UK City of Culture 2017

Geraint Davies Excerpts

Tuesday 21st May 2013 Westminster Hall

[Geraint Davies (Swansea West) (Lab/Co-op)]

When people think of Swansea, naturally they think of Dylan Thomas, who was born there 100 years ago next year, when we celebrate the centenary. Of course, Dylan Thomas is the most translated poet of all time, second only to Shakespeare. I am putting forward this bid on behalf of Swansea bay city region, which includes Carmarthen and Neath Port Talbot.

There is a glistening array of stars from Swansea, both past and present. One only has to think of Sir Anthony Hopkins, Michael Sheen and Catherine Zeta-Jones—I am sure that Michael Douglas is applying for a visa as we speak—and many more.

The industrial revolution, in many senses, started in Swansea. Swansea was the first globally connected location for heavy industry, with the price of copper being set there. Indeed, Copperopolis is the latest idea: a museum of metallurgy in an environment, that will attract an international audience.

We have thriving universities, which are at the forefront of innovation, both in metallurgy—for instance, working with Tata Steel—and with modern connected creative works, such as 3D imagery, interactive, animation, etc. We are very much on the cusp of the future.

[Nia Griffith (Llanelli) (Lab)]

Does my hon. Friend agree that Copperopolis, the nickname we give to Swansea, is well supported in its cultural bid by Tinopolis, the name we give Llanelli, which has a tremendous tradition in south Carmarthenshire of cultural and industrial heritage? Its latest venture, the state-of-the-art Furnace theatre and associated venues, offers fantastic opportunities, from the more traditional male voice choirs and Llanelli proms, to avant-garde groups, such as Llanelli Youth Theatre, performing “Tomorrow I’ll Be Happy”. Does he agree that the support from that industrial base in Llanelli, with its bilingual cultural heritage, will add a great deal to Swansea’s bid for cultural city 2017.

[Geraint Davies]

I am grateful for my hon. Friend’s contribution. The tin, steel, copper and coal, the Welsh and English languages, the land and the sea, and the urban and the rural together provide diversity and a global reach. Choirs and the history of singing and music are also important for our bid, as is the setting of Swansea bay city region. We have some “pier” pressure from Southend, but Mumbles pier is a great pier and Joe’s ice cream is fantastic, and I confess that I would prefer it to the ice cream that can be found in Southend.

The brand of Swansea is now on the world map, thanks to Swansea football. We are an emerging sports city: the Ospreys rugby team is an example of that. We have just had the Olympic kit brought to Swansea bay for beach volleyball. I hope and expect that we will be a national venue for a national beach volleyball competition.

Swansea university is now the closest in the world to the sea, having previously been second only to California, as I understand it. We are a diverse and multicultural emerging city with a global reach. We hope that a lot of our celebrations—for example, the Dylan Thomas celebration next year—will be globally networked, including people from Bollywood as well as traditional literature. We need to build on the wider Dylan Thomas brand. Of course, Dylan Thomas enjoyed a couple of beers, as well as a quite exciting lifestyle. We hope, over time, to bring a sustainable festival, a bit like the Hay or Edinburgh festivals, alongside other assets, such as Copperopolis. We also have the National Waterfront museum for Wales, which, again, celebrates and builds on industrial heritage. Swansea market is the largest of its type in Wales, with a great heritage over hundreds of years.

Obviously, Swansea has borne the scars of its industrial past, plus the tragic three nights of the blitz that we suffered under the Luftwaffe, but we hope to move forward, with further development of the port, which, historically, was industrially geared for trade. There are new, emerging opportunities, from the cultural point of view, for ferries and for cruise-borne people to visit Swansea and Swansea bay city region.

The news, following our campaign, of electrification of the railways will increase the connectivity and the opportunity for people to see wonderful Swansea and Swansea bay and the Gower, with beautiful golden sands, where people can enjoy culture, the sun and environment, and the good food of Swansea. I hope, later this year, to have a Swansea food day in Parliament, to celebrate some of the great foods created across Swansea bay city region.

We have been the forge for generating steel and various sorts of metallurgy and now I hope that the basic resilience and creativity of the community will help hurtle us forward to the celebration next year and onwards to 2017, so that we have a sustainable cultural legacy that will underpin our position as the true cultural centre of south Wales.

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[Dan Jarvis (Barnsley Central) (Lab)]

It is a pleasure to serve under your chairmanship, Mr Weir. I congratulate the hon. Member for Southend West (Mr Amess), not only on securing this important debate, but on the strong case he has made for Southend-on-Sea to be named as the UK city of culture in 2017. I agree with him that it is a town that offers many cultural opportunities. Last year it opened the new cultural centre that can be found at the tip of the world’s longest pleasure pier. The Focal Point gallery houses the town’s contemporary art, and Priory park bandstand provides the town with music throughout the summer months. In its own words, it is “Town, shore and so much more”.

The debate comes at an opportune time as 11 areas—Aberdeen, Chester, Dundee, east Kent, Hastings and Bexhill-on-Sea, Hull, Leicester, Plymouth, Portsmouth and Southampton, Southend-on-Sea and Swansea bay have all applied to be the next UK city of culture in 2017. I am delighted that so many towns and cities from regions across Britain are competing for that important title. It is a testament to what culture means to our country and the value it brings to our communities, but importantly it also means that each of those communities will place culture at the heart of their agenda in the coming months and years.

The cultural sector of this country is hugely successful. It creates jobs, generates revenue, attracts inward investment and enriches the lives of individuals, families and communities. We are a creative nation. Our cultural sector is the lifeblood of the creative industries, which provide 1.5 million jobs and are a major contributor to our economy. Last year’s Olympic opening ceremony and the Cultural Olympiad reminded people across the world that Britain is a cultural world leader—that our artistic traditions are strong and we are rightly proud of them. However, that success happened not by chance but by choice. The previous Labour Government invested in the arts, and that investment enabled culture to revitalise some of our previously grey city and town centres. As the cultural scene has developed, so too have jobs, growth and the social well-being of the people who live there. Labour introduced free access to museums and galleries, ensuring that the number of visitors increased year on year.

[Geraint Davies]

My hon. Friend may be interested to know that the former Ford plant in Neath Port Talbot is now hosting “Da Vinci’s Demons.” There is a huge film set for an American-geared production that will bring vital jobs and income. Does he agree that such evolution from traditional industry to creative industries can bring jobs and added value to our communities?

[Dan Jarvis]

I absolutely agree. I am particularly interested to hear about the transition that the industrial base has made to some degree in my hon. Friend’s constituency. Perhaps there will be an opportunity for me to visit at some point in the future.

I was talking about some of the things that the Labour Government did. We introduced creative partnerships, which gave more children than ever before the opportunity to take part in cultural activities, thereby developing an interest and a passion for the arts that will hopefully serve them well in the future. Nowhere are those benefits more clear than in those cities that have been named cities of culture: Liverpool, which held the European title in 2008; and Londonderry, which held the first UK title this year.

In 2009, following the success of Liverpool’s status as European city of culture, the then Labour Culture Secretary, my right hon. Friend the Member for Leigh (Andy Burnham), launched the UK city of culture. Today, that vision has become a reality, with Londonderry being transformed to unlock creativity and ensure that thousands of people flock to visit the city in the coming months. The immediate and lasting impact of a city that embraces culture in that way is clear. The effect in Liverpool in 2008 was striking. In that year alone, visitors voted with their feet, ensuring that the city had almost 15 million cultural visits. Some 67,000 schoolchildren in the city were involved. There was an £800 million economic benefit, and the number of residents who visited a city attraction was 10% above the national average. Liverpool has been transformed and is now known throughout Britain as a cultural hub.

Today, we are debating the UK city of culture bid for 2017. In our country we have the appetite, the skills, the talent and the tradition, but many organisations within the cultural sector exist on a complex funding stream of public investment, commercial revenue and private giving. That ecology ensures creative independence, freedom of artistic innovation and, in good times, stability, but some decisions currently being made by the Government are putting it at risk.

Since 2010, the Government have cut the budget of Arts Council England by more than 30%. Local councils across the country are dealing with devastating cuts to their funding streams. They are struggling to balance those cuts, and the Local Government Association has warned that, by 2019-20, 90% of discretionary funding streams, such as culture, leisure and libraries, may be cut.

It is not all bad news. Many local authorities are innovatively working in partnership to minimise the damage caused by the funding crisis, but that is a result of new thinking from councils. The cuts come without any real Government guidance for local community arts organisations or any real national Government support for local councils. Today, I ask the Minister to pledge to work with councils, which are leading the way, and to provide all towns and cities with guidance on how culture can be protected.

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[Dan Jarvis]

I thank the hon. Gentleman for that useful intervention. I completely agree. Arts Council England is doing important work in these challenging times. It has recently published a significant report that clearly articulates and reflects on the economic benefit of the arts within our country. I will highlight a couple of the points that the Arts Council has made recently.

The report states that 0.1% of Government funding is spent on the arts, yet the arts make up 0.4% of the economy. That, of course, does not account for the creative industries or for tourism. The arts provide 0.5% of total UK employment, and at least £856 million a year of spending by tourists visiting this country can be attributed directly to the arts and to culture. Those points were recently made in the important report of Arts Council England, and I join the hon. Gentleman in paying tribute to its important work on preserving our arts in these difficult economic times.

Beyond doubt, the cultural sector is a driver of jobs and growth in the UK. It is clear that public money invested in the cultural sector represents good value and offers a good return, which is an incredibly important point in the context of this debate.

[Geraint Davies]

Does my hon. Friend agree that, given the huge debate on growth versus cuts to reduce the deficit, and given the enormous emerging middle class in English-speaking markets in China, India, south America and so on, investment in the arts now will be paid back many times over?

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[Mr Vaizey]

The hon. Lady is right: we are better together. That is a good example of how the cultures of Scotland, Northern Ireland, Wales and England all work together to create this fantastic nation that is known all around the world for its incredible culture.

[Geraint Davies]

Will the Minister be promoting the centenary of the birth of Dylan Thomas? Does he regard him as an iconic UK poet and literary person as well as a Welsh one?

[Mr Vaizey]

Yes, I regard Dylan Thomas as a Welsh poet, a British poet and a poet of the world.

I want to end on this note. I am proud that this Government have restored the money lost in Labour’s lottery cuts, that we continue to support arts and culture and that the Arts Council is working so effectively with local authorities up and down the country. People who do down culture in our local areas outside London—