Channel 4 Relocation
Rachael Maskell Excerpts(6 years, 5 months ago)
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Rachael Maskell (York Central) (Lab/Co-op)
I thank the Backbench Business Committee for granting today’s debate. It is no coincidence that five hon. Members from the Leeds city region—I say “York and Leeds city region”—are here for the debate. Because of the sheer scale of the creativity, talent and diversity across our region, it is crucial that we speak up for the future of the region, but also for the future of this sector. We must see this as a global opportunity for Channel 4. There are major export opportunities for our economy, but also opportunities for serving the public and enriching our culture at the same time. Media is so powerful in its execution, and this proposal provides a real opportunity to rebalance our economy and to celebrate the diversity of our communities as we move forward.
I will say York’s piece, because colleagues have spoken for their own part of the region. York is a city that is transitioning from the Vikings, steam trains and chocolate that we all think about to one that now stands as the UK’s only UNESCO city of media arts. It is unrivalled in its digital and media offer and is one of 114 global cities within that footprint of UNESCO. It is where the past meets the present and it provides the platform to shape the future. Today, I want to extol the virtues of York as the place for Channel 4 to find its home.
Educationally, we see the city advancing in the creative sector. I am thinking of Manor school and its state-of-the-art studios to develop pupils’ interest in the sector; the investment that the independent-state schools partnership puts into the media industry to draw on the talent of the children of our city and give them the opportunity to experience the sector; and the outstanding York College, which provides a platform for academic and vocational excellence. We have two fantastic universities: York St John University and the University of York, which is now third in the nation for film and television production. Impressive as it is, its reputation is growing; I visited only recently.
York is a desirable place to live. In fact, it comes out consistently as the UK’s No. 1 place to live and to visit, with 7 million visitors each year. With its connectivity, the city is like no other. We have the TransPennine Express—it will be express, particularly under a Labour Government when we get electricity on the line. We have the east coast main line, which means that we are within two hours of London, and again, journey times will be shortened, because High Speed 2 will be arriving at the heart of our city. Seven million people can reach the region within an hour.
We have an opportunity to create and shape the future of that part of the country as we see the creative sector growing. I am thinking of the Mediale festival, a digital media festival at the heart of York. The Castle Gateway project is moving forward; that area will be York’s new cultural hub.
I will focus my final comments on the economic opportunity and cultural opportunity that York offers. Next to the station is a 72-hectare site, the biggest brownfield site in Europe, where Channel 4 can come and shape its future and the future of our city. In its digital connectivity, the city of York is like no other in the UK. It is the first gigabit city in the UK, with its extensive dark fibre network.
As a city, we have grown in the new technologies of the future, and the digital creative sector is at the heart of stretching our economy into new fields. It is certainly the way forward for Channel 4; it will see a skills base on which it can draw. The digital creative labs in York are unparalleled in the research that they are doing. That is driving the sector forward. The studios at Church Fenton have such a reputation; we have heard about the films being made. There is also the gaming industry; we can look at the creative industry on that front. Again, we are at the forefront. York provides a massive opportunity for Channel 4 to find its new home, and it will reach into the whole business community of the city. It will give the perfect offer to Channel 4.
Oral Answers to Questions
Rachael Maskell Excerpts(6 years, 5 months ago)
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Michael Ellis
I recognise that tourism in Wales is important to my hon. Friend, who previously had a tenure on the Welsh tourism board. I am very keen to see visitors to the UK explore as much of the UK as possible. In fact, I recently held a roundtable with the Under-Secretary of State for Wales, my hon. Friend the Member for Pudsey (Stuart Andrew), and a selection of Welsh tourism businesses to discuss how tourism in Wales is performing and what more we can do to support it.
Rachael Maskell (York Central) (Lab/Co-op)
What assessment has the Minister made of the effect of leaving the EU on the skills base particularly of EU citizens in the hospitality and hotel sector?
Michael Ellis
Fortunately, we have a very robust hospitality sector in terms of skills. Indeed, we have confidence in our sector to support the huge demands that there are for tourism and people coming to this country.
UK Digital and Tech Industries
Rachael Maskell Excerpts(6 years, 6 months ago)
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Rachael Maskell (York Central) (Lab/Co-op)
It is a pleasure to serve under your chairwomanship, Ms McDonagh. When I mention my constituency of York, hopefully hon. Members think about the city walls, the minster, the Vikings—
Rachael Maskell
They are all on my list. I am glad hon. Members think about them, because we in York have a fantastic history, but York is also the UNESCO city of media arts. It is part of the Creative Cities Network and hosts the Mediale festival. It leads our country in the digital creative sector and has created the first guild of media arts—the first guild for 700 years. It is also home to the digital signalling centre, which is at the heart of the next generation of rail.
The film industry is on our doorstep with Screen Yorkshire. The British film industry is the UK’s fastest growing sector, and Yorkshire leads the way. Our university is at the heart of that.
Mr Gregory Campbell (East Londonderry) (DUP)
On the issue of the hon. Lady’s constituency and elsewhere in the UK, does she agree that one of the potential beauties of the tech industry is that it is not confined to the UK’s economic hotspots, such as the urban conurbations of London, Belfast, Edinburgh and Cardiff? It offers advantages to urban and rural areas, provided that the connectivity is there and the demand to promote the industry is met by the Government.
Rachael Maskell
The hon. Gentleman is absolutely right. The digital and technological industries break boundaries in many ways, not least by providing alternative forms of employment. They certainly do not have any rules about where they are located. It is a 24/7 industry, so it includes individuals in their own homes and small businesses with global impacts. It is an exciting sector to be involved in.
The University of York is also at the cutting edge of digital technology and has its own digital creative labs, which I had the real pleasure of visiting earlier this year. I should say that I am on an apprenticeship with much of this, and I am learning: they are at the heart of the video-gaming industry, which has its home in York. Many businesses—start-up businesses, new companies, small tech companies—surround our city. We have 250 such businesses in York alone, and all that activity is building into the future of our economy, as we search for a new identity in a new era.
What also really excites me is that old is blending with new, as we move forward in our city. The new gives new opportunities. At the heart of our city, we have the biggest brownfield site in Europe, waiting for businesses to land. Rich heritage surrounds where people live. I say to any digital tech or digital creative company, “Come and see if your future is in York, and you will be most welcome to make it your home and make it your own”.
As I have said, I am on a bit of an apprenticeship in this industry and I thank the Industry and Parliament Trust for giving me the opportunity to explore this sector—to have placements across the sector and to learn more about the cutting edge that the industry is providing our economy and our nation.
I have learned that our gaming industry is one of the fastest growing in the world because of the skills base that we are able to provide. The potential is huge if we really embrace that wider economic opportunity. In York itself, we are seeing how this industry—both alone and standing alongside other industries—is so cross-cutting and how the skills acquired around video-gaming can then be applied right across the curriculum. Education is certainly at the forefront of that. I saw programmes that provided individualisation of tutoring. For instance, I undertook a French course; I will not say how I got on. Such programmes can track an individual’s learning, taking them back over their weaknesses, improving their skills and ensuring that they are the best that they can be at that particular skill.
I also saw how the Yorkshire Museum has embraced virtual reality, to take visitors into a Viking village and enable them to experience life in that settlement. I saw 3D modelling technologies, pioneered in the games industry, that now help companies such as Rolls-Royce to design better engines. I saw artificial intelligence—machine learning—and how that work is advancing and the technology is progressing. This is in my city, this is in our country and we must be so proud of that.
The academic world around this work is so strong. Along with other cities, York hosts the Intelligent Games and Game Intelligence—IGGI, for short—programme, which hosts 60 PhD students. An absolutely global standard is being set around academia and looking at the future technologies that will drive our country’s engine forward. Gaming will be really important to us, and not just for the sake of playing games; there is also the application of the skills that many people working in the industry will go on to develop.
What is going on before us—spread across the country, including in my city—is a quiet revolution that is transforming all our lives, with massive opportunities for the future of our country and my city. However, there are some issues that I want to talk about today. First of all, there is skills. We have good skills in our country, but we need some changes. The narrowing of the curriculum is not helping, particularly with regard to the digital creative sector. The arts have been downgraded and yet they could really be at the forefront. I ask the Minister to go back and have a look at that and make sure that the creative subjects are at the heart of our curriculum, too: it is when the technical and the creative join that we see this explosion of opportunity coming to our economy.
There are also the tech skills of kids to consider. We narrow people into boxes around a traditional learning curriculum, which is fit for a different era. We need to ensure that our children are embracing the new technologies of the future, because children are doing so elsewhere in the world and we really need to ensure now that we embed digital and technical skills right into the heart of our curriculum.
Liam Byrne
In the 19th century, it was the marriage of design and engineering brilliance in York that ensured it was the centre of the railway industry. Does my hon. Friend take inspiration from that?
Rachael Maskell
My right hon. Friend makes an absolutely excellent point, because that is our heritage—how we drove our economy forward through the Victorian years. We have that opportunity again today. The digital signalling centre in our city—the rail operating centre, or ROC, as it is called—is now at the heart of how trains are driven. They will not be driven in the cab of a train any more; the digital tech sector is now driving forward, so it is like having a train set in front of a screen. That is completely radicalising the way that our country works. It is cutting-edge, 21st-century technology, and we have to see more of it in the future.
As I was saying, whether someone studies history, literature, medicine or maths, the digital and technical industries will play a vital role in their future. Just last week, I had the opportunity to take a tour of another York University department—the archaeological department. Archaeology digs into the past, but I also saw how the department is using technology to provide access to artefacts, by displaying them in a unique way, so that people can explore them and manipulate them on screen, to connect with artefacts dug up all over the world. They are put into context and it is possible to understand the history surrounding them: the experience was mind-blowing. That is because through technology the past has met the future, and there are very exciting opportunities in that regard.
The tech industry will also provide the breakthrough for telehealth, which will improve all our health. Again, I was exposed to some of those opportunities when I looked around the University of York, but so much more can be done, even when it comes to issues such as our mental health. We are massively struggling for resources in our health sector, including in mental health, so to have technology that can support us—technology can work against us, but also support us—and improve our wellbeing, we must embrace that technology as we move forward. It is so important that we consider the scope of where this technology is leading us and understand why the investment in our schools and education is so important.
I turn to research and innovation. We are talking about a very disparate sector, with lots of different companies scattered around. They do not have the capacity to build up much resource to get funding for research. We need to find a breakthrough on research, so that companies can network, to come together and draw down research funding, because we have a real future in this area, not least in the field of artificial intelligence, where we can really drive that technology forward. Of course, such technology is not about replacing humans; it is partly about doing things quicker, but also about pioneering breakthroughs in how we work. However, we need support for that.
I want the technology to have a social impact as well. York itself is brilliant in every stretch of the imagination, but it is also a very divided city. Some of the most deprived areas in the country are in my city and we are seeing exclusion being built in around it. I ask the Minister to consider whether the digital and tech sectors can be used to reduce the inequality in our country, not only through opportunities and skills but through the outcomes that the sector can bring. For me, that will be the win-win of the sector.
Finally, I want to say that the arts enrich all of us. In closing, I want to talk about Mediale 2018. Will the Minister meet me to discuss it? It will run from 27 September to 6 October, and it will be the nation’s creative digital festival. It is a platform for innovative art and technology, showing what can be done in this modern age, providing art to everyone as an enhancing experience. Mediale will be a springboard for this sector of our economy and how the arts are projected across our country, blending the old and the new. I am sure the Minister will want to ensure that the sector has a major footprint not only in York, but in the whole nation.
Oral Answers to Questions
Rachael Maskell Excerpts(6 years, 7 months ago)
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Rachael Maskell (York Central) (Lab/Co-op)
York—the second most visited city in the country—is a centre of tourism for visitors from across England. However, the hotel and hospitality sector is really struggling to recruit staff, given the European situation. What is the Minister doing on recruitment and retaining skills in the sector?
Michael Ellis
I visited the city of York just a few weeks ago. It is a beautiful site that clearly attracts large numbers of tourists because of its facilities. As far as staffing is concerned, hotels and other holiday destinations will want to consider carefully how much they pay their staff. With regard to the European situation, I am confident that things will continue to progress in the right direction.
Local Museums
Rachael Maskell Excerpts(6 years, 8 months ago)
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Stephen Kerr
I join my hon. Friend in congratulating the people of Aberdeen on their generosity. Those are two things that often do not run together in a sentence, but on this occasion they absolutely do—the “generosity” of “the people of Aberdeen”.
Rachael Maskell
I thank the hon. Gentleman for giving way, and I obviously represent the fine city of York, which is littered with amazing museums. However, there is a real challenge here. Local authority cuts have meant that funding for museums has also been cut, and ultimately that means that some people have to pay to access these collections. Should they not be accessible to all the public for free?
Stephen Kerr
I totally agree on the issue relating to accessibility. There are many advantages to companies and individuals making payments to support museums, but the major national museums in London, Glasgow and Edinburgh often get a bigger share of the pie than the smaller ones. In Stirling, we have superb commercial engagement with local companies, such as United Auctions, which is a major sponsor of the Stirling Smith. I urge more national companies and people of significant wealth not to ignore their local museums.
Stephen Kerr
I understand that what I am proposing is not without challenges, but it is right to put locally discovered artefacts, which are critical to the local story of the communities we live in, in the community so that people can have the marvellous experience of understanding who they are in a long line of generations of people who have lived in that area.
Rachael Maskell
Will the hon. Gentleman congratulate the National Railway Museum, which recently gifted one of its engines to Swanage Railway so that it could be returned to its home environment and enjoyed by the wider population?
National Railway Museum and Ownership of National Assets
Rachael Maskell Excerpts(7 years ago)
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Rachael Maskell (York Central) (Lab/Co-op)
It is good to see you in the Chair, Mr Chope. I can relate a railway story from when I was growing up in your constituency, when I spent a day on Hinton Admiral station waiting for the Flying Scotsman to come through—alas, it came by road. Thankfully, it is now restored to the rail.
This is an important debate. I am so fortunate that the National Railway Museum is in my constituency, with its incredible collection. It is a dynamic museum that is not preserved in aspic, and I will talk about some of the exciting developments there. I am sure everyone hearing the debate will want to embrace them and one day come to visit. In fact, I am sure everyone has been to the museum.
The museum has an incredible collection, and it is always a joy to go there to see new locomotives. The exhibitions change on a continuous basis to ensure that visitors are always treated to something new. Visitor numbers are rising, from three quarters of a million to nearer millions. I ask Members to please come to York to boost those numbers and enjoy a day at the museum. Everyone has their favourite engines; most people come to see wonders such as the Mallard or the Flying Scotsman. Personally, I like to see the Scotsman out on the line doing its work. There are many delights and hidden treasures in the museum.
Between 2010 and 2014, the museum undertook a complete review of its collection and how best it could share its assets and ensure they were all on display. Previously, about 2,000 objects would be on loan to different exhibitions and museums, around the country and beyond, but in reality, that was neither manageable for the museum nor in the best interest of the items. I have discussed that at length with the museum. Often, when objects were loaned by the National Railway Museum, identifying who was responsible for the upkeep of the objects, keeping them in a good state of repair and functioning, was of prime concern, to make sure that those assets were kept in the best condition. The previous model, with such a scale of distribution of different pieces of the collection, did not work. Sadly, as a result the upkeep of some pieces, including some of the engines, was not in the best state.
The museum wanted to address that and ensure that upkeep was maintained. It therefore looked at how it could have the best arrangements possible for care, which often meant passing pieces to another museum. The question was who was responsible for an item loaned to another museum or collection. If the museum was going to have it back, why would somebody invest in that particular artefact? Gifting the artefact—it is only gifting; we are not talking about selling the items and losing them from the public space—and having local interests upgrade, keep up, restore and, as we have heard about the gift to the Swanage Railway Trust, even bring the locomotive back into steam, would bring real improvement.
Kelvin Hopkins
I must say that it is only in the last two days that I have heard about the possible promise to get the Swanage steam engine into steam again. I suspect that might be a reaction to today’s debate. Wonderful as small private railways are as a supplement to the NRM, they cannot have the resources to do the job properly and ensure that our national assets stay in good condition. I could go on, but perhaps I have said enough.
Rachael Maskell
I can inform my hon. Friend that the Swanage Railway Trust is working with the National Railway Museum, using its expertise to look at how it can improve the condition of that piece of the collection. We are not talking about a divorce settlement; it is about working together on a national asset and looking at how it can be best cared for, and having the space to display it. Some of the locomotives to which my hon. Friend referred were kind of put in the back cupboard, but have now become the star of the show, because one thing that is really important to the NRM is for locomotives to be displayed where there is a geographical relevance. For example, an LSW or GWR train might be taken down to the south-west, as opposed to having it in a shed in the north-east.
The NRM has a clear desire to best exhibit its collection and to make sure it is accessible. I completely agree that we should be able to freely access the collection across the country and not have to pay for the privilege, but at the same time we must recognise that the collection’s upkeep costs money. We must therefore ensure that the collection is at least accessible, even if not everyone has the means to access it.
The Science Museum Group, of which the railway museum is a part, has in place a process for disposal that the museum assured me it follows, acting as other museums of global standing act on their collections. It wants to continue to refresh its collection, and there are gaps within its collection that it wants to fill to make sure it is telling the complete railway story. It looks at issues such as duplication, and as I say, geographical relevance. It first sends its items for disposal to be peer- reviewed by the group’s board of survey. Recommendations then go on to the collection and research committee, and then, ultimately, to the full board of trustees before items can be disposed of. The museum said that it has gifted a significant number of items from the museum to ensure they are better cared for and looked after elsewhere.
As I have said, locomotives that were perhaps put in the back shed are now being upgraded to their former glory and, we trust, even restored back into use, which is an exciting development for the museum. However, there is oversight—this is not privatisation or selling, or the locomotives going into a private collection. If, for instance, Swanage Railway Trust or any other body goes into receivership, the NRM has the first option of taking that locomotive back if other museums want it. I talked it through with the NRM, and it is like a loan on the never-never, with the local interests upgrading and restoring the collection. We need to make sure, as time marches by on that incredible 200-year history, that the collection is kept in good order.
The NRM is changing. It is currently undertaking the greatest development in its history. As we heard, in 1975 it opened in the UK’s largest urban development site, York Central, with £50 million of investment. To me, this is what is really exciting: the museum has tasked itself to inspire the next generation of rail engineers by taking people through that incredible 200-year journey of the railway, moving from the past to the present and on to the future. We know that Britain did not just create the railways of the world—its railways changed the world.
The museum now has the ambition to capture the imagination of young people and to expose them to the opportunities of engineering and to take them on that new journey, looking through science, technology, engineering and maths in its new centre. The railway museum has an incredible future in York, and it wants girls as well as boys to come from the city and to the city to engage in the new hands-on gallery, so it can teach them about the opportunities that engineering brings and ignite their imaginations to bring forward a new era of engineering innovation on the railways.
These are exciting times for York and for the NRM, celebrating the past and looking to the future. I hope everybody gets behind this project, including funders, and that the NRM will not only be about an exhibition of the future and showing off the technological advances that our country is making today and tomorrow, but will ensure that its collection is displayed across the nation for all to enjoy.
Brendan O'Hara (Argyll and Bute) (SNP)
It is a pleasure to serve under your chairmanship, Mr Chope. May I begin by congratulating the hon. Member for Luton North (Kelvin Hopkins) on raising this incredibly important matter? He has not only highlighted the specifics of the National Railway Museum’s decision to dispose of these three locomotives to private companies but given the House the opportunity to debate the principle of who has the power to do what with important national assets. Unlike some of the previous speakers, I cannot claim to be an enthusiast. I cannot possibly display the passion of the hon. Members for Darlington (Jenny Chapman), for York Central (Rachael Maskell) and for Bishop Auckland (Helen Goodman), but I can claim to have been born a platform’s length—albeit a long one—from the legendary St Rollox works in Springburn in Glasgow many years ago.
Rachael Maskell
I just need to correct the hon. Gentleman: nothing has moved into private organisations. They are charitable organisations.
Brendan O'Hara
I thank the hon. Lady for that, but I think we are dancing on the head of a pin. They have been taken out of public ownership and removed from public control.
Oral Answers to Questions
Rachael Maskell Excerpts(7 years, 1 month ago)
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Tracey Crouch
It is great to see the hon. Lady back after the summer recess. I know you will be shocked to learn, Mr Speaker, that, owing to a conspiracy, she and I were disqualified from the three-legged race during the parliamentary sports day. Thankfully a full inquiry is under way to relieve the shame on Parliament.
The hon. Lady raises some extremely serious issues. Obviously, I have been keeping abreast of them. I talk regularly to all the national governing bodies. We need to have best practice in place to ensure that there is no discrimination in any of those bodies and that such issues do not deter other women from participating in sport at either grassroots or elite level.
Rachael Maskell (York Central) (Lab/Co-op)
12. What progress she has made on improving accessibility to heritage sites.
The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)
My Department and arm’s length bodies are committed to ensuring that our heritage is protected for future generations and accessible to all. The Heritage Lottery Fund issues awards to projects that make heritage relevant to everyone, regardless of their personal background, and actively challenges grantees to reach beyond the traditional heritage audience.
Rachael Maskell
Clifford’s Tower in York is about to have a £2 million upgrade, but it will not be accessible to disabled people afterwards. It is 22 years since the passing of the Disability Discrimination Act 1995, yet heritage organisations hide behind the term “reasonable adjustments”. What is the Minister doing to ensure that heritage sites are accessible to everyone?