Tobacco and Vapes Bill (Fourteenth sitting) Debate

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Department: Department of Health and Social Care
Caroline Johnson Portrait Dr Johnson
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The Minister is right to say that the clause recasts an existing regulation-making power in section 3(5) of the Health Act 2006, whereby the Secretary of State may make regulations that allow performers to smoke during a performance

“if the artistic integrity of the performance makes it appropriate”,

and is allowed, on that basis, to create a defence to the offences of smoking in a smoke-free place and of failing to prevent smoking in a smoke-free place.

The act of smoking in film, theatre and other forms of art can be a character-defining gesture that speaks volumes about the person’s identity or emotional state, or about the period in history they represent—think of images of Clint Eastwood, John Wayne, Humphrey Bogart and James Dean. It can also establish the period in which a person lived. It was commonplace for virtually everyone to smoke in the 1940s and 1950s, and the smoke swirling around characters became as much a part of their onscreen presence as their dialogue or expressions. Although smoking in real life is certainly not cool, and comes with myriad negative health implications, its role in art and culture can deepen the portrayal of certain iconic figures and their stories.

The Minister says that the exemption has been part of law for a long time, and that it has worked. There are essentially two ways in which a performance can mimic smoking. The first is to have a fake cigarette, six of which can be bought on Amazon for less than a tenner. They look a bit like a cigarette and an actor can hold them, but they do not have any smoke coming from them. My understanding is that currently the most common prop cigarettes used by actors are cigarettes that contain no nicotine and no tobacco but some herbal items. They produce smoke but are less harmful than a cigarette because they do not contain tobacco, and less addictive because they do not contain nicotine.

The Bill provides for tobacco products to be banned for certain generations of people, and adds herbal smoking products to that ban. Could that inadvertently lead to individual actors and actresses smoking tobacco rather than the less harmful alternative, particularly if there is a price differential between the two? Has the Minister considered how the law will apply to actors and actresses who are born on or after 1 January 2009? Will there be an exemption from the other aspects of the Bill, either allowing them to buy the cigarettes themselves or allowing someone to give them cigarettes as a proxy sale, which would currently be banned under the first part of the Bill? At present, actors may be above the age of 18, but the Bill is intended to be future-proof, so if we roll forwards 15 years or so, when younger actors will be banned from smoking and buying cigarette papers and the like, how does the Minister envisage it working in practice?

Freedom of expression is essential to the arts, but the laws and practices that protect and nurture free expression are often poorly understood by practitioners and those who enforce the law. The question is, then: what is a performer? Section 3(8) of the Health Act 2006 states that “performance” can include

“the performance of a play, or a performance given in connection with the making of a film or television programme, and…if the regulations so provide, include a rehearsal.”

That seems a rather narrow definition of performance. Performance art can cross disciplines such as dance on the stage or on the street. If we go to the south bank, just opposite this House, we can see performers performing solo activities on the weekend. Contract law for those engaged in paid work offers some recognition and potential protection for performance-related work, defines it and outlines the conditions of the performance—it is indeed the performer and not other members of the performance who are included.

To create another hypothetical situation, suppose there is an interactive performance in which the performer on stage requires mass audience participation for their act and suggests that the people in the crowd have to join in with them. Would the artistic integrity of the performance trump the laws that prohibit smoking? The line between performer and audience can be blurred, so if an audience member were invited up on the stage by the performer, would they be allowed to try a cigarette or vape? Proposed new section 7(3) of the Health Act 2006 does not suggest that the performance needs to take place on stage or even in the theatre; some occur outside hospitality venues, as we have discussed.

To give a colourful example, imagine there is a performance called “Smokers”, taking place in a pub in, say, Sleaford, in my constituency. It features performers smoking and chatting in a pub. It is quite an experimental, interactive performance, and the members of the audience —in other words, regular pubgoers—can take part in the performance and light up a cigarette themselves should they wish to. Technically, does this scenario not fall within the remit of the law? We have to bear in mind that the tobacco industry is creative in looking for loopholes. Smoking is required in order to preserve the artistic integrity of this alleged performance. Will the Minister provide clarification on this point? Although my examples may sound inventive, the tobacco industry does come up with inventive ways of circumventing the legislation.

My other point relates to performers who are born after 1 January 2009 smoking or vaping on stage. We need some clarity on that.

Sarah Bool Portrait Sarah Bool (South Northamptonshire) (Con)
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To follow on from what the shadow Minister said, the Minister said that performers who smoke during performances would not be a problem because the second-hand passive smoking would not be big enough of an issue. But why can a cigarette be smoked as part of a performance, yet a cigar cannot be smoked once a year by a single person? Why is smoking allowed for this artistic purpose, yet it is not allowed for someone who would like to smoke a cigar recreationally?

Andrew Gwynne Portrait Andrew Gwynne
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This is an existing power, in the Health Act 2006, that we have retained in the Bill at the request of the creative industries in England. I reiterate what I said in opening the debate: the exemption will be available only where smoking is justified to preserve the artistic integrity of a particular performance, so smoking would not be allowed in the hypothetical situations we have heard about. The provision is intended solely to allow the artistic integrity of a performance to be retained.

The shadow Minister asked whether the provision would merely encourage actors to smoke tobacco. Of course, that is not the case. Herbal smoking products are covered under “smoke-free” as well, so they are treated the same.

--- Later in debate ---
Jack Rankin Portrait Jack Rankin
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I will come on to the point about the relative effects of second-hand vaping and of smoking, but I will make some progress first.

My second point, which I have made throughout our debates on the Bill, is that we are potentially conflating vapes with cigarettes in legislation, which will exacerbate the misinformation that such alternatives are equally harmful to cigarettes. That will further undermine the Government’s goal of helping smokers to quit. Indeed, Action on Smoking and Health found:

“Half of all smokers…incorrectly believe vaping is more or equally as harmful as smoking…This is the highest ever proportion with this misconception across all waves of the survey and a significant increase on misperceptions found in 2023. Only one third of smokers understand vaping is less harmful than smoking.”

It seems to me that if we group vapes and cigarettes together and treat them in the same way, that misperception will only be exacerbated. That may further reduce the inclination of smokers to switch to vapes.

Sarah Bool Portrait Sarah Bool
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I concur. Cancer Research UK followed a similar argument in written evidence to the Committee:

“It is important that any measures to restrict vaping do not exacerbate harm misperceptions, and do not deter or reduce accessibility of people who smoke from quitting with the use of e-cigarettes.”

I put it on the record that I very much agree with my hon. Friend.

Jack Rankin Portrait Jack Rankin
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It is nice to have a fellow freedom fighter on the Committee—[Interruption.] I am trying to get the Minister to intervene.

My third point is one to which I think the Minister alluded earlier, but I ask him to repeat it in summing up. This part of the Bill will allow the Secretary of State to make decisions without really having the full approval of Parliament. The Minister has said that the Government will consult on the expansion of smoke-free areas, but as I understand it from the drafting, it is not necessary for the Government to consult on expanding vape-free and heated tobacco-free spaces in the same way. I think he might have touched on that point in his remarks, but I would welcome his confirmation.

My fourth point relates to the intervention of my hon. Friend the Member for Sleaford and North Hykeham on second-hand smoke. My understanding is that the rationale for smoke-free places, as initially envisaged, was that the smoker is affected as a result of them having made an informed decision, but people nearby are affected who have not. That is the point of the smoke-free place. Cancer Research UK, however, states that there is

“no good evidence that second-hand e-cigarette vapour is harmful”.

Public Health England has also found:

“Compared with cigarette smoke, heated tobacco products are likely to expose users and bystanders to lower levels of particulate matter and harmful and potentially harmful compounds.”

In my view, therefore, the point about second-hand smoke does not make anywhere near the same kind of sense for heated tobacco products as it does with cigarettes.

Even the Bill’s impact assessment states:

“There are currently no legal restrictions in the UK on where a person may vape. However, many businesses, venues, educational institutions, health service providers and public transport providers have voluntarily introduced their own rules preventing vape usage in these locations.”

We all recognise that that is the case. Given that the impact assessment also notes that

“There is currently limited evidence of health harm from ‘passive vaping’.”

should it not continue to be for the proprietors of such venues to make their own decisions, based on the needs and desires of their customers? That is my position.