(1 year, 3 months ago)
Commons ChamberThe creative industries sector vision sets out how we will support individuals to get the skills they need to work in the industry. From schools to T-levels, and from apprenticeships to returners, our ambition is to support 1 million more jobs in the creative industries by 2030. Yesterday I co-chaired a roundtable with the Education Secretary to improve flexi-job apprenticeships in the sector. Last week the cultural education plan’s expert advisory panel met for the first time, and procurement for creative skills bootcamps are now live.
I commend my right hon. Friend on the recent creative industries sector vision, which will help to build a pipeline of talent that will underpin the creative industries. Does she agree that it is vital that we invest in building the skills throughout the country, recognising that many of the growth sectors within the industry are outside London?
That is right. We know that creative businesses flourish in geographic clusters, from games in Leamington Spa to fashion in Leeds, and we have already announced that we will invest a further £50 million in at least six new clusters, creating new centres of excellence that will act as magnets for inward investment and talent.
Last night was the summer reception of UK Music, and I was there as chair of the all-party parliamentary group on music, along with the shadow Secretary of State and the Chair of the Culture, Media and Sport Select Committee. If Ministers had been able to come, they would have heard an appeal for more education in the creative sectors in our schools and for more support for our grassroots venues, which are the research and development of the creative industries, particularly the music industry, and which are suffering from a crisis at the moment. What more are the Government going to do to support education at that level so that skills and training in our creative industries can enable them to keep flourishing into the future?
I hope the hon. Gentleman read the sector vision, which included £5 million in additional funding for grassroots music venues—something we discussed at the Select Committee. We, too, think it is important to have those creative subjects in school; that is why art, design and music are already in the national curriculum and remain compulsory in all maintained schools up to the age of 14. But that is not all we are doing. He mentioned music, which is incredibly important. That is why we have our new joint national plan for music education, including £25 million of funding for musical instruments and equipment for schools, and, as I mentioned, we had our first meeting of the cultural education panel, which is looking at how we can ensure we help young people to get more creativity both in and outside school to ensure we have that creative excellence.
The creative industries are a powerhouse of the UK economy, succeeding despite the Government’s best efforts to attack the institutions that underpin them. With the growth of the creative industries, there are now a huge number of job vacancies, yet it remains one of the least diverse sectors in the economy, dominated by white, middle-class people—even more so than banking, law and media. Under this Government, we have seen a huge drop in creative subjects being taken at GCSE. Will the Secretary of State support Labour’s new policy to increase music, drama and the arts in schools and transform our curriculum to meet the needs of the future economy, which desperately needs creative skills, rather than one that is stuck in the past?
The shadow Secretary of State will know that the Prime Minister has identified the creative industries as one of the five sectors of growth that we are supporting as a Government, because they are really important. She mentions GCSEs, but I do not think we should just have music and arts at GCSE. We need them at T-levels, we need apprenticeships and we need them in primary school. She will know, because I have talked about it incessantly, that that is exactly what we are doing and that is what is in our creative sector vision. I will just point out—because I was reminded of it the other day—that a Labour Secretary of State for Education and Employment, David Blunkett, slimmed down the statutory curriculum for creative education and told headteachers to teach fewer creative subjects at school.
The whole House has been enjoying this amazing summer of sport, with the Ashes, Wimbledon and the Grand Prix in recent weeks. The Open starts today, and I am sure the whole House will want to join me in wishing the Lionesses well in their first women’s World cup match on Saturday. We believe every community should have access to sports facilities, and since our last oral questions, we have renovated a third of our target of 3,000 tennis courts across Great Britain. That is also why we have delivered improvements to over 3,300 grass- roots football facilities up and down the UK, to improve and upgrade spaces where people can get active and enjoy sport.
Indeed, the football women’s World cup starts today, so we wish the very best of luck to the European champions, the fantastic Lionesses. Last year there was a staggering 83% drop in the number of European schoolchildren and students visiting the UK, hitting our tourism sector and leading to a loss of 14,500 jobs and £875 million. I am aware of the Prime Minister’s vague commitment to increase the number of schoolchildren coming over from France at the very least, but what exactly is the Government’s plan to deal with that shocking decline?
I am pleased that the hon. Member mentioned the discussions that the Prime Minister has had with France. That bilateral arrangement will improve mobility to the UK. It is really important that those young groups come, and I can assure the hon. Member that I am looking at that issue more broadly.
Our creative industries are world leading, but they are rightly concerned about the impact of artificial intelligence on their creative endeavours. The Government’s botched AI and intellectual property plans show that our creative industries play second fiddle when we need genuine partnership between the tech sector and those industries. What is the Secretary of State doing to secure, protect and enhance this British success story in the digital age?
The shadow Minister is right to highlight AI, which presents potential opportunities as well as challenges, particularly in the domain of copyright and the creative industries. I am actively engaged with this issue and have held a number of meetings with the sector, including with the Creative Industries Council earlier this week, and with music, press and publishing stakeholders over recent weeks. This afternoon I will again meet with the Minister for AI and Intellectual Property, together with the Intellectual Property Office, to discuss this very issue.