Asked by: Earl of Clancarty (Crossbench - Excepted Hereditary)
Question to the Department for Digital, Culture, Media & Sport:
To ask His Majesty's Government what plans they have to negotiate bilateral agreements for work permits with individual EU member states which do not currently offer cultural exemptions for work of up to 90 days.
Answered by Baroness Twycross - Baroness in Waiting (HM Household) (Whip)
The Government is committed to working collaboratively across departments to address the issue of musicians, performing artists and their support staff being able to tour across the EU. We will engage with the new European Commission and EU Member States, and explore how best to improve arrangements for touring across the European continent without a return to free movement. Our priority remains ensuring that UK artists can continue to thrive on the global stage.
Asked by: Earl of Clancarty (Crossbench - Excepted Hereditary)
Question to the Department for Digital, Culture, Media & Sport:
To ask His Majesty's Government what plans they have to negotiate a visa-waiver agreement with the EU that allows UK artists and support staff to work in any part of the EU for up to 90 days in a period of 180 days.
Answered by Baroness Twycross - Baroness in Waiting (HM Household) (Whip)
The Government is committed to working collaboratively across departments to address the issue of musicians, performing artists and their support staff being able to tour across the EU. We will engage with the new European Commission and EU Member States, and explore how best to improve arrangements for touring across the European continent without a return to free movement. Our priority remains ensuring that UK artists can continue to thrive on the global stage.
Asked by: Earl of Clancarty (Crossbench - Excepted Hereditary)
Question to the Department for Digital, Culture, Media & Sport:
To ask His Majesty's Government whether they will conduct a formal review of the effect of the UK leaving the EU on the arts and creative industries.
Answered by Baroness Twycross - Baroness in Waiting (HM Household) (Whip)
The Government is dedicated to fostering the growth and global leadership of the arts and creative sectors, which significantly bolster the UK’s economic prosperity, contributing 5.7% of the UK’s total Gross Value Add in 2022 (£124.6 billion). They enrich people’s lives, and play a vital role in presenting the UK as an attractive location to visit and invest.
We are determined to improve the UK’s trade and investment relationship with the EU by dismantling unnecessary barriers to trade. For the arts and creative sectors, this includes helping UK performing artists tour within the EU, enabling easier trade in the art, publishing and advertising sectors and facilitating greater cultural exchanges with the EU, as set out in the Government’s manifesto and Creating Growth: Labour’s Plan for the Arts, Culture and Creative Industries.
We have no immediate plans to conduct a formal review of the effect of leaving the EU on the arts and creative industries. Our focus is on working to reset the relationship with our European friends, neighbours and allies. The Prime Minister has had early positive early calls and meetings, including with European Commission President Ursula von der Leyen, and key leaders in EU Member States. The Minister for the Constitution and European Union Relations and the Foreign Secretary have also held early senior ministerial engagements with European counterparts, including at NATO and the European Political Community. Further engagements will be taking place over the coming weeks and months.
We recognise that strengthening the relationship will take time, but this Government is ambitious and wants to move forward at pace, with clear manifesto priorities for the creative and cultural sectors.
Asked by: Earl of Clancarty (Crossbench - Excepted Hereditary)
Question to the Department for Digital, Culture, Media & Sport:
To ask His Majesty's Government what steps they are taking to address concerns about the level of government funding for classical music, including the funding of institutions such as the English National Opera and the Welsh National Opera.
Answered by Baroness Twycross - Baroness in Waiting (HM Household) (Whip)
We are committed to ensuring that creativity and culture can be enjoyed by everyone, not just by the privileged few. This applies equally to classical music and opera as it does to any
other musical genre.
In addition to their earned income and philanthropic support, the ENO and WNO are funded by arms’ lengths bodies including Arts Council England and the Welsh Arts Council, whose decisions
are made independently of government.
The Government is aware of the significant financial challenges facing many arts organisations and the new Secretary of State for Culture will be working closely with the cultural sector at large to
support them to thrive.
The Creating Growth plan for the Creative Industries which was published in March sets out a number of early priorities for the new Government in relation to the arts and culture - and includes commitments to review Arts Council England, attract more funding from different sources for arts organisations, and ensure every child gets a good creative education.
Asked by: Earl of Clancarty (Crossbench - Excepted Hereditary)
Question to the Department for Digital, Culture, Media & Sport:
To ask His Majesty's Government whether they plan to reconvene the Touring Working Group; and, if not, why.
Answered by Lord Parkinson of Whitley Bay - Shadow Minister (Digital, Culture, Media and Sport)
His Majesty’s Government is committed to supporting touring artists, and the music industry more widely, to adapt to new arrangements following our departure from the EU, and we have worked with the sector and directly with Member States to provide clarity and support.
The UK’s rules for touring creative professionals are more generous than those in many EU Member States. The vast majority of Member States — 23 out of 27 so far — have clarified arrangements to confirm that they allow visa- and work-permit-free routes for UK performers for some short-term touring. This includes the UK’s biggest touring markets such as France, Germany, and also Spain, which we are very pleased changed its position following engagement from HM Government and the UK music industry. We continue to work closely with the sector and to engage with the few remaining Member States to improve arrangements or clarify guidance. It is, of course, up to them if they want to replicate the UK’s generous approach, but we encourage them to do so.
We have worked across Government and in collaboration with the music and wider creative industries to support artists to work and tour with confidence in the European Union. Ongoing industry engagement continues at ministerial and official level. This includes several recent events with the sector focused on touring and export support, hosted in partnership with the Department for Business and Trade. These events help to provide tailored guidance to people and organisations in the sector, alongside an opportunity for the sector to discuss with Ministers and officials challenges and opportunities.
Asked by: Earl of Clancarty (Crossbench - Excepted Hereditary)
Question to the Department for Digital, Culture, Media & Sport:
To ask His Majesty's Government whether there is any single individual body responsible for overseeing and addressing any problems encountered by musicians touring in Europe as a result of the UK's decision to leave the EU.
Answered by Lord Parkinson of Whitley Bay - Shadow Minister (Digital, Culture, Media and Sport)
His Majesty’s Government is committed to supporting touring artists, and the music industry more widely, to adapt to new arrangements following our departure from the EU, and we have worked with the sector and directly with Member States to provide clarity and support.
The UK’s rules for touring creative professionals are more generous than those in many EU Member States. The vast majority of Member States — 23 out of 27 so far — have clarified arrangements to confirm that they allow visa- and work-permit-free routes for UK performers for some short-term touring. This includes the UK’s biggest touring markets such as France, Germany, and also Spain, which we are very pleased changed its position following engagement from HM Government and the UK music industry. We continue to work closely with the sector and to engage with the few remaining Member States to improve arrangements or clarify guidance. It is, of course, up to them if they want to replicate the UK’s generous approach, but we encourage them to do so.
We have worked across Government and in collaboration with the music and wider creative industries to support artists to work and tour with confidence in the European Union. Ongoing industry engagement continues at ministerial and official level. This includes several recent events with the sector focused on touring and export support, hosted in partnership with the Department for Business and Trade. These events help to provide tailored guidance to people and organisations in the sector, alongside an opportunity for the sector to discuss with Ministers and officials challenges and opportunities.
Asked by: Earl of Clancarty (Crossbench - Excepted Hereditary)
Question to the Department for Digital, Culture, Media & Sport:
To ask His Majesty's Government what assessment they have made of the impact of any barriers faced by musicians touring in Europe following the UK's decision to leave the EU; and what steps they are taking to help musicians overcome these barriers.
Answered by Lord Parkinson of Whitley Bay - Shadow Minister (Digital, Culture, Media and Sport)
His Majesty’s Government is committed to supporting touring artists, and the music industry more widely, to adapt to new arrangements following our departure from the EU, and we have worked with the sector and directly with Member States to provide clarity and support.
The UK’s rules for touring creative professionals are more generous than those in many EU Member States. The vast majority of Member States — 23 out of 27 so far — have clarified arrangements to confirm that they allow visa- and work-permit-free routes for UK performers for some short-term touring. This includes the UK’s biggest touring markets such as France, Germany, and also Spain, which we are very pleased changed its position following engagement from HM Government and the UK music industry. We continue to work closely with the sector and to engage with the few remaining Member States to improve arrangements or clarify guidance. It is, of course, up to them if they want to replicate the UK’s generous approach, but we encourage them to do so.
We have worked across Government and in collaboration with the music and wider creative industries to support artists to work and tour with confidence in the European Union. Ongoing industry engagement continues at ministerial and official level. This includes several recent events with the sector focused on touring and export support, hosted in partnership with the Department for Business and Trade. These events help to provide tailored guidance to people and organisations in the sector, alongside an opportunity for the sector to discuss with Ministers and officials challenges and opportunities.
Asked by: Earl of Clancarty (Crossbench - Excepted Hereditary)
Question to the Department for Digital, Culture, Media & Sport:
To ask His Majesty's Government, for each year since 2013, what number of people were working in each of the nine sub-sectors of the creative industries, and what contribution each sub-sector has made to the economy.
Answered by Lord Parkinson of Whitley Bay - Shadow Minister (Digital, Culture, Media and Sport)
The UK’s creative industries are worth more than the life sciences, automotive manufacturing, aerospace, and oil and gas sectors put together, generating £126 billion annually and employing over 2.4 million people across the country.
As set out in the Government’s Creative Industries Sector Vision, our ambition is to grow this sector by a further £50 billion gross value added and to support one million more jobs by 2030, delivering a creative careers promise which builds a pipeline of talent.
Each sub-sector of the creative industries makes a distinct contribution to the UK economy. The information requested is shown in the following tables:
Number of people working in each creative industries sub-sector (000s):
| Advertising and marketing | Architecture | Crafts | Design and designer fashion | Film, TV, radio and photography | IT, software and computer services | Publishing | Museums, Galleries and Libraries | Music, performing and visual arts |
2013 | 155 | 94 | 8 | 124 | 232 | 574 | 198 | 85 | 244 |
2014 | 167 | 101 | 8 | 136 | 228 | 607 | 193 | 84 | 284 |
2015 | 182 | 90 | 7 | 132 | 231 | 640 | 200 | 97 | 286 |
2016 | 198 | 98 | 7 | 160 | 246 | 674 | 193 | 92 | 291 |
2017 | 190 | 104 | 10 | 160 | 261 | 712 | 192 | 96 | 283 |
2018 | 195 | 111 | 9 | 163 | 245 | 733 | 199 | 89 | 296 |
2019 | 190 | 112 | 9 | 171 | 239 | 775 | 196 | 95 | 315 |
2020 | 201 | 115 | 8 | 151 | 279 | 872 | 197 | 104 | 294 |
2021 | 226 | 106 | 7 | 160 | 290 | 963 | 199 | 94 | 294 |
2022 | 241 | 110 | 5 | 139 | 280 | 1,035 | 209 | 96 | 283 |
Contribution to economy of each creative industries sub-sector, as measured by gross value added (GVA) (£ billions):
| Advertising and marketing | Architecture | Crafts | Design and designer fashion | Film, TV, radio and photography | IT, software and computer services | Publishing | Museums, Galleries and Libraries | Music, performing and visual arts |
2013 | 13.2 | 2.6 | 0.2 | 2.3 | 18.2 | 29.9 | 11.4 | 1 | 9.7 |
2014 | 13.3 | 3 | 0.4 | 2.3 | 18.1 | 32.6 | 11.4 | 0.8 | 8.6 |
2015 | 17 | 3.4 | 0.4 | 2.6 | 19.4 | 33.5 | 11.1 | 0.9 | 9.6 |
2016 | 15.7 | 3.4 | 0.3 | 3 | 20 | 37.6 | 11.4 | 0.9 | 9.3 |
2017 | 16.8 | 3.7 | 0.3 | 2.7 | 19.7 | 38.2 | 10.6 | 1 | 9.6 |
2018 | 16.4 | 3.5 | 0.3 | 3.3 | 19.2 | 40 | 10.4 | 0.9 | 10.2 |
2019 | 15.8 | 3.4 | 0.4 | 3 | 20.2 | 41.3 | 10.7 | 1 | 10.1 |
2020 | 15.9 | 3.2 | 0.1 | 2.4 | 17.8 | 42.9 | 10.1 | 0.6 | 7.4 |
2021* | 18.2 | 3.5 | 0.4 | 3.1 | 19.9 | 48.8 | 11.3 | 1 | 8.9 |
2022* | 18.8 | 3.7 | 0.4 | 3.2 | 20.8 | 55.4 | 11.6 | 1 | 11.2 |
*Figures for 2021 and 2022 are summed monthly GVA estimates as annual GVA estimates are not yet available. These figures are subject to revision and not directly comparable to the annual GVA estimates for 2013-2020 due to being calculated via a different method.
Source: Economic Estimates: GVA for DCMS Sectors and the Digital Sector, 2020 - GOV.UK (Annual GVA 2013-2020); DCMS and Digital Economic Estimates: Monthly GVA (to Sept 2023) - GOV.UK (Summed monthly GVA 2021-2022)
Asked by: Earl of Clancarty (Crossbench - Excepted Hereditary)
Question to the Department for Digital, Culture, Media & Sport:
To ask His Majesty's Government what consideration they are giving to ratifying the UNESCO 2003 Convention for the Safeguarding of the Intangible Cultural Heritage.
Answered by Lord Parkinson of Whitley Bay - Shadow Minister (Digital, Culture, Media and Sport)
His Majesty’s Government is fully committed to the safeguarding of intangible cultural heritage in the UK.
As with any international treaty, UK ratification of UNESCO Conventions should be considered fully, taking into account value for money to the UK taxpayer and the interests of the Devolved Administrations and our Overseas Territories. This process is making good progress, and Ministers expect to take a decision on the merits of ratification soon.
Asked by: Earl of Clancarty (Crossbench - Excepted Hereditary)
Question to the Department for Digital, Culture, Media & Sport:
To ask His Majesty's Government whether they are taking steps to make up for in full the loss of funding from Creative Europe.
Answered by Lord Parkinson of Whitley Bay - Shadow Minister (Digital, Culture, Media and Sport)
The Government decided not to seek continued participation in the Creative Europe programme, but to look at other ways of supporting the UK’s cultural and creative sectors.
The UK Shared Prosperity Fund is a domestic successor to the European Regional Development Fund and European Social Fund, and is not intended to be a replacement for Creative Europe. The UK Shared Prosperity Fund is focused on building pride in place and increasing life chances, and delivered through three investment priorities: communities and place, local businesses, and people and skills.
To support independent screen content – including film – to grow internationally, the Government launched the UK Global Screen Fund in April 2021 with initial funding of £7 million. We have committed a further £21 million to this Fund over the period 2022–25 to develop, distribute, and promote independent UK screen content in international markets.