UK City of Culture 2017 Debate

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UK City of Culture 2017

Anne Begg Excerpts
Tuesday 21st May 2013

(10 years, 11 months ago)

Westminster Hall
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David Amess Portrait Mr Amess
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That is a controversial path down which I will not go.

Moving on to Wales, I have had some very unkind remarks made about Wales on my website. I think that the people there are absolutely fine. I have a number of relatives living in Wales, and they seem all right. What we know about the Welsh is that they have magnificent voices and produce some wonderful actors and actresses.

Moving on to Scotland, I had a very nice letter from the Lord Provost, and I think that all the suggestions I have had on my website about Scottish people being mean and that some of them conduct interviews while chewing gum are very unfair indeed. I very much look forward to visiting Scotland, not least to sample the whisky and the haggis.

Anne Begg Portrait Dame Anne Begg (Aberdeen South) (Lab)
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It is indeed a very polite and kind letter from the Lord Provost. I hope that the hon. Gentleman makes it to Aberdeen, because he will then realise that the competition is really on.

David Amess Portrait Mr Amess
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I am looking forward to my visit.

Moving on to Leicester, we all know what a strong bid it has. It has a wonderful cricket ground, but I have to say that I had no idea about its secret weapon, in the form of the right hon. Member for Leicester East (Keith Vaz). Anyone who has not seen him perform on YouTube is missing a joy. I, for one, think that we need not spend any more money on finding someone to represent us in the Eurovision song contest next year because it must be the right hon. Member for Leicester East.

Then we move on to Hull.

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Anne Begg Portrait Dame Anne Begg (Aberdeen South) (Lab)
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I thank you, Mr Weir, for your words, and the hon. Member for Southend West (Mr Amess) and other colleagues for securing this debate. As one of those who also put in for this debate, I am absolutely delighted that it is taking place this morning. I appreciate the difficulties that you have, Mr Weir, because when I tried to lobby you to support the Aberdeen bid, I discovered that you were supporting Dundee.

Mike Weir Portrait Mr Mike Weir (in the Chair)
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I am completely neutral.

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Anne Begg Portrait Dame Anne Begg
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Unfortunately, Mr Weir, your position this morning does not allow you to speak in the debate.

Aberdeen is an important economic driver not just of the Scottish economy but of the British one, too. We have a thriving offshore oil and gas industry, which is doing extremely well and is now moving into renewables. We like to call ourselves the “energy capital of Europe”. Aberdeen is a vibrant city that is full of life and energy, so why on earth do we want it to become the city of culture? It is because the one thing that is missing in our city is a strong cultural identity. Unfortunately, the participation rate in cultural activities by the people of Aberdeen is lower than the national average—both in Scotland and in the UK as a whole. We want to use the bid to build up the part of our community that has perhaps not always got the attention that it deserves because we have been too busy making money and running the energy sector.

The emphasis has always been on the economic side of Aberdeen and not so much on the cultural side or on making the city a much more attractive place to live. Many agencies say that it is difficult to attract staff to Aberdeen because everyone thinks that it is much too far north—it is quite far north—and too cold. They come up with all the negative things about Aberdeen. Indeed, it is also said that the locals themselves take after the grey granite of the buildings. However, when people move and make a life in Aberdeen, they discover what a wonderful place it is, and it is then difficult to move them somewhere else if their job demands it.

What we want to build on and what we want to use the bid for is the cultural offer that will be there for the people of Aberdeen. Although Aberdeen is far north, it is not too far north, and that is another reason why the city of culture bid would be so great for the city; it would bring us more into the centre of the UK. Hopefully, it would help us to create a centre that people would be prepared to travel to in order to take up the cultural offer.

Aberdeen already has great buildings that deliver aspects of culture. His Majesty’s theatre, for example, is incredibly grand. It was only when I went to theatres in London that I discovered just how grand it is, because the ones in London are quite pathetic in comparison. We have an art gallery on which we are about to spend a few million pounds, refurbishing and extending it. We have Peacock Visual Arts, which has a world-famous print works, the Gray’s School of Arts, the Scott Sutherland School of Architecture and two universities that also do cultural things. Indeed the Aberdeen university festival is just finishing at the moment. It is perhaps worth pointing out here that we had two universities in Aberdeen when there were only two universities in the whole of England—in Oxford and Cambridge.

We have a strong cultural history, but we would like to build on the cultural involvement in our communities. Although we are a rich and vibrant city, the wealth does not always trickle down to the poorer areas. We hope the culture bid might be able to reach the parts of our communities in Aberdeen that the oil wealth has not necessarily reached, and we are keen to build up localised events that will involve people more than the local galleries. We know that there is an appetite there and that people want to be involved, but we need something that will pull it all together and act as a dynamic force on the city council and on Aberdeenshire council to bring the cultural offers together.

Finally, when the tall ships came to Aberdeen in 1997, the whole town turned out for the event; it was fantastic. We had Vikings from Shetland wandering about the town, which was bizarre. They turned up in the local pubs and restaurants. That was a wonderful example of what Aberdeen could do if it got the opportunity to become the UK city of culture in 2017.

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Lord Vaizey of Didcot Portrait Mr Vaizey
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This is exactly the point. Glasgow was European city of culture. That was 23 years ago, but I can still remember the slogan: “Glasgow’s miles better”. If people go to Glasgow now, they will see that the legacy is still there. People can also go to Liverpool, which, five years ago, was the city of culture. The economic benefit was £800 million. I visited a video games developer there who had previously lived in Liverpool but had left the city. He said, “I came back to Liverpool because when it became the city of culture, I knew there was stuff going on. That’s why I’m back in Liverpool.”

Derry/Londonderry will have an extra 600,000 visitors this year. That is twice as many as normal. We are talking about 150 events, 75% of them free. We are talking about the Royal Ballet, the Turner prize, the Ulster orchestra and Seamus Heaney. This is what it is all about, and culture has cross-party support in this House. That is why we are doing our best to support—

Anne Begg Portrait Dame Anne Begg
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In relation to cross-party support, I do not know whether the Minister realises, but it is a Scottish National party council in Dundee that is behind the bid putting forward Dundee as the UK city of culture 2017. Does the Minister have any observation to make on whether it knows something that we do not know about the outcome of the referendum next year on Scottish independence?

Lord Vaizey of Didcot Portrait Mr Vaizey
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The hon. Lady is right: we are better together. That is a good example of how the cultures of Scotland, Northern Ireland, Wales and England all work together to create this fantastic nation that is known all around the world for its incredible culture.