Music Streaming: Label-led Principles

Judith Cummins Excerpts

Tuesday 22nd July 2025 Commons Chamber

[Madam Deputy Speaker (Judith Cummins)]

On famous names, I call Paul Waugh.

[Paul Waugh (Rochdale) (Lab/Co-op)]

Thank you, Madam Deputy Speaker. First, I declare an interest, in that my son Fin is a member of the band Big Huge New Circle, whose latest single “Pearl” is out on Spotify, and is recommended by Clash magazine, which calls it “beautifully complex”.

I welcome today’s announcement, particularly the introduction of per diems and the session musician uplifts. I thank the former Member for Cardiff West, who is sitting in the Peers’ Gallery, for all his work on this. It is hugely welcome, and perfectly timed for the Musicians’ Union delegate conference this week. Given the widespread concern about fair pay for streaming, and how long it has been since our Select Committee first reported on this, can the Minister explain what further powers the Government hold to intervene if these industry-led measures fall short?

[Chris Bryant]

First of all, can I wish—was it Big Huge New Circle? [Interruption.] Yes, Big Huge New Circle. So we have got it in Hansard three times now. I will take my fee later—10% obviously. Or 15%; it is 15% for lots of agents these days.

Obviously, the future of the music industry in the UK depends on having a pipeline. The single most important thing we can do is make sure that every single child has an opportunity to be a musician at school. Creative education in our schools not only delivers by providing musicians, but is a force multiplier for lots of other forms of education. That is something on which I am working very closely with the Department for Education.

I note that Lord Brennan is up in the Gallery—that is another song from music hall, I think. My hon. Friend is absolutely right that Lord Brennan, who was on the Select Committee, was one of the driving forces making sure that there was not only a first report, but a second report in the last Parliament; he held the Government’s feet to the fire. I am determined to do precisely the same when it comes to the record labels. I honestly believe that we will now have one of the best arrangements in the world for the remuneration of artists from streaming, and I am sure that the record labels will stick with the arrangement.

[Madam Deputy Speaker]

I call the Liberal Democrat spokesperson.

[Victoria Collins (Harpenden and Berkhamsted) (LD)]

Britain’s musicians have long been our most beloved cultural treasures. In the crowded field of excellence in our creative sectors, our musicians are some of our proudest exports. They are part of a £124 billion industry that drives our economy, so support for our legacy and session musicians is completely overdue and very welcome. The musicians covered include the Devines in Berkhamsted, upcoming artists like Myles Smith, and national treasures like Elton John—I agree that Adele is one of our national treasures—and, as was mentioned, all those around them: songwriters, producers, and those who support them.

Technological change means that online streaming now constitutes the vast bulk of music consumption, and 120,000 new tracks a day are uploaded to music platforms. This often leaves a hole in musicians’ income, so it is absolutely right that the Government are taking this issue seriously. We simply need to get this right, so I ask the Minister to clarify for the House how much confidence we can really have that the principles he is spelling out will finally lead to a more equitable distribution of streaming revenue. Ultimately, this is a label-led, voluntary framework; where is the independent oversight? Crucially, what guarantees are there of consistency or enforcement across the industry?

We have raised this issue many times in the past, but it remains true that if we are serious about protecting artists’ right to remuneration, we need to ensure that copyright, which has underpinned success for decades, works in our digitally evolving world. Musicians and creatives face an AI tsunami, which could pose a threat to their livelihoods; we need to tackle it seriously. I conclude by asking the Minister once more to consider swifter action from the Government on copyright and data mining, in order to support our musicians and creatives, as well as innovation across the UK.

--- Later in debate ---

[Chris Bryant]

I am not sure whether he is intending to buy it himself. Of course, many acts have appeared on the pier over the years.

My hon. Friend makes the point again about the importance of having small venues where people can perform to start and build their career and end up as the kind of household successes that we know. Not everybody will earn millions from music, but we do want many more people to be able to make a decent living out of their music in the UK. Establishing good terms of trade and having a strong copyright regime is absolutely key to delivering that. The Musicians’ Union was a key part of the discussions that we held throughout the last year.

[Madam Deputy Speaker (Judith Cummins)]

For the final question, I call Chris Vince.

[Chris Vince (Harlow) (Lab/Co-op)]

Thank you, Madam Deputy Speaker. There was some mention of national treasures earlier; to quote Alison Moyet, “Only you”. [Laughter.] I won’t be called last next time.

From the Newtown Neurotics to Don’t Worry and The Subways, Harlow has always had a vibrant music scene. What plans does the Minister have to engage with artists at all stages of their careers to ensure that these welcome changes provide meaningful improvement?