Oral Answers to Questions
Anna Dixon Excerpts(1 week, 5 days ago)
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Katrina Murray (Cumbernauld and Kirkintilloch) (Lab)
Anna Dixon (Shipley) (Lab)
Luke Murphy (Basingstoke) (Lab)
Lisa Nandy
I thank my hon. Friend for championing those incredible organisations in her constituency. Applications open this week for the town of culture competition. We have deliberately designed this contest so that it will benefit everybody who takes part, helping them to promote what happens in their local areas, with the least bureaucracy possible. We want local organisations to be heard loud and clear as part of the bids. The judging panel will be chaired by the incredible Phil Redmond, and he is designing the competition to ensure that organisations the length and breadth of this country are heard loud and clear.
Anna Dixon
I hope that the Secretary of State enjoyed her visit to Bradford during our fantastic time as city of culture 2025. It was a roaring success, with more than 5,000 events across the whole district, audiences in excess of 3 million and some 650 local artists and organisations involved. Does she share my ambition to make sure that the legacy of Bradford 2025 is both impactful and long lasting? Will she meet me, leaders of the council and representatives of Bradford 2025 to see how she can support that legacy?
Lisa Nandy
My hon. Friend will know that I have visited Bradford several times since becoming Secretary of State, and we love it so much that you cannot keep us away—the Minister, my hon. Friend the Member for Barnsley South (Stephanie Peacock), will be in Bradford this afternoon. Bradford city of culture has been a runaway success in increasing the amount of local pride that people feel in their communities. Four out of five people in Bradford say that the year of culture has had a lasting impact on them and their city, but that is not all: it has managed to attract record visitor numbers, showing exactly what Bradford can do. We want that for our towns across the country, and we are using Bradford as a template for how to do it.
Marsha De Cordova
As the hon. Member knows, the Church is rightly playing a role in the province in Jerusalem. I would be happy to write to him to set out further actions that the Church is taking in relation to work and other projects.
Anna Dixon (Shipley) (Lab)
Emma Lewell (South Shields) (Lab)
Marsha De Cordova
The Terminally Ill Adults (End of Life) Bill is still being debated in the other place. What it will look like is yet to be decided. The Church anticipates that there will be considerable impact on the end-of-life ministry, pastoral support and bereavement counselling offered by its chaplains and clergy.
Anna Dixon
Chaplains work in various settings, including care homes, hospitals and hospices. If the Bill were to pass unamended, they may be required to provide assisted dying services to people who are terminally ill, as there is currently no organisational opt-out. Would the Church support an amendment in the other place to allow chaplains to conscientiously object, and an option for hospices and other organisations that have religious foundations to opt out of providing support to those who wish to end their life with assistance under the legislation if it is passed?
Marsha De Cordova
The Church supports the need for an institutional and individual opt-out, as many hospices have highlighted their concerns about the Bill’s impact on their operations if there continues to be no option to opt out. It is crucial that hospices can offer their vital services without being compelled to offer assisted dying if they hold a conscientious objection.
UK Town of Culture
Anna Dixon Excerpts(2 weeks, 6 days ago)
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Anna Dixon (Shipley) (Lab)
It is a pleasure to serve under your chairship, Ms Furniss. I congratulate my hon. Friend the Member for Halesowen (Alex Ballinger) on securing the debate. Being from and representing a constituency in the Bradford district, I would like to take the opportunity to share some of the amazing highlights of our year as the city of culture. I particularly hope that some of the impacts I describe will be useful to those who are considering applying for the town of culture competition or hoping to be successful in it. It is a fantastic development.
Although we talk about the city of culture, it was really the whole district. Towns in my constituency of Shipley and Bingley were very much part of the Bradford 2025 experience, which celebrated both our rich history and the dynamic contemporary culture found across the Bradford district. Some people may not be aware that it is already designated a UNESCO city of film. It also hosts a wonderful collection of works by Bradford-born artist David Hockney at Salts Mill. That is a brilliant example of culturally led regeneration, which some hon. Members here may be interested in. Salts Mill is in Saltaire, which is also a world heritage site and which now hosts the Peace museum, a fantastic historical collection.
The year started in Centenary Square—it was minus 10° —with a celebration called RISE, showcasing some amazing spoken word poetry, as well as acrobats. It concluded in Bingley in my constituency with Brighter Still and fantastic stories of hope celebrating the diversity of people who are born and raised in Bradford or who have moved there and made it their home.
In the few minutes I have, I want to highlight the sense of community that that generated. With more than 5,000 events across the whole district, audiences in excess of 3 million, 650 local artists and organisations, and participatory projects that brought in some 87,000 people, there was something for everyone. We had Our Patch co-ordinators on the ground working with community organisations to involve them in everything from creating skate park murals to rap songs. That has resulted in eight in 10 residents now saying that the city of culture programme made them feel proud of where they live.
On top of that, we had a national profile. Great collaborations with the likes of the BBC meant that we hosted the “Antiques Roadshow” and “Songs of Praise”, and at some point in the year 38% of the UK population watched part of something featuring Bradford. Furthermore, the Turner prize 2025 exhibition is in Cartwright Hall—outside of London for the first time—and it has not quite closed yet.
Being the city of culture also brought huge economic and social benefits. With more than 2,700 volunteers involved as youth ambassadors, the hope is that the legacy of the city of culture will be the opportunities it gives our young people to gain skills in the creative industries, which West Yorkshire Mayor Tracy Brabin has made a critical priority in the West Yorkshire industrial strategy.
I conclude by asking the Minister to support the legacy of the city of culture in Bradford, and to congratulate the directors, Shanaz Gulzar and Dan Bates, who were honoured with MBEs in the new year honours for their fantastic work. I wish all colleagues here much success with their bids.
Joe Robertson (Isle of Wight East) (Con)
It is a pleasure to serve under your chairmanship, Ms Furniss. I congratulate the hon. Member for Halesowen (Alex Ballinger) on securing this important debate on the UK town of culture competition. Let me begin by welcoming the announcement of the UK town of culture programme. The UK city of culture initiative, first launched in 2009, is now in its fifth iteration and has supported places such as Derry/Londonderry, Hull, Coventry and most recently Bradford. In each case, the investment has proved to drive regeneration, attracting investment and visitors, all while showcasing the unique character, heritage and creativity of those places.
Hull’s year as city of culture generated an estimated £300 million for the local economy, attracted millions of visitors and created thousands of jobs, apprenticeships and freelance opportunities. Coventry saw renewed confidence and investment, while in Bradford, more than 5,000 events took place during the year, with around 51 million spent. Within the first six months of Bradford 2025, more than 11,000 schoolchildren benefited from the education programme, and 40,000 local people participated in cultural events. My colleagues visited Bradford during that year to join in one of 5,000 events that took place. The success of this scheme shows how well-funded support can have a transformative impact.
The UK town of culture rightly recognises that smaller and medium-sized settlements have powerful cultural stories to tell—we have heard a great variety of those today—and a vital role to play in our national life. Market towns such as Shrewsbury have long acted as bridges between rural and urban communities, serving as hubs for seasonal celebrations, sport, county dance and local trade. In my constituency on the Isle of Wight, our island’s towns are increasingly recognised as destinations for film and the creative industries. We have vibrant organisations, including Ventnor Exchange, Monkton Arts and the new Department venue in Ryde, plus of course Brading Roman Villa. Shanklin theatre, a historic building, survives only through the tireless volunteer efforts of local people. I enjoyed the local pantomime “Dick Whittington” there only last week with my children.
Building on the success of the city of culture programme, the ambition to break down barriers to opportunity, drive local economic growth and create jobs is one that we strongly support. However, the last iteration of the city of culture competition demonstrated that the scheme could be open to places beyond cities, with examples including Wrexham, which bid as a town, and County Durham, which submitted a bid covering the entire county. Wrexham even became a city midway through its bid. This shows that the programme could already accommodate a broader range of places, without necessarily creating a town of culture competition separately. It raises the question: is it necessary to establish a separate competition when towns were allowed to bid in the last round?
Experience from the previous city of culture competition shows that the places that performed best were those with strong local authority leadership and capacity. The most recent competition, with 20 entrants, was the largest ever. Although expertise is spreading across local government, not every council starts from the same place.
Anna Dixon
The hon. Gentleman talks of the importance of local authority leadership in city of culture success. Will he join me in congratulating Bradford council on having the vision to apply to be the city of culture and on having taken the risk to invest in it and then crowd in further investment, which has benefited the whole district?
Joe Robertson
I am happy to join the hon. Member in congratulating the local authority in Bradford on its bid. She illustrates very well the point that I am trying to make: there is a financial risk in undertaking the process and, indeed, the risk of not being successful. For smaller towns with less financial might, that could become a considerable issue, so will the Minister commit to supporting local authorities—in particular, smaller ones—in their capacity to bid and succeed in a separate towns competition?
Further to that, a long-standing challenge of the scheme has been the uncertainty about funding, with prize money neither guaranteed nor clearly set out at the point of launch. Although we welcome the approach taken under the previous Government, which enabled runners-up to receive £125,000, the current Government have not yet extended that commitment to the town of culture competition. In the past, even unsuccessful bidders, such as Sunderland, received support that helped to strengthen local partnerships and build capacity in their communities. If the Government introduce a separate towns competition, they must clarify whether funding will be guaranteed immediately for winners and runners-up, particularly for towns that may have less capacity to absorb financial uncertainty.
For many towns that are unsuccessful and receive little or no funding, cultural institutions remain at risk. Much of our cultural infrastructure depends on local authority funding, and discretionary spending on culture is often the first casualty when councils face financial pressure. If we are serious about supporting towns through culture, local authorities must be given the financial tools and flexibility to protect cultural and heritage assets.
This initiative must also be understood in the wider context of the pressures facing our cultural, creative and heritage sectors. Towns’ unique characters are driven by their high streets and small businesses, ranging from historic pubs and craft workshops to independent creative venues and local cultural organisations. Yet this Government’s punitive tax regime places increasing burdens on these organisations. Higher employer national insurance contributions, reduced business rates relief and rising wage costs all fall heaviest on small businesses, which have the least capacity to absorb these costs. We have already seen too many local businesses close over the past year, so how will the Government ensure that the very organisations that we rely on to deliver cultural programmes—indeed, they form the cultural fabric of this nation—are not priced out of existence, thereby reducing investment into the local area?
Thanks to the previous Government’s £2 billion culture recovery fund, many arts and heritage organisations were finally back on their feet, yet this Government’s job tax has hit them hard. I welcome the continuation of tax relief for theatres, museums and galleries, but the Department for Culture, Media and Sport’s resource budget remains flat in cash terms, which of course represents a real-terms cut. At a time when 98% of adults agree that museums are important to UK culture, it is deeply concerning that the Government continue to fail to commit funding to major levelling-up cultural projects, despite announcing a UK town of culture competition, which we welcome.
The Minister for Creative Industries, Media and Arts (Ian Murray)
As always, Ms Furniss, it is a great pleasure to see you in the Chair. I thank my hon. Friend the Member for Halesowen (Alex Ballinger) for securing what I think has been a very enjoyable debate. It has not just been a debate about the town of culture; I think it has actually been the largest lobbying exercise from MPs that we have seen in this Parliament. It has been a geographical trip through everyone’s wonderful constituencies. We heard from my hon. Friend about everything from yarn bombers to mosh pitters, in the form of Led Zeppelin and Robert Plant. Of course, he has invited the President of the United States to come and visit his wonderful green lands—I am glad about his intonation on that.
I pay tribute to the Halesowen Abbey Trust for its work on the Leasowes walled garden, which demonstrates the civic pride that my hon. Friend talked about in his opening speech. As he mentioned, culture is a shared language. Whether we are talking about yarn bombers, heavy metal, mosh pitters or some of the wonderful heritage buildings around the country that we have heard about, one thing is for sure: we all have that shared cultural heritage that we want to preserve. It is not just about celebrating the past; it is about shaping the future, as many of my hon. Friends and others have said.
I also pay tribute to Colin Brookes of Halesowen Town FC, and pass on our sympathies to his family. Those kinds of individuals drive local projects, institutions and organisations. Without those personal commitments from people like Colin Brookes, none of these institutions would continue to exist; we rely on local people’s passions for that. It was not just a great speech from my hon. Friend; it was also a superb oral application form, which I hope Hansard will just pop, verbatim, straight into his application form for the town of culture competition.
This scheme will be delivered across the UK and in collaboration with devolved Governments. As we have already heard, the UK town of culture competition builds on the city of culture model for cultural placemaking, which was first launched in 2009, as the shadow Minister, the hon. Member for Isle of Wight East (Joe Robertson), said, and is now in its fifth iteration. Derry/Londonderry, Hull, Coventry and now Bradford have benefited from the lasting and transformative impacts, including more than £1 billion of additional investment added to local economies of past host cities, increasing jobs, tourism and that local cultural pride.
As my hon. Friend the Member for Shipley (Anna Dixon) mentioned, Bradford 2025 has delivered a wealth of significant benefits, not just for Bradford itself but for the wider region. The highlights of its time as UK city of culture include delivering more than 5,000 events across all 30 district wards and attracting more than 3 million people with its world-class cultural programme. It commissioned and involved more than 650 local artists, involved 87,000 individuals in participatory projects, 2,700 volunteers—the Colin Brookes of this world—with more than 5,500 people benefiting from training, and engaging more than 160 schools and educational settings.
The direct positive impacts on people’s lives in the local community are clear, as we have heard. More than 80% of people surveyed said that Bradford 2025 had a positive impact on their wellbeing; it made eight in 10 residents feel proud of where they live; and more than 70% of residents felt more connected to the people in their communities. I therefore echo the congratulations of my hon. Friend the Member for Shipley to the Bradford city of culture directors, Shanaz Gulzar and Dan Bates. I thank them for all that they did, and thank everyone who participated in that.
Anna Dixon
I thank the Minister for his congratulations. Bradford council has already committed about £13 million over the next five years to the legacy, but much more is needed for capital projects, such as the Bingley town hall creative workshop. Would the Minister agree to meet me and representatives of Bradford council to discuss how we secure the legacy of Bradford 2025?
Ian Murray
I am very happy to take up that invitation to meet with my hon. Friend and representatives to see how that legacy is lasting, because the legacy is actually the most important thing from the city of culture scheme. I hope there are also huge legacies from the town of culture scheme, not just for the successful town but for all the applicants. It may give another boost to all of that cultural heritage and cultural futures in those areas.
When the Secretary of State for Culture, Media and Sport launched the UK town of culture, she said that
“every place has a story worth telling”,
and we have heard those stories this afternoon. I have been struck by the depth of what has resonated from hon. Members. My hon. Friend the Member for Halesowen said this is about telling the story of the past and today, but also about shaping the future. Indeed it is.
We have heard lots of wonderful stories. I will run through some of those, rather than going through what the town of culture will be about, because everyone seems to be reflecting. The hon. Member for Strangford (Jim Shannon) dropped a bombshell, and told us that he tries to get Strangford into every debate—who knew? He is a great champion of Strangford. My hon. Friend the Member for Truro and Falmouth (Jayne Kirkham) talked about the history of opening up the arts to everyone —that is what the town of culture is about; it has to be about art for all—and reminded us not to forget about rural areas and those on the periphery, which I think is really important and what this is all about.
Turning to the town of Amesbury: we had heavy metal from Stonehenge, Romans and Saxons and Spın̈al Tap in a four-minute speech; who would have known we would have got there today? My hon. Friend the Member for Stoke-on-Trent South (Dr Gardner) talked about “The Great Pottery Throw Down”, which I thought was more Greek than Stoke-on-Trent. She talked about the art, music, charities and heritage, and the Longton carnival in the Stoke-on-Trent area.
We heard from the hon. Member for Mid Dorset and North Poole (Vikki Slade) about the £60,000 of funding to help develop the approach for shortlisted candidates. It is critical that there is that support to ensure that we develop some of those. There is also £60,000 available for longlisted city of culture candidates so that they can develop their proposals. I join in congratulating Wimborne as Dorset’s town of culture 2026. I would love to visit if I possibly can, but only if I get to see “Legally Blonde: The Musical”—I will maybe go down there to do that.
My hon. Friend the Member for Southport (Patrick Hurley) talked about the Prescot Cables FC, and the story he tells is a story from many places across the country. Who would have thought that William Shakespeare, fleeing the plague, would have turned a bus stop into a playhouse for young people being trained, and for cultural heritage and outreach to schools? One of the key things he said, which drives the town of culture and the city of culture—indeed, it drives the Secretary of State and me in terms of culture across the country—is that change can happen. A big catalyst for change is arts and culture; it is a great advert. My hon. Friend also gave a great advert for Southport’s year of culture in 2026. I cannot remember the website, but I am sure it is in Hansard for everyone to refer back to.
The hon. Member for Chesham and Amersham (Sarah Green) talked about the whole competition empowering local people, and Chesham being a coiled spring champing at the bit to get their application in. Who knew that Bishop Auckland was the home of the calendar, and therefore the home of time itself? My hon. Friend the Member for Bishop Auckland (Sam Rushworth) made a reference to Laurel and Hardy, and the “Land of Hope and Glory”, which I think is a great combination to have there.
My hon. Friend the Member for Reading Central (Matt Rodda) spoke about turning the Reading Gaol into a cultural and arts centre. I think that is absolutely fantastic, bringing arts and history to life. And who knows? The car park might be a famous royal cemetery. Rather than sending the town of culture prize pot to Reading, maybe we should just send a couple of spades and a digger, and we could do it on that basis.
My hon. Friend the Member for Shipley went through all those issues, and re-emphasised the fact that Bradford, as the city of culture, had something for everyone. Crewe and Nantwich is the home of the Cheshire Archives. It is absolutely fantastic to have those there, but the key thing is arts and culture being a catalyst for town centre regeneration. I think that is key. We tend to forget that arts and culture can be that catalyst: they can bring people together and regenerate footfall in our city centres.
Finally, we heard how hotly contested this competition will be in North West Leicestershire. I am not going to look at my officials when I say this—I do not know who will actually go through the application forms, but how they are going to determine who will win is quite extraordinary, given what we have heard this afternoon and the applications. I would say, to everyone who has spoken this afternoon and to anyone who is interested in the competition, to apply. There is such a rich heritage of culture and arts in every single corner of the country—north, south, east and west. We should celebrate that, and the kinds of celebrations we could have from that can be through this competition. The competition will not just be about winning, although I am sure that all Members present today will want their own town to win; just taking part in the competition will be a big celebration of arts and culture.
I will respond to the specific question by the hon. Member for Chesham and Amersham about the timeline for the competition. For now, I can merely say that we will launch the competition very shortly. Of course the first town of culture will be in 2028, so the timeline, as Members can see for themselves, is relatively short. Consequently, we will launch the competition as soon as we possibly can.
Each place has a unique story. However, there is also a shared conviction that through culture and creative industries we can share the stories of towns, and celebrate the contribution of towns to our national story. That is why the town of culture award is so important. I thought that the shadow Minister, the hon. Member for Isle of Wight East (Joe Robertson), was slightly curmudgeonly when he asked if we need a town of culture competition; I think he has heard today why we need it. Even if it is just an opportunity for local people, local arts and culture organisations and local MPs to talk about and champion their local area, that in itself is something we should champion.
Our vision for the UK town of culture competition is that the public know we see and value the contribution that towns make to our national story, and that there are benefits for all those who are able to tell their own story. At the end of the competition, a cultural programme will be delivered that draws on the best of art, heritage and creative industries, underpinned by compelling local stories that will be shaped by local people, delivered through local partnership, and designed to leave a lasting legacy through strong cultural infrastructure, increased participation in culture and the creative industries, and a renewed sense of local pride. Indeed, we know that that is what the award does. One of the key things that the Secretary of State and I are very keen to see happen is the bursting of the bubble between there being talent everywhere and opportunity not everywhere. That is something we want to build upon.
This has been a tremendously enjoyable debate and I look forward to all the applications coming in. I do not look forward to having to assess the applications, but I encourage people to get them in, because we know that our national story is not written by one city or one institution. It is not written by one town or one organisation. It is written in the places across the United Kingdom and shaped by the generations of people who have lived, worked, created and contributed there. The UK town of culture competition is an invitation to celebrate that story and invest in it, to ensure that in the future it continues to be told with creativity, confidence and pride.
Oral Answers to Questions
Anna Dixon Excerpts(6 months, 3 weeks ago)
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Stephanie Peacock
I know that the hon. Gentleman is a huge supporter and champion of women’s football, and I look forward to visiting his constituency in September. I have heard the calls from the Liberal Democrat Benches and across the House on the FA cup prize money. The FA has taken steps to increase the total fund for the women’s FA cup and we are paying attention to what happens next.
Anna Dixon (Shipley) (Lab)
The Secretary of State for Culture, Media and Sport (Lisa Nandy)
It is crucial that access to live events is open to disabled people. We are supporting Arts Council England and its partners to develop the All In scheme, which should significantly improve accessibility in that area. Last summer I was at the Paralympics, where I was horrified to hear from young people with disabilities about their lack of access to sport in particular. This Government are taking every action and using every lever at our disposal to change that.
Anna Dixon
In my Shipley constituency, the highly valued Bingley arts centre has made great strides in improving accessibility for disabled people. However, with 78% of arts centres behind schedule on essential building maintenance, it is clear that more investment is needed. I welcome the Secretary of State’s announcement of the All In fund; can she assure me that local theatres such as Bingley arts centre will benefit from that investment to help them continue to make the arts inclusive?
Lisa Nandy
My hon. Friend is absolutely right to raise this matter, and I sincerely thank her for bringing it to the House; it is not something we talk about enough. The creative industries sector plan contained £150 million-worth of funding for the creative places growth fund. Much of that funding is being devolved to local areas, and I will ensure that my colleagues and I work closely with my hon. Friend and with local leaders, particularly mayors of combined authorities, to ensure that as we roll out that funding, it is accessible to everybody.
Oral Answers to Questions
Anna Dixon Excerpts(9 months, 3 weeks ago)
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Mr Gagan Mohindra (South West Hertfordshire) (Con)
Anna Dixon (Shipley) (Lab)
Ben Obese-Jecty (Huntingdon) (Con)
Stephanie Peacock
The hon. Gentleman raises an important point. I attended the launch of the women’s innovation hub at Loughborough University a few weeks ago, and I convened the women in sport taskforce, along with Karen Carney. We are clear that we want to support women’s sport at every level.
Anna Dixon
My constituency of Shipley is not short of sporting talent. Baildon Fisical Sports Coaching Academy’s under-eights team has just won the national junior premier league final for the second consecutive season. I pay tribute to the Bumble Bees Barbarians, the first mixed-ability contact rugby union team in England, which plays at the Bradford and Bingley sports club. Following the Government’s welcome announcement of a £100 million investment in grassroots sports, will the Minister assure me that inclusive grassroots sport will receive funding to continue that great work?
Stephanie Peacock
I congratulate the teams that my hon. Friend mentions. Grassroots clubs do such an important job in nurturing sporting talent. Brilliant sports groups across the country will receive funding for facilities. We will be targeting the most deprived areas, supporting under-represented groups and providing the multi-sport benefit through the Football Foundation, which will deliver that through its local football facilities plans, which are being refreshed to reflect changes including the growth in the women’s game and need in other sports.
Market Towns: Cultural Heritage
Anna Dixon Excerpts(10 months, 3 weeks ago)
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Jim Shannon (Strangford) (DUP)
I congratulate the hon. Member for Southend East and Rochford (Mr Alaba) on securing this debate. It is always a pleasure to speak about Strangford. We have constituency heritage across this great United Kingdom of Great Britain and Northern Ireland, and our culture, while sometimes different, is worth celebrating.
Northern Ireland is rich in cultural heritage, and there is a list of market towns across my borough. In Strangford, I have Newtownards, Comber and Ballynahinch. These towns have historically hosted markets and continue to do so today. Newtownards market is run every Saturday by shop owner Clive O’Neill. The town of Comber hosts mini-markets, most notably Comber farmers’ market and the Comber earlies, which celebrates the town’s agricultural history. Comber is famous for the Comber spud, which we all know. Indeed, we are probably in awe of it, because it is definitely the best potato in the United Kingdom of Great Britain and Northern Ireland, if not further afield.
I am fortunate to have had a constituency office in Newtownards for some 26 years. I celebrate, respect and love the culture of my town, and all its unique historical attributes. Newtownards came into being in 1613 under James I. The town has much older roots, having been developed on the site of an older settlement. Its location on the Ards peninsula, where I live, means that it has always played a key role in growth, trade, agriculture and fishing.
Anna Dixon (Shipley) (Lab)
I agree with the hon. Gentleman that market towns are a crucial part of our culture, not only here in England but in Northern Ireland, too. In my constituency, King John granted Bingley’s first market charter back in 1212 and the Bingley butter cross still stands to this day. Does the hon. Gentleman agree that thriving market towns are as vital to the future of our economy as they were to the past?
Jim Shannon
I absolutely agree, and I thank the hon. Lady for her intervention. It is great to have history. I love history, which is one of my favourite subjects. Indeed, it was probably the only subject at school in which I excelled, but that is by the way.
The Stewarts erected the Market House, which is now the town hall, in 1765, and the bottom floor was used as a market. It is where I have my annual coffee morning for the Soldiers’, Sailors’ and Airmen’s Families Association. The town hall also hosts numerous council-run events. Conway Square, a historical public seating area outside the town hall, has a statue of Paddy Mayne, demonstrating our rich history and ancestry, which we remember.
Market towns are crucial to our society and our local economy. When it seems that everything can be done online, market towns give us a real sense of community and allow face-to-face social contact, which is important. It is important for children and grandchildren, as those who once visited the market as children now return with their own families. In the towns I represent, it is often said, “Everybody knows everybody here.” Of course, that is absolutely true. At communal events and local markets, it is normal to say hello to the people we know from our town.
Market towns highlight our impressive nature, and their history is worth remembering. It is important to maintain that history, not just for the current generation but for future generations, including for my children, my grandchildren and—whenever they come—my great-grandchildren. It is the history of the fantastic towns in which we grew up.
I conclude by calling on the Government to engage further with their counterparts and with local councils and to commit to protecting the rich history of our towns, which adds greatly to the United Kingdom. Furthermore, Northern Ireland’s great market town history must be protected.
The Parliamentary Under-Secretary of State for Culture, Media and Sport (Stephanie Peacock)
It is a pleasure to serve under your chairmanship for the first time, Sir Jeremy. I am pleased to be responding to this debate. I begin, of course, by congratulating my hon. Friend the Member for Southend East and Rochford (Mr Alaba) on securing it, especially on the eve of Heritage Day. I thought he made a really thoughtful speech, as have Members from parties across the House.
I will briefly respond to some of the questions that have been put to me, and I will go into a little more detail in my speech when time allows. There have been a number of questions from the shadow Minister and others, including my hon. Friend who secured the debate, about changes to the planning system for national and local buildings of importance and access to local services. They also asked about a strategy on heritage for market towns and mentioned a number of Departments. I will refer those questions to the Departments responsible. I have heard the questions and concerns.
My hon. Friend the Member for Hertford and Stortford (Josh Dean) asked about high streets, as did a number of Members, and live music venues. From the spring, a new £85 million creative foundations fund is available for urgent capital works to keep venues going. That was part of the arts everywhere fund, announced at the Jennie Lee lecture, which I will touch on later in my speech.
My hon. Friend the Member for Dartford (Jim Dickson) referenced the devolution White Paper with specific reference to pubs. I was really pleased to speak at the British Beer and Pub Association event in Parliament a few weeks ago.
I look forward to meeting my Welsh counterparts— I believe my hon. Friend the Member for Monmouthshire (Catherine Fookes) raised that point. I am very familiar with Abergavenny as my cousin grew up and went to school there. I look forward to visiting Cardiff soon. I meet my counterparts in the devolved nations very regularly.
I will turn to the substantive part of my speech, but go into more detail on those questions as part of that. Market towns are a proud part of our national story. My hon. Friend the Member for Southend East and Rochford, and other Members from across the House, are passionate advocates for everything that they represent. As he said, in the past, market towns might have been defined as places with a historic market or a market square and a royal charter, but they are more than that. They are part of how a community sees itself.
Every market town has its own unique character and story, and their importance goes beyond the cultural heritage and identity they give to an area. A bustling market or an iconic market square helps to support the economy of these towns in the here and now, drawing in tourists, supporting local trade and sustaining connections between local people.
I am very proud to represent Barnsley in South Yorkshire, a market town with a bustling indoor and outdoor market. My own constituency of Barnsley South is home to a number of historic market towns, including Hoyland, where my constituency office is located, and Wombwell, which dates all the way back to the Domesday Book.
I am not the Minister responsible for this area—that is the Minister for Creative Industries, Arts and Tourism, my hon. Friend the Member for Rhondda and Ogmore (Chris Bryant)—but as a Government, we want to see market towns thrive long into the future and we take the future of these places extremely seriously. In the previous Parliament, I chaired the all-party parliamentary group on industrial heritage. My hon. Friend the Member for Rugby (John Slinger) touched on that; perhaps he can pick up the mantle. Of course, that is a slightly different topic from today’s debate, but our work covered some aspects of market towns. By working with the likes of Historic England and visiting restored heritage sites, from the Shrewsbury Flaxmill Maltings—an incredible transformation—to Battersea power station just down the road, I saw at first hand how regeneration can keep culture alive while boosting the local community and economy in the here and now.
I plan to use my speech to bring together the various ways in which the Government are looking to support market towns and nurture the cultural heritage they represent. I will focus on the specific support that the Department for Culture, Media and Sport gives in this area, although of course it is a cross-Government endeavour, as a number of Members have reflected on; as I said, I will relay their questions to the Ministers responsible for the relevant areas.
Let me start with heritage funding. Members may have seen that we marked the 60th anniversary of the first ever arts White Paper. The Secretary of State for Culture, Media and Sport spoke about her determination to
“revive culture in places where it is disappearing,”
and the arts everywhere fund will provide £270 million for arts venues, museums, libraries and heritage. A significant part of how we plan to do that is by getting behind local community organisations—the groups that know their areas the best—that want to breathe fresh life into local heritage.
Anna Dixon
In our market square in Bingley, we have Bingley arts centre and, next to it, Bingley town hall, which is ripe for redevelopment. The community would love to make it into a creative arts centre. Will my hon. Friend ensure that I and members of the local community can meet the relevant Minister to see what opportunities there are to access the huge amount of funding that Ministers have announced for arts and culture?
Stephanie Peacock
I am grateful for my hon. Friend’s contribution. I drove through her constituency at the weekend. It is a beautiful part of the world, and I am very happy to offer a meeting with my hon. Friend the Minister for Creative Industries, Arts and Tourism.
Through the heritage at risk capital fund and the heritage revival fund, we are making an extra £20 million of investment available to the sector, to repair our most at-risk heritage sites and support groups who are ready to bring derelict old buildings back into good use. The heritage at risk capital fund will account for £15 million from this spring, and it lives up to its name: it is all about providing grants for repairs and conservation for heritage buildings at risk, with a particular focus on those sites that need it most. It could help all sorts of different types of heritage—shops, pubs, parks and town halls.
Oral Answers to Questions
Anna Dixon Excerpts(11 months ago)
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Dr Jeevun Sandher (Loughborough) (Lab)
Anna Dixon (Shipley) (Lab)
The Secretary of State for Culture, Media and Sport (Lisa Nandy)
The creative industries are one of the industrial strategy’s eight priority sectors, and they play a critical role in driving growth across the country. In January, we named West Yorkshire as a creative industries priority region, with funding to be devolved to support growth in the region. That is a sign of our belief in West Yorkshire and the role that it has played, and will continue to play, in the heritage, culture, arts and cultural life of our nation.
Lisa Nandy
Mr Speaker, you will know that I have never willingly turned down a pint, so my hon. Friend tempts me with his offer. I congratulate him on the work that he is doing to support cultural life in his constituency. Last week, we announced the Arts Everywhere fund in memory of the legacy of Jennie Lee, who was the first ever Arts Minister; 60 years ago this year, she published the UK’s first ever arts White Paper. We have provided £85 million for precisely the infrastructure that my hon. Friend describes. It was left to crumble under the last Government, but we are determined to support it.
Anna Dixon
I thank the Secretary of State for her earlier response. This year, Bradford is the UK city of culture. This is a fantastic opportunity to show off the creative talent of our wider district, including the Shipley constituency, and it could be the springboard for unleashing the economic potential of our city and area, which for too long has been unrecognised. Can the Secretary of State assure me that the Government will help to secure the legacy of Bradford 2025 and support our creative industries to fuel economic growth?
Lisa Nandy
May I say to my hon. Friend what a delight it was to visit her constituency with her, and to celebrate Bradford being the city of culture with Mayor Tracy Brabin and others recently in Bradford? My hon. Friend will know that we have committed £15 million for Bradford 2025. As part of that, we expect 6,000 training opportunities and 6,500 jobs to be created. I am sick and tired of seeing jobs created in parts of the country where children just down the road can no more dream of going to the moon than of getting those jobs. That is why we are investing in young people and the next generation so that they can become the storytellers of the next chapter of this country.
Gambling Harms
Anna Dixon Excerpts(11 months, 3 weeks ago)
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Alex Ballinger
I wholeheartedly agree with my hon. Friend that a population approach is appropriate in this case, particularly considering the number of people that are harmed and the NHS’s expertise in this area.
As a country we are experiencing record levels of harm caused by gambling. The most recent statistics from the Gambling Commission show that the scale of harm in the UK is huge, with 2.5% of adults—well over a million people—experiencing the most severe gambling harms. The Royal College of Psychiatrists tells me that it has seen a threefold increase in those referred for gambling treatment since people moved online during the pandemic. The Dudley-based charity Gordon Moody, which provides gambling treatment centres across the west midlands, tells me that it has seen an increase in referrals, especially among younger people. Last year it received 12,000 applications for its six-week treatment programme.
Anna Dixon (Shipley) (Lab)
I thank my hon. Friend for securing this debate. According to GambleAware, around one in eight people in my Shipley constituency engage in gambling behaviour that is deemed to be harmful. Like my hon. Friend the Member for Worthing West (Dr Cooper), I see gambling as an addiction and a public health issue. I therefore welcome the Government’s commitment to introduce the statutory levy on gambling and to put that £50 million into NHS services. Does my hon. Friend agree that it is vital that there are NHS services in every part of the country to support those suffering from gambling addiction?
Alex Ballinger
I agree with my hon. Friend and will come on to the statutory levy in a moment. It is particularly important that that fund is used not just for treatment, but for prevention; I will talk a little bit about that as I get through my speech. Last year, the Gordon Moody charity received 12,000 applications for its six-week programme. That clear spike in gambling harm goes hand in hand with the increase in online gambling.
As people turned to online gambling during the pandemic, they were often engaged in the most harmful forms of gambling. Online slots, for example, have all the characteristics associated with the most problematic types of gambling: the high speed of play, making it easier to quickly and repeatedly receive the psychological hit and potentially rack up huge debts; the ease of availability, allowing people 24/7 access from home through their smartphone, where they are potentially at their most vulnerable, and relentless marketing, with advertising ever present on social media and videogames, as well as in offers through email.
Oral Answers to Questions
Anna Dixon Excerpts(1 year, 1 month ago)
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Marsha De Cordova
I join the hon. Gentleman in congratulating all those who work in our communities and churches. I will be delighted to meet him to see what assistance can be provided for the parish. I understand that St Botolph’s has a target of £175,000 for extensive repairs to the tower. It has already secured £141,000 in donations from the local community and is awaiting decisions on a number of grants. I congratulate the whole congregation and the community on their fundraising efforts to reach that huge figure. The hon. Gentleman makes a good point and shares a good example of why the scheme is so important.
Anna Dixon (Shipley) (Lab)
Mrs Emma Lewell-Buck (South Shields) (Lab)
Marsha De Cordova
I welcome the timely questions from my hon. Friends as we are in the middle of Disability History Month. The Church has started a project to support local parishes to adapt their buildings to make our churches more accessible. It includes standardising signage to make accessibility obvious, training for church leaders and staff, and a grant scheme for adaptations. The Church also continues to develop worship and educational resources, which are available nationally to people who are housebound and their carers.
Anna Dixon
In the report of the archbishops’ commission on reimagining care, which I chaired, we recognise the important role of churches and faith communities in supporting older and disabled people. The report asked the Church of England to consider developing resources and capacity in local churches
“to adopt an asset-based approach to engaging with disabled people and older people in their communities.”
Can my hon. Friend update the House on what action the Church is taking to fulfil that recommendation?
Marsha De Cordova
I pay tribute to my hon. Friend for chairing the archbishops’ commission. Along with the pastoral visits made by clergy, resources are made available nationally for disabled people or those who are housebound. They include Sunday services broadcast online on YouTube, each week from a different parish, which have thousands of unique viewers each week and for which British Sign Language interpretation is available. There is the DailyHope telephone line and the Everyday Faith app, with readings and reflections, which is used by 3 million individuals and has been downloaded over 14 million times. There is also the Daily Prayer app, with morning and evening prayer, which has reached over 2.75 million unique listeners since 2021.