Oral Answers to Questions Debate
Full Debate: Read Full DebateCaroline Dinenage
Main Page: Caroline Dinenage (Conservative - Gosport)Department Debates - View all Caroline Dinenage's debates with the Department for Digital, Culture, Media & Sport
(4 years, 1 month ago)
Commons ChamberI recognise the huge contribution that the creative industries make both to the UK’s international reputation and to our economy, contributing over £100 billion in gross value added. The Government have provided unprecedented support to employees and businesses through the furlough scheme and the £1.57 billion cultural recovery fund, and we will continue to do all we can to provide support and get the sector back up and running.
I am afraid that what has been trailed by the Treasury in the media today will not do anything to help those in the creative industries who cannot work because of covid restrictions, whether in music venues, comedy clubs or theatres, or any of the freelance workers in the sector who already receive no help at all, as we saw from the Musicians Union survey this week. When will the help that has already been promised in the package the Minister mentioned actually arrive for people in the sector, and will the new scheme be targeted to supply life support to our genuinely world-beating creative industries?
The Government’s world-class support package has included the self-employed income support scheme, and about two thirds of our sector have been covered by that. Then, of course, there are the very generous extensions to universal credit as well. However, we know that it is very distressing for those who have fallen between the gaps. That is why Arts Council England has made an additional £95 million of additional support available for individuals who are affected.
Equity, the performers’ union, has drawn up a four-pillar plan to save the industry: providing financial support for workers, enabling the safe opening of venues, protecting vital arts infrastructure, and eliminating gaps in representation and pay. I know that the Minister has met Equity, so are the Government prepared to back its plan and save our performing arts?
I thank the hon. Lady for her question. I know that arts and culture is massively important in Canterbury, which she represents. In fact, it has received over £245,000 of emergency funding so far from the Arts Council. We have listened to the sector at every stage of this terrible pandemic. I meet its representatives on an almost weekly basis, from right across entertainment, arts, culture and creative industries. ACE is currently processing over 4,000 applications for more than £880 million of grant funding. We are doing absolutely everything we can to support the sector.
Hundreds of my constituents are highly skilled and self-employed in the creative industries, but most of them have seen their incomes plummet, with no real chance of recovery for the next six months at least. I give the Minister another opportunity to reconfirm that the previous package is not working and is not effective. Will she commit to a new package that will save their incomes and ensure that they and their families do not face poverty?
I cannot agree with the hon. Gentleman that this package of support is not working. In his own constituency of Ealing, Southall, there has been £47,000-worth of emergency funding so far, and £500,000 in total support from Arts Council England in this financial year. We know that, more than anything, those who work in the sector just want to get back to doing what they love. The £1.5 billion cultural recovery fund will secure the future of performing arts and live events and protect jobs in the industry to allow them to do just that.
Millions in our country long for live performing arts to return, none more so than those who work in those industries. Some 70% of theatre workers are self-employed or freelance, but many are ineligible for the self-employed income support scheme and have been excluded from Government support since March, bringing extreme hardship. They desperately need the sector to be back up and running. While we support the Government’s road map to reopening, we know that socially distanced shows are simply not viable without insurance against covid cancellations. The Digital, Culture, Media and Sport Committee agrees, warning that without a pandemic indemnity scheme,
“efforts to resume filming, touring and live performance are doomed to failure”.
What representations has the Minister made to her Treasury colleagues for insurance support similar to that for film and television so that our incredible creative workforce can get back to what they do best when it is safe to do so?
As I have already articulated, I meet the sector on a very regular basis, and actually it has been its feedback that has helped to form, to shape and to drive the cultural recovery fund as we have it today. As I have explained, there is £95 million of additional support in there for individuals, including freelancers. We continue to listen. We continue to talk to Treasury colleagues to make sure that we are creative, inventive and thoughtful and doing everything we can to get our sectors back up and running.
By taking back control of our money, we are able to focus on spending that reflects the needs and ambitions of UK artists and creative professionals. This includes considering alternatives to former international funding programmes. We are committed to supporting our world-leading culture sector to continue to grow and flourish.
As we have already heard from Members in this Chamber this morning, the culture sector has been hit hard by the covid pandemic and many organisations are struggling to simply survive. EU membership is not a requirement of the programme, so why are the Government ending the UK’s membership of Creative Europe?
Creative Europe funds co-operation across cultural and audio-visual sectors, as the hon. Lady knows. The value of it is roughly £4 million a year. The Government decided that the UK would not continue to participate, but UK beneficiaries will continue to benefit from the programmes for the lifetime of their project, which in many cases runs beyond 2020. In the meantime, we are working in partnership with the devolved Administrations on domestic alternatives, which will be considered as part of the forthcoming spending review.
That was simply not good enough from the Minister. The preamble to the constitution of UNESCO states:
“since wars begin in the minds of men, it is in the minds of men that the defences of peace must be constructed”,
and that is the guiding principle of so many cross-border cultural initiatives such as Creative Europe. The decision to end our participation in the programme not only erects barriers to cultural exchange but sends a loud and clear message to our closest neighbours that Britain is closed for collaboration. With non-EU members such as Norway, Ukraine and even Tunisia participating, can the Minister explain the UK Government’s decision to withdraw from Creative Europe as anything other than narrow-minded Brexit isolationism?
I have already explained that we intend to find an alternative to the Creative Europe fund, which will be set out as part of the comprehensive spending review. I do not really like having lectures from the hon. Gentleman about what is “good enough”. This Government have worked round the clock with the sector to provide £1.57 billion of support in the form of a cultural recovery package, £97 million of which has gone to Scotland, and yet—guess what?—only £59 million of that has so far been announced for disposal. What have they done—trousered the rest of it?
In the light of the recent upsurge in covid-19 cases, indoor sport and music groups must follow the rule of six. However, outdoor team sport and exercise are largely exempted from the rules, and, of course, these restrictions will be regularly reviewed.
Brass bands and choirs are a core part of our cultural identity. The guidance in terms of brass bands and choirs rehearsing and performing together again has been unclear, confusing and, at times, even contradictory. Will the Minister today please provide clarity on the guidance for rehearsals and clear support for these groups, because the only thing full of hot air at the moment seems to be this Government?
I completely understand the hon. Lady’s frustration; it has been really difficult to bring back choirs and orchestras at an amateur level, because it has been difficult to establish the risks. However, we do know that non-professional performing art groups, including choirs, orchestras and drama groups, can continue to rehearse and perform together in a covid-secure venue, where that is a planned activity and they can carry it out in a way that ensures there is no interaction between groups of six at any one time.