(1 day, 14 hours ago)
Westminster HallRead Hansard Text Read Debate Ministerial Extracts
Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.
Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.
This information is provided by Parallel Parliament and does not comprise part of the offical record
Leigh Ingham (Stafford) (Lab)
I beg to move,
That this House has considered the cultural contribution of Staffordshire.
It is a pleasure to serve under your chairship, Ms Furniss, and I thank everyone for their interest in attending this Westminster Hall debate. Staffordshire is a county where culture is carved in clay, sung on local stages and carried proudly in the stories of its people. Its legacy is rich and alive, and today I rise to champion our region and its contribution.
Our future links us to our past, but we are not bound by it. That future speaks to the potential of every single one of Staffordshire’s communities—from Stafford, my proud county town, and the vibrant city of Stoke-on-Trent to the quieter, more rural parts of the county such as Eccleshall, Derrington and Church Eaton. Much like our county symbol, the 15th-century Stafford knot, we are all interlinked.
I secured this debate to celebrate Staffordshire’s legacy and to mark Staffordshire Day on Thursday 1 May, which is another important day to vote Labour and champion our community’s future. The debate is an opportunity to discuss tapping into our heritage, building on our creativity and ensuring that our proud traditions and culture continue to be a force for positive change in Staffordshire and beyond.
Staffordshire is known for many things. It is perhaps best known for its ceramics, which I will leave to my hon. Friends the Members for Stoke-on-Trent Central (Gareth Snell) and for Stoke-on-Trent South (Dr Gardner) to discuss in detail, and for its brewing, which I am confident that my hon. Friend the Member for Burton and Uttoxeter (Jacob Collier) will discuss at great length.
Those are just the most famous examples of Staffordshire’s skilled craftspeople and their impact on our country’s industrial and creative landscape. As a pioneering industrial county, many of our more modern organisations—such as Bostik, which makes adhesives; Perkins, which makes engines; and GE Vernova, which makes transformers—have grown from roots in more traditional work with metal, clay, leather or textiles.
Much of Staffordshire’s history, which is encapsulated in archives, can be found at the new Staffordshire History Centre in my constituency. At that amazing new facility, over a thousand years of Staffordshire’s history have been brought to life in some fascinating displays. The archives include rare items such as Anglo-Saxon charters confirming the foundation of Burton abbey and a letter written on the eve of the American revolution. A key part of the centre’s collection is the rare books and manuscripts collected by William Salt. For anyone looking for more information about Staffordshire’s past after this debate, the centre is a very good place to start.
As a proud county town, Stafford has a key story to tell in Staffordshire’s cultural history, and it echoes through to today. In its town centre, people can stop for coffee and cake at the Soup Kitchen, which dates to the 16th century, enter the historic churches of St Mary’s and St Chad’s, and take in the interior and exterior of the Ancient High House, which is haunted by a ghost called George and is known for being the largest surviving timber-framed townhouse in England. We also have Stafford castle, which has dominated the skyline in Stafford for over 900 years.
As the chair of the all-party parliamentary group for theatre, I will also talk about theatres. There is the Stafford Gatehouse theatre, famous for its Shakespeare festival and for its hilarious pantomimes every Christmas, which bring audiences from across the county to Stafford. The Gatehouse also provides a space for actors, artists and writers to hone their craft with its hugely popular youth theatre. I was lucky enough to meet some of those actors, artists and writers last Friday before the opening night of “Carrie: The Musical”.
Across the county, we have other wonderful theatres such as the New Vic in Newcastle. It stands out as a theatre in the round and creates an innovative, immersive style of theatre that makes audiences feel as if they are part of the performance. There are also the Regent theatre and the Garrick theatre, which is in Lichfield. They host productions by flagship companies from around the country.
Of course, theatre is not always confined to traditional stages. The Claybody theatre company is based at the former Spode pottery works in Stoke-on-Trent Central. That is a brilliant example of how our county’s cultural history can inspire its present. Its work is fuelled by the stories of the area, and it regularly integrates members of its community company into its productions alongside professional actors. As well as performing in its current historic home, it uses found spaces such as Fenton town hall, which hosted its production of “The Card”, based on the novel by one of Stoke’s most famous sons, Arnold Bennett.
The connection with our past does not extend just to the theatre. Many of our communities come together to celebrate our history, with the Gnosall canal festival being a really good example. Centred on the historic canal boats, that event tells the stories of the village’s past, while bringing people together for live music, entertainment and more.
I also want to talk about the future. Although our past and heritage are a source of pride, Staffordshire’s culture is far from static. It is living, breathing and evolving every single day. Staffordshire remains a county of skilled tradespeople and of artists, and it is vital that we nurture and develop that talent. We must ensure that arts and culture are part of our everyday lives, because that is where we find connection, community and identity.
Last weekend, I spoke with Johny Todd, whose business in Woodings Yard Studios stands as a proud reminder of Stafford’s history in the leather industry. We discussed how artists today face many challenges and the opportunity that this Labour Government have to support our creative industries as a way of building community and supporting our local economies.
Jim Shannon (Strangford) (DUP)
I commend the hon. Lady for putting such a shine on Staffordshire, and she is right about the creative industries. It is important that those skills of our forefathers—our grandfathers and fathers—are passed on, but I feel that they are being lost. Does she agree that the Government should step in to ensure that a training system is in place so that those skills are not lost?
Leigh Ingham
The hon. Gentleman makes a good point: it is important to pass that skilled heritage on to new generations. That is exactly what Johny was talking to me about at the weekend—making sure that artists have the spaces to develop those skills, because without those spaces, as the hon. Gentleman says, the skills would be lost. We must continue to support the creation of new spaces, new opportunities and new partnerships that can nurture the next generation of artists, performers and thinkers.
Finally, I want to mention Newcastle and Stafford Colleges Group, which is based in my constituency as well as that of my hon. Friend the Member for Newcastle-under-Lyme (Adam Jogee). It is rated outstanding and is crucial to our local talent pipeline; Members will know how often I raise its excellent work for all our constituents. Very recently, I celebrated the news that Stafford college has been allocated £2.6 million of funding by the Government, which will be used to restore its Tenterbanks building in Stafford town centre. As I mentioned, we must look not only to our history but to our future, and it is by investing in our young people and restoring the crumbling buildings in which they will be doing their learning that we will build their future.
We have an opportunity to build on the strengths of Staffordshire’s past and invest in our cultural infrastructure for generations to come. I urge the Minister to stand behind our county, believe in our culture and invest in it.
Gill Furniss (in the Chair)
I remind Members that they should bob if they wish to be called in the debate.
Gareth Snell (Stoke-on-Trent Central) (Lab/Co-op)
It is a pleasure to serve under your chairmanship, Ms Furniss, and a pleasure to see so many of my county neighbours, not least those who border my constituency: my hon. Friend the Member for Newcastle-under-Lyme (Adam Jogee), the right hon. Member for Staffordshire Moorlands (Dame Karen Bradley) and my hon. Friend the Member for Stoke-on-Trent South (Dr Gardner). I say “neighbours” because “everybody needs good neighbours”, as the song from the hit—[Laughter.] Hold on: there is a link. Those words were in fact written by Jackie Trent, who was born in Newcastle-under-Lyme and lived in Stoke-on-Trent. She penned the famous words that were on our television screens for so many of our childhood memories.
That sums up the diversity of cultural and creative activities that we have in Staffordshire. As my hon. Friend the Member for Stafford (Leigh Ingham) pointed out, we have a plethora of things to offer. I will not go into the territory of my hon. Friend the Member for Burton and Uttoxeter (Jacob Collier) on breweries, but I will make special mention of Titanic Brewery, a brewery in Stoke-on-Trent with pubs across the area. It is named, of course, because one of the famous sons of Stoke-on-Trent was the captain of the Titanic. We do not necessarily want to parade that around too much, but it is a link to a historic event. More importantly, the tableware on the Titanic was also made in Stoke-on-Trent, and that has a much better story. The backstamps can still be seen at the Spode Museum in Stoke.
It would be remiss of me not to briefly mention ceramics. We in this House talk a lot about ceramics—well, I certainly do—and they are part of who we are. In many parts of the country, if people go to a high-end restaurant or a big hotel—or if Members go to the Tea Room—and turn over the plate, they will probably see something that was made by artisans in Staffordshire, most likely in Stoke-on-Trent, but also in parts of Staffordshire Moorlands, Stone and Stafford.
Those delicate pieces of tableware, the bricks that we see in our buildings, and the tiles on our roofs—indeed, the tiles in the Central Lobby of this Palace—have all been made from the sweat, toil and tears of Staffordshire artisans. It is those things of beauty, made from dirty clay, that I often think demonstrate the power and the ability that we have in-county.
We are more than a city and a county of ceramics, and we are more than just the sum of our parts and our pottery. As was mentioned by my hon. Friend the Member for Stafford, the well-known author Arnold Bennett very pithily and wittily accounted for parts of public life in north Staffordshire through his books. One of his most famous works is “The Card”, which I saw when it was on at the New Vic in a wonderful adaptation. The fact that it had local people in the cast telling the stories of our history made it special.
One of Arnold Bennett’s other most famous works is “Anna of the Five Towns”, but of course everyone knows that Stoke-on-Trent has six towns. I do not want to mislead the House, but it is potentially true—I believe it to be true, so I am comfortable saying it—that Arnold Bennett’s mother-in-law lived in Fenton and apparently he was not a great fan of his mother-in-law, so when he wrote “Anna of the Five Towns”, he left out one of the towns as a long-lasting snub to her. I would not suggest any of us recreate that—I happen to be quite fond of my future mother-in-law—but those small bits of our history permeate through different literary and cultural activities. Many people around the country will not realise that they come from Staffordshire.
I want to talk about a couple of smaller things that are not ceramics. One of the things that I am most proud of relates to a name not well known to history. There was a gentleman called Oliver Lodge. He was from Penkhull, a beautiful part of my constituency, and he was a physicist. Long before it was publicly accepted, and long before Hertz, he discovered electromagnetic radiation. He was a pioneering physicist and scientist who, through his work in north Staffordshire, was able to identify some of the fundamental energy sources of our universe. Sadly, his name is lost to history in a way that Hertz is not. There is a Lodge Road and an Oliver Road in my constituency, which are of course testament to him. He is another Staffordshire-rooted individual who made a rich contribution to our scientific and cultural understanding.
On the other side, we have Thomas Twyford, who was born in Stoke-on-Trent. His contribution to our public life is somewhat more comical, some might say—he invented the first single-piece ceramic flush toilet, which revolutionised public hygiene in this country. It is a toilet, but it revolutionised the way that people lived their lives and the way they looked after themselves. It was a huge contribution to the reduction of unsanitary conditions in public areas and brought down disease rates. Again, it is something that happened in Staffordshire that changed the world, but sadly is now a bit lost to history.
Finally, not to test the patience of the House too much, I want to make a pitch for what comes next. Our contribution has not ended with the history of the things we have done. It is not about the litany of wonderful collective stories that we will all share about the great things that have happened in our county, but about what is coming next.
I want to highlight the fascinating and brilliant work that the University of Staffordshire is doing around gaming and game design. According to The Independent Games Developers Association it is the No.1 destination in the country for students who want to learn game design. I was told that one in five of those who now work in the industry in the UK are graduates of the University of Staffordshire. It is a huge piece of our creative history becoming our creative future, turning real-life ambition into good quality jobs for people, mainly from my city and my county.
While I know there will be more contributions to this debate, the fact that we have been able to come together in the spirit of comradeship and collegiality two days before Staffordshire Day is a wonderful thing. I congratulate my hon. Friend the Member for Stafford on securing a debate that allows us to talk about the place that we love and call home.
Gill Furniss (in the Chair)
I will have to limit speeches to three minutes, as so many Members have asked to speak.
Mike Wood (Kingswinford and South Staffordshire) (Con)
It is an honour to stand before you, Ms Furniss, ahead of Staffordshire Day on Thursday, to talk about the hidden gems that make South Staffordshire such a unique and culturally rich area.
I will begin with Codsall, where the past and present meet beautifully. The charming high street lined with historical buildings offers a snapshot of centuries gone by. It is not just about history, however; Codsall has a lively arts scene, with the Codsall community arts festival buzzing with local performances and workshops. It is a place whose creativity flows just as freely as its heritage.
Next door, the village of Bilbrook offers a different kind of charm. It is a village where modern industry and natural beauty co-exist. The partnership between Jaguar Land Rover and the local community to protect Jubilee wood is a perfect example of how local heritage and industry can work hand in hand. A commitment to environmental conservation is a core part of the village’s identity and a fantastic backdrop for many of the cultural activities.
Swindon may seem small, but its contribution to our cultural heritage is anything but. Chasepool in Swindon was mentioned in the Domesday Book, and is now an important part of that industrial heritage. Swindon forge—originally a fulling mill and then a corn mill—was converted into a finery forge in the 1620s, producing the wrought iron that drove the early industrial revolution.
Then there is Himley—a village with a story to tell, which boasts the beautiful and culturally significant Himley Hall and Park, and holds a fascinating piece of British history: on the dark night of 5 November 1605, the gunpowder plot conspirators fled through Himley woods. In Kinver, we have something truly unique: rock-cut houses that have stood the test of time. These homes, carved into sandstone, are a testament to the resourcefulness of past generations and are now a major tourist attraction, with thousands visiting to step inside a piece of living history.
Enville is a quiet, yet rich corner of South Staffordshire. Known for the impressive Enville Hall and the Enville Brewery, this village blends rural charm with modern industry. The brewery’s award-winning ales are a nod to the past, while its ongoing role in the community keeps Enville firmly in the present. The village of Pattingham exemplifies how culture and nature can co-exist beautifully. Patshull Park was designed by Capability Brown. Trysull might be small, but its legacy is enormous. This village is home to the arts and crafts-inspired Trysull Manor, a reminder of the region’s creative spirit.
Then we have Bobbington, a village with a fascinating industrial past, and Lower Penn, with its surrounding areas offering a tranquil setting for outdoor enthusiasts. Perton is a village that has grown rapidly in recent years, but it has not lost sight of its roots. Finally, the village of Wombourne bridges past and present in the most remarkable way. Its roots go back to the middle ages, and it is home to some of South Staffordshire’s most iconic landmarks, such as the Bratch locks and the Victorian-era Bratch pumping station.
Dr Allison Gardner (Stoke-on-Trent South) (Lab)
It is a pleasure to serve under your chairship, Ms Furniss. I thank my hon. Friend the Member for Stafford, Eccleshall and the villages (Leigh Ingham) for securing the debate.
In my constituency of Stoke-on-Trent South and the villages, we are proud of our heritage. My constituency links the city of Stoke-on-Trent with the rural villages of north Staffordshire. Staffordshire’s cultural contribution cannot be truly understood without recognising the leadership role that Stoke-on-Trent has played, not just as the beating heart of the county’s industrial past, but as a city of craft, creativity and resilience that is still shaping culture across the region and beyond.
Stoke-on-Trent is a city forged in clay and coal. Our pottery industry ships British products all over the world, and our famous tableware names have been household staples for centuries: from Duchess China, Wedgwood and Aynsley China, which sits in the constituency of my hon. Friend the Member for Stoke-on-Trent Central (Gareth Snell), to the mills in the villages of Moddershall and Checkley, which ground flint and bone for the Potteries, the cultural links between town and country in my constituency reveal deep ties.
In Longton in my constituency, our iconic potbanks now form beautiful heritage sites; with the right investment, they could be repurposed as community spaces. Obviously, I must mention Gladstone Pottery museum, a working monument to our industrial history and now home to “The Great Pottery Throw Down”. Urban Wilderness is reviving and regenerating Longton town centre with art, and also runs the Longton Pig Walk parade, which I recently led as a white swan. Today, Launch It Stoke-on-Trent has opened in Longton town hall. It will help entrepreneurs and young makers and creators continue to harness Longton’s creative energy.
In 2024, Stoke-on-Trent was awarded world craft city status, a sign that our city is recognised globally for its pottery. That is why today I ask the Minister to support our ambition for Stoke-on-Trent to be recognised as a UNESCO creative city for craft—or for design; there are options. Only one city in the midlands holds that prestigious title, and Stoke-on-Trent is uniquely placed to join it. UNESCO recognises cities that put culture and creativity at the heart of local development; with greater local powers and investment, Stoke-on-Trent can lead Staffordshire’s cultural and economic renewal.
I must also mention that our cultural legacy includes Belstaff, the Longton-born fashion house, and the famous Shelley’s Laserdome nightclub, which helped to define an era of British dance music in the late ’80s and early ’90s; it would be remiss of me not to mention Lemmy and Robbie as well. Thank you to everyone for listening to me—I will cut my speech short there because I am running out of time.
Sir Gavin Williamson (Stone, Great Wyrley and Penkridge) (Con)
I congratulate my neighbour the hon. Member for Stafford (Leigh Ingham). It is a real insult for you to try to restrict us to three minutes, Ms Furniss—how can we get all the beauty of Staffordshire into three minutes?
Staffordshire is a proper county. It is not like the west midlands, Merseyside or Humberside, which is a late ’70s creation. It was forged in the Anglo-Saxon era when Queen Æthelflæd, the Lady of the Mercians, created the forts in Tamworth and Stafford. We forget that that was part of Staffordshire, as was Wednesbury, because what we see as the Black Country was all part of a great historical county of Staffordshire.
Dame Karen Bradley (Staffordshire Moorlands) (Con)
I have heard reports that the Staffordshire bull terrier may not be from Staffordshire because it is from Wednesbury. Can we confirm that Wednesbury has always been in the historical county of Staffordshire?
Sir Gavin Williamson
I can absolutely confirm that Wednesbury has always been in the great historical county of Staffordshire, and of course the Staffordshire knot comes from that great Queen of Mercia, although there is sometimes speculation that it actually comes from the hangman at Stafford castle: there were three prisoners and there was an argument over who to hang first, and to find a compromise he hanged all three at once. However, I think we all take the view that it is much more beautiful to think that it is part of the Queen of Mercia’s insignia that is used on our county flag.
We have a great cultural heritage in Stone, Great Wyrley and Penkridge. I always say that we have got the very best of everything in Staffordshire in my constituency, not the other constituencies that make up the lesser parts of Staffordshire. We have so much: Dunoon pottery, which makes some of the finest mugs to be found, and wonderful breweries—we draw our water from the great River Trent, River Penk or River Sow, so we have great brewers in my part of Staffordshire.
We have great cultural events and institutions. For me, Christmas is not Christmas if I do not go to the Wyrley Pretenders pantomime to see the amazing work that the volunteers do every year to entertain and bring the community together for Christmas. We have the newly opened Crown Wharf theatre in Stone, which is going to be there for generations to enjoy productions that I have no doubt will be far better than anything else put on in other people’s constituencies.
We are a source of inspiration to artists, such as Peter De Wint, who was born and grew up in Staffordshire. The Great Wyrley outrages inspired Arthur Conan Doyle to write his famous book about them. If I invade my former constituency, the constituency of my hon. Friend the Member for Kingswinford and South Staffordshire (Mike Wood), and go down to Kinver, there are the Kinver rock houses, which he mentioned and which were the inspiration for the Shire in Tolkien’s “The Lord of the Rings”. We have so much to offer.
On 9, 10 and 11 May, people can come to the Stone food and drink festival. Stone is the food capital of Staffordshire, and people can truly appreciate that and enjoy an amazing day out there. I look forward to welcoming hon. Members to the great constituency of Stone, Great Wyrley and Penkridge, and to welcoming so many people from around the country to our great county of Staffordshire.
Adam Jogee (Newcastle-under-Lyme) (Lab)
It is a pleasure to speak in this important debate on the cultural contribution of Staffordshire to our economy and country. I am probably the only hon. Member present who has a constituent sitting in the Public Gallery, so I shall be on my very best behaviour. I congratulate my hon. Friend the Member for Stafford (Leigh Ingham)—the county town, where my mother was born—on her excellent speech. She set herself up nicely to be the first honorary patron of the Staffordshire tourist board—run a close second by the right hon. Member for Stone, Great Wyrley and Penkridge (Sir Gavin Williamson).
On Thursday 1 May, people across Staffordshire will be marking Staffordshire Day, and I look forward to being back home in Newcastle-under-Lyme to mark this important day in our collective calendar with a nice cold drink at one of our wonderful local public houses—there are plenty to choose from—as well as getting out the vote with our excellent Labour candidates. In my maiden speech last July, I said:
“While some might look north of the Watford Gap and see a cultural desert, I see vibrancy.”—[Official Report, 29 July 2024; Vol. 752, c. 1120.]
I went on to champion the wonderful New Vic Theatre, which attracts locals from far and wide, including hon. Members who have been seen walking through its doors. We heard from my hon. Friend the Member for Stafford about how wonderful the New Vic is. We have the wonderful Apedale museum and the light railway, which is an excellent day out. We have the fantastic Brampton museum, which tells the story of our ancient and royal borough. We have the award-winning Newcastle College, which has many brilliant young people engaging with arts and culture, as my hon. Friend said—we do share it, but I have the headquarters in my constituency.
Just a few weeks ago, I was at the Philip Astley Centre, which is in our town centre—a great community asset, dedicated to the memory of the creator of the modern circus, Phillip Astley, who was born and raised in God’s own community of Newcastle-under-Lyme. From eating to horse riding, and from walking to a brilliant higher education institution in Keele University, Newcastle-under-Lyme packs a punch.
This is an important year for the 1st Newcastle Brownies and Guides. The 1st Newcastle Guides is one of the oldest surviving units in the country, and the oldest in the midlands. The Brownie unit turns 105 years old this year and the Guide unit turns 110. As part of the celebrations, they are fundraising so that both units can open the eyes and ears of their young women.
Our faith groups do much for the arts. Just on Saturday, St Mark’s Basford, which is not far from my house, had a fundraising barn dance—I did not dance. Father Tommy, the vicar, is moving on to pastures new; we wish him well and thank him for his service to our community.
As we address the cultural contribution of Staffordshire, however, we must rededicate ourselves to the fight for our fair share of investment in housing, transport and, yes, the arts and culture. There is so much good happening in all parts of Staffordshire, as we have heard already, and today is an opportunity to touch briefly on that in the House.
I could speak about Newcastle-under-Lyme all day, and at times since my election I have tried to do just that, but I will not test hon. Members’ patience this afternoon, and will simply say this: Staffordshire is at the heart of our country, and Newcastle-under-Lyme is at the heart of our county. Long may that continue, and a happy Staffordshire Day to all.
Dame Karen Bradley (Staffordshire Moorlands) (Con)
It is a pleasure to serve under your chairmanship, Ms Furniss. I congratulate the hon. Member for Stafford (Leigh Ingham) on securing this important debate in the week of Staffordshire Day. As a proud resident of Arnold Bennett’s Axe and the representative of the head of the River Trent, which gives my right hon. Friend the Member for Stone, Great Wyrley and Penkridge (Sir Gavin Williamson) and others such wonderful beer, it is an honour to take part in the debate.
I was pleased to hear the hon. Member for Stoke-on-Trent Central (Gareth Snell), who I will call my hon. Friend, talk about the contribution of the Minton tiles to Parliament, but I want to mention two other contributions that Staffordshire Moorlands has made to this Parliament. The first is a very obvious one: a big family that lives in Staffordshire Moorlands, the Talbots—including the Earl of Shrewsbury—had this very nice house at Alton Towers, and they had a house architect called Augustus Pugin, who designed and created many buildings in that area that are still standing today, including schools and the marvellous St Giles church in Cheadle. Anyone who visits them can see that they are the forerunners for what we see in Central Lobby and across Parliament.
Perhaps slightly lesser known is that Richard Norman Shaw—we know that name—is an architect who also operated in Staffordshire Moorlands. He was the architect of the All Saints church, Spout Hall on St Edward Street and, as we all know, Norman Shaw North and Norman Shaw South. We can all celebrate the fact that Staffordshire Moorlands, and Staffordshire, have played such an important role.
Sir Gavin Williamson
Of course, the Capitol building in the US has tiles made not in Maryland or New Jersey but in Staffordshire, here in the United Kingdom.
Dame Karen Bradley
Hear, hear—my right hon. Friend is absolutely right. We have contributed not just to this Parliament but to Parliaments across the world.
Staffordshire Moorlands also contributed to much of our décor. The arts and crafts movement started at Leek college. William Morris lived and studied in Leek, and came up with many of his original designs there. We have the canals, because James Brindley, the creator and architect of the canals, was a resident of Leek, and it was the canals that allowed our pottery to get to market. If pots are put on the back of a horse and cart, quite a lot of them break, but the canals allow them to be transported to market. The very fine quality pottery that Staffordshire is famous for was possible only because of the canals that James Brindley created.
As my right hon. Friend the Member for Stone, Great Wyrley and Penkridge said, three minutes is simply not enough time to talk about the whole of the cultural impact that Staffordshire Moorlands and Staffordshire have had in the United Kingdom. Culture is so important. I was a big advocate for Stoke-on-Trent when it was running to be the capital of culture, and it was a great disappointment to me that it was not chosen. I had to recuse myself from the decision. I was then the Minister who would have taken the decision, so I had to step aside and allow my deputy to take it.
I hope we can come together and build something more around culture. The cultural heritage and the feeling of place and belonging are incredibly important to us. That is why I was really pleased last year to run a year of reasons to visit Staffordshire Moorlands—not just Alton Towers, the biggest tourist attraction outside London, or the Peak Wildlife Park, with our fantastic polar bear residents, but the many artists, writers, food producers and others who contribute so much to our fantastic culture. That is why on 1 June I will be starting a year of the Moorlands village. I will not be doing 52 reasons; I will be focusing on a village and a parish every week. This week alone, I visited the Scrumbles cake shop up in Brown Edge, and then went up to one of our nature reserves. I went to see St Luke’s church in Endon, which has an incredible Burne-Jones stained glass window—a source of light of a kind that would not be seen elsewhere. We have so much to offer, and I want everyone to come and visit, not just to go on our rollercoasters, but to see the fantastic industrial heritage and the cultural impact that Staffordshire Moorlands has had. Happy Staffordshire Day.
Gill Furniss (in the Chair)
I will now limit speeches to two and a half minutes.
Sarah Edwards (Tamworth) (Lab)
It is an honour to serve under your chairship, Ms Furniss. I congratulate my hon. Friend the Member for Stafford (Leigh Ingham) on securing this important debate. This week, we are celebrating Staffordshire Day, which gives us the perfect opportunity to reflect on the cultural contributions of our towns and cities. In my constituency of Tamworth and the villages, we are incredibly proud of our rich heritage—from its origin as the ancient capital of Mercia and the home of the iconic Tamworth castle to its pivotal role in the industrial revolution and the development of the modern midlands. We can all agree that Staffordshire is at the centre of the universe.
Tamworth stands as testament to centuries of resilience, innovation and historic significance. Cultural contributions from arts and heritage in Tamworth and across Staffordshire are essential in shaping our country’s identity, enriching our communities and supporting local economic growth.
As an arts graduate, I am proud that nationally the cultural sector contributed £35 billion to the UK economy in 2023 and supported around 700,000 jobs. I was saddened that under the previous Government, grants for the arts were cut in real terms, which made decisions challenging for arts organisations and cultural places. Despite those challenges, the sector has shown a remarkable resilience. Between 2019 and 2022, the arts and culture sector grew by 5% in real terms, which is more than double the growth rate for the UK economy.
The cultural sector also plays a really important role in promoting community cohesion, education and wellbeing across Staffordshire. In Tamworth, we launched a programme that focused on social cohesion with community-led initiatives, arts projects and educational programmes. Some took place at Tamworth castle alongside Community Together CIC, with heritage-focused workshops and a festival last year celebrating “Athelstan 1100”, which had arts exhibitions, live performances and heritage trails.
In conclusion, let me say how proud I am that Tamworth castle museum was awarded £1.7 million; as a museum, it needs funding to support it and the great work that it does. I am really proud to celebrate Staffordshire Day alongside my colleagues here in the House.
Jacob Collier (Burton and Uttoxeter) (Lab)
It is a pleasure to serve under your chairship, Ms Furniss. I refer the House to my entry in the register of interests.
I thank my hon. Friend the Member for Stafford (Leigh Ingham) for securing this debate. In my constituency of Burton and Uttoxeter we have given, and continue to give, so much to the world. When His Majesty the King visited in February, he saw two of our greatest exports to the world: beer and yellow diggers. Burton is, of course, the brewing capital of Britain, and my constituency employs more people in brewing jobs than any other in the country. Burton ales are famous around the world, and those words “Burton Ales”, or the iconic red triangle of Bass, can be spotted all around the world.
Following the closure of the National Brewery Centre in 2022, I am working with the council and the National Brewery Heritage Trust as they bring life to plans for a new brewery centre and experience that will open up the Washlands area, and allow us to tell that story of Burton’s importance as the brewing capital of the world once more. Not only do we have the global brewers of Molson Coors and Marston’s, but also important independent brewers such as Tower Brewery, Burton Bridge, Outwoods Brewing, Gates, and the Uttoxeter Brewing Company. Our local club, Burton Albion, is better known as the Brewers, because of our brewing heritage. We are home to pub companies Punch and Greene King, both of which support pubs and hospitality across the country. Pubs and hospitality are in desperate need of support and I hope the Government will move forward at pace with business rate reform.
Uttoxeter is where Joseph Cyril Bamford made his very first tipping trailer, which would go on to become the iconic global brand of JCB, that is headquartered in Rocester. We have the racecourse in Uttoxeter, where the Midlands grand national takes place in March. I would like to take this opportunity to pay tribute to the many charities and voluntary organisations in my constituency. In particular, I want to highlight Burton Addiction Centre, which leads not only Staffordshire but the country for drug and alcohol rehabilitation. Whenever I visit, I am amazed by the lifesaving work that takes place there.
Finally, I close by asking all of us to carry the motto of our county with us: “The knot unites”. Within our county and country there is so much hatred and division and, like today, we should remember the things that bind us together. Happy Staffordshire Day.
Josh Newbury (Cannock Chase) (Lab)
It is a pleasure to speak with you in the Chair, Ms Furniss. I congratulate my hon. Friend the Member for Stafford (Leigh Ingham) for securing the debate. It has been a real pleasure to hear colleagues pay tribute to Staffordshire, from our world renowned pottery to our vibrant theatres, diverse festivals and creative talent.
Although I might be a little biased, Cannock Chase, my own perfectly formed slice of Staffordshire, stands out as one of our cultural gems. Not only are we fortunate enough to have the chase itself, but we also have countless fantastic businesses, landmarks, museums, theatres and schools. I have had the privilege of visiting many of our fantastic schools, which are nurturing future artists and performers who will go on to contribute to Staffordshire’s cultural landscape. Despite the disadvantage of the national funding formula, we must support a broad, inclusive curriculum that includes the arts, music, drama and design: such a culturally rich education is open to young people in many parts of our country but not as open as it should be to our constituents.
Cannock Chase has raised renowned talent such as the hilarious Steve Edge, and our Oscar-winning film-maker Chris Overton, who scooped the Academy award for the beautiful short film “The Silent Child”. In more recent news, Jenii Luperi, the vocal coach of this year’s Eurovision entry, also hails from Cannock. It is clear that Staffordshire has always punched well above its weight culturally, and we must ensure that it has the support and resources to do so for generations to come.
Young performers who are just starting out, seasoned performers, and Oscar winners all need venues to support them. The Prince of Wales theatre in Cannock, a cornerstone of our local cultural life, had its final curtain call on Saturday night, though it is hopefully not closing for good. The emotional evening involved eight fantastic local musical theatre and amateur dramatics companies, who all managed to get to the theatre safely despite Staffordshire’s notoriously potholed roads.
We have also, with great sadness, seen the Museum of Cannock Chase close its doors. Such venues are not just buildings but homes for local talent, heritage and the collective memory of our communities. Thousands of schoolchildren have come through their doors to experience the rich heritage of our area; they leave with a sense of pride in where they are from, inspired to shape its future. I am supporting two incredible charitable groups who have been working non-stop for the last six months to reopen those venues. We are exploring what support might be available to them from the Arts Everywhere fund. That fund was announced in the inaugural Jennie Lee lecture, named for our first Arts Minister, in whose footsteps as an MP I am privileged to follow. Staffordshire’s cultural contributions are about not just the past but the future that we want to build: a future where our children can grow their creativity in schools, local groups, grassroots museums, and on stages big and small.
Max Wilkinson (Cheltenham) (LD)
It is a pleasure to serve under your chairship, Ms Furniss. I congratulate the hon. Member for Stafford (Leigh Ingham) for securing this important debate. Think of Robbie Williams, Josiah Wedgwood, Arnold Bennett, Alton Towers, “The Great Pottery Throw Down” and Rory Delap’s throw-ins, the Peak district, mile upon mile of canals, the area’s fascinating industrial past and present, and—who could forget it—the commentator’s favourite: “But can they do it on a cold night in Stoke?” The last is a cultural reference as old as some Members of Parliament in the 2024 intake. It dates to the bygone era of Tony Pulis, whose cultural contribution is perhaps best summed up by the descriptive Goldie Lookin Chain lyric in tribute to the man himself:
“Tony Pulis, one hell of a bloke;
Tony Pulis, he manages Stoke.”
Football hard men aside, Staffordshire has shaped the cultural texture of Britain for centuries, and not just with its famous ceramics, although I will start there. In the 18th century, visionary potters like Josiah Wedgwood revolutionised pottery, making Stoke-on-Trent a world-famous centre of excellence. Wedgwood was so good that he became known as the Queen’s potter, proof that even back then Staffordshire knew how to make a good royal impression. In literature, Hanley-born Arnold Bennett captured the working-class life of industrial Britain in a way that still resonates with readers. In the post-industrial era, Staffordshire has continued to enrich our culture. I am sure that Take That would never have reached such heights of success in the 1990s and 2000s were it not for Staffordshire’s own Robbie Williams.
Staffordshire’s cultural scene is alive and well today. The Lichfield festival continues to bring together music, theatre and literature in the county. Each year it draws crowds to historic venues such as Lichfield cathedral with world-class performances. Liberal Democrats are arguing for investment in extracurricular activities for children, such as sport, music and drama. Without that, we cannot expect the next Robbie Williams or Josiah Wedgwood to pursue a career in arts and crafts. Where will the next throw-in specialist come from if sports facilities in Staffordshire do not receive the necessary investment? We must recognise that much of our cultural sector is supported by local authority funding. Discretionary spending on culture is often the first spending to be cut, but that trend must cease if Staffordshire, and everywhere else, is to thrive culturally. We would protect the independence of arts funding so that it can no longer be exposed to political interference, as we have seen over the last few years, and we would introduce cultural creative enterprise zones to stimulate growth. Local authorities must be given the tools to protect their cherished heritage. In Staffordshire, that would mean protecting the county’s beautiful manor houses, mills, castles and so much more.
That brings me to tourism. Staffordshire’s theme parks offer a host of rollercoasters, including at Alton Towers and Drayton Manor, where my wife tells me she spent the best birthday of her life when she was seven. Thanks to Staffordshire, my annual efforts will never, ever be quite good enough. I am told that my right hon. Friend the Member for Kingston and Surbiton (Ed Davey) is particularly thankful for the contribution of theme parks to public life, although I understand that he has yet to visit Alton Towers—it is time to invite him.
These facilities are a major source of tourism for Staffordshire, and they support a considerable number of jobs in the local economy. The tourism industry needs and deserves proper support, so the Liberal Democrats would upgrade the Government’s tourism function with a dedicated Minister for tourism and hospitality. That would give a bigger voice in government to a sector that not only supports our global soft power, but contributes £58 billion to the economy each year.
With your indulgence, Ms Furniss, I will touch briefly on one telling contribution made by Staffordshire to the last general election. The Liberal Democrats are extremely thankful for the role played by the staff at Yarnfield Park, where we hosted a series of secret training briefings for our candidates between the pandemic lockdown and our successful 2024 general election campaign. If nothing else, that is surely a testament to how truly inspiring the culture of Staffordshire can be.
Saqib Bhatti (Meriden and Solihull East) (Con)
It is a pleasure to serve under your chairmanship, Ms Furniss. I wish you and every Member a very happy Staffordshire Day in advance.
I congratulate the hon. Member for Stafford (Leigh Ingham) on securing the debate, and I thank her for her opening remarks. She took us on an engaging tour of Staffordshire, as did a lot of Members from across the House. I particularly want to highlight the contributions from my hon. Friend the Member for Kingswinford and South Staffordshire (Mike Wood), my right hon. Friend the Member for Staffordshire Moorlands (Dame Karen Bradley) and, of course, my right hon. Friend the Member for Stone, Great Wyrley and Penkridge (Sir Gavin Williamson), who was certainly not shy about his passion for his constituency.
It is vital that we recognise the cultural contributions that the many counties of Britain have to offer, and Staffordshire has made a wealth of contributions to our industrial, artistic and sporting heritage. It is therefore a privilege to have the opportunity to bring attention to a number of those contributions.
As we have heard, Staffordshire’s recorded history can be traced back to the early medieval period, when the area was first settled by the Anglo-Saxons. With Tamworth as the capital of the ancient kingdom of Mercia, the area quickly rose to prominence as a frequent battleground between the Anglo-Saxons and the invading Danes, before being settled by the conquering Normans. Tamworth castle was built on top of the remnants of this royal residence, and it continues to stand to this day, having seen nearly 1,000 years of the county’s history pass through its halls.
It would be remiss of me not to mention one of Staffordshire’s most recognisable cultural contributions, which we have heard a lot about today: the Potteries. As the largest producer of ceramics in Britain, Staffordshire housed hundreds of family businesses making all kinds of pottery, from humble tableware to the most intricate of decorative pieces, many of which still remain to this day. Although the industry may not quite be at the heights that it once was, local people have worked tirelessly to keep the heritage of Staffordshire’s Potteries alive through the many museums and art galleries dedicated to ceramics.
Equally historic is the county’s brewery industry, particularly the many breweries of Burton-upon-Trent. The town’s brewing industry dates back to the founding of Burton abbey in the 11th century and the early efforts of local monks to brew beer. Burton ales grew over the centuries into a thriving export and a global phenomenon, with even the Empress of Russia, Catherine the Great, said to have been “immoderately fond” of beer brewed in Burton. The industry went from strength to strength in the industrial age, with one of the town’s largest beer makers, Samuel Allsopp & Sons, becoming the first company to export Burton pale ale to India in 1822.
Although ceramics and brewing are two of Staffordshire’s most famous cultural contributions, there remains a wealth of other historical treasures that the county can be proud of. Chief among these is the court of minstrels, a medieval institution dating back to the royal court of John of Gaunt in the 14th century that brought together travelling musicians from across the region. This musical legacy can still be seen in the county to this day, with Friends of Staffordshire’s Young Musicians and other organisations continuing to promote local musical talent. Of course, Stoke-on-Trent was the birthplace of the iconic Robbie Williams.
In sports, Staffordshire has a living history of cultural contributions. Two of the country’s oldest professional football clubs, Stoke City and Port Vale, were founded in Staffordshire, with Stoke City having been one of the founding members of the football league in 1888. The two clubs continue to uphold a healthy rivalry.
My staff member Greg Ellis, who is in the Public Gallery today and who helped me to write my speech, is a disgruntled Stoke City fan. He wanted me to put on record that, although Stoke City’s recent performances leave much to be desired—by contrast with those of Port Vale, who have just been promoted to League One —I can offer no opinion on such matters as a tortured Manchester United fan. Staffordshire can boast an equally impressive record in cricket, as Staffordshire county cricket club has won the National Counties Cricket Championship more times than any other county.
All these contributions, and many more, are valuable additions to our cultural heritage. Culture is a living thing and requires the care and dedication of local communities to keep it thriving, so I pay tribute to some of the local elected representatives who in recent years have made significant contributions to the regeneration of this historic county.
We see this in the £17 million secured for the regeneration of Leek town centre by my right hon. Friend the Member for Staffordshire Moorlands in the £56 million secured for the regeneration of Stoke-on-Trent by former MPs Jonathan Gullis, Jack Brereton and Jo Gideon, and delivered under the leadership of Councillor Abi Brown; and in the delivery of over £50 million of regeneration in Newcastle-under-Lyme under the leadership of Councillor Simon Tagg. And that is to name only a few. I also pay tribute to the outstanding work of Councillor Alan White and his Conservative administration in leading Staffordshire county council to deliver efficient services without the eye-watering levels of taxation that we see in other local authorities.
However, it is not only the inhabitants of Staffordshire who recognise the county’s cultural heritage; it is also recognised by the millions of tourists who visit Staffordshire each year. The most recent data available shows that 2023 was the county’s busiest year since the pandemic, with 37 million domestic and international tourists visiting the area. Tourism generated £2.3 billion for the local economy—
Gill Furniss (in the Chair)
Order. I call the Minister to respond to the debate.
The Lord Commissioner of His Majesty's Treasury (Vicky Foxcroft)
It is a pleasure to serve under your chairship, Ms Furniss.
I am pleased to respond to this debate on behalf of the Minister for Creative Industries, Arts and Tourism, my hon. Friend the Member for Rhondda and Ogmore (Chris Bryant). I warned him that I might have to commit him to some stuff in responding to this debate. [Laughter.] At the moment, I am only committing him to writing to my hon. Friend the Member for Stoke-on-Trent South (Dr Gardner) about Stoke’s bid to be a UNESCO city of crafts and folk art. I will make sure the Minister responds to her.
I congratulate my hon. Friend the Member for Stafford (Leigh Ingham) on securing this debate and delivering a powerful speech that highlighted the wonders of Staffordshire. The number of contributors to this debate has also been extremely impressive.
Staffordshire is responsible for some truly significant contributions to the culture of Britain and beyond, both historically and in the present day. My hon. Friend gave a number of wonderful examples, and I will add to her reflections. The Staffordshire hoard, discovered in 2009, is the largest hoard of Anglo-Saxon gold and metalwork ever found, which shows the region’s historical importance even in early medieval times.
Samuel Johnson, the influential lexicographer and writer, was born in Lichfield. His dictionary of the English language, the first ever compiled, was a foundational work. He also rewrote the plays of William Shakespeare to ensure that all discrepancies were written out, which I find extremely interesting as somebody who studied performing arts at college, and drama and business at university.
Staffordshire is world famous for its ceramics industry, as my hon. Friends the Members for Stoke-on-Trent South and for Stoke-on-Trent Central (Gareth Snell) so eloquently described. Josiah Wedgwood revolutionised pottery in the 18th century with industrial methods and high-quality wares. His legacy is celebrated today at the Wedgwood Collection in Barlaston, which is operated by the V&A, one of our great national museums.
Perhaps more than anywhere else, Staffordshire, with its pottery, is a compelling example of how culture and creativity go hand in hand. This Government are committed to supporting culture and to making sure that arts and cultural activities are no longer the preserve of a privileged few. As part of our plan for change, we are committed to ensuring that the arts and culture thrive in every part of the country, with more opportunities for more people to engage with, benefit from and work in the arts and culture where they live.
Vicky Foxcroft
I cannot get through the speech if I do; I am sorry.
That is why this Government are proud to support the arts and culture. Only recently, we announced more than £270 million of investment for our arts venues, museums, libraries and heritage sector via the Arts Everywhere fund. And the £85 million Creative Foundations fund, which was announced earlier this year, will help arts and cultural organisations with varying scales of need to resolve urgent issues with their infrastructure.
Sir Gavin Williamson
The Minister makes a very important point about ensuring that areas outside London are able to get an important slice of cultural contributions. As the Minister for Creative Industries, Arts and Tourism is not here, would she go back with representations on how we can bring some of those cultural institutions out of London to places such as Staffordshire—not just to Stone, Great Wyrley or Penkridge, but to many other communities across the county?
Vicky Foxcroft
The right hon. Member makes a really good point, and I will feed that back. I am missing out some of my speech and jumping ahead because I want my hon. Friend the Member for Stafford to have the opportunity to respond.
After preparing for and listening to this debate, I am tempted to ditch my beach holiday and instead take a trip to Staffordshire. I could join my hon. Friend the Member for Stoke-on-Trent Central for a pint at the Titanic brewery or the hon. Member for Kingswinford and South Staffordshire (Mike Wood) to learn about the origins of the gunpowder plot. I could join my hon. Friend the Member for Stoke-on-Trent South at the Longton Pig Walk before watching a pantomime with the right hon. Member for Stone, Great Wyrley and Penkridge (Sir Gavin Williamson). I could then join my hon. Friend the Member for Newcastle-under-Lyme (Adam Jogee) for some horse riding—maybe with the Father who is retiring.
Adam Jogee
When the Minister comes to Staffordshire, she will meet some very wise people, not least the folk who elected nine Labour MPs out of 12 at the general election. Many hon. Members had to scribble away half their speeches, so when the Minister goes back to her colleagues, will she encourage them to find Government time for a debate on these issues?
Vicky Foxcroft
I will make sure I raise that point, and good on hon. and right hon. Members for pressing me to get the Minister to commit to many things.
I will then join the right hon. Member for Staffordshire Moorlands (Dame Karen Bradley) for a history lesson in architecture. She also mentioned Alton Towers, where I have very fond memories of going as a child. And who does not love a castle? I will also join my hon. Friend the Member for Tamworth (Sarah Edwards) in visiting Tamworth castle. By that stage, I will probably be ready for another beer, so I had better pay a visit to the brewing capital of the world—Burton and Uttoxeter.
My hon. Friend the Member for Cannock Chase (Josh Newbury) convinced me that we need to secure funding for our theatres. I feel very strongly and passionately about theatres, and I know the Minister for Creative Industries, Arts and Tourism does too. I am certain there is nowhere else we need to be on 1 May, but if there were, it would be Staffordshire. I wish everyone a happy Staffordshire Day.
Leigh Ingham
I thank all Members for attending and participating in this debate. I did not know everything about all their constituencies, so it was wonderful to hear about them.
I thank the hon. Member for Kingswinford and South Staffordshire (Mike Wood), my hon. Friends the Members for Stoke-on-Trent Central (Gareth Snell), for Stoke-on-Trent South (Dr Gardner), for Cannock Chase (Josh Newbury), for Newcastle-under-Lyme (Adam Jogee), for Tamworth (Sarah Edwards) and for Burton and Uttoxeter (Jacob Collier), and the right hon. Members for Staffordshire Moorlands (Dame Karen Bradley), and for Stone, Great Wyrley and Penkridge (Sir Gavin Williamson).
We are missing only two MPs, so today we have had great representation for Staffordshire from across the county. I think we have represented well the breadth of what is taking place, and our optimism for the future—for investing in our creative sector and our creative industries—has come through clearly. It is important that we nurture that talent and ensure that those of us based outside London, who have creative hubs in our constituencies, are able to cultivate it.
I thank the Minister for her response, and I appreciate the further responses she will provide. As I said, 1 May is Staffordshire Day—a day to celebrate. There are lots of things to do that day across Staffordshire, including going to the polling station. Thank you very much, everyone.
Question put and agreed to.
Resolved,
That this House has considered the cultural contribution of Staffordshire.