UK City of Culture 2017

Lord Vaizey of Didcot Excerpts

Tuesday 21st May 2013 Westminster Hall

[Dan Jarvis]

I absolutely agree. I am particularly interested to hear about the transition that the industrial base has made to some degree in my hon. Friend’s constituency. Perhaps there will be an opportunity for me to visit at some point in the future.

I was talking about some of the things that the Labour Government did. We introduced creative partnerships, which gave more children than ever before the opportunity to take part in cultural activities, thereby developing an interest and a passion for the arts that will hopefully serve them well in the future. Nowhere are those benefits more clear than in those cities that have been named cities of culture: Liverpool, which held the European title in 2008; and Londonderry, which held the first UK title this year.

In 2009, following the success of Liverpool’s status as European city of culture, the then Labour Culture Secretary, my right hon. Friend the Member for Leigh (Andy Burnham), launched the UK city of culture. Today, that vision has become a reality, with Londonderry being transformed to unlock creativity and ensure that thousands of people flock to visit the city in the coming months. The immediate and lasting impact of a city that embraces culture in that way is clear. The effect in Liverpool in 2008 was striking. In that year alone, visitors voted with their feet, ensuring that the city had almost 15 million cultural visits. Some 67,000 schoolchildren in the city were involved. There was an £800 million economic benefit, and the number of residents who visited a city attraction was 10% above the national average. Liverpool has been transformed and is now known throughout Britain as a cultural hub.

Today, we are debating the UK city of culture bid for 2017. In our country we have the appetite, the skills, the talent and the tradition, but many organisations within the cultural sector exist on a complex funding stream of public investment, commercial revenue and private giving. That ecology ensures creative independence, freedom of artistic innovation and, in good times, stability, but some decisions currently being made by the Government are putting it at risk.

Since 2010, the Government have cut the budget of Arts Council England by more than 30%. Local councils across the country are dealing with devastating cuts to their funding streams. They are struggling to balance those cuts, and the Local Government Association has warned that, by 2019-20, 90% of discretionary funding streams, such as culture, leisure and libraries, may be cut.

It is not all bad news. Many local authorities are innovatively working in partnership to minimise the damage caused by the funding crisis, but that is a result of new thinking from councils. The cuts come without any real Government guidance for local community arts organisations or any real national Government support for local councils. Today, I ask the Minister to pledge to work with councils, which are leading the way, and to provide all towns and cities with guidance on how culture can be protected.

[The Parliamentary Under-Secretary of State for Culture, Media and Sport (Mr Edward Vaizey)]

Given the hon. Gentleman’s criticism, what are Labour’s proposals to increase the arts budget? Will he use this opportunity to apologise for the last Labour Government’s slashing of the lottery budget?

[Dan Jarvis]

I am grateful for the Minister’s intervention, which I will use as an opportunity to respond to a point he has made elsewhere on a number of occasions on the Labour-run local authority in Newcastle.

Newcastle is losing £100 million over the next three years, which is a 6.8% cut, whereas the Secretary of State’s local authority is gaining 4.4%. I want to put the record straight. In those unfair circumstances, I took the decision to visit Newcastle and instigate dialogue between the local authority, Arts Council England and local cultural institutions. As a result, the arts cut has been revised downwards from 100% and the cultural sector will now receive £600,000 a year and have access to a £6 million capital fund. That represents a very good example of what we are doing in opposition to work constructively with local authorities in these difficult times. Perhaps the Minister will give some indication of the conversations he has had and the work he has been doing with local authorities to safeguard the arts in these difficult times.

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[Mr Vaizey]

I notice that the hon. Gentleman takes all the credit, having initially supported Newcastle’s 100% arts cut, and gives no credit to the hard work of Arts Council England, which works closely with Newcastle city council. Will he take this opportunity to praise the Arts Council’s work with Newcastle city council?

[Dan Jarvis]

The Minister may have missed my reference to Arts Council England, and I pay warm tribute to it and its work. We should be careful about the tone of this debate. We have all come here in good faith to talk about the relative merits of a number of bids, which is the tone at which we should pitch this debate.

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[The Parliamentary Under-Secretary of State for Culture, Media and Sport (Mr Edward Vaizey)]

It is a pleasure to be here under your chairmanship, Mr Weir. I thank the Opposition spokesman, the hon. Member for Barnsley Central (Dan Jarvis), for his 15-minute speech. In the eight minutes remaining to me, I will try to pay tribute to the many interventions and contributions made by hon. Members.

The debate was framed by an elegant Southend sandwich—my hon. Friends the Members for Southend West (Mr Amess) and for Rochford and Southend East (James Duddridge). I confess that of the many cities bidding to be the UK city of culture, I have not yet visited Southend. That is something that I will remedy over the summer, because I know that Southend is “Town, shore and so much more”. The “so much more” must refer to my two hon. Friends, who represent it so well in Parliament, but perhaps also to the Focal Point gallery, the Beecroft art gallery, the Old Leigh studios, the Southend Pier cultural centre, the Priory Park bandstand and, indeed, the Cliffs pavilion, where this Sunday Tony Stockwell, the psychic medium, will be appearing and will no doubt be able to tell us who will win the title of UK city of culture.

We also heard a fantastic contribution from the hon. Member for Aberdeen South (Dame Anne Begg). I visited Aberdeen with Ken Baker many years ago when he was Conservative party chairman, and what a cultured chairman he was, because before we went to the Scottish Conservative conference, we made a beeline for the Aberdeen art gallery and saw the wonderful Richard Long sculptures. It is the granite city, and what better adornment to its cultural heritage could it have than being the birthplace of our brilliant Secretary of State for Education?

Of course, there is also Hull, which I visited on the way to the by-election caused by my right hon. Friend the Member for Haltemprice and Howden (Mr Davis), a former Minister for Europe. Hull has eight museums. It also has the Hull Truck theatre company. Perhaps the hon. Member for Kingston upon Hull East (Karl Turner) could tell the right hon. Member for Kingston upon Hull West and Hessle (Alan Johnson), who is no longer in his seat, that I also said that of course Hull is now the home of the author of the best political memoirs for a generation. It is my birthday on 5 June, and I intend to ask my mother for a copy, but I will not do so if a signed copy appears in my office in the next few days.

Swansea, too, is a city that I have not yet visited, but I will remedy that over the summer. As we learned today, it is the home of beach volleyball, the national waterfront museum and, of course, the filming of “Da Vinci’s Demons”. I thank the hon. Member for Swansea West (Geraint Davies) for pointing out that tax reliefs for film and now for television and animation—and soon, we hope, for video games—are supporting our creative industries.

My hon. Friend the Member for City of Chester (Stephen Mosley) pointed out the adornments of that fair city—a city that I visited recently, that is building a new library and new theatre and that understands the importance of culture.

I failed to mention properly the hon. Member for Kingston upon Hull East, who again made a fantastic intervention on behalf of his city. Of course, we also heard from my hon. Friend the Member for Hastings and Rye (Amber Rudd). That, too, is a town that I have visited. I have gone with her to visit the Jerwood gallery. That is another good example of lottery money being used to regenerate culture.

My hon. Friend the Member for Plymouth, Sutton and Devonport (Oliver Colvile) was ably supported by the hon. Member for Plymouth, Moor View (Alison Seabeck). I gather that they are working in tandem. That picks up on the point made by my hon. Friend the Member for Hastings and Rye that the support for culture and for the UK city of culture transcends political divides. Plymouth, too, is a city that I have visited. Its bid is backed by Tom Daley. I have visited the Theatre Royal. The original building was built 200 years ago this year; unfortunately it was demolished in 1937. I have visited TR2, the Drum theatre and Plymouth art school. They are all fantastic adornments to that city.

The hon. Member for Leicester South (Jonathan Ashworth) was bigging up the virtues of Leicester—a city that I visited recently to speak at the vibrant Leicester Conservatives’ annual dinner. I also visited recently its newly built Curve theatre—another arts building built with lottery funding. Of course, there is also the amazing story of the discovery of Richard III’s skeleton—a story that has captured the public imagination.

[Jonathan Ashworth]

I am delighted that the Minister visited Leicester and that he has referenced Richard III. Does he agree that Richard III should remain in Leicester?

[Mr Vaizey]

I am staying out of that one.

We also heard from my hon. Friend the Member for Folkestone and Hythe (Damian Collins). East Kent is a place that I visit frequently. I spent my summer holidays in Ramsgate, where my aunt lived. I am to open the Deal music festival. I pay tribute to the work of Roger De Haan and his support for Folkestone and of course Turner Contemporary. The area is also the location of the Romney marshes, where my own father is buried. We have no idea why he wanted to be buried there and we got lost on the way to the burial, but it is a very beautiful place for him to be buried.

This is probably the first proper debate that we have had in this House on culture in general, rather than a specific issue, since I have been the Culture Minister.

[Dan Jarvis]

What does that say about the priority that this Government place on the arts?

[Mr Vaizey]

We have not had an Opposition debate yet. I yearn for the hon. Gentleman to use his influence—to call an Opposition debate on arts and culture and we can talk about how we have restored the money lost in the lottery cuts by the last Government in order to support our culture. Of course, the lottery, which was brought in by the Major Government and supported by the last Labour Government, has invested a huge amount in our cultural infrastructure. I want to talk about that. I want to talk about the fact that I am passionate about our culture. I want to talk about the fact that the UK city of culture, a concept introduced by the last Labour Culture Secretary and supported by the Conservative Culture Secretary—it has cross-party support—is incredibly important. It has shown how important culture is to cities and towns throughout the country. There is no public money invested in this; it has come from the grass roots up, supported by hon. Members and by their towns and cities.

[James Duddridge]

In terms of the origins of cities of culture, I recall that back in the 1980s—was it in 1988?—Glasgow was a city of culture. Was that something that the UK Government supported or was it European?

[Mr Vaizey]

This is exactly the point. Glasgow was European city of culture. That was 23 years ago, but I can still remember the slogan: “Glasgow’s miles better”. If people go to Glasgow now, they will see that the legacy is still there. People can also go to Liverpool, which, five years ago, was the city of culture. The economic benefit was £800 million. I visited a video games developer there who had previously lived in Liverpool but had left the city. He said, “I came back to Liverpool because when it became the city of culture, I knew there was stuff going on. That’s why I’m back in Liverpool.”

Derry/Londonderry will have an extra 600,000 visitors this year. That is twice as many as normal. We are talking about 150 events, 75% of them free. We are talking about the Royal Ballet, the Turner prize, the Ulster orchestra and Seamus Heaney. This is what it is all about, and culture has cross-party support in this House. That is why we are doing our best to support—

[Dame Anne Begg]

In relation to cross-party support, I do not know whether the Minister realises, but it is a Scottish National party council in Dundee that is behind the bid putting forward Dundee as the UK city of culture 2017. Does the Minister have any observation to make on whether it knows something that we do not know about the outcome of the referendum next year on Scottish independence?

[Mr Vaizey]

The hon. Lady is right: we are better together. That is a good example of how the cultures of Scotland, Northern Ireland, Wales and England all work together to create this fantastic nation that is known all around the world for its incredible culture.

[Geraint Davies]

Will the Minister be promoting the centenary of the birth of Dylan Thomas? Does he regard him as an iconic UK poet and literary person as well as a Welsh one?

[Mr Vaizey]

Yes, I regard Dylan Thomas as a Welsh poet, a British poet and a poet of the world.

I want to end on this note. I am proud that this Government have restored the money lost in Labour’s lottery cuts, that we continue to support arts and culture and that the Arts Council is working so effectively with local authorities up and down the country. People who do down culture in our local areas outside London—

[Mr Mike Weir (in the Chair)]

Order. Time is up. We now move on to the final debate this morning.