Oral Answers to Questions

Lindsay Hoyle Excerpts

Thursday 1st December 2022 Commons Chamber

[Cat Smith (Lancaster and Fleetwood) (Lab)]

3. What steps she is taking with Cabinet colleagues to help support the voluntary sector in delivering youth services.

[Mr Speaker]

Welcome back, Minister.

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (Stuart Andrew)]

Thank you very much, Mr Speaker.

This Government know the importance of local youth services, and we have guaranteed that by 2025 every young person in England will have access to regular clubs and activities, adventures away from home and volunteering opportunities. That is a clear commitment based on feedback from 6,000 young people, supported by £560 million of funding.

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[Michelle Donelan]

As my right hon. Friend knows, that is not a decision for me, but we can always depend on the right hon. Member for West Suffolk to attack a challenge with gusto, and I was not surprised at all to see him taking on all sorts of animal parts during the show. It has become a little bit of a thing for my predecessors to join that show, but I hope I can provide reassurance that I have no intention of ever doing so.

[Mr Speaker]

Never say never.

[Kevin Brennan (Cardiff West) (Lab)]

Of course, a very important part of our film and television industry is the music that goes with it and the composers who provide that music. At this juncture, it would be wrong of me to not recognise and send sympathy to the family of Christine McVie, one of Britain’s greatest ever songwriters, who sadly passed away yesterday. [Hon. Members: “Hear, hear.”]

I was glad to hear what the Minister of State aid about AI earlier, because that will affect film and TV composers, as well as other people within the industry. Will she ensure that in undertaking the AI review, the Government listen very carefully to the views of songwriters and composers who work in the film and television industry during their consultation?

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[Stuart Andrew]

I know that the Arts Council has taken a considerable amount of time to look at the unprecedented number of applications—more than 1,700—that were received and that it has assessed them very carefully. It is making sure that £12.6 million is available in transition funding for those that will be leaving. The time has been increased from three months to seven months, so that there is support for them for up to 12 months. We would certainly encourage the Arts Council and the English National Opera to continue the dialogue that they are having.

[Mr Speaker]

I call the Chair of the Digital, Culture, Media and Sport Committee.

[Julian Knight (Solihull) (Con)]

On a similar theme, levelling up is undoubtedly a noble ambition, and the Arts Council funding has been too London-centric for too long¸ partly due to the subsidies to the Royal Opera House, which, if the Minister ever visits there, he will see is a bit like the Starship Enterprise, in terms of facilities. In correcting the imbalance, however, does he agree that the Arts Council needs to be careful about not potentially wrecking established institutions such as English National Opera, which was given very little notice of funding cuts? As a result, it is threatening legal action. A soft landing is needed. Does he agree that he needs to speak to the Arts Council to ensure that, when it makes such decisions in future, it has a plan in place to ensure that those institutions are at least protected and have a way in which to cope with the decision?

[Stuart Andrew]

I reiterate that the Arts Council is an arm’s length organisation. We have had several meetings to hear about the long processes that it has undertaken to consider each of the awards that it has made. We pushed it to increase the transition period of funding, recognising the difficulty that that may present to other people. We hope that both Arts Council England and English National Opera will work together—we certainly encourage them to—on the possibilities for the future of the organisation.

[Mr Speaker]

I call the shadow Minister.

[Barbara Keeley (Worsley and Eccles South) (Lab)]

We all support the fairer distribution of arts funding and the principle that communities outside London should get a fairer share so that everybody everywhere can enjoy the arts, but levelling up should not be about pitting arts organisations against one another. What we have seen is an attempt to address regional disparity by shifting some funding to the regions, but doing so from a funding pot that has been shrinking since 2010. Does the Minister agree that these very short timeframes and the lack of consultation on these cuts to funding could have a very damaging impact on the ecosystem of the arts?

[Several hon. Members rose—]

[Mr Speaker]

Order. Unfortunately, we have to move on.

[David Simmonds (Ruislip, Northwood and Pinner) (Con)]

T1. If she will make a statement on her departmental responsibilities.

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[Michelle Donelan]

The Government know the importance of local youth services; that is why we launched the national youth guarantee. The youth investment fund is a £368 million investment to build up or refurbish 300 youth facilities in levelling-up priority areas. The fund opened for applications on 1 August, building on the £12 million that we distributed for minor capital projects earlier, and we expect to announce the first awards early in the new year.

[Mr Speaker]

I call the shadow Secretary of State.

[Lucy Powell (Manchester Central) (Lab/Co-op)]

There is a running theme here, with the fan-led review delayed, the gambling White Paper delayed, the data Bill delayed, the Online Safety Bill delayed, the media Bill delayed and, apparently, Channel 4 privatisation cancelled. It is a bit like getting an Avanti train, Mr Speaker.

[Mr Speaker]

They never run at all.

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[Sally-Ann Hart (Hastings and Rye) (Con)]

T2. Social mobility—getting people out of poverty—is more important than income inequality, and access to culture and heritage play a vital role in it. I welcome the funding for the next three years for four organisations in beautiful Hastings and Rye. Hastings Contemporary, Hastings Museum and Art Gallery, Project Art Works and Home Live Art will all receive a share of nearly £2.5 million between 2023 and 2026. Will my right hon. Friend join me in congratulating these organisations on the work that they do in bringing growth and creative opportunities to my constituents, and will she pay a visit to Hastings and Rye to enjoy the delights that it—

[Mr Speaker]

Order. I think we have had this before. These are Topical Questions, and we need very short questions so that all the other Members can get in. Unfortunately we are struggling for time, and we cannot use other people’s time: it is not fair.

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (Paul Scully)]

I entirely agree that social mobility is at the heart of what we want to do, and I congratulate those four institutions. If the Minister for Arts and Heritage or the Secretary of State will not come to Hastings and Rye, I certainly will.