Staffordshire: Cultural Contribution

Karen Bradley Excerpts

Tuesday 29th April 2025 Westminster Hall

[Sir Gavin Williamson (Stone, Great Wyrley and Penkridge) (Con)]

I congratulate my neighbour the hon. Member for Stafford (Leigh Ingham). It is a real insult for you to try to restrict us to three minutes, Ms Furniss—how can we get all the beauty of Staffordshire into three minutes?

Staffordshire is a proper county. It is not like the west midlands, Merseyside or Humberside, which is a late ’70s creation. It was forged in the Anglo-Saxon era when Queen Æthelflæd, the Lady of the Mercians, created the forts in Tamworth and Stafford. We forget that that was part of Staffordshire, as was Wednesbury, because what we see as the Black Country was all part of a great historical county of Staffordshire.

[Dame Karen Bradley (Staffordshire Moorlands) (Con)]

I have heard reports that the Staffordshire bull terrier may not be from Staffordshire because it is from Wednesbury. Can we confirm that Wednesbury has always been in the historical county of Staffordshire?

[Sir Gavin Williamson]

I can absolutely confirm that Wednesbury has always been in the great historical county of Staffordshire, and of course the Staffordshire knot comes from that great Queen of Mercia, although there is sometimes speculation that it actually comes from the hangman at Stafford castle: there were three prisoners and there was an argument over who to hang first, and to find a compromise he hanged all three at once. However, I think we all take the view that it is much more beautiful to think that it is part of the Queen of Mercia’s insignia that is used on our county flag.

We have a great cultural heritage in Stone, Great Wyrley and Penkridge. I always say that we have got the very best of everything in Staffordshire in my constituency, not the other constituencies that make up the lesser parts of Staffordshire. We have so much: Dunoon pottery, which makes some of the finest mugs to be found, and wonderful breweries—we draw our water from the great River Trent, River Penk or River Sow, so we have great brewers in my part of Staffordshire.

We have great cultural events and institutions. For me, Christmas is not Christmas if I do not go to the Wyrley Pretenders pantomime to see the amazing work that the volunteers do every year to entertain and bring the community together for Christmas. We have the newly opened Crown Wharf theatre in Stone, which is going to be there for generations to enjoy productions that I have no doubt will be far better than anything else put on in other people’s constituencies.

We are a source of inspiration to artists, such as Peter De Wint, who was born and grew up in Staffordshire. The Great Wyrley outrages inspired Arthur Conan Doyle to write his famous book about them. If I invade my former constituency, the constituency of my hon. Friend the Member for Kingswinford and South Staffordshire (Mike Wood), and go down to Kinver, there are the Kinver rock houses, which he mentioned and which were the inspiration for the Shire in Tolkien’s “The Lord of the Rings”. We have so much to offer.

On 9, 10 and 11 May, people can come to the Stone food and drink festival. Stone is the food capital of Staffordshire, and people can truly appreciate that and enjoy an amazing day out there. I look forward to welcoming hon. Members to the great constituency of Stone, Great Wyrley and Penkridge, and to welcoming so many people from around the country to our great county of Staffordshire.

--- Later in debate ---

[Dame Karen Bradley (Staffordshire Moorlands) (Con)]

It is a pleasure to serve under your chairmanship, Ms Furniss. I congratulate the hon. Member for Stafford (Leigh Ingham) on securing this important debate in the week of Staffordshire Day. As a proud resident of Arnold Bennett’s Axe and the representative of the head of the River Trent, which gives my right hon. Friend the Member for Stone, Great Wyrley and Penkridge (Sir Gavin Williamson) and others such wonderful beer, it is an honour to take part in the debate.

I was pleased to hear the hon. Member for Stoke-on-Trent Central (Gareth Snell), who I will call my hon. Friend, talk about the contribution of the Minton tiles to Parliament, but I want to mention two other contributions that Staffordshire Moorlands has made to this Parliament. The first is a very obvious one: a big family that lives in Staffordshire Moorlands, the Talbots—including the Earl of Shrewsbury—had this very nice house at Alton Towers, and they had a house architect called Augustus Pugin, who designed and created many buildings in that area that are still standing today, including schools and the marvellous St Giles church in Cheadle. Anyone who visits them can see that they are the forerunners for what we see in Central Lobby and across Parliament.

Perhaps slightly lesser known is that Richard Norman Shaw—we know that name—is an architect who also operated in Staffordshire Moorlands. He was the architect of the All Saints church, Spout Hall on St Edward Street and, as we all know, Norman Shaw North and Norman Shaw South. We can all celebrate the fact that Staffordshire Moorlands, and Staffordshire, have played such an important role.

[Sir Gavin Williamson]

Of course, the Capitol building in the US has tiles made not in Maryland or New Jersey but in Staffordshire, here in the United Kingdom.

[Dame Karen Bradley]

Hear, hear—my right hon. Friend is absolutely right. We have contributed not just to this Parliament but to Parliaments across the world.

Staffordshire Moorlands also contributed to much of our décor. The arts and crafts movement started at Leek college. William Morris lived and studied in Leek, and came up with many of his original designs there. We have the canals, because James Brindley, the creator and architect of the canals, was a resident of Leek, and it was the canals that allowed our pottery to get to market. If pots are put on the back of a horse and cart, quite a lot of them break, but the canals allow them to be transported to market. The very fine quality pottery that Staffordshire is famous for was possible only because of the canals that James Brindley created.

As my right hon. Friend the Member for Stone, Great Wyrley and Penkridge said, three minutes is simply not enough time to talk about the whole of the cultural impact that Staffordshire Moorlands and Staffordshire have had in the United Kingdom. Culture is so important. I was a big advocate for Stoke-on-Trent when it was running to be the capital of culture, and it was a great disappointment to me that it was not chosen. I had to recuse myself from the decision. I was then the Minister who would have taken the decision, so I had to step aside and allow my deputy to take it.

I hope we can come together and build something more around culture. The cultural heritage and the feeling of place and belonging are incredibly important to us. That is why I was really pleased last year to run a year of reasons to visit Staffordshire Moorlands—not just Alton Towers, the biggest tourist attraction outside London, or the Peak Wildlife Park, with our fantastic polar bear residents, but the many artists, writers, food producers and others who contribute so much to our fantastic culture. That is why on 1 June I will be starting a year of the Moorlands village. I will not be doing 52 reasons; I will be focusing on a village and a parish every week. This week alone, I visited the Scrumbles cake shop up in Brown Edge, and then went up to one of our nature reserves. I went to see St Luke’s church in Endon, which has an incredible Burne-Jones stained glass window—a source of light of a kind that would not be seen elsewhere. We have so much to offer, and I want everyone to come and visit, not just to go on our rollercoasters, but to see the fantastic industrial heritage and the cultural impact that Staffordshire Moorlands has had. Happy Staffordshire Day.

[Gill Furniss (in the Chair)]

I will now limit speeches to two and a half minutes.