Duncan Baker) for recognising the strength of that commitment, and, indeed, my hon. Friend the Member for Warrington South (Andy Carter), who pointed out that, on top of the £1.57 billion, we have the £500 million film and TV production restart scheme. And of course the Government recognise the need to continue that support until these institutions can reopen once again. I cannot give details of what my right hon. Friend the Chancellor the Exchequer will announce tomorrow, although there have already been some indications that he will be giving further support to the cultural sector. As I have said, the sector has benefited and should continue to do so, and I can tell my hon. Friend the Member for Crewe and Nantwich (Dr Mullan) that that includes nightclubs and music venues, which have been eligible for support.

As many Members have recognised, our cultural and entertainment sectors are world-leading. They are a major contributor not just to the economic growth of this country but to our standing around the world. I echo the words of my hon. Friend the Member for Milton Keynes North (Ben Everitt): I am confident that when we resume, those sectors will come back even stronger.