Football Governance

Rachel Hopkins Excerpts

Monday 14th June 2021 Westminster Hall

[Rachel Hopkins (Luton South) (Lab)]

It is a pleasure to serve under your chairship, Ms Elliott. I thank the hon. Member for Stoke-on-Trent North (Jonathan Gullis) for introducing this really important debate.

Many football clubs were created by workers at the heart of their communities. Luton Town, the club that I am so proud to have in my constituency of Luton South, was founded democratically when John Charles Lomax and George Deacon arranged a public meeting at the town hall on 11 April 1885 to form a town club. Lutonians opposed another group’s secretive plans to create a club and instead supported the transparent, democratic creation of the club that we are so proud of now.

As industry grew in Luton, so did the club, and that cuts to the heart of what football represents for so many. Sports clubs are not a business like any other; they are intrinsically linked to the communities they represent. Having met Luton Town Supporters’ Trust and Loyal Luton Supporters Club, what stands out to me most is how much they care about the club as a central feature of our town’s identity that should be celebrated.

The driving force of football is the comradeship among fans and communities, and at the weekend we saw an overwhelming display of heartfelt solidarity in response to Christian Eriksson’s collapse, and I wish him a speedy recovery. [Hon. Members: “Hear, hear.”] The principal—indeed, the only—concern of all fans across the world was Christian’s health, and to see the Danish and Finnish fans united in showing their support when the match restarted was truly moving.

Football transcends borders and communities, and fans come together through our shared love of the sport. I have experienced that first hand with the passionate Scandinavian Hatters from Norway and Sweden, who are an excellent part of Luton Town’s fan base, and I call many of them friends.

Measures must be put in place to protect and extend fans’ influence in their clubs.

The Labour party has called for reform of the governance of football for more than a decade. We need the Government’s review to be truly fan-led, in order to make this a watershed moment that reforms our game’s dysfunctional governance. We must put an end to the billionaire owners of the biggest clubs running our sport purely for profit—they clearly cannot be trusted to regulate themselves—and strict measures must be put in place to prevent any further attempts to create a European super league and to stop clubs such as Bury suffering the awful situations they have experienced.

As one of the vice-chairs of the all-party parliamentary group for football supporters, I support the Football Supporters’ Association’s “Sustain The Game!” campaign, which outlines a plan: to protect our clubs as community assets; to improve transparency, to ensure that everyone knows who owns their club and how they operate; to impose financial controls with teeth, to ensure that clubs and leagues are regulated; to strengthen the football pyramid, in order to safeguard its long-term sustainability; and to ensure that supporters’ voices are at the heart of their clubs.

The fan-led review needs to bring about lasting change through the introduction of legislation to create a thoroughly independent regulator. As Saving Our Beautiful Game has put it:

“This is an unprecedented opportunity to reboot the game and side with millions of fans during a summer of football.”

I hope to read an interim report from the fan-led review in July that lays the ground for systemic change in our game.

Oral Answers to Questions

Rachel Hopkins Excerpts

Thursday 20th May 2021 Commons Chamber

[Matt Warman]

I am of course happy to meet my hon. Friend, but he will also know that in the Project Gigabit plans that we have laid out Derbyshire is very much already on that road map. That is good news and I look forward to talking about it in more detail with him.

[Rachel Hopkins (Luton South) (Lab)]

What steps he is taking to (a) increase digital inclusivity and (b) tackle the digital divide.

[The Minister for Digital and Culture (Caroline Dinenage)]

Our 10 tech priorities include building a tech-savvy nation so that no one is left behind in the digital revolution. Adults can, free of charge, undertake qualifications designed to build digital skills up to level 1, and the Government are encouraging broadband providers to roll out low-cost-broadband social tariffs for lower-income households.

[Rachel Hopkins]

Recently published Office for National Statistics data showed that in the first quarter of 2020, some 22% of people in Luton who were over 16 had not used the internet for three months—that is more than double the national average. Many of my constituents were severely disadvantaged at the start of the pandemic, particularly as work, school and social lives moved online. To support my constituents—who had to choose between data and dinner—I would like specific information about whether the affordability of access to broadband and online services will be adequate.

[Caroline Dinenage]

The hon. Lady is absolutely right to highlight the fact that the pandemic has demonstrated how digital inclusion and accessibility have been fundamental to our ability to learn, work and meet our friends. Social tariffs are already available that offer low-cost landline and broadband services for those on certain means-tested benefits. However, the Government are now encouraging all fixed-broadband providers to introduce a social tariff.

--- Later in debate ---

[Jessica Morden (Newport East) (Lab)]

What steps he has taken to increase the number of prosecutions relating to domestic violence.

[Rachel Hopkins (Luton South) (Lab)]

What steps he has taken to increase the number of prosecutions relating to domestic violence.

[The Attorney General (Michael Ellis)]

The Crown Prosecution Service published an ambitious 12-month domestic abuse programme in January, which aims to help to narrow the disparity between reporting and criminal justice outcomes through a focus of co-ordinated multi-agency action and specialist support for victims. The CPS has also taken steps to increase domestic abuse prosecutions at a local level. For example, since the start of the pandemic, CPS Thames and Chiltern has increased lines of communication with police forces to ensure domestic abuse cases are appropriately prioritised.

--- Later in debate ---

[The Attorney General]

I thank the hon. Lady for her question, which focuses on an extremely important issue of domestic abuse, which is one that I and the entire Government feel strongly about. In fact, I am sure everybody in this Chamber does. It is this Government who introduced the Domestic Abuse Act 2021. In a recent case that I conducted myself in the Court of Appeal, the offender’s sentence for extremely violent domestic abuse was increased from nine years to 15 years on my application. That is how seriously we take domestic abuse, and that is how seriously it is taken in terms of punishment and the crime. The point that the hon. Lady makes is that we should prioritise domestic abuse in the criminal justice system, and I can confirm that we do that. It is a very high focus for this Government and for the criminal justice system.

[Rachel Hopkins]

The “Evidence led domestic abuse prosecutions” report states that

“the domestic abuse caseload for both the CPS and the police has increased by 88% against the backdrop of a 25% reduction in police and CPS funding.”

Does the Attorney General think that the current level of resourcing to tackle domestic abuse is sufficient?

[The Attorney General]

The hon. Lady is right to point to the case load. In fact, the Crown Prosecution Service’s case load has increased considerably. It is also right to point out that the conviction rate rose to 78.7% in quarter 3 of 2020-21, up from 77.4%. The Government have recently announced, as I am sure she knows, several funding packages specifically on domestic abuse, including funding to deal with the effects of the covid-19 crisis as it relates to domestic abuse. The decrease in the volume of overall prosecutions due to the impact of covid-19 is a factor, but this Government are funding this area and giving particular focus to it.

Oral Answers to Questions

Rachel Hopkins Excerpts

Thursday 5th November 2020 Commons Chamber

[Oliver Dowden]

As we leave the European Union and leave the transition period, we are looking at what we can do with replacement funds from EU funding to ensure they benefit the whole of the United Kingdom, and those discussions are going on with the Treasury. In addition, we are having the festival of the United Kingdom in 2022. That is £120 million, more than £10 million of which will go to Scotland.

[Rachel Hopkins (Luton South) (Lab)]

I recently met Luton’s Unite retired members, who expressed their deep concern over the Government’s removal of the TV licence concession for the over-75s. The covid pandemic has shown how important TV can be for the elderly, not just as a source of news and entertainment, but also companionship, especially for the 40% of over-75s who live alone. What conversations has the Secretary of State had with the Department of Health and Social Care regarding the impact of the removal of the TV licence on the mental health of the over-75s?

[Oliver Dowden]

As the Minister for Media and Data, my right hon. Friend the Member for Maldon (Mr Whittingdale) and I have made repeatedly clear from this Dispatch Box, we did not want the BBC to do this. I welcome the fact that at least the most vulnerable are covered and will continue to get support.

Cultural Attractions: Contribution to Local Economy

Rachel Hopkins Excerpts

Tuesday 6th October 2020 Westminster Hall

[Rachel Hopkins (Luton South) (Lab)]

It is a pleasure to speak under your chairmanship, Sir Charles. I thank the hon. Member for Cities of London and Westminster (Nickie Aiken) for securing this important debate.

The Minister will have heard me speak last week when I was very proud to have an Adjournment debate on grassroots arts and culture in my home town of Luton, which I am proud to represent. Our creative sector promotes community cohesion, develops social capital and fosters happier, healthier lives. As many others who have spoken have said, so much of our culture takes place in our town centres, and that is why it is so important that we must secure the vibrancy of our cultural sector once more. I am proud that Luton town centre has had its purple flag status since 2018, which means it is safe, diverse and enjoyable for a night out in arts and culture. Like others today, I was infuriated by the display by the Chancellor of apparent contempt for those working in the creative sector, saying that musicians and artists should get another job if they are struggling due to coronavirus. Yesterday, I was contacted by many local pubs and music venues who say that there is demand for live music and that they want to operate safely. We must try to do what we can to save them.

We all enjoy and consume arts every day, as they have numerous social and economic benefits. People working in the creative sector should not be left excluded and their role in society deemed unviable. Last week I was proud to take part in the WeMakeEvents demonstration outside Parliament, supported by BECTU and Equity, because the sector is so vibrant and important in all our lives. The sectors are viable. They will be important after the pandemic and will play a crucial part in building back better. They must receive support. We cannot afford the skills to be lost.

This weekend I had the best and the worst of it. The best was that I went back to the Hat Factory in Luton and watched live theatre. In a 100-seat theatre there were 21 of us. We were socially distanced and covid-secure, and it was great to see the staff so proud to open their venue again. The same weekend I had the worst of it with Cineworld announcing tens of thousands of jobs being lost, including those in the Cineworld in my town centre. That is terrible news, and I have already had constituents getting in touch because they have been laid off with such little notice.

I have mentioned before to the Minister that Luton is a brilliant case study of how embedding culture in a local area’s growth strategy could provide a basis for building back better. Last year, our programme of culture, “people, power, passion”, employed 84 artists and trained 13 young people from diverse backgrounds. That is something to be proud of in our town. I will make sure I write to the Minister to invite her to visit Luton and our cultural offer.

Grassroots Arts and Culture: Luton

Rachel Hopkins Excerpts

Tuesday 22nd September 2020 Commons Chamber

[Rachel Hopkins (Luton South) (Lab)]

It is a huge privilege to have my first Adjournment debate on grassroots arts and culture in Luton—my patch and that of my hon. Friend the Member for Luton North (Sarah Owen). Luton has a long history of being a creative town, particularly since the 1800s, when we had a thriving straw plaiting and hat making trade. The wonderful Wardown House Museum and Gallery in Luton South has the most complete headwear and hat industry collection in the world, showcasing industry objects and paper archives relating to the English hat industry. At this stage, it would be remiss of me not to mention and thank the fantastic Museum Makers, a wonderful bunch of volunteers committed to supporting our museum in innovative ways.

Luton is a global town, where more than 130 different languages are spoken. Our super diversity has enabled a wide range of creative opportunities to flourish, which has an amazing impact on people’s day-to-day lives, from food to fashion, from dance to design. Participation in grassroots and community arts activity has played an important role in developing community cohesion, building social capital and enabling local people to lead happy, healthy and prosperous lives.

The importance of the arts should not be understated; when we are not at work, we all, in one way or another, spend our free time consuming art in all its forms. Whether it is TV, radio, magazines, music, art, online content—all of that has been created by people working in the arts and cultural sector. A recent Creative Industries Federation report states that, before the coronavirus pandemic and the attached health restrictions, the creative sector was growing at five times the rate of the wider economy, employing more than 2 million people and contributing £111 billion to the economy—more than the aerospace, automotive, life sciences and oil and gas industries combined.

The Luton arts and culture strategy group, made up of representatives from six of Luton’s key cultural organisations—Luton Borough Council, Revoluton Arts, Tangled Feet, the Culture Trust Luton, the UK Centre for Carnival Arts and the University of Bedfordshire—informs me that the creative industries in Luton contributed £36 million to the local economy in 2018, and leveraged an additional £3.2 million in inward investment in 2019. Luton’s cultural strategy has worked hard to embed arts and the creative sector at the heart of the sustainable transformation of our town, building shared growth through an inclusive local economy, developing skills and jobs and shaping town centre regeneration.

Last year saw Luton’s pilot year of culture, “People Power Passion”, a modern and exciting cultural programme that explored a key historical moment in Luton: the 1919 Peace Day riots, when local people burnt down the town hall in protest at being excluded by the bigwigs running the council after the first world war. We explored that through fantastic arts and cultural events, and while it was inspiring and enjoyable, the investment in this cultural programme, with diverse participants and audiences reflecting the whole of our community, importantly employed 84 artists, trained 13 young people from diverse backgrounds, worked with 400 local participants and engaged 138 volunteers. This participation of our community in large-scale outdoor cultural events builds on our spectacular one-day international carnival, our excellent mela and our vibrant St Patrick’s Day festival. Again, it is at this grassroots level that we see such fantastic work by local creatives, supported so well by local volunteers and charities.

[Sarah Owen (Luton North) (Lab)]

I thank my hon. Friend for bringing this important debate to the House. As well as volunteer organisations, Luton has fantastic events businesses, such as Creative8, which I visited last week. The events industry is vital not just for jobs but for our culture and our economy. Does she agree that, in order to protect all of that, it is vital that it gets specific support during this pandemic?

[Rachel Hopkins]

I thank my hon. Friend for making such a superb point. I absolutely agree that such business are vital to our creative and cultural sector and that they need that specific support. I may mention that later in my speech.

Luton’s most famous public artwork, “Beacon”, by Turner Prize-winning, Luton-born Mark Titchner, is a mural that shines out from the side of Luton’s Hat Factory arts centre, and has a simple message that inspires many of us, including budding artists:

“If you can dream it, you must do it.”

However, these dreams are at huge risk of being completely lost, as the global coronavirus pandemic has forced grassroots artists and local arts organisations, such as Next Generation youth theatre, to the brink of devastation. The arts sector was the first to close and will be one of the last to reopen, and this is leaving local creative businesses and freelancers fighting for their future. I am, therefore, deeply concerned that the Government’s response to the crisis fails to recognise the importance of grassroots arts and culture. Although the Government’s £1.57 billion covid-19 arts package is welcome, it is targeted at buildings and institutions, which means that it will fail to reach grassroots precarious workers, freelancers and self-employed entrepreneurs.

The Creative Industries Federation report projects that 122,000 permanent creative workers will be made redundant this year, including 42,000 jobs in the east of England, with the impact being felt twice as hard by freelancers, as 287,000 roles are expected to be terminated in the UK in 2020. The premature decision to end the job retention scheme before the sector has returned to pre-pandemic levels will fail to prevent rising unemployment. This will hamper both the economic recovery and the survival of the sector.

I have been in close contact with the grassroots Luton Creative Forum about the impact of the crisis. Its members tell me that they are fearful for the survival of the arts organisations, as many of them are accruing large debts with no indication of when they will be able to reopen. Pay-as-you-earn freelancers, the newly self-employed and those with less than 50% of their income through self-employment are all suffering, too, as they are excluded from Government support schemes.

My constituent Dan is one of those people excluded from support. Dan is an arts worker who earns a percentage of his income through PAYE and the remainder through self-employment. As Dan is married and his husband was furloughed, he has been unable to access Government support. This has left their joint income at below the minimum wage for one individual. This is a disgrace. With the continued impact of covid and venues not being able to reopen—we heard more about that today—and performances such as the usual Christmas pantomimes having to be cancelled, many partially self-employed workers like Dan, who rely on freelancing to top up their PAYE income, will be forced to take on more debt without targeted Government support.

Luton’s Next Generation youth theatre submitted an application to the Department for Digital, Culture, Media and Sport recovery fund. It is great that it has been able to apply, but NGYT is the only organisation in Luton eligible to apply because of the restrictions on the fund, and it has yet to hear whether it has been successful.

The Government’s policies and the recovery fund are failing to meet the needs of grassroots organisations, and if these organisations fail, it will have a hugely damaging impact on the social value provided by the sector in Luton. I urge the Government to be more forward looking and to recognise the long-term social capital that can be provided by the grassroots arts sector.

We also know that the attainment gap between disadvantaged pupils and their peers will have widened owing to the pandemic. Across the country we have heard of some home-schooling difficulties and many families facing digital exclusion. In Luton, this is terrifying because 46% of children live in poverty, according to End Child Poverty.

The creative industries provide the Government with a vehicle to build back better. Research by the Cultural Learning Alliance shows that participation in structured arts activities can increase cognitive abilities by 17%, students from low-income families who take part in arts activities at school are three times more likely to get a degree, and learning through arts and culture can improve attainment in maths and English and develop skills and behaviour that lead children to do better in school.

I urge the Government to consider innovative ways to make up for the educational impact of coronavirus through the benefits of supporting pupils to engage in grassroots arts and culture, building on the work of Luton Cultural Education Partnership, for example. A building back better agenda must recognise the diversity of our grassroots artists. Luton is proud of our community’s diversity, and by creating opportunities to address inequalities among the working class, black, Asian, non-white and ethnic minority communities, we have advanced community cohesion.

However, I am concerned that the Government’s economic schemes may perpetuate inequalities, as those from the most disadvantaged backgrounds are likely to suffer more, meaning they are less able to remain in the industry. The Government must make a concerted effort to create pathways for people from working-class, black, Asian, non-white and ethnic minority communities to rise to positions of leadership in arts and culture.

It is therefore disappointing that among the 10 members of the Government’s cultural renewal taskforce, only three are women, two are non-white British and none are independent artists. As the latest Creative Industries Policy and Evidence Centre report shows, those from privileged backgrounds are more than twice as likely to land a job in a creative occupation. They therefore dominate key decision-making roles in the sector and influence what appears on stage, page and screen.

Young people in Luton, just setting out on their career in the arts, need to see role models that look like them so that they can remain ambitious for their futures and feel confident that they can succeed. We sow the seeds of tomorrow today. What does that mean for the next generation? We are influenced and inspired by those we see in our community.

A number of brilliant creatives have come from Luton, whether it is the musician Paul Young, the actor Colin Salmon of James Bond fame, our national treasure and “Bake Off” winner Nadiya Hussain, or my good friend who sadly passed away a few years ago, Steve Dillon, or New Bloke, known internationally for his superb comic book drawing such as in “The Punisher” and “Preacher”—and I could go on. Not only have those people done much for art and culture; they have shown working-class young people from Luton that they can aspire to a creative career. However, we need to protect grassroots arts support and organisations to give our young people the opportunity to develop their craft and reach the same heights.

If the Government fail to protect the arts sector, not only will there be a short-term contraction of the sector, as actors, singers, artists and writers are forced into other work to survive, but it will have a long-term impact on the skills the sector needs to thrive, and a negative impact on our economic recovery and the renewal of our high streets. The Government have a choice: to empower people and their local community through grassroots arts and culture, or allow rising unemployment and debt and the devastation of a sector that everyone enjoys. To me, the people of Luton South and people across our town and the UK, the choice seems pretty simple.

BBC

Rachel Hopkins Excerpts

Tuesday 21st July 2020 Commons Chamber

[Mr Whittingdale]

As I indicated earlier, I am concerned at the extent of the reductions taking place in the regional programming budget. I do not think that savings should be spread equally, and there are other areas where greater savings could have been found. That is something we will continue to discuss with the BBC. I hope that the incoming director-general will also have a look right across the board to see what savings can be made and what areas to prioritise.

[Rachel Hopkins (Luton South) (Lab)]

During the covid crisis, many people have relied on their local councils for information and support. Local news plays a vital role in both helping share that information and, rightly, holding local councils to account. The cuts of 450 jobs in regional news in England amount to a loss of one in six jobs. What consultation have the Government had with the BBC about the threat to the democratic process arising from these job losses?

[Mr Whittingdale]

I have discussed the implications of reductions with the director for England and the director for nations and regions at the BBC. However, I would draw attention to the BBC’s local democracy reporting service, which it put in place and funds 150 journalists precisely to address the hon. Member’s concern about how local councils in particular should be properly held to account and reported. The BBC has pledged to maintain that, and I hope it will continue to do so.

Covid-19: Support for UK Industries

Rachel Hopkins Excerpts

Thursday 25th June 2020 Commons Chamber

[Rachel Hopkins (Luton South) (Lab)]

London Luton airport is the fifth busiest airport in the UK, and its operation plays a central role in both Luton’s economy and the regional economy. Last year, it delivered £160 million in air passenger duty to Her Majesty’s Treasury. It was therefore no surprise to me, and probably will not be to the Minister, that the petition on support for the aviation industry had the highest number of Luton South signatories. I have also received many emails from cabin crew and pilots, from those working in security, retail, and hospitality, and from those in the wider holiday and tourism sector who work at companies such as TUI. The whole aviation ecosystem has been impacted by the crisis and they are all worried about their livelihoods.

Luton airport is not only a key jobs provider; because the airport is owned by Luton Council, each year an annual dividend is paid directly to the council to fund local council services. Covid-19 has caused passenger numbers at Luton airport to plummet by 98% and, as the airport dividend is based on a per-passenger basis, that dividend has all but disappeared too. The loss of such a vital commercial income stream into Luton Council means that it is being forced into making £22 million of in-year cuts to balance the budget. That will be devastating for services in our town and is likely to cause nearly 400 job losses at the council.

I have spoken to a number of employers and organisations linked to Luton airport’s operations and supply chain, and the common theme is that the Government’s decision not to introduce a sector-specific financial support package for aviation has deepened the sector’s economic crisis. The sector is interdependent: if one part falters, they all suffer.

We know for sure that the number of flights will not return to 2019 levels for the foreseeable future, that public health regulations will restrict day-to-day business for a long time, and that the economic implications will hamper aviation’s development towards net zero. A failure to introduce a tailored package that supports the industry in respect of each of these long-term problems will devastate the whole sector. The removal of the job retention scheme before the sector has returned to business as usual and passenger confidence has returned will lead to rising unemployment, slashed wages and, in some cases, attacks on workers’ rights. In Luton South, nearly 20% of our workforce has been furloughed, and because of the aviation sector’s uncertain future, jobs at easyJet, Swissport and Luton airport are already at risk of being cut.

There is a clear option for the way forward: a new package should include the protection of jobs and salaries, with a commitment to workers’ rights, and a clear commitment to tackling climate change for the industry, using cleaner fuels and low or zero-emission technologies. Companies in receipt of money must ensure that their tax base is in the UK; no dividends should be paid until the company has been proven to be commercially viable; and a commitment to pay UK-based suppliers must be a priority. There must be an aviation-wide bail-out package and it must be tied to social and environmental expectations.

BBC Regional Politics Coverage

Rachel Hopkins Excerpts

Monday 22nd June 2020 Commons Chamber

[Neil Parish]

Yes, my hon. Friend makes a really good point. As I said, the south-west region is split up by the BBC, so we could get even more local. He is saying quite clearly that in the digital age we can break it down much more, almost by county or even town. That is a very interesting point.

[Rachel Hopkins (Luton South) (Lab)]

I thank the hon. Gentleman for securing this important debate. I apologise for arriving slightly late, but I was at the Housing, Communities and Local Government Committee, where we were talking about devolution and regional accountability and democracy, which is absolutely relevant to this debate.

On the point about the digital age and local reporting, “Look East” in the eastern region goes all the way out to the coastal regions, and someone might say, “What’s that got to do with Luton?” I would say, look east and west, my friend, because we can take it right down to the issues that impact Luton but do not impact the coastal regions of Norfolk. Does the hon. Gentleman agree that the ability to focus on the local is absolutely vital to the future of our scrutiny of politicians?

[Neil Parish]

The hon. Lady is echoing so much of what has been said in this debate. The message we need to send to the BBC is that we not only want the regional BBC to be saved—we want it to be broadened and made even more local in this digital age.

We have all got much more used—certainly I have got much more used—to using the computer for the Zoom, the Microsoft Teams and all these things, and being able to link in wherever. We sometimes almost spend too much time on creating the best-quality television—not the quality of the programme but the quality of the production and the science behind it—rather than making it as broad as possible. If there is anything we can learn from this epidemic, it is that we can probably widen things by doing more Zoom stuff and getting people in from all over the place—we can do that much quicker and more easily and get a better message. Quite a lot could be learned. I hope the BBC is listening to this debate and that by the time we finish, it will be open to many more ideas than it was before we started.