Karen Bradley
Main Page: Karen Bradley (Conservative - Staffordshire Moorlands)Department Debates - View all Karen Bradley's debates with the Attorney General
(7 years, 7 months ago)
Commons ChamberBefore I start, I remind the House that, as per today’s Order Paper, I plan to make a statement on the proposed merger of 21st Century Fox and Sky after business questions, so I will not answer any questions on the subject during oral questions this morning, but I will of course be happy to do so at the Dispatch Box later.
We have been engaging with representatives from across the creative industries to understand the potential impact and opportunities of the UK’s decision to leave the EU, including on funding. The Treasury has announced that it will guarantee funding for structural and investment fund projects between the time we leave the EU and 2020.
Blaenau Gwent has been the filming location for everything from “Wrath of the Titans” and “Doctor Who” to “The Hitchhiker’s Guide to the Galaxy”. I am keen for the British film industry to thrive after Brexit, so will the Government negotiate for the UK to stay in Creative Europe, the vital film funding programme which our brilliant British Film Institute helps hold together?
I join the hon. Gentleman in praising Blaenau Gwent. I also praise not only all the parts of Wales that are used as filming locations for some fantastic films and television programmes, but the studios in Cardiff where many great programmes, including “Doctor Who”, are filmed. I am aware of the views about Creative Europe, and we are looking at all the European funds and making decisions about the appropriate response from the United Kingdom to those funds after we leave the European Union.
I welcome my right hon. Friend’s recognition of the importance to the creative industries of their ability to license on an exclusively territorial basis. Will she ensure that that message gets across to the UK permanent representation in Brussels so that it argues that case as strongly as possible while we remain in the EU?
I can say categorically yes. My right hon. Friend’s point is one reason why people were concerned about our membership of the EU and one of the things that led to the vote on 23 June last year.
Leaving the EU could affect not only funding, but the growth of the creative industries, which contribute £87.1 billion a year—£160,000 a minute—to the UK’s economy. What safeguards is the Secretary of State putting in place to protect this currently thriving sector of UK plc?
I also want to take this opportunity to put on the record my enormous thanks to the Secretary of State and her team for bringing forward “ban the bots” legislation and taking on board all the recommendations of the Waterson report.
I thank the hon. Lady for that comment. The two of us first met to discuss the matter probably about three years ago when I was a Home Office Minister and had responsibility for it through the organised crime portfolio. She has campaigned long and hard to achieve this result. She and my hon. Friend the Member for Selby and Ainsty (Nigel Adams) deserve great credit for the fact that we have reached this point.
The hon. Lady rightly says that the creative industries are a great British success story, which is one reason why they are mentioned explicitly in our industrial strategy Green Paper. It is worth saying that the creative industries are a success because they are truly global. The European Union is not the only market that they look at; they look across the whole world, and I want to ensure that they continue to be a success.
Does the Secretary of State agree that there has been cross-fertilisation of creative and artistic talent among all the peoples of Europe for at least several millennia, and that there is no reason to suppose that that will stop once we leave the European Union?
All across Europe, our competitors in the creative industries are ready to pounce, believing that Brexit uncertainty is their opportunity. By refusing to guarantee the residency rights of EU nationals this week, does the Secretary of State realise that the Government have once again shown themselves to be a poor champion for those in this and so many other sectors in the UK?
We have had debates about EU nationals at length in this House and in the other place. We have been clear that we want early certainty not only for EU nationals here in the UK, but for UK nationals in Europe. It is incredibly important that we get that reciprocal arrangement as soon as possible so that we can give that certainty.
The Secretary of State will be aware that the Select Committee on Culture, Media and Sport recently visited Belfast, where we were able to visit the “Game of Thrones” set. We asked about the EU contribution to the Northern Ireland creative industries and, to my surprise, EU funding as such did not come up but access to a UK talent pool did. Does she therefore believe that Government investment should be focused on building that talent pool?
My hon. Friend is exactly right. We need to make sure that we have the skills and talent here in the UK and that we attract the brightest and best from around the world. I look forward to visiting Northern Ireland. A few political issues are stopping me doing so at the moment, but as soon as they are resolved I will make that visit.
I have regular discussions with Cabinet colleagues about the UK’s creative industries, and I am pleased that the creative industries are at the heart of the Government’s work on building our industrial strategy. The Green Paper includes an early sector review of the creative industries, which will be led by Sir Peter Bazalgette. It is critical that our world-leading creative industries have access to the skills they need, and that is one of the three themes of Sir Peter’s review.
I do not know whether the Secretary of State is aware, but there is an acute skills shortage in the creative industries. The simplest way to change that is through apprenticeships. However, there are insufficient training establishments and not enough support for relevant small and medium-sized enterprises compared with, say, construction or engineering, and there is absolutely no history of training apprenticeships in the industry. Is the Secretary of State aware of those problems? What is she doing about them?
I am very aware of those problems. Structural issues with the creative industries have prevented apprenticeships from being included in the past. As part of the work of the Creative Industries Council, we have a specific workstream on skills, and I am in discussions with the Department for Education about how we get those apprenticeship opportunities.
We seem to have moved on very quickly, Mr Speaker.
The Government are committed to ensuring that the arts are accessible to everyone, regardless of their background, and not just to the privileged few. That is why the Government’s culture White Paper, which was published a year ago this month, sets out a range of commitments to increase access and participation, including a new cultural citizens programme for young people.
Will the Secretary of State read the report on access to the professions by the all-party group on social mobility, which I chair? During our evidence sessions, we heard a great deal about how many young people are completely denied access to the arts and media because they are not prepared, or cannot afford, to take a series of unpaid work placements. That is really limiting access, so will the Secretary of State seriously consider the report’s recommendation of banning unpaid internships lasting more than one month?
I pay tribute to the hon. Gentleman for his work on the all-party group; I will look carefully at the points that he has made. This Government have done much to change the culture of unpaid internships. I for one have never taken on an unpaid intern; I have always made sure that there is fair recompense for people who make a valuable contribution to my office.
My right hon. Friend will be aware that the Royal Opera House regularly screens performances right around the country—I am particularly familiar with the ballet—which means that anyone can see them locally, without having to come to London.
My hon. Friend makes a very important point. The screening of the Royal Opera House’s productions across the country has widened access. I feel very strongly that we should have fantastic regional arts. Last Friday, I saw some fantastic arts in Hull, the city of culture. That amazing work was about ensuring that the arts were getting to everybody.
Will the Secretary of State look at some of the work that we did when I chaired the Education Committee on young people’s access to the arts, including access to museums? What we found was that if a child from a more deprived background did not go on a school visit, they did not go at all, whereas middle-class children went with their parents. It is vital that we encourage schools to take kids to the arts and to museums.
The hon. Gentleman makes an important point. This Government made a manifesto commitment to keep free access to museums to ensure that access is available to young people, whatever their background.
Brevity.
The question about privatisation is this: ITV’s profits are 26% of turnover, and Channel 4 has a £1 billion turnover. Are the Government seriously considering privatising Channel 4 and taking a quarter of its income for programming away?
The hon. Gentleman knows that in a fast-changing and challenging broadcasting environment, the Government want to ensure that Channel 4 has a strong and secure future, and that it can provide for audiences and support creative industries around the UK. I am looking at a broad range of options and, as I have said, I will report in due course.
Since we last had oral questions to my Department, it has launched the Government’s digital strategy, which will ensure that we have the infrastructure, regulation and skills that we need to build a world-leading digital economy that works for everyone. The Dormant Assets Commission identified a potential £2 billion in such assets, which could open up new streams of funding for good causes, and we are considering the best way to proceed on that. I visited South Korea for the third Korea-UK Creative Industries Forum, launched the UK-Korea year of culture, and signed a joint statement on co-operating on the content industry. Finally, I am sure that at least most Members will join me in wishing the England team well this weekend in their attempt to break New Zealand’s record for the most consecutive wins in top-level rugby.
To echo what my hon. Friend the Member for North Ayrshire and Arran (Patricia Gibson) said, the Secretary of State will be well aware that the maximum stake on fixed odds betting terminals is £100, which is 50 times the permitted cap on other high-street fruit machines. That particularly affects areas of severe deprivation, as there is great proliferation of these machines on high streets in such areas right across the UK. Does the Secretary of State recognise that that is an anomaly in gambling regulation and that far tougher regulation is required?
As the Under-Secretary of State for Culture, Media and Sport, my hon. Friend the Member for Chatham and Aylesford (Tracey Crouch), just said, we will make an announcement on this in the spring.
Does the Secretary of State feel bound by the 2015 Conservative party manifesto?
Ah, very good. That is interesting, because that manifesto promised to lift the number of women on sports’ governing bodies to 25% by 2017, but it is 2017 already, and we have not achieved that. Did the Secretary of State think that nobody would notice, or, like the Chancellor on national insurance, did she not bother to read the manifesto?
We will be at 30% in 2017, which exceeds the manifesto commitment, because of the Government’s work on reforming sports governance, and our work with governing bodies to make sure that we have the right diversity and representation on those bodies.
Suicide is the leading cause of death of young people and the biggest killer of men under 50. The Secretary of State will know that there are clear links between certain types of media reporting and an increase in suicide rates. Will she join me in commending the work done by Samaritans through its media guidelines, and its tireless work to reduce suicide rates? Will she meet me to discuss the findings in the Health Committee’s report on preventing suicide, which is out today, given the role of the media, social media and the internet, and to discuss what we can do to reduce rates?
I commend my hon. Friend for her work on the Health Committee and look forward to reading the report. She is right that the media have an incredibly important role in helping to prevent suicides, not to cause them. I will, of course, sit down with her to discuss the matter.
I add my excitement to that of my hon. Friend the Member for Taunton Deane (Rebecca Pow), because the women’s cricket world cup will actually launch in Derby. I recently discovered my inner warrior when playing rugby with England Rugby and my local Derby team—in fact, I made my first tackle—so will the Secretary of State tell me what we are doing to encourage more women to play sports?
I know from personal experience that Derby has fantastic sporting opportunities for everyone. It is incredibly important that more women play sport and feel that they can take part. The “This Girl Can” campaign, for which I am sure my hon. Friend has seen the television advertisements, is part of that, as is the fantastic women’s cricket world cup. I know that one of the matches is in Derby, but I have to confess that I am going to the one in Leicester.
Following on from the question from my hon. Friend the Member for Kilmarnock and Loudoun (Alan Brown), I met Realgrassroots, which explained that it had been campaigning against the exploitation of young footballers since 2010 and that the Scottish Parliament is investigating the issue. Will the sports Minister meet me to discuss it further, and commit to ensuring that football clubs abide by basic employment legislation, the enforcement of which is reserved?