Data (Use and Access) Bill [Lords]

Debate between Polly Billington and Max Wilkinson

2nd reading
Wednesday 12th February 2025 Commons Chamber

[Max Wilkinson]

The Minister will be delighted to hear that there will be no Paddington references. Ministers have set out the core objectives of the Bill: growing the economy, improving public services and making people’s lives easier. No one is going to disagree with any of that. Those aims are laudable, and I support them, as do the Liberal Democrats.

However, there are concerns. I will focus on an area that others have already touched on, and speak in support of amendments that have come to us from the House of Lords relating to the creative industries and copyright. While the Bill seeks to improve lives, we worry that the consultation currently being undertaken by the Government leaves open a risk that incentives for human creativity will be removed entirely, and that we will end up in future with many tens of thousands of shades of pale grey.

At the heart of our creative sector is the ability of the human hand to paint or draw, or to write music that moves us, and of the human brain to compose verse that persuades people, makes the hair stand up on the back of our necks and changes the world for the better. Protecting that must be absolutely central to what we do as we embrace technology, but the risk of AI is that those protections are lost.

For the avoidance of doubt, and in the absence of clarity from the official Opposition, we back a system that would protect the IP of creatives; that is, an opt-in system. I would give way to the shadow Minister if he wanted to clarify the Conservative party’s position—he does not. The default must be that creative content is protected. Even AI models, if we ask them, admit the risk to human creativity if IP is not protected by an opt-in model. While the Conservative party has criticised us on that, at least we have an opinion.

[Ms Billington]

I want to emphasise and build on what my hon. Friend the Member for Knowsley (Anneliese Midgley) pointed out in relation to music. We need to understand which creative sectors are most vulnerable to generative AI. It is those that have been easily replicable through other forms of technology in the past: music, writing and the visual arts, in particular photography. I say that because it is sometimes misunderstood that some creative sectors are more vulnerable than others, and if we do not understand that they have different regimes for how they are protected, there are risks of not being able to properly protect them.

[Max Wilkinson]

The hon. Lady’s contribution is as right as all the others she has made during this debate and the general debate a couple of weeks ago.

I will immediately move on to the point that data is an abstract term and is being used to cover all sorts of information in these debates. Yet all data is not equal and our legislation must properly reflect that. For example, there is a clear and obvious role for AI in processing health data in a way that helps doctors with diagnosis and benefits patients with faster treatment. The same might apply to the chats we have with our local councils about bins, planning or licensing. Yet even though no one will disagree that the UK firms innovating in science, medicine, climate change and other key industries must not be stymied, the training data for other AI systems—the data we are talking about—is literature, poetry, music and art. Those are things that are creative in essence. It is not just data; it is creative endeavour and an extremely human form.

One of the options in the current consultation would abolish the copyright protections that underpin the livelihoods of our creative sector and, as others have said, that would be ruinous for the creative industries. Furthermore, the unintended consequences could actually harm the long-term development of AI models that we will all come to rely on. High-quality data is essential for training good AI models, but publicly available human-created text data might become the minority online. We have all seen the mistakes that AI can produce and a model trained on bad data will only produce bad results. The Government are rightly ambitious for AI, and part of that ambition must include producing models with traceable data that the public can be assured meets a high standard. Ministers should be embracing our copyright laws precisely because that is a means to improve AI, as well as protecting our creatives.

A reliable licensing system will ensure that AI models are being created using high-quality, human-generated data. Oversight of what is used to train those models will only help to build trust in what is a very new technology that the public is sceptical about. To that end, the Liberal Democrats support the amendments that have come from the House of Lords, which seek to strengthen the rights of creatives. The Government must think carefully about which side of the argument they support, and I have been pleased to hear some of the Secretary of State and the Minister’s reassurances today. We will be watching closely.

We can take more positives from other parts of the Bill, and to reflect on that, I will move on to discuss some constituency matters. I am more optimistic about the Bill’s potential to improve the situation of bereaved parents, which the Minister and I have discussed fairly recently, and I hope Ministers will confirm that that opportunity will be taken.

Many in the House will be familiar with the story of my constituent, Ellen Roome, who tragically lost her 14-year-old son Jools to suicide. In her search for answers about the circumstances leading up to Jools’s death, Ellen has come up against outdated laws and social media giants taking an intransigent approach to sharing data that should naturally be hers as a parent. We are talking about the things that, in the past, she would have been able to find out by looking through her child’s bedroom—things that might have been in wardrobes, stored under the bed or in school notes. These days, those bits of data will be on multiple social media accounts.

This is the subject of my private Member’s Bill, the Social Media (Access to Accounts) Bill, also known as the Jools’ law Bill. This Bill would give parents access rights to their deceased child’s data automatically, so other grieving parents will never face the challenges and the huge legal costs that Ellen has had to endure. I note the plans announced by Ministers include establishing an information commission with a duty to ensure children’s data is protected. This is a welcome step which I hope will strengthen the protections children badly need online, but we must ensure the commission is effectively resourced to take on the social media giants, who have made it clear that they only want profit.

Creative Industries

Debate between Polly Billington and Max Wilkinson

Monday 27th January 2025 Commons Chamber

[Max Wilkinson]

The hon. Gentleman is absolutely right. Older people in care homes can benefit from such creative outlets—both from having people bring arts and culture to them, and from days out at our local cultural institutions.

As some of the challenges we face are global, I will finish with a look at how other Governments are supporting their creative sectors. Since 2010, Germany, France and Finland have all increased their budgets. In the same period, the UK reduced its budget for arts and culture provision by 6%. More recently, Governments of EU nations and others around the world have begun spending more on their creative sectors, with the cultural centres of China, Russia, Portugal, France and Spain all increasing their budgets. This year, we cut the British Council budget by £12 million.

[Ms Polly Billington (East Thanet) (Lab)]

The British Council may have to sell half of its art in order to pay back a £200 million debt from covid. Surely it is an example of knowing the price of everything and the value of nothing if we cannot reschedule that debt to enable the British Council to retain its valuable pieces of art, 4,500 pieces of which are under threat.

[Max Wilkinson]

The hon. Lady makes a very good point. That does sound like a potentially devastating blow to our nation.

Britain has gifted the world the likes of Charles Dickens’s literature, the music of The Beatles and the best film of all time, “Paddington 2”. By amending our education system, protecting cultural spend locally, securing a fairer deal with the EU and protecting creatives from exploitation by AI, we can properly support our creative industry and ensure we continue to make a similar contribution for many years to come.