Creative Industries
Ann Davies Excerpts(4 days, 2 hours ago)
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Ann Davies (Caerfyrddin) (PC)
In Wales, we have had an incredibly rich creative inheritance, and we still have that today. Even our rousing national anthem honours the Welsh poets and singers who came before us. One example of that is the Urdd Eisteddfod, where around 15,000 young people compete in creative competitions, spanning from singing to poetry to dancing, and anything in between. Young people in Wales have the ability to participate creatively in our society, but their talent is often extracted from our local communities.
Professor Michael Woods from Aberystwyth University highlights that the creative industries could be an antidote to outward migration from Wales. He suggests that creative hubs in rural areas could retain young people in Wales, especially as his research showed that the creative arts were the main reason most would stay in my constituency of Caerfyrddin. A fabulous example of one of those creative hubs is Yr Egin in Carmarthen. It houses the S4C headquarters, provides employment and boosts the local economy. Recent research shows it contributed £7.6 million to Carmarthenshire’s economy alone between 2022 and 2023. Yr Egin plays a vital role in promoting our language and culture in Wales. It is not alone in that. Other creative organisations across Wales, including Cwmni Da, Fran Wen, and Aria Studios in Llangefni, also amplify the voice of our land and culture on both local and international stages.
Individuals need access to opportunities and upskilling to participate in the creative industries. Teledwyr Annibynnol Cymru does great work in providing essential training for TV, film, radio and new media. Some 1,800 people have been trained over the past few years at over 125 different courses. The courses are Welsh medium or bilingual, thus providing specialist staff for the industry.
I was really disappointed to hear about cuts at two prominent Welsh institutions: the Royal Welsh College of Music and Drama has cut its junior department and National Theatre Wales is closing due to financial constraints. Despite ongoing training efforts, those cuts, as well as others elsewhere in the sector, leave Welsh creatives at a disadvantage compared with others across the UK. We are very fortunate and appreciate that the wonderful Mr Michael Sheen is establishing a Welsh National Theatre, but the future of our creative industries should not lie solely on the shoulders of one individual. We have a collective responsibility to protect those industries.
Creative industries in Wales generated a £3.8 billion turnover across 2022 and 2023, which accounted for 5.3% of the total Welsh GDP. A cornerstone of that success is S4C, which directly employed 1,900 people and generated £136 million for the Welsh economy. It is crucial that S4C is given equal standing with other British broadcasters during the royal charter review, ensuring that the voices of people across Wales are heard, our culture is represented and Wales does not miss out on financial opportunities.
The current tax relief system disadvantages S4C, because according to current rules, only TV projects with production costs of at least £1 million per broadcast hour are eligible for a tax rebate of up to 25%. As S4C is very efficient, it spends less than £250,000 per broadcast hour so it does not meet the threshold to qualify for the support. I call on the Government to reconsider that to ensure our creative industries continue to thrive.
Our Government must lead on protecting our creative industries, from local to global, because they drive the economy, employ millions of people and contribute in Wales to our culture, Welsh language and overall wellbeing. The creative arts are Wales. As a former peripatetic music teacher and as a singer—not in any big bands, as some hon. Members have been—I would like to read the first verse of “In Passing” by Brian Harris.
“To be born in Wales,
Not with a silver spoon in your mouth,
But, with music in your blood
And with poetry in your soul,
Is a privilege indeed.”
Indeed it is a privilege.
Several hon. Members rose—
Project Gigabit
Ann Davies Excerpts(2 months ago)
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Gregory Stafford
My right hon. Friend makes an extraordinarily prescient point. That is a combination of factors that will leave many in rural areas, especially those who are elderly or have other caring needs, at a real disadvantage. That is why it is so essential to turbocharge this roll-out going forward.
Ann Davies
Gigabit availability in my constituency of Caerfyrddin in west Wales is just 42%. The Welsh average is 70% and the UK average is 79%; we are on 42%. The Public Accounts Committee has previously said that the 2030 target for full UK-wide gigabit coverage is not feasible, given the delays and the overreliance on commercial providers. Can the Minister reassure the people in rural Wales that they will not continue to be left behind, and that the target will actually be met? Diolch.
Gregory Stafford
The hon. Lady is absolutely right. The fact is that many of our rural constituencies are so far below the national average that it is a real problem. In my constituency, gigabit coverage lags well below the national average, with 65.5% of premises connected in the old constituency of South West Surrey and 64.4% in the old constituency of East Hampshire. Both are over 10% below the UK average despite being just an hour’s drive away from London. In the villages of Tilford, Dippenhall and Greatham, broadband speeds are shockingly poor. In one Dippenhall postcode, 100% of properties lack speeds above 10 megabits per second. Similarly, in parts of Greatham, constituents are stuck with outdated speeds that cannot support modern digital demands. To put this in perspective, Londoners with gigabit connections enjoy speeds of up to 1 gigabit per second, while my constituents struggle with speeds 100 times slower.
These numbers represent more than just technical deficiencies; they have a real and profound impact on people’s lives. Take, for example, a resident of Dippenhall who wrote to me to share their frustration. Their home is deemed inaccessible by Openreach, leaving them completely excluded from the benefits of gigabit broadband. Another example is Victoria, a magistrate in my constituency who commutes two hours each way to London. Victoria’s broadband speed—1.5 megabits per second download and 0.8 megabits per second upload—makes it impossible for her to work remotely or participate in virtual court hearings. During the covid-19 pandemic, while her colleagues in London worked from home with ease, Victoria was left unable to contribute. This digital inequality places an unnecessary strain on her family life, finances, and professional opportunities.
Even Moor Park, in the east of Farnham, suffers from poor speeds of just 20 megabits per second download and five megabits per second upload—far below what is needed for modern working or learning. These residents, along with those in Beacon Hill, Hindhead and Frensham, feel increasingly left behind in a world that is becoming ever more digital.
Oral Answers to Questions
Ann Davies Excerpts(3 months, 2 weeks ago)
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Ann Davies (Caerfyrddin) (PC)
The Prime Minister
On this issue of winter fuel payments, we have inherited a £22 billion black hole. [Interruption.] Conservative Members should be apologising, not groaning, for leaving the country in such a state. We are committed to the triple lock. The point about pensions is really important, and the triple lock means that the pension will increase again by £460 next year. That means pensioners under Labour will be better off, because we are going to stabilise the economy after that lot lost control of it.