Oral Answers to Questions

Julia Lopez Excerpts

Thursday 17th October 2024 Commons Chamber

[Mr Speaker]

Which part: the first three minutes or the second? I call the shadow Secretary of State.

[Julia Lopez (Hornchurch and Upminster) (Con)]

The Secretary of State believes that it is not good policy that counts, but good vibes: the violent indifference that led to a booming creative sector is no longer; the culture war is over; and we, the vanquished, submit ourselves for re-education along with the rest of the public. The problem is that every DCMS sector tells us that they want more than vibes; they need decisions and they want a Budget that will deliver. Can she tell us whether she is among the panicked Ministers who have written to the Chancellor about the Budget and their spending asks, and which has she listed as her priority?

[Lisa Nandy]

I am not entirely sure what the “vibes” issue is, but I will say that I do not need to write to the Chancellor. Unlike under the previous Government, we have a very close relationship and we tend to pick up the phone when discussions need to be had. Alongside the Chancellor, the Secretary of State for Business and Trade and the Prime Minister, I was pleased this week to welcome £63 billion of investment into the UK to put creative industries at the heart of our economic strategy.

[Julia Lopez]

I spoke to some of the DCMS stakeholders who went to the investment summit, and they came away worried. They see a Government who absolutely milk their stardust, but all they hear is new taxes, new employment regulations, other Departments riding roughshod over DCMS interests and delays to decisions. Can the Secretary of State be specific? When she says that she is “putting rocket boosters” under the creative industries, what does that mean in practice?

[Lisa Nandy]

As I announced to the House last week, it means introducing an independent film tax credit, which the previous Government talked about for several months and did absolutely nothing about. I have to say to the hon. Lady that after the legacy that her Government left, which has brought our proud country to its knees, it takes some brass neck to stand at the Dispatch Box and criticise this Government. We are fixing the problems that her Government created, and a little bit of humility might go a long way.

Film Industry

Julia Lopez Excerpts

Wednesday 9th October 2024 Commons Chamber

[Julia Lopez (Hornchurch and Upminster) (Con)]

I am grateful for my first chance at the Dispatch Box formally to congratulate the right hon. Member for Wigan (Lisa Nandy) on her new job following the electoral loss of the erstwhile Member for Bristol West, Thangam Debbonaire—I know it was unexpected. Given those circumstances, it must be difficult to have in a No. 2 someone who has greeted her leapfrog into the Department for Culture, Media and Sport job with all the enthusiasm of Scar when Simba returns to the pride lands. I, for one, am glad that out of the ashes of Thangam’s tragedy, a new era of lion and hyena did not come to pass.

I congratulate the Secretary of State on a tremendous achievement. With 100 days of Labour looming, she has the honour on day 97 of announcing Labour’s first decent policy. We know it is decent, because it is a Conservative policy. Do not be fooled: today’s statutory instrument puts into effect the extra support for independent film that we, the Conservatives, brought in at the March Budget. Our announcement followed months of careful work with brilliant organisations such as Pact and the British Film Institute, and it was welcomed by industry titans such as Chris Nolan, Barbara Broccoli, Steve McQueen and Ridley Scott. At the time, the BFI dubbed it

“a game changer for UK filmmakers”

and British storytelling, and

“the most significant policy intervention since the 1990s.”

The Chancellor and the Culture Secretary now say it is all part of their plan for growth, but it was our plan for growth. As far as I know, they have not got one. Even their plan for tax seems to be falling apart, as the socialist utopia of opposition hits the reality of governing. The policy was the latest in a seriously successful suite of Conservative-created tax reliefs that mean this new Labour Government inherit a thriving industry to steward. I am genuinely glad that something has finally been announced ahead of the London film festival. It is a tremendous showcase of UK talent that we backed with £1.7 million from our creative sector vision. Through it, we have gifted the Culture Secretary something to say, the Chancellor something to back instead of tax, the Prime Minister another sparkling event to go to and the Home Secretary a new police escort to fund, but it has taken too long. The consistent feedback we are getting from every DCMS sector is simple: what is going on? Where is the plan?

If the Culture Secretary gets invited to the latest gallery opening, will she finally commit to continuing the museums and galleries exhibition tax relief at the extended rate, as we committed to in the March Budget? If she gets invited on another rollercoaster, will she give clarity on whether we will secure investment in a new film theme park in Bedfordshire in time for the investment summit? If the Prime Minister gets a bit more time in Arsenal’s exec suite, will the footballing world get clarity on how this Government wish to regulate it? Can she reply to my letter, sent weeks ago, that asked all these questions and more?

In her media round this morning, the Secretary of State claimed that Gordon Brown was behind the success of the British film industry. Does the Secretary of State remember that in 2013, 2014, 2015, 2016, 2022 and 2024, Labour voted against our film, video game and TV tax reliefs? Does she accept that regardless of the positive investment environment we created, it is the ingenuity of Britain’s film makers, costume designers, writers, runners, researchers, post-production talent and actors who have made the UK the best place in the world to make films? We cannot take it for granted. With the Irish Government announcing last week that Ireland will receive its own boosted tax incentives for films under €20 million, can she commit to keeping a close eye on international competitors, so that we do not lose our edge?

Finally, the Culture Secretary’s press release states:

“The new measures are the latest in a series of interventions from the government to drive growth, which is creating the conditions for confident investment and trusted partnership with business.”

Can she name any other growth measures that Labour has revealed that are not rebadged Conservative policies and announcements, or things that will not drive growth, which is to say, anything announced by Ed Miliband?

[Lisa Nandy]

I thank the hon. Lady for her warm words of welcome at the beginning. I think that is perhaps the beginning and end of the consensus that we might be able to reach today.

If I may, I will highlight a few areas where we are in agreement. First, I think we are in agreement that today’s announcement is a thoroughly good thing for the British film industry. Secondly, I think we are in agreement that a number of the initiatives that this Government are taking forward—including the football Bill that she referenced and various other issues relating to the competitiveness of our creative industries on the global stage—are welcome and should receive cross-party support.

The hon. Lady mentioned the fact that the Conservative Government brought in this independent film tax credit at the last Budget. If that were true, we would not be needing to legislate today. The truth is that the Conservative Government did what the Conservative Government did for 14 years: they talked a good game and then did absolutely nothing to deliver for the people of this country. She says that we voted against film tax credits, but the truth, as she well knows, is that we did not vote against them. They were our idea and our initiative in 2007. In fact, it was her party that opposed them in the first place. If they had had their way in 2007, our British film industry would not be where it is today, which is rivalling Hollywood as one of the best film industries in the world. She knows full well that we supported every one of the measures that, after years of opposing them—they had to be dragged kicking and screaming by the film industry—the Conservatives belatedly came to support. She also knows that we voted against successive Conservative Finance Bills because, as we are discovering now that we have had a chance to open the books, there was no money attached to any of the measures. It was a hoax and a con trick practised on the British people.

I have a great deal of respect for the hon. Lady, and I am grateful to her not just for her welcome today and her warm words but for the support that she and others on the Opposition Benches have given me and the team to take up the mantle. But if I had left a sector with 25,000 vacancies that it could not fill, a legacy of creativity being erased from our communities and our classrooms and, most of all, a £22 billion economic black hole that working-class people are paying the price for up and down the country—all of that—and then had such a resounding rejection from the electorate only a few months ago, I would be speaking with a little bit more humility from the Dispatch Box.