Immigration and Nationality Statistics

David Mundell Excerpts

Wednesday 18th December 2024 Westminster Hall

[David Mundell (in the Chair)]

I will call Nick Timothy to move the motion and, later, the Minister to respond. I think it has been agreed that a number of other Members will make short contributions to the debate.

[Nick Timothy (West Suffolk) (Con)]

I beg to move,

That this House has considered immigration and nationality statistics.

It is a pleasure to serve under your chairmanship today, Mr Mundell—happy Christmas to you, the Clerks and other House staff.

I want to make clear my overall view of the rate and nature of immigration to Britain in recent years. To be frank, it has been a disgrace. Every Prime Minister since Tony Blair has promised control, only to oversee record numbers of people coming here. Immigration is the biggest broken promise in British politics, and probably the biggest single reason that British politics is so broken. This could not be more important, because mass immigration undermines our economy, capital stock, and cultural coherence and identity. It quite literally changes the country we are.

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[Nick Timothy]

I endorse that entirely and pay tribute to our hon. Friend the Member for Harborough, Oadby and Wigston (Neil O'Brien) for the excellent work he has done. He was the first Member of this House to talk about what he calls the “data desert” when it comes to immigration.

On criminal justice policy, the Justice Secretary very recently refused to answer in the Chamber when I asked if the Government would publish the nationality, visa and asylum status of all imprisoned offenders. My fourth question is: why did she refuse to do that? Why can the Home Office and the Ministry of Justice not come together to publish that data?

There are many other areas of policy, but I want to turn to the Home Office in particular. The Home Secretary told the House of Commons in July that the Rwanda policy had cost the taxpayer £700 million by the time Labour had come to power and that by ending the retrospective element of the duty to remove in the Illegal Migration Act 2023, she would save the public £7 billion over 10 years. Those numbers were clearly preposterous, and Home Office officials got in touch with me to express their concern about the things she said on the Floor of the House. The National Audit Office had said in March that the Rwanda scheme’s total cost was only £290 million, which included a £50 million payment made between its study and the general election. To be fair, the NAO costs did not include some things, such as the cost of detaining migrants. However, those costs would have had to have been met without the Rwanda scheme anyway, and it is difficult to understand what might justify a £410 million difference between what the NAO said and what the Home Secretary said on the Floor of the House of Commons.

In a letter to the shadow Home Secretary copied to me, the Home Office permanent secretary gave a breakdown—if it can be called a breakdown—of the costs behind the £700 million claim that ludicrously lumped together £278 million under the title “Other fixed costs” with very little description of what that means. My fifth question is: can the Minister tell us specifically what those costs are? Will she hand over all the relevant data to the Office for Statistics Regulation? Can she commit to placing in the Library a detailed set of accounts to justify that number?

In a separate letter to me, the permanent secretary justified the discrepancy by claiming that the NAO report had not included some “expected” Home Office costs. That makes no sense because “expected” implies costs that had not been incurred in March when the NAO report was published, but the Home Office now says that those costs were incurred between 2022-23 and June in 2024-25. In his letter to me, Sir Matthew said:

“Further detail is contained within the impact assessment that accompanied the retrospection statutory instrument that was laid before Parliament.”

But again, the impact assessment models costs in the future, not the past, so I have a sixth question. When the Home Secretary said that the £700 million had already been spent in July, why was her permanent secretary talking about prospective costs in August? Why did he refer to an impact assessment based on future costs, not costs already incurred?

On my seventh question, when the immigration Minister, the hon. Member for Wallasey (Dame Angela Eagle), debated this issue with me in Westminster Hall in September, she promised to write to me to explain those discrepancies. Why did she not do so? Can the Minister tell us why the Home Secretary still has not replied to my letter of 21 September, despite written answers on 22 October and 25 November promising to do so as soon as possible?

Finally, I have asked Ministers in the Home Office and the Foreign Office about the secretive deal to bring Sri Lankan asylum seekers from Diego Garcia to Britan, even though the Government are under no obligation to do so. Home Office officials are worried that among those migrants are criminals and even child abusers. The Home Office said:

“Migrants with criminal convictions, charges, or subject to ongoing investigations were not in scope for that relocation.”

However, in a written answer to me, the immigration Minister refused to say whether the Government had sought or obtained the necessary information from the Sri Lankan Government. On 14 November, the Foreign Office Minister, the hon. Member for Cardiff South and Penarth (Stephen Doughty), answered my question, saying that the Government

“does not have any information about Sri Lankan migrants’ criminality that pre-dates their arrival on British Indian Ocean Territory.”

On 9 December, the immigration Minister answered another of my questions and said:

“The local UK police force in the area where the migrants have been located have been informed of their arrival in the UK.”

That does not sound very reassuring, and there are clear discrepancies between what the Home Office and Foreign Office have said. The fact that the police have had to be notified about the arrival of those migrants would be very alarming to people who live in those areas, if the public actually knew where those migrants are.

For my eighth and final question, can the Minister confirm that the Government have no idea about the criminal records of those migrants dating to their time in Sri Lanka? What on earth are the Government doing importing migrants, for whom we have no legal responsibility, into this country in such secrecy when there are concerns about them inside the Home Office, and without undertaking every conceivable security check?

[David Mundell (in the Chair)]

Order. This debate is for a fixed 30-minute period. I will call each of the three Members who have asked to speak, but I will apply a time limit of three minutes to their contributions. I call Richard Tice.

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[Rupert Lowe (Great Yarmouth) (Reform)]

It is a pleasure to serve under your chairmanship, Mr Mundell.

There is a concerted campaign within Government to hide vital statistics from the British people regarding the impact of uncontrolled mass immigration—legal and illegal. Let me be abundantly clear: it is a cover-up. Whether it is crimes committed by illegal migrants or a nationality breakdown of those claiming benefits, the British people deserve to know the ugly truth. If there is nothing to hide, show us the data. Information is being concealed from the public on crime, welfare claims, tax contributions, size of illegal population, public service usage and so much more. Either the Home Office is deliberately hiding the numbers or the data is genuinely not collected. Both options are equally terrifying. It is either pure incompetence or shocking dishonesty. Sadly, I believe it is the latter. My message to the Home Office is clear: show us the data, and we can make up our own minds. The ongoing cover-up is simply not acceptable. When will we get total transparency?

[David Mundell (in the Chair)]

I call the Minister to conclude the debate. In these 30-minute debates, there is no opportunity for the Member in charge to respond; the Minister’s contribution will conclude the debate.

Creative Arts Education

David Mundell Excerpts

Wednesday 18th December 2024 Westminster Hall

[Several hon. Members rose—]

[David Mundell (in the Chair)]

Order. I remind Members that they should bob if they wish be called in the debate. If Members are creative and stick to just over three minutes, I think we will get everybody in.

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[Alex Ballinger (Halesowen) (Lab)]

It is a pleasure to serve under your chairmanship, Mr Mundell. I thank the hon. Member for Chichester (Jess Brown-Fuller) for organising the debate. I am sure we can all agree that creative arts play a unique and invaluable role in enhancing the wellbeing and education of our young people. The evidence is clear: participation in creative activities and the study of artistic subjects significantly improves students’ mental health, resilience and overall academic achievement.

A report by the Cultural Learning Alliance reveals that students engaged in the arts are three times more likely than others to win an academic award, and five times more likely to be recognised for good attendance, and research from the University of Manchester finds that young people who take part in arts activities are 20% more likely to report higher levels of life satisfaction. Yet, for too long, access to creative education in subjects such as art and design, dance, drama and music has been unequal, with some students receiving little or no exposure. That has allowed creative education to become a privilege largely reserved for those from affluent backgrounds whose families can afford access to cultural and artistic experiences.

Evidence shows that under the last Government, there was an overall decline of 42% in the number of arts GCSE entries. Many schools no longer offer arts subjects at all at GCSE level, and we now have 14% fewer arts teachers than in 2010. That is a damning indictment of the previous Government’s attitude and approach to creative arts education and the wider cultural sector. If we are serious about giving every child the best chance of success, we must ensure that creative arts education is accessible to all, regardless of background or circumstances. I was delighted that the Government committed £79 million to a national network of music hubs, which will give children and young people the opportunity to learn to sing or play an instrument. The investment has the potential to transform lives, providing a pathway for creative expression and personal growth.

I also welcome the piloting of the new music opportunities initiative, with £5.8 million to support students with special educational needs and disabilities, and those from disadvantaged backgrounds. That is essential to ensure that creative opportunities are inclusive and fair.

As a proud Halesowen MP, it would be remiss of me not to highlight the exemplary work of Halesowen college. It is a forward-thinking educational institution that offers a large number of vocational creative arts courses, including acting, dance, fashion, graphic design, media make-up and music. With state-of-the-art facilities, the college provides young people and adults in Halesowen the chance to explore and develop their creative talents. Exciting and creative educational opportunities are available within our community.

As we look ahead, we must continue to champion creative arts education as a vital part of our children’s development, wellbeing and future success. It is only by nurturing their creative potential that the next generation will thrive.

[David Mundell (in the Chair)]

I call Jayne Kirkham. I am saving Mr Shannon for the finale.

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[Jayne Kirkham]

You are right that it is an important subject in its sheer scope, alongside the sciences, maths and everything else. It does more than enrich our lives; it is a fundamental part of our lives.

[David Mundell (in the Chair)]

Order. I am “you” and she is the hon. Lady.

[Jayne Kirkham]

I apologise. Creative arts are obviously a regional growth driver. We are lucky in Truro and Falmouth because those creative hubs can revitalise our region and bring in the visitors we need so much. The growth of the Hall for Cornwall, for example, has spread tentacles across the rest of the county, bringing in children and people who want to get involved in the creative arts but do not often have the opportunity.

Many students learn games design at the Launchpad at Falmouth University. They can then start up their own businesses, with the help to do so. We have the Poly, the Princess Pavilion and brilliant grassroots venues, such as the Cornish Bank, the Old Bakery studios and the Chintz, where some of the musicians who are learning in our town go to practise their art. We are also building premises for a community radio station in the park with our shared prosperity funding, which shows just how important the arts are to Falmouth. People come to us for the arts.

We have an alternative SEND provider called Player Ready Truro, which works with neurodivergent children; they blossom when they can do the things they love with tuition. It prepares them to go back into school and it builds their confidence. Would the Minister consider looking again at progress 8, because it does not contain an arts subject? We should definitely consider that. We must review the national curriculum so that the arts are in the prominent place that they should be.

[David Mundell (in the Chair)]

Last, but definitely not least, I call Jim Shannon. I intend to call the Front-Bench spokespeople at 5.10 pm.

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[Jim Shannon]

I have not brought my flute. I could whistle a tune, but I will not.

I always like to talk about something we have done in Northern Ireland. In late 2022—I know the Minister will be pleased to hear this, as an example of what can be done—the Arts Council of Northern Ireland, the Education Authority and the Urban Villages initiative announced funding for the continuation of the creative schools programme in 11 secondary schools, which was fantastic news for the education system across Northern Ireland.

The hon. Member for East Thanet (Ms Billington) referred to the importance of the arts. The arts are a vocation and many people need to recognise that. There are so many young people out there who see themselves going into the arts, film or the creative industries, so funding for our local schools through the Urban Villages initiative is good news. I have spoken before in Westminster Hall and the Chamber of the amazing talent that Northern Ireland has to offer, specifically in the film industry. We have made leaps and bounds in the film sector over the years.

I will give another example. I noticed recently in my constituency and neighbouring constituencies that controlled or commissioned graffiti is becoming massively popular within the creative arts industry. In Newtownards, which I represent, an Ulster Farmers’ Union building has historically always been subject to criminal graffiti, but now it has been transformed through the creative arts, and it looks fantastic. I have also seen many streets, alleys and walls completely changed by graffiti, and the work that goes into that should be respected and admired. Northern Ireland probably has a lot more graffiti than most, but we realised what could be done creatively with graffiti. At last, that is an indication of where we can go.

The creative schools programme initially launched as a pilot scheme in 2017 and so far 1,000 young boys and girls—men and women—have benefited from it. That is a fantastic number of people destined for stardom and progress. The programme places a focus on improving educational outcomes for children across a wide range of artistic sectors. It is not the Minister’s responsibility, but it is crucial that we continue to fund it in Northern Ireland, so that we truly give young people the opportunity to showcase the amazing talent that the United Kingdom of Great Britain and Northern Ireland has to offer.

[David Mundell (in the Chair)]

I call Munira Wilson, the Liberal Democrat spokesman, for five minutes.

[Munira Wilson (Twickenham) (LD)]

It is a pleasure to serve under your chairmanship, Mr Mundell. I start by congratulating my hon. Friend the Member for Chichester (Jess Brown-Fuller) on securing this important debate, and I have enjoyed learning a lot about her illustrious background. I cannot claim to be anywhere near as accomplished as she is, but I used to love doing amateur dramatics at school and university, so I can see a Lib Dem drama club emerging at some point soon. Anyway, I will now move on to the serious part of the speech.

The Beatles, Damien Hirst, Amy Winehouse, Anthony Hopkins, Judi Dench and Vivienne Westwood are just a few examples of the brilliant artists who our country has produced over the past century. Our creative industries are renowned throughout the world and, as we have already heard, they contribute enormously to our economy, employing more than 2.3 million people every year.

It is vital that we preserve and grow our arts, which starts with promoting creative education in our schools. As we have already heard, the benefits of creative education are numerous, from developing a lifelong passion to helping children and young people with their mental health and equipping them with important life skills.

Sadly, however, creative education has not been treated with the priority it deserves and teaching in schools has suffered as a result. There are now 15,000 fewer full and part-time teachers of arts subjects in schools than in 2010. With fewer specialised teaching staff and increasingly constrained budgets, we have seen a drop in the number of children taking arts subjects, with enrolment at GCSE level falling by almost a half and at A-level by a third between 2010 and 2023. That means too many children are missing out on the opportunity to broaden their horizons and learn new skills.

At the heart of this issue is the fact that the arts have wrongly been labelled as unimportant and trivial. As a result, in the context of overstretched budgets and limited resources, arts subjects are the first to be cut back, with schools increasingly focusing on their core curriculum offer and extracurricular activities in the arts having to be scaled back.

The Liberal Democrats believe that our children’s education should be rounded and varied. Too often, Conservatives think that creative education is the sacrifice we must make for strong academic standards, but it should not be an either/or situation—it is always both/and. There is plenty of evidence to indicate that there is a link between participation in the arts and higher attainment. I hope that the Government’s ongoing curriculum review and the upcoming reform of Ofsted inspections ensures that all students can access a broad curriculum, including art, music and drama subjects, alongside a strong focus on high academic standards in other subjects.

As the hon. Member for East Thanet (Ms Billington) pointed out, the growing lack of arts provision in our schools, colleges and universities has widened inequalities between disadvantaged students and their peers. It is often only more privileged families who can afford private tuition, extra classes outside school or an independent education, because, as we have heard, the facilities of independent schools are often second to none in terms of the creative arts, thus disadvantaging children from lower socioeconomic backgrounds.

That has a direct impact on who goes on to work in the creative industries, with data showing that there are four times as many individuals from middle-class backgrounds in creative occupations as there are from working-class backgrounds. The arts should not be accessible only to the most privileged. If we want to harness the full talent of our children and young people to ensure that we continue to make the creative industries a powerhouse for our economy, we need to widen opportunities to the arts at every level.

It is not only schools that have seen the take-up of arts subjects plummet but further and higher education institutions. According to the Creative Industries Policy and Evidence Centre, over the past decade there has been a 57% drop in the uptake of creative courses in further and higher education. As we have heard, the exclusion of arts subjects from the English baccalaureate and cuts to funding for creative arts subjects at university by the previous Conservative Government have fuelled this decline.

That is why the Liberal Democrats would like to see arts subjects being included in the English baccalaureate to boost access to the arts. We also need to stop talking down and defunding creative arts degrees and vocational courses, and to drive up high-quality apprenticeships in this area.

Let us be proud of our world-leading institutions. Earlier this year, I visited Wimbledon College of Arts with my hon. Friend the Member for Wimbledon (Mr Kohler), and I saw the amazing work that its students do in costume and set design, puppetry and performance. The college is part of the University of the Arts London, which is second in the world for art and design; we should celebrate that. In my own backyard, I went to the Rambert School of Ballet and Contemporary Dance in Twickenham last week, where the students put on the most incredible show. I know that many of them will go on to be talented performers in their own right.

The creative arts enable all of us to lead a fulfilling life, and they are also one of our country’s finest and most recognisable exports. Let us give our children and young people the opportunity to flourish fully, and let us develop a pipeline of talent into our arts sector to ensure that children and young people get the widest opportunity possible at school, college, university and beyond.

[David Mundell (in the Chair)]

I call the shadow Minister to speak; you have five minutes.

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[Neil O’Brien]

With respect, I am all ears, and it will be for the Government to say where they will find the time for those things. In principle, I have no objection, but I do not believe that the hon. Lady thinks that there is an unlimited amount of time in the school day, or that our teachers can all do endlessly more work. Of course that is not the case—no one believes that; there are choices here.

If I can return to the spirit of good will and Christmas, I want to commend something good that the Government have published: the evidence pack published alongside the curriculum and assessment review. It is a good piece of work that brings some nuance to the debate that is not always there. It shows that, although the numbers doing GCSE are somewhat down for some art subjects, the numbers doing other types of qualifications are going up at the same time. A lot of the bigger changes are nothing to do with art subjects whatsoever. We see less time spent on ICT in schools and more time spent on English, maths and science. I commend to hon. Members that very good piece of work by the Government; I strongly endorse the nuance that it brings. We all want to see more of these wonderful things happening in our schools, but I also beg that everyone is honest about the trade-offs involved.

[David Mundell (in the Chair)]

Minister, I would grateful if you left a few moments at the end so that Jess Brown-Fuller can respond to the debate.