Oral Answers to Questions Debate
Full Debate: Read Full DebateCaroline Dinenage
Main Page: Caroline Dinenage (Conservative - Gosport)Department Debates - View all Caroline Dinenage's debates with the Department for Digital, Culture, Media & Sport
(3 years, 5 months ago)
Commons ChamberThe UK has one of the world’s leading art markets and the free trade agreement we negotiated with the EU will allow it to flourish. We have taken steps to facilitate the export of cultural goods to EU countries. We have developed a new inland pre-clearance process for export licences for works of art, and we are digitising the export licensing system for cultural goods. Those steps will reduce border friction and avoid delays and security risks.
Notwithstanding the Minister’s incredibly helpful response, there are small businesses in the art and antiques market that are suffering from these teething problems, such as Dart Gallery in Dartmouth in my constituency. So what further steps are the Government going to take to ensure that there is a streamlined approach to exporting art and antiques in future years?
My hon. Friend is absolutely right to champion the businesses in his constituency. We care deeply about supporting them. That is why the Secretary of State met representatives of the art market only earlier this month to discuss issues. We will continue to work closely with the sector to ensure that it can keep trading smoothly with the EU. We recognise that this means a period of change for business at a time when everyone has been responding to the unprecedented pressures of the pandemic, but this is an unparalleled opportunity for the UK to do business differently and prosper. We will continue to support businesses to allow them to take all the opportunities.
The Government are aware of the concerns that have been raised about the challenge of securing indemnity cover for live events, and my officials and the rest of the team at the Department for Digital, Culture, Media and Sport continue to work closely with the affected sectors to understand all the barriers to reopening, including financial support, certainty around the public health situation and the potential challenges of insurance.
Insurance providers, live music venues, promoters and artists have jointly called on the UK Government to support an insurance fund to get live cultural events back up and running, with assurance that covid flare-ups will not ruin their chance at a recovery. Will the Minister meet with representatives from the live music industry to discuss those proposals?
Yes, I meet representatives from the live music industry all the time, and the Government road map sets out a clear plan that will allow events to return quickly and safely. That is being backed up by the events research scheme, which will give the evidence to provide the how and the when. We really understand how vital it is to get people back to doing the things they love as quickly as is safely possible, and we understand the huge benefits to our economy in allowing that to happen.
I was pleased to hear the Minister’s report of meetings with industry stakeholders and insurance bodies. Will she release all documents relating to those discussions, to allow proper scrutiny of the decision making around insurance for live events this summer?
Where appropriate, of course we can publish documents, but sometimes we have to have conversations behind closed doors, so that people can get off their chest how they are feeling and we can do our best to tackle it. We understand that there are a number of obstacles for our sectors at the moment, and the culture recovery fund has been fantastic at supporting them to keep going through this really difficult time. The hon. Lady will be delighted to know that her Richmond Park constituency has benefited to the tune of over £1 million from the culture recovery fund, which has supported so many incredible organisations, such as the Orange Tree theatre.
As if the Government’s refusal to underwrite live music insurance was not bad enough for the industry, the UK Government rejected a deal with the EU that would have allowed artists and their crews to tour without visas, as they did pre Brexit. At her recent Select Committee appearance, the Minister said that as far as she knew, no negotiations with individual states were taking place to resolve these arrangements, but she promised to strain “every sinew” to resolve this Brexit disaster. That was over a month ago. Have the Government finally engaged in bilateral talks over visa agreements for artists? If so, with which countries? What progress has been made? Artists are waiting to hear.
The hon. Gentleman knows that not all of what he said is 100% true. The Treasury has always said that it would look at indemnity if it was the only obstacle to events being able to take place, and in the current public health situation there is huge uncertainty, which is clearly another major obstacle. He also knows that we did not turn down an excellent visa option from the EU. He knows that the visa option that was on the table would not have permitted touring; it was just for ad hoc events and would not have supported all the support crews that necessarily go with a tour. With regard to international discussions, I met my colleagues in the Foreign, Commonwealth and Development Office only yesterday.
The Government recognise the importance of international touring for our creative and cultural sectors. The DCMS-led working group on creative and cultural touring, which involves sector representatives and other key Government Departments, is working through the issues to ensure that the sector gets both the clarity and the support that it needs.
Musicians are eager to get back to work when restrictions allow, but for those who would normally tour Europe that will require a mountain of paperwork to be negotiated both for themselves and their instruments. This is increasingly urgent as we approach the lifting of lockdown restrictions, with little time left to negotiate bilateral agreements. Can the Minister confirm that Ministers are talking to their EU counterparts about securing visa waivers to allow our musicians to tour Europe freely when restrictions are lifted?
The hon. Lady is right: the end of freedom of movement has inevitably had some consequences for touring artists. We want our cultural and creative professionals to be able to work easily across Europe, in the same way that EU creatives are able to work flexibly in the UK, and we are working very closely with the sector to consider all the available options. I have said right from the start that our door will always be open if the EU is willing to reconsider its position, but we are also working with colleagues across Government and members of our working group on our engagement with different member states. I met FCDO colleagues only yesterday once again to discuss this, and we want to ensure that touring can resume as easy as possible for UK artists.
My constituent George Jackson is a conductor. He has told me that in order to be able to fill last-minute jobs in the EU he would previously have needed just to get on a plane or train and been ready to be with the orchestra the next day, but he says that now he faces expensive and time-consuming paperwork just to achieve the same as before. It seems that the Government have managed to unite artists and creatives across the country in wanting to see the Government sort this out. Even Sir Elton John was urging the Government to fix this mess, so in that spirit can the Minister commit to keeping our creative industries standing rather than letting the sun go down on them?
I thank the hon. Lady for her question, and we understand the strength of feeling on this. The Secretary of State met Sir Elton John recently as well to discuss the issue. We care passionately about finding a solution to this, which is why we set up the DCMS-led working group on creative and cultural touring. It involves representatives from across the creative and cultural touring sectors and all the key Government Departments that have a handle on this, and we are working through all the issues and all the options to help the sectors resume touring as easily as possible when it is safe to do so, but, as the hon. Lady said, the priority is getting touring performers the information and support they need to tour, and, crucially, working bilaterally to ensure the process is as smooth and seamless as possible when they are able to do so.