UK City of Culture 2017 Debate

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UK City of Culture 2017

Mike Weir Excerpts
Tuesday 21st May 2013

(10 years, 12 months ago)

Westminster Hall
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None Portrait Several hon. Members
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rose

Mike Weir Portrait Mr Mike Weir (in the Chair)
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Order. A large number of Members wish to speak. I intend to call the Front-Bench speakers no later than 10.40. If Members stick to five minutes, we might get everyone in. If they do not, we will have a problem. Those wanting to intervene should also bear that in mind.

Anne Begg Portrait Dame Anne Begg (Aberdeen South) (Lab)
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I thank you, Mr Weir, for your words, and the hon. Member for Southend West (Mr Amess) and other colleagues for securing this debate. As one of those who also put in for this debate, I am absolutely delighted that it is taking place this morning. I appreciate the difficulties that you have, Mr Weir, because when I tried to lobby you to support the Aberdeen bid, I discovered that you were supporting Dundee.

Mike Weir Portrait Mr Mike Weir (in the Chair)
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I am completely neutral.

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Stephen Mosley Portrait Stephen Mosley (City of Chester) (Con)
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Many right hon. and hon. Members will be aware of the beautiful city of Chester: our world-famous Roman city walls; our historic cathedral; the unique mediaeval shopping galleries, the Rows; our beautiful River Dee; and the Eastgate clock, which is the most photographed clock in the world after the clock that stands above this House. All are key features in our city, and all are known across the globe. My hon. Friend the Minister recently described Chester as

“a jewel in the crown in the north-west”.—[Official Report, 18 April 2013; Vol. 561, c. 466.]

He was wrong, because Chester is much more than that. It is a unique city, and if it qualifies and wins the city of culture, it will be a national treasure. However, we are not resting on our laurels. Chester is not merely a museum, but a living, thriving city. It is a city that is facing up to the challenges of the modern day, adapting and constantly changing, and our heritage and culture play a massive role in that.

Culture is being used as a key catalyst for change. For hundreds of years, Chester has been a market town and a shopping centre for north Wales and Cheshire. As shopping habits change, it is essential that our high street offerings change too. Chester is embracing that change, ensuring that our city offers a unique and complete experience—whether that is through street festivals, music and dramatic art in our unique historic public realm or through guiding shoppers to visit some of our many cultural attractions. We recognise that culture is essential to our economic growth and to ensuring that Chester can compete with our larger metropolitan neighbours.

The council is investing heavily in our heritage and our culture. Millions have been pumped into our historic environment: restoring our city walls; creating a unique interactive heritage trail; renovating the town hall, to bring it back to its Victorian splendour and create a new performance venue; restoring the Roman gardens; refreshing the riverside promenade; and reinterpreting Chester’s Roman amphitheatre, to allow visitors to see what it would have been like and to bring it back into use as a city centre performance venue, not for gladiatorial combat but for modern film and music festivals.

All the time, new festivals are being introduced, such as the film festival in the amphitheatre, a new Chester fringe, theatre in the park or Chester Rocks, which makes use of Chester’s race course, the oldest in the country, and which this year will feature one of my daughter’s favourites, Jessie J, who has already been mentioned in the debate. At the same time, our traditional festivals, such as the food festival, the music festival, Theatre in the Quarter and the literary festival, are now making a real impact on the national stage and attracting an ever-increasing number of visitors.

Chester mystery plays, the mediaeval passion plays, were first performed more than 600 years ago by the guilds of the city. They continue to grow and are a highlight of the city’s 2013 cultural calendar. Although they are traditionally only performed once every five years, they will be performed in 2017 if we are successful in our bid to be city of culture. The council also has massively ambitious plans to build a new first-class theatre in the city. Work has recently started on the site, and the new theatre is due to open in 2016.

Culture in Chester is back on the scene and back with a bang, and the reaction from the people of Chester has been fantastic. The local newspapers have been backing the bid, claiming that the city’s cultural offering is at a historic high, and their letter pages have been filled with residents saying how proud they are of our city and our culture. Social media are also playing a part, allowing Cestrians to engage with and support the city’s bid in new and exciting ways.

Our bid to be the city of culture 2017 harnesses that public enthusiasm. The council is hoping to create a cadre of community volunteers, similar to the hugely successful volunteers programme at the London Olympic games. These volunteering opportunities will allow young people to become involved with culture, art and music, and to further their own skills and enthusiasm. Part of the aim is to encourage unemployed people to become volunteers, giving them opportunities of responsibility, boosting their self-esteem and allowing them to learn new skills that can be transferred into the jobs market.

The fact that we have been long-listed to be the city of culture 2017 is a massive boost for Chester, and the changes in expectation and attitude in our city during the past few years show that we are able to compete and to show Britain and the world what a fantastic city of culture Chester would be. I am not the only one who thinks that. The bookies agree, with Chester the 4-1 favourite to win the bid according to William Hill. I am delighted to back Chester’s bid to be city of culture.

Mike Weir Portrait Mr Mike Weir (in the Chair)
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Order. To get everybody in, I am now imposing a formal time limit of four minutes for each speech.

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Mike Weir Portrait Mr Mike Weir (in the Chair)
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Order. Before the shadow Minister responds to that intervention, I remind him that we need to give the Minister time to reply to the debate. I urge him to bring his speech to a close.

Dan Jarvis Portrait Dan Jarvis
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Okay. I thank my hon. Friend the Member for Swansea West (Geraint Davies) for his intervention. Unfortunately, there will not necessarily be time to address it. Let me move on briefly—because I know that the Minister will wish to conclude the debate—and say some things on which I hope we can all agree.

I believe that the cultural sector provides unlimited opportunities for young people, invoking imagination and creativity while ensuring that they learn the dedication, commitment and dexterity that come with playing a musical instrument, singing in a choir or performing in a theatre or dance group. I see in my constituency the value that young people get from those kinds of activity. I saw that on Saturday night, when I attended a concert by the brilliant Barnsley youth choir, and I very much look forward to that choir hosting the world-famous Aurin choir from Hungary, who will be coming next month to sing alongside our own choir. The value that young people get from such opportunities is hugely important.

Mr Weir, I am conscious that we are running short of time, so I will conclude by saying that Labour Members believe that our creative sector deserves creative thinking and that that is exactly what we should be providing to ensure that the arts continue to thrive in these tough times. The hon. Member for Southend West has, in his typically ebullient way, made an excellent case for Southend-on-Sea. I wish him and Southend-on-Sea the very best with their bid, as I wish all the other cities that are competing to be the UK city of culture in 2017 the very best. I hope that the appetite to hold this title will provide further proof to the Minister and to the Government as a whole that culture is worth supporting for 2017 and beyond.

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Lord Vaizey of Didcot Portrait Mr Vaizey
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Yes, I regard Dylan Thomas as a Welsh poet, a British poet and a poet of the world.

I want to end on this note. I am proud that this Government have restored the money lost in Labour’s lottery cuts, that we continue to support arts and culture and that the Arts Council is working so effectively with local authorities up and down the country. People who do down culture in our local areas outside London—

Mike Weir Portrait Mr Mike Weir (in the Chair)
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Order. Time is up. We now move on to the final debate this morning.