Copyright and Artificial Intelligence
Debate between Chris Bryant and Victoria Collins(1 week, 2 days ago)
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Madam Deputy Speaker (Ms Nusrat Ghani)
It is always easier if the Minister looks at the Chair, so we can ensure that we are sticking to time limits.
I call the Liberal Democrat spokesperson.
Victoria Collins (Harpenden and Berkhamsted) (LD)
The UK can and should be a global leader in AI innovation, and I welcome this consultation. Investment and support for technological innovation will be a crucial pillar of growing our economy and solving the problems of today and tomorrow. Likewise, our world-leading creative industries must remain a growth priority.
In my constituency, I see the invaluable contribution that the film industry makes to the local and national economy, driving growth while producing top-quality content. We might not have James Bond, but we have had “Robin Hood” and “Deadpool”, and “Wicked” was recently filmed just over the border.
The creative industries have been clear that failure to apply existing copyright laws to AI model training presents an existential threat. They are being asked to allow their output to be used to train models that could be in direct competition with them. We must get this balance right.
There is no uncertainty in existing law. UK law is totally clear that commercial organisations must license the data they use to train their large language models. The announcement that the Government favour a text and data mining exemption will be deeply concerning to the creative industries. The issue was thought to be settled under the previous Government, so what assessment have the Government made of the likely impact of their favoured option on the creative industries? The expectation seems to be that small businesses in the creative industry should welcome an opt-out system in exchange for vague commitments to transparency, so will the Minister lay out what successful, workable examples of an opt-out system he has looked at? Can he give us examples of where this approach has successfully protected creatives? Why has the option of an opt-in not been included in the consultation?
As has been said previously, the creative industry adds £125 billion a year in gross value to the economy and goes hand in hand with our digital economy. It is essential that the Government support AI innovation, but that cannot come at the cost of our world-leading creative industry.
Chris Bryant
Madam Deputy Speaker, I will look at you to make sure that I do not go over time, but I would point out that “Wicked” is far too long a movie.
I make it clear that I do not think there is a complete separation between AI and the creative industries. AI is a creative industry in many regards. There is an important collaboration between the two, and even Sir Paul McCartney has said that he has used AI to help him write some of his most recent work.
The hon. Lady says this was all settled under the previous Government, but nothing in this territory was settled under the previous Government. It was simply left hanging in the air, which is why we are trying to take action. She asks whether there are any successful examples of opt-outs. No, there are not. Precisely the point I am trying to make is that, at the moment, it is remarkably difficult for individuals and organisations—whether a record label, an individual artist or photographer, or whoever—to protect their rights. That is what needs to change.
There has been some licensing. Some newspapers have licensed content with OpenAI. Sony Music has written to all the different AI operators to say that all the work that it protects is copyrighted and not to be used. But I am not sure that such piecemeal processes are enough to build the control we want for rights holders, while enabling AI to develop fruitfully in the UK.