Joined House of Lords: 28th June 2010
Left House: 29th April 2026 (Excluded)
Speeches made during Parliamentary debates are recorded in Hansard. For ease of browsing we have grouped debates into individual, departmental and legislative categories.
These initiatives were driven by Earl of Clancarty, and are more likely to reflect personal policy preferences.
Earl of Clancarty has not introduced any legislation before Parliament
Earl of Clancarty has not co-sponsored any Bills in the current parliamentary sitting
The Secretary of State for Culture, Media and Sport and the Secretary of State for Science, Innovation and Technology wrote to all Peers on 18 March, outlining the Government's approach to the issue of AI and copyright. The report and impact assessment required under the Data (Use and Access) Act 2025 were published and laid before Parliament on the same date, fulfilling the statutory requirements. There are no plans to schedule a debate in the current parliamentary session.
Current UK copyright law is found in the Copyright, Designs and Patents Act 1988 (as amended). It protects the rights of creators, including fine artists and photographers, enabling them to stop people copying either the whole or any substantial part of their work, either directly or indirectly, without the permission of the artist or photographer. This may include, among other things, the reproduction of a photograph in a painting.
However, UK law, in line with the European copyright framework, also provides a number of exceptions to copyright, where, in limited circumstances, some copying may be permitted without requiring permission and without infringing copyright. For example, one UK exception to copyright permits 'fair dealing' with a work for the purposes of caricature, parody or pastiche. European law is clear that the application of that exception in any particular case must strike a fair balance between the interests and rights of rights holder on the one hand and the freedom of expression of the user on the other, taking all the circumstances into account.
In the recent case against the artist Luc Tuymans, the Belgian court ruled that it was not satisfied that the reproduction in that particular case satisfied the criteria for ‘parody.’ Parody is an autonomous concept in European copyright law.
We have agreed that we will work towards the establishment of a balanced youth experience scheme with the EU. We have agreed that any scheme will be capped as well as time-limited. We have also been clear that it should be in line with the UK’s existing schemes with countries like Australia and New Zealand. The exact parameters will be subject to discussion in the next phase of the negotiations.
We are proud of the international reputation of our arts and creative industries, which is why we committed to support the activities of touring artists in our manifesto. The summit was an important milestone towards a new strategic partnership where the UK and EU committed to support travel and cultural exchange, including the activities of touring artists. We will engage with the EU and Member States in discussions after the summit to support touring across the European continent. We will also work with music and arts industry stakeholders, trade bodies and organisations to engage their European counterparts.
The information requested falls under the remit of the UK Statistics Authority.
Please see the letter attached from the National Statistician and Chief Executive of the UK Statistics Authority.
Professor Sir Ian Diamond | National Statistician
The Earl of Clancarty
House of Lords
London
SW1A 0PW
4 March 2025
Dear Lord Clancarty,
As National Statistician and Chief Executive of the UK Statistics Authority, I am responding to your Parliamentary Question asking whether there are any plans to exclude international students from the net migration statistics (HL5079).
We are aware of stakeholder interest in an alternative measure of net international migration excluding students and are currently seeking user feedback on the requirement for this, as well as views on proposed options for how this could be estimated. We expect to report on the outcome of this process in early May 2025.
Currently, international students are included in official estimates of immigration if they meet the UN definition of a long-term international migrant, by residing in the UK for 12 months or more. Students staying long-term contribute to population change, as well as to society and the economy more broadly. Therefore, it is important to include them in the migration estimates as these feed into the calculation of official population estimates. Additionally, not all international students emigrate at the end of their studies, with many transferring into work or remaining in the UK for family or other reasons. Of the non-EU+ nationals who arrived in the UK on a study-related visa in the year ending June 2021, 48% had transitioned onto a different visa type by year ending June 2024.
Yours sincerely,
Professor Sir Ian Diamond
https://data.un.org/Glossary.aspx?q=long-term%20migrant
The Economic Activity of Public Bodies (Overseas Matters) Bill applies to public authorities, as defined in section 6 of the Human Rights Act 1998. There is no universal test to determine whether an authority is bound by section 6 of the Human Rights Act and therefore in scope of the Bill. However, indicative factors that have been identified by judges as relevant include: the authority receiving a significant amount of public funding; the authority carrying out acts in exercise of statutory powers; and the authority exercising a task which is in the public interest. Although there is no lower limit to the size of a public authority, nor the amount of public funding that a public authority can receive, judges have already clarified that receiving public funding does not, on its own, mean a body is a public authority under section 6, nor exercising public functions. Ultimately, the courts would decide on individual cases depending on the particular circumstances.
The Bill applies to a broad range of public bodies to protect community cohesion and ensure a consistent approach to foreign policy. Specifically, the Bill applies to public authorities, as defined in section 6 of the Human Rights Act 1998. Bodies should already be aware if they are bound by section 6 of the Human Rights Act 1998 as this legislation has been on the statute book for 25 years and places wide-ranging obligations on them.
The definition may include some arts organisations such as some museums and galleries in receipt of significant public funding when they are undertaking certain public functions. As with any general definition in legislation, there are instances where the application of a definition depends on the specific facts of a case and it is ultimately for the courts to decide.
The dates of the first meetings of the committees established under the UK - EU Trade and Cooperation Agreement have not yet been agreed with the EU. These bodies, including the Partnership Council, will begin their work formally once the Agreement has been ratified - unless there are essential decisions which cannot be deferred. We look forward to a positive and constructive relationship with the EU, allowing businesses and citizens on both sides of the channel to prosper.
The arrangements for touring musicians between the UK and the EU relate to the Trade and Cooperation Agreement, and so would not be raised at the Withdrawal Agreement Joint Committee.
The date of the first meetings of the committees set up under the Trade and Cooperation Agreement will be announced in due course, when we have agreed with the EU.
The Government is currently negotiating commitments with EU member states on ‘Mode 4’. A reciprocal agreement based on best precedence would mean that UK citizens will be able to undertake some business activities in EU member states without a work permit, on a short-term basis. The precise details, including range of activities, documentation needed, and the time limit, are under negotiation.
The Government recognises the importance of touring for UK musicians and appreciates the significant contribution of the UK music industry.
I refer the Noble Lord to the answer given to HL5418 on 22 June 2020.
The Cabinet Office currently coordinates the purchase of a cross-government copyright licence on behalf of departments and is considering a proposal from the Copyright Licence Agency.
As the Minister for the Cabinet Office the Rt Hon Matthew Hancock made clear on 27 April, we are committed to protecting taxpayers' money from being wasted on government lobbying government. We are pausing the implementation of this clause into grant agreements, pending a review of the representations made.
The Government does not hold data on the number of businesses with three employees or less who have taken out a Covid support loan.
There is no specific repayment policy relating to businesses with three employees or less.
This figure is the estimated equivalent annual net direct cost to business (EANDCB) over the period 2025-2034, were UK law to grant public performance rights to all foreign performers, relative to the option implemented by the Government. The basis for this is contained in the revised economic impact assessment that accompanied the Government’s response to the Intellectual Property Office consultation on the extension of public performance rights to foreign nationals, published on 5 November 2024. The figure corresponds to the difference in EANDCB between Option 0A (the option implemented by the Government) and Option 1 in that impact assessment.
It has not proved possible to respond to this question in the time available before Prorogation. Ministers will correspond directly with the Member.
It has not proved possible to respond to this question in the time available before Prorogation. Ministers will correspond directly with the Member.
It has not proved possible to respond to this question in the time available before Prorogation. Ministers will correspond directly with the Member.
It has not proved possible to respond to this question in the time available before Prorogation. Ministers will correspond directly with the Member
The results of this Treasury-led review will be published by the end of the year.
The Government recognises fashion businesses rely on smooth and efficient supply chains and we are taking action through industry engagement, including through a new Cabinet Committee on logistics. At present the position for UK freight is more positive than other locations globally who have experienced continued severe difficulties. We are continuing to work with the freight sector, including ports such as Felixstowe, to manage the impacts of a surge in container demand and HGV driver shortages.
My Hon. Friend the Minister for Small Business, Labour Markets and Consumers holds regular roundtables with the consumer goods manufacturing sector, including the UK Fashion and Textiles Association and British Footwear Association, and Lord frost has chaired the Brexit Business Taskforce on fashion and textiles in May to fully understand the sector’s concerns.
On 1 October, the Government launched the Export Support Service (ESS) - a single telephone helpline and digital enquiry service that will help British businesses export to Europe. It brings together information from across Government, making it easier for exporters to find what they need in one place. ESS will simplify and improve access to guidance for businesses, especially small and medium sized enterprises (SMEs).
High Value Manufacturing Catapult UK provides support for both SMEs to help develop, de-risk and support the journey of bringing new innovations to market and improve productivity; and large businesses who seek to investigate innovative technologies or scale-up new products or processes. From April 2021 until the end of March 2023, manufacturing companies can claim 130% capital allowances on qualifying plant and machinery investments. Under the super-deduction, for every pound a manufacturer invests, their taxes are cut by up to 25p.
At the meeting of the Specialised Committee on Services, Investment and Digital Trade on 11 October, the UK referred to touring artists in the context of the agenda item ‘Entry and temporary stay of natural persons for business purposes: implementation, transparency and sharing best practice’. The EU took note of the UK’s concerns. The minutes of the Committee meeting will be published in due course.
The minutes of the Specialised Committee on Services, Investment and Digital Trade under the UK-EU Trade and Cooperation Agreement held on 11 October will be published in due course, on a date to be agreed with the EU Commission.
The UK and EU are committed to supporting all industries on mobility issues, including services sectors and the creative industries.
With respect to the creative industries in particular, the Government has established that some touring activities are possible without needing visas or work permits in at least 17 out of 27 Member States. This includes France, Germany, the Netherlands, Denmark and many more. The Department for Digital, Culture, Media and Sport are speaking to their ministerial counterparts in a number of key Member States. They have already spoken to Portugal and Austria, and will shortly speak to other Member States including Spain and Italy. These conversations are covering the reopening of our respective cultural and creative industries post Covid, and the importance of touring.
The UK-EU Trade & Co-operation Agreement (TCA) is based on best precedent set by the EU’s trade deals with Japan and Canada. The TCA ensures that both Parties offer a minimum standard of treatment for business travellers, such as guaranteed lengths of stay of up to 12 months for contractual service suppliers and independent (self-employed) professionals, subject to Member State reservations. This is in line with EU-Japan and CETA precedent, reflects the domestic immigration systems of most of the signatories of the agreement, and is more generous than the typical range of WTO commitments for this category of service suppliers.
The UK-EU Trade and Cooperation Agreement (TCA) uses the United Nations’ Central Production Classification (CPC) (prov., 1991) to identify individual sectors and sub-sectors. Where the TCA says ‘other than through an agency for placement and supply services of personnel’, it is referring to CPC 872.
CPC 872 includes, but is not limited to, executive search services (87201) (‘services consisting in the search for, selection and referral of executive personnel for employment by others’); placement services of office support personnel and other workers (87202) (‘services consisting in selecting, referring and placing applicants in employment by others on a permanent or temporary basis, except executive search services’); and supply services of office support personnel (87203) (‘services consisting in supplying on a fee or contract basis to the clients, whether on a temporary or long-term basis, office support personnel hired by the supplier, who pays their emoluments’).
Her Majesty’s Government understands the term ‘agency’ to mean a business or organisation providing a particular service on behalf of another business. Her Majesty’s Government understands ‘an agency for placement and supply services of personnel’ to include recruitment services, of the kind described under CPC 872, but not language services. Language services may be better categorised under the subsector ‘translation and interpretation services’ (see Annex 19 (previously Annex SERVIN-4)).
Under the UK-EU Trade and Cooperation Agreement (TCA) the classification of the activities carried out by each UK and EU firm will depend on the specific services it provides, which may vary over time or as between different contracts. It would be possible for a single firm to carry out multiple activities at the same or different times (for example, to act both as a contract broker and as a recruitment agency).
This Government recognises the importance of the UK’s thriving cultural industries, and that is why it pushed for ambitious arrangements to make it easier for performers and artists to perform across Europe as part of the negotiations on our future relationship with the EU.
This Government proposed to the EU that musicians, and their technical staff, be added to the list of permitted activities for short-term business visitors in the entry and temporary stay chapter of the Trade and Cooperation Agreement. This would have allowed musicians and their staff to travel and perform in the EU more easily, without needing work-permits.
As with legal text shared in confidence with trading partners, publishing transcripts of negotiations on trade agreements would not be appropriate as both parties exchanged information in confidence.
The Bounce Back Loan Scheme will operate alongside the Coronavirus Business Interruption Loan Scheme (CBILS). Both are temporary schemes supporting small and medium-sized businesses during these unprecedented times.
The Coronavirus Business Interruption Loan Scheme provides businesses with annual turnover of under £45m with access to working capital of up to £5m. It supports a wide range of business finance products, including term loans, overdrafts, invoice finance and asset finance facilities.
The Bounce Back Loan Scheme supports the smallest SMEs by providing loans from £2,000 up to 25% of the business’ turnover, with a maximum loan size of £50,000. This Scheme launched on 4 May and requires businesses to complete a short, simple, online application form, meaning that applications can be processed rapidly.
A business is not able to take out a Bounce Back Loan Scheme facility if they have been approved for a CBILS facility, and vice versa. However, all accredited lenders who have approved CBILS loans so far will allow customers to refinance their loan into the Bounce Back Loan Scheme where appropriate.
More than 69,000 Bounce Back Loans worth over £2 billion have been approved during the first 24 hours of the scheme.
The Government continues to work with the British Business Bank, HM Treasury and lenders to assess how effectively these schemes are working.
We are ending free movement of people. However, we still want to support our businesses in moving their talented people to provide services in both the UK and the EU, as quickly and as easily as possible.
The UK’s creative and digital industries comprise around 20% of the UK’s total exports in services and have grown rapidly in recent years. DCMS has engaged extensively with union bodies, artists and cultural organisations to help understand the needs of the creative and cultural sector, including freelancers who make up a significant proportion of people in these sectors.
As set out in the Political Declaration, both the EU and the UK will aim to provide for visa-free travel for short-term visits, and agree provisions on temporary entry and stay of natural persons, allowing businesses to move their talented employees and provide services.
The scope and detail of this will be subject to negotiations with the EU.
During the Transition period, until the end of 2020, there will be no changes to rules to provide services or work temporarily in the EU and UK Nationals can continue to travel to the EU as now.
We are ending free movement of people. However, we still want to support our businesses in moving their talented people to provide services in both the UK and the EU, as quickly and easily as possible.
As set out in the Political Declaration, both the EU and the UK will aim to provide for visa-free travel for short-term visits, and agree provision on temporary entry and stay of natural persons, allowing businesses to move their talented employees and provide services.
The scope and detail of this will be subject to negotiations with the EU.
During the Transition period, until the end of 2020, there will be no changes to rules to provide services or work temporarily in the EU and UK Nationals can continue to travel to the EU as now.
As set out in the Political Declaration, both the EU and the UK will aim to provide for visa-free travel for short-term visits, and agree provision on temporary entry and stay of natural persons, allowing businesses to move their talented employees and provide services.
The temporary movement of goods and equipment is a priority for cultural, creative and sport sectors - this includes instruments used by touring musicians, objects and collections loaned between museums, and sporting equipment taken to competitive events.
Cultural, creative and sporting organisations from all over the world regularly bring their goods and equipment into the UK on a temporary basis, and UK organisations do the same all over the world too.
Arrangements for moving goods and equipment between the UK and EU will not change before the end of the Transition period in December 2020. During the Transition period, until the end of 2020, there will also be no changes to rules to provide services or work temporarily in the EU and UK Nationals can continue to travel to the EU as now.
The scope and detail of this will be subject to negotiations with the EU.
The UK Government takes the issue of IP infringement seriously and is working with industry and enforcement agencies on a number of initiatives to tackle this problem.
In September 2013 we launched a dedicated online IP crime unit, run by the City of London Police – Police Intellectual Property Crime Unit (PIPCU). It is dedicated to tackling serious and organised online piracy and counterfeiting (affecting digital and physical goods) and protecting legitimate UK businesses. IPO provided funding of around £9 million over the period 2013-2019.
Furthermore in March 2018 the Government published the Creative Industry Sector Deal. As part of this deal the Government committed to work with rights holders and platforms to develop new voluntary agreements, to tackle IP infringement on online platforms.
The implications of a potential US trade agreement on the UK’s IP framework will depend on any final negotiated text. As negotiations are yet to begin, there is no deal to assess against. However, Government officials are considering the costs and benefits to the UK of similar existing trade agreement provisions and are taking into account stakeholder responses to the Department for International Trade’s consultation on a potential US trade agreement which closed on 26 October 2018.
The implications of joining the Comprehensive and Progressive Agreement for Trans-Pacific Partnership (CPTPP) on the UK’s IP framework will depend on the outcome of accession negotiations. As these accession discussions are yet to begin, there is no final deal to assess against. However, Government officials are considering the costs and benefits to the UK of the existing CPTPP trade agreement provisions and are taking into account stakeholder responses to the Department for International Trade’s consultation on CPTPP which closed on 26 October 2018.
Yes, the Government supports Articles 14-16 of the EU Directive on Copyright in the Digital Single Market.
Each Department is responsible for its own licensing adherence.
The National Archives, in collaboration with the Intellectual Property Office and the Government Digital Service, has recently issued simple new guidance to civil servants on the duties associated with copyright belonging to the Crown or to third parties: http://www.nationalarchives.gov.uk/information-management/re-using-public-sector-information/copyright-and-re-use/crown-copyright/
This joins The National Archives’ existing guidance at: http://www.nationalarchives.gov.uk/documents/information-management/crown-copyright-an-overview-for-government-departments.pdf
The cross-sector guidance issued by the Intellectual Property Office also provides an introductory framework for government: https://www.gov.uk/topic/intellectual-property/copyright
The Intellectual Property Office (IPO) undertakes a wide range of activities to promote understanding of Intellectual Property (IP) amongst Small and Medium Enterprises (SMEs) in order that they can make an informed decision on whether and how to protect, commercialise and enforce their IP.
IPO products and priority activities focus on:
a) Raising awareness of the importance of IP;
b) Improving the IP skills of business advisors and intermediaries;
c) Emphasising that IP is an essential element of an overall business strategy.
The offerings include online tools, face to face business and adviser training, and partnership delivery.
The numerous online resources are designed to help businesses to recognise their IP assets, to manage those assets effectively and to help businesses communicate the value of their IP portfolio to lenders or investors when seeking finance.
The IPO has a small team that runs UK seminars and workshops on IP for businesses and advisors and it also provides an intensive, commercially run training course to improve their understanding of IP.
It also works with partners within and outside government to ensure that businesses in every part of the UK can access good quality IP advice and understand the importance of managing their IP. Key partnerships include the UK PatLib Network and UK Business & IP Centre Network as well as Business Growth Hubs
All these support activities provide guidance and information on how businesses may resolve IP disputes or take effective enforcement action. In addition, the UK overseas IP attachés work with local UK Trade and Investment and Foreign and Commonwealth Office leads to provide support for UK businesses seeking advice on local IP matters abroad.
I will place further information on these resources in the Libraries of the House.
The Intellectual Property Office (IPO) IP Awareness Survey was first conducted in 2006 and was rerun in 2010 and early 2015. The survey establishes a sense of understanding of IP and IP rights across all sizes of UK firms and all sectors of UK industry. The most recent survey contained 3 sections: an IP knowledge section which tested the respondent's familiarity with IP, a management section which sought to discover how firms were administering IP within their organisation and a final section which focussed on where IP information and advice was sourced from.
Key findings include:
In addition to this formal piece of research the IPO routinely surveys businesses in the course of designing and delivering its business support and outreach activities. This is intended to help to monitor and assess the effectiveness of these activities to ensure they are fit for purpose and if necessary improve, develop and even cease them for alternative approaches.
The IPO is using findings from its own and other business surveys to inform its approach to business outreach and the creation of IP advisory and support tools.
Future EU programmes, such as AgoraEU, are still subject to internal EU procedures and are currently being negotiated between Member States and EU institutions.
We recognise the UK’s creative and cultural sectors provide a unique and valuable contribution to Europe’s rich culture. However, we will only join an EU programme where it is in the national interest and value for money for UK taxpayers to do so.
The UK’s network of recording studios are central to our position as the world’s third-largest recorded music market and second-biggest exporter of music, and they play a crucial role in ensuring the continuation of our talent pipeline. The creative industries, and music within that, are a priority growth sector in the government’s Industrial Strategy.
We have worked with industry to make revisions to the ONS's proposed SIC 2026 framework, and once in place, future economic estimates will be available for both music publishing and sound recording separately.
At the 2025 Budget, the Valuation Office Agency (VOA) announced updated property values that will take effect from 1 April 2026. This revaluation is the first since the pandemic, which has led to significant increases in rateable values (RVs) for some properties. In recognition of the impact of the revaluation on business rates bills, the government announced a support package worth £4.3 billion to protect against ratepayers seeing large overnight increases in bills. Over half of ratepayers will see no bill increases, including 23% seeing their bills go down next year. This also means most properties seeing increases will see them capped at 15% or less next year, or £800 for the smallest.
Many recording studios are also likely to benefit from Small Business Rates Relief (SBRR). SBRR is available to businesses with a single property below a set RV. Eligible properties under £12,000 receive 100 per cent relief, which means around a third of properties in England pay no business rates at all. Tapered support is available to properties valued between £12,000 and £15,000. If a business expands to a second property, it will retain SBRR on the first property for 3 years, up from 12 months previously.
The Government is investing £30m into a new Music Growth Package, launching in 2026, which will support music infrastructure, including recording studios, and ensure the UK music sector remains globally competitive. This enables the grassroots music sector, including recording studios, to apply for grants of up to £40,000 to develop new revenue streams and make repairs and improvements.
We are continuing to engage closely with industry stakeholders, including UK Music and the Music Producers Guild, to strengthen our understanding of the specific challenges the sector faces in relation to business rates, alongside the broader pressures on businesses arising from rising operating costs.
The government acknowledges the economic significance of visual artists and is committed to providing support, including addressing infrastructure requirements. The £1.5 billion Arts Everywhere Fund incorporates the £245 million Creative Foundations Fund, which is dedicated to supporting arts and cultural venues, including galleries and artists' studios, in addressing critical capital needs.
Arts Council England (ACE) provides support for artist spaces through both direct funding and the facilitation of strategic partnerships. This includes significant investments, such as co-founding the Creative Land Trust, which ensures long-term, affordable space for artists and creatives in London by bringing together a number of key funding partners and networks. ACE has supported the organisation with £2 million since 2019, and their goal is to build a portfolio of more than 1,000 studios across London, offering spaces to creatives at affordable rates, equipping those that use them to have greater impact and benefit within communities.
Furthermore, ACE funds numerous workspaces that are part of its National Portfolio Organisation Investment Programme, such as The Auxiliary in Middlesbrough which has received funding of £542,898 since 2022.
The UK’s network of recording studios are central to our position as the world’s third-largest music market and play an important role in ensuring the continuation of our talent pipeline. The creative industries, and music within that, are a priority growth sector in the government’s Industrial Strategy.
Up to now, recording studios have been classified by a four-digit SIC code that combined sound recording with music publishing. While this broader group contributed £1.9 billion to the UK economy in 2024, we are not able to disaggregate the contribution of recording studios specifically. Given these long running data limitations, we have in the past commissioned bespoke research to better understand this part of the sector, including a Music Studio Market Assessment in 2021.
Since then, we’ve worked with industry trade bodies to improve the accuracy of industrial classifications, in particular to make the case for revisions to the ONS's proposed SIC 2026 framework. Several of the recommendations have been accepted and once in place, future economic estimates will be available for both music publishing and sound recording separately.
The Government is committed to supporting the creative industries, including the craft sector, which is why we put them front and centre of our Industrial Strategy, including publishing the Creative Industries Sector Plan last year. The Department for Culture, Media and Sport is working closely with all other relevant government departments to support the craft sector and deliver on the Sector Plan. DCMS currently has no plans to form a cross-departmental group for craft, however DCMS and Skills England jointly run a Creative Sector Skills Forum, which has a rolling cast list and includes representation for the crafts sector depending on the agenda. This includes the Crafts Council, Heritage Crafts and Officials from DWP and DfE as needed.
The Department of Education, and the Department for Works and Pension have overall responsibility for devising and delivering skills policy across Government. The Department for Culture Media and Sport works across Government to ensure heritage crafts and skills are appropriately considered in policy.
Historic England, Government’s advisor on heritage and Arms Length Body of DCMS, advises the Government on heritage skills and craft policy and contributes to a number of cross Government working groups, including the Construction Skills Delivery Group. DCMS has no plans to appoint further experts.
The Government recognises that individuals, including those in the entertainment industry, wish to have control over the use of their voice or likeness in AI-generated content.
Government intervention requires careful consideration given the complex legal landscape.
The Government sought views on the issue in its copyright and AI consultation. It is considering all feedback received through the consultation and will publish a formal response in due course.
The Government has no plans to rejoin Creative Europe. This position is informed by indicative analysis of the value for money of associating with the programme.
We are working with our world-leading sectors to ensure that they can continue to promote growth and enrich lives, at home and abroad. This includes through the Creative Industries Sector Plan, which is key to driving long-term economic growth across the United Kingdom; the new £75 million Screen Growth Package; the scaled up £18 million per year UK Global Screen Fund (2026–2029); and by committing up to £30 million for our Music Growth Package.