None Portrait The Chair
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We are now sitting in public and the proceedings are being broadcast. I have a few preliminary announcements. Hansard colleagues would be grateful if Members could email their speaking notes to hansardnotes@parliament.uk. Please switch electronic devices to silent. Tea and coffee are not allowed during the sittings.

The selection list for today’s sittings is available in the room. It shows how the selected amendments have been grouped together for debate. Amendments grouped together are generally on the same or similar issues. Please note that decisions on amendments take place in the order not in which they are debated, but in which they appear on the amendment paper. The selection and grouping list shows the order of debates. Decisions on each amendment are taken when we come to the clause to which the amendment relates. A Member who has put their name to the leading amendment in the group is called first. Other Members are then free to catch my eye to speak on all or any of the amendments in the group. A Member may speak more than once in a single debate. At the end of debate on a group of amendments, I shall call the Member who moved the leading amendment again. Before they sit down, they will need to indicate whether they wish to withdraw the amendment or seek a decision. If any Member wishes to press any other amendment in the group to a vote, they need to let me know.

John Whittingdale Portrait The Minister for Media, Tourism and Creative Industries (Sir John Whittingdale)
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I beg to move,

That—

1. the Committee shall (in addition to its first meeting at 9.25 am on Tuesday 5 December) meet—

(a) at 2.00 pm on Tuesday 5 December;

(b) at 11.30 am and 2.00 pm on Thursday 7 December;

(c) at 9.25 am and 2.00 pm on Tuesday 12 December;

(d) at 11.30 am and 2.00 pm on Thursday 14 December;

2. the proceedings shall be taken in the following order: Clauses 1 to 17; Schedule 1; Clauses 18 to 27; Schedule 2; Clause 28; Schedule 3; Clauses 29 to 36; Schedule 4; Clause 37; Schedules 5 to 7; Clauses 38 to 40; Schedule 8; Clauses 41 to 48; Schedule 9; Clause 49; Schedules 10 and 11; Clauses 50 and 51; Schedule 12; new Clauses; new Schedules; remaining proceedings on the Bill;

3. the proceedings shall (so far as not previously concluded) be brought to a conclusion at 5.00 pm on Thursday 14 December.

It is a great pleasure to serve under your chairmanship, Mr Vickers, and to debate with the hon. Member for Barnsley East, reprising the enjoyable time we had in the Data Protection and Digital Information (No. 2) Bill Committee not long ago. This Bill is important for the future of our public service broadcasters and the media in this country. It has been some time in the preparation. It has been through pre-legislative scrutiny, and has been amended considerably to reflect the views put forward to the Government. As a result, I hope that it is generally non-controversial, but it is obviously important that we scrutinise it in detail.

The Programming Sub-Committee met yesterday evening to debate the programme for consideration of the Bill. It was agreed that we should meet today at 9.25 am and 2 pm, again on Thursday, and then again on Tuesday and Thursday next week. That was the unanimous view of the Committee. On that basis, I commend the programme motion to the Committee.

Kirsty Blackman Portrait Kirsty Blackman (Aberdeen North) (SNP)
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Thank you chairing the Committee today, Mr Vickers. It is a pleasure to stand opposite the Minister. The last work I did with the Department for Culture, Media and Sport was on the Online Safety Bill, which took a significant time—significantly more than I expect this Bill will. I will talk more generally about the Bill later, when we have moved off the programme motion.

I have questions for the Minister about the lack of oral evidence for the Bill. There is no programme for taking oral evidence. That generally happens when the beginning of a Bill’s Committee stage is taken on the Floor of the House; for example, we have the first part of the Finance Bill Committee on the Floor of the House. The Government have been keen not to take oral evidence on the Finance Bill. It also happens when a Bill originates in the Lords; then no oral evidence is taken in the House of Commons.

I understand what the Minister said about there having been pre-legislative scrutiny. However, I spoke to an external organisation that is often called to give evidence on things related to media, and it assumed that it would be giving evidence this morning when it first saw the draft timetable for Committee during Second Reading. It did not expect that there would be no oral evidence sessions. Let me make it clear how useful oral evidence is. We are able to ask so many experts for their views on specific parts of the Bill. The Minister said that there is a large amount of agreement on much of the Bill, and I do not disagree, but there are significant points of contention, such as the use of the word “appropriate” as opposed to “significant” in relation to prominence. It would be helpful to have experts here who could explain why they believe that “appropriate” is not the appropriate word in the circumstances.

We have had a tight turnover from Second Reading. I very much appreciate all the organisations that have worked hard to put together their written evidence in such a short time, but I guarantee that not everybody in the room will have read all the written evidence, given the tight timescales.

I have two questions. First, why did the Minister decide not to schedule oral evidence sessions when programming the Bill? Will he be slightly ashamed if we do not meet on Thursday 14 December, and we would have had time for an oral evidence session? My second question relates to the timing of the Bill. It is fairly unusual for Committee to begin this quickly after Second Reading. There were two days after Second Reading to table amendments before the deadline. That is a fairly tight turnaround, especially given that we will probably discuss most of the Bill over a few days. I would appreciate it if the Minister let us know the Government’s thinking on the programming.

John Whittingdale Portrait Sir John Whittingdale
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I hear what the hon. Lady says and understand her points. However, as I indicated, the Bill has been in gestation for a long time. I chaired the Culture, Media and Sport Committee until 2015, and it called for a number of the measures in the Bill, so certain parts have taken at least seven or eight years. As she rightly points out, the Government published the Bill in draft form, and that led to lengthy Select Committee hearings, in which a large range of stakeholders gave evidence. Indeed, there was the Select Committee’s report, and the Scottish Affairs and Welsh Affairs Committees also made recommendations. All those were taken into account by the Government, and published evidence was available.

Since that time, we have held a number of roundtables to hear from stakeholders. I obviously recognise that those were private meetings, so there is not a public record of them, but nevertheless, as the hon. Lady points out, there has been an opportunity for all stakeholders to submit written evidence. I am shocked at her suggestion that there could be members of the Committee who have not read all the written evidence submitted, but it is publicly available. Given the time spent consulting on the Bill, it was felt that a public oral evidence session in the Committee was not necessary. If anybody wishes to make further representations, we would gratefully receive them.

The Programming Sub-Committee felt yesterday that the timetable gave sufficient time, given the Bill’s non-controversial nature. Relatively fewer amendments have been tabled than were tabled to the Data Protection and Digital Information Bill, which the hon. Member for Barnsley East and I took through Committee not that long ago. I hope that we will give the amendments proper scrutiny. I view the timetable with a certain amount of schadenfreude, in that I shall be stepping down from my position at the end of the year so that my hon. Friend the Member for Hornchurch and Upminster (Julia Lopez) can return to her role. I am pleased that I shall have the opportunity to take the Bill through the whole of Committee, because it is one that I have spent quite a lot of time on. For those reasons, I think the programme motion and the amount of time allocated for consideration of the Bill are correct, although I join the hon. Member for Aberdeen North in hoping that anybody with further representations to make does make them, even if we are not having oral evidence sessions.

Kirsty Blackman Portrait Kirsty Blackman
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I will not vote against the programme motion, but I echo the Minister’s call to stakeholders on written evidence, and say to any stakeholders who are watching: “You have been wrong-footed by the very short timescales we were given for amendments, but there is the opportunity to make amendments on Report.” If they get in touch with us about any amendments they want before the deadline for Report, they could be debated then, even though we may not necessarily have had time to craft them before Committee proceedings.

Question put and agreed to.

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John Whittingdale Portrait Sir John Whittingdale
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I thank the hon. Members for Barnsley East and for Aberdeen North for speaking to their amendments and allowing us to debate the importance of the Gaelic language. It is something we spent a little bit of time on at Second Reading, but it is an important issue.

The Government absolutely share the view of the vital necessity of supporting the continuation and future of Gaelic, and recognise the important contribution that the Gaelic media service MG ALBA makes to the lives and wellbeing of Gaelic speakers across Scotland and the rest of the UK. It is for that reason that the Government embedded a duty to support regional and minority languages, although I take the point made by the hon. Member for Arfon about Welsh not being a “regional” language in that sense. It is, nevertheless, a minority language—as is Gaelic. There is a duty within the BBC’s general duties under the current charter arrangements. We want to help ensure that audiences are able to access this culturally important minority language content in the decades to come.

The Bill goes further than existing provisions. Clause 1 makes the importance of programmes broadcast in the UK’s indigenous languages, including the Gaelic language, clear in legislation, by including it in our new public service remit for television. That is a new addition, which puts on the face of the legislation the need to continue to support minority languages of this kind. We will debate later the way in which the public service broadcasters are required to contribute to the remit and are held accountable for doing so. The purpose of clause 1 is to place a requirement on Ofcom to consider how the public service remit has been fulfilled. It sets a high-level mission statement for public service broadcasters, and is underpinned by a more detailed system of quotas in later clauses. It is intended to be simpler and to provide PSBs with greater flexibility.

That point notwithstanding, I reassure the hon. Member for Barnsley East that the availability of Gaelic language content is provided for elsewhere. As she knows, the BBC has a specific responsibility in the framework to make arrangement to provide BBC Alba, which is a mixed-genre television channel for Gaelic speakers and those interested in the Gaelic language. Ofcom also places a number of more detailed responsibilities on BBC Alba in the BBC’s operating licence. For example, it must provide music of particular relevance to audiences in Scotland, live news programmes each weekday evening—including during peak viewing time—and a longer news review at the weekends.

It is for Ofcom to determine whether these requirements remain appropriate, including on the basis of feedback. It is the case, however, in terms of the amount of Gaelic language broadcasting that takes place, that at the moment BBC Alba broadcasts in Gaelic from 5 pm until midnight. That is seven hours each day, starting an hour later at weekends. When not broadcasting television programmes in Gaelic, it plays—forgive me if I pronounce this wrong—BBC Radio nan Gàidheal, which is the Gaelic language radio station. That is broadcast with static graphics during the periods when television programmes are not being aired. That means that there is a total of something like 2,579 hours of Gaelic television content, certainly in the course of last year.

I think that the amount of Gaelic language already being broadcast meets the ambition set out in the amendment from the hon. Member for Aberdeen North, and it is now contained in the public service remit, serving all channels, and the BBC charter agreement. For that reason, I think there is already considerable provision to ensure the continuation of Gaelic language.

I want to turn to the issue raised by the hon. Member for Barnsley East in new clause 5, which refers specifically to the manner in which Gaelic is delivered. BBC Alba is a requirement as part of the charter, and we will again consider how it is delivered by the BBC when the charter renewal takes place. The charter review starts in 2025 and has to be completed by 2027, and we will set out further details in due course on precisely how it is to be carried out.

In the more immediate term, we have recently brought together BBC and Scottish Government officials to discuss the co-ordination of funding decisions for Gaelic language broadcasting between the two organisations. In that respect, I hope that the hon. Member for Aberdeen North and the hon. Member for Barnsley East will recognise that the intention behind their amendment and new clause is already delivered by the Bill and on that basis will be willing to withdraw their amendments.

Kirsty Blackman Portrait Kirsty Blackman
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I thank the Minister for his response and colleagues for their comments on the amendment and the new clause. I am pleased to hear the Minister talk about the co-ordination of funding decisions and the group that has been brought together to discuss future co-ordination on these decisions and how that may work.

There is a significant asymmetry between the funding settlements for the Welsh language and for Gaelic, particularly with the amount that comes from the licence fee and comparing, for example, Gaelic-speaking broadcasting to Welsh-speaking broadcasting. As I have acknowledged, there are significantly more Welsh speakers, and I am not trying to say that those two things should be directly comparable, but looking at the percentage required from the Scottish Government compared with the amount provided by the licence fee, there is a significant difference between that and what is provided for Welsh. I am glad to hear that the Minister has recognised that decisions are required to be made about the future of funding going forward, and is ensuring that discussions take place.

I am not a Gaelic speaker, but I think my pronunciation of nan Gàidheal would be more accurate than the Minister’s—it does sound like it has a lot more letters than that. I am, however, a native Scots speaker and grew up speaking Doric as my first language. In fact, I think I am the only MP ever to have sworn in to this place in Doric. I have done so twice.

I appreciate that Scots is also mentioned as one of the recognised regional minority languages, and I want to back the point made by my hon. Friend the Member for Arfon and the hon. Member for Barnsley East about the number of young speakers. There has been a significant increase in the number of young people speaking Scots. Even when I was at school, which is some time ago now, we were very much discouraged from speaking Scots, but anyone standing at a bus stop in Aberdeen nowadays will hear young people arguing and bantering with each other in the broad Doric. That just would not have happened in the same way 25 or 30 years ago, when I was at bus stops bantering with my pals.

It is good to see that increase, but we have not seen a commensurate increase in the amount of Scots language TV. There is some Scots language programming, but it is very unusual for us to hear somebody speaking in an Aberdeen accent, for example. A significant proportion of those in the north-east of Scotland would be able to speak Doric, or at least understand it were it on our TVs. Doric is a dialect of Scots, which is a recognised language, and it is spoken in the north-east.

The Minister talked about the BBC provision and the licence conditions in the charter. I appreciate all that, but the safeguarding of that in this legislation would have shown Gaelic speakers and people who care about the Gaelic language that it is important to have this at this level. It is important to have it not just as part of the BBC charter and of the potential BBC charter negotiations, but as a recognised part of public sector broadcasting. Gaelic should not be playing second fiddle; it should not be down the list of priorities. It is important, and we should not just say, “It is included in the charter, so that’s okay.” That is not exactly what the Minister said, but it was angling in that direction. Such an approach does not provide that safeguarding we need, and it does not provide the requirement for Ofcom to monitor this. He mentioned that Ofcom has to check whether or not there is an appropriate level of Gaelic programming because of the conditions in the Bill. However, what Ofcom has to check is whether there is a

“sufficient quantity of audiovisual content”,

and, as the shadow Minister said, no clear definition of “sufficient” is provided.

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John Whittingdale Portrait Sir John Whittingdale
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The hon. Lady is absolutely right to say that Ofcom has a duty under the Bill to monitor the delivery of the public service remit, but she will be aware that in addition Ofcom has the duty to oversee the BBC’s delivery of its requirements under the charter and the agreement. To that extent, Ofcom will be monitoring whether or not the BBC is meeting is obligations.

Kirsty Blackman Portrait Kirsty Blackman
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I appreciate that Ofcom will be doing that right now, but, as the Minister says, the charter negotiations are about to open; 2025 possibly seems slightly further away to me than it does to him, but those negotiations are about to begin again and there is no guarantee that that duty will continue to be part of the charter. If the Media Bill provides that this is a required part of public sector broadcasting, it would make it easier for that to be included in the charter and to be part of the licensing conditions, and for Ofcom to ensure that the BBC or any other public sector broadcaster was delivering it.

The last point I wish to make on this is about BBC Alba. Later, we will be discussing the appropriate placement of public sector broadcasters on on-demand services, be it on Sky or wherever else one happens to watch TV. There is a requirement for public sector broadcasters to be given an appropriate level of significance. If we ensure in the Bill that Gaelic-language broadcasting is part of the public sector remit, we increase the likelihood of these broadcasters being given that level of prominence on those on-demand services and digital viewing platforms. We have a requirement for them to be given prominence but at the moment BBC Alba is not included in that, because it is just considered part of the BBC, rather than as a relevant service in its own right. I appreciate that the Minister is unlikely to accept amendment 39 and I am not going to press it to vote, but if the shadow Minister does press new clause 5 to a vote, I fully intend to support it. I beg to ask leave to withdraw the amendment.

Amendment, by leave, withdrawn.

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Stephanie Peacock Portrait Stephanie Peacock
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Not too long ago, just after the Scottish Affairs Committee concluded its important inquiry into the topic, I was joined by colleagues in Westminster Hall to talk about Scottish broadcasting. One of the biggest takeaways from the debate was just how important the sector is to people.

Scottish broadcasting brings communities together. It promotes pride in place and strengthens local economies. For those reasons, and many more, I strongly believe that Scottish broadcasting can and must continue to form a vital piece of the puzzle in the UK’s creative sectors. Indeed, Scotland is already a popular destination for broadcasters. Not only is it home to Amazon, but the BBC and Channel 4 operate there alongside STV, which in 2021 reached 80% of Scottish people through its main channel. Content made in Scotland often represents Scottish people’s lives and the diversity within them. That sort of representation matters. I know, for example, that it was exciting for many when the first Scottish family finally appeared on “Gogglebox”.

I am very sympathetic towards the aspect of the amendment that looks to ensure that the level of content made in and for Scotland is proportionate to the number of people who live there. However, I have questions about the mechanism used to achieve that. For example, what are the implications of directly attaching spend to population? How would population be measured and how frequently, and how would that impact the legislative requirements to match it? I wonder whether this issue could be better addressed through individual channel remits. For example, both the BBC and Channel 4 have existing nation quotas. Perhaps it would be better to focus on that rather than insert a strict spend requirement, tied to population, on the wider remit.

I would like to show my support for Scottish broadcasting, but further investigation might be needed into how we can best ensure that there is a comprehensive and holistic package of regulation and legislation to secure its future.

John Whittingdale Portrait Sir John Whittingdale
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I start by agreeing with both Opposition spokesmen about the importance of supporting the production sector outside London and across every region and nation of the United Kingdom. The growth of the independent production sector outside London has been a phenomenal success in recent years, and we now have very strong companies in all parts of the UK. That is shown by the fact that since 2010, PSBs’ production spend allocated to programmes outside London has increased from 39% to over 50%, with ambitions to go even further. For instance, the recent publication of the BBC’s “Across the UK” strategy commits it to increasing the proportion of its own TV production budget outside London to 60% by 2027.

The amendment tabled by the hon. Member for Aberdeen North focuses on Scotland, where production spend is now worth over £266 million, supported by developments including the opening of a Channel 4 creative hub in Glasgow in 2019. As I say, the BBC’s “Across the UK” strategy includes commitments to expand its production studios within the city.

Damian Collins Portrait Damian Collins
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Screen Scotland has pointed out that the total production spend last year on film and television and audiovisual content in Scotland was more than £600 million, which is a 55% increase on the 2019 figures, which shows a substantial increase in production in Scotland. Does the Minister agree that that is to be welcomed?

John Whittingdale Portrait Sir John Whittingdale
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My hon. Friend is absolutely right. It is not just the public service broadcasters that are committing to spending money on production in Scotland; it is right across the range of broadcasters. That exemplifies the strength of Scottish independent production. Indeed, similar figures can be quoted for Wales; it is not unique to Scotland. Every part of the UK is benefiting. Of course, Scotland has its own broadcasting company in the form of STV, which has a production arm, STV Studios, which has an ambition to become a world-class content producer for global networks and streaming services.

The success of the production sector in Scotland and across the UK has been supported and underpinned by a regulatory system. The importance of programmes being made outside London is in the new public service remit. In addition, all public service broadcasters, with the exception of S4C, are subject to regional programme-making quotas for spend and hours of production outside London. Channel 4 has its own out-of-England quota; the BBC also has a specific quota for content made in Scotland. Those quotas are set by Ofcom, which has the power to amend them, where appropriate. One example of the success of that regulatory system is the “Made outside London programme titles register”, published by Ofcom, which, in 2022, had 811 entries, including 543 from English regions outside London, 53 from Northern Ireland, 117 from Scotland and 72 from Wales. In each case, broadcasters are exceeding the production quotas quite comfortably. The Government will continue to support screen industries across the UK through a system of tax reliefs, investment in studio infrastructure and the UK global screen fund.

In line with the Government’s broader ambition to level up the UK, we want the production sector in all areas of the UK to continue to thrive, and we believe that PSBs play a very important role in our meeting that ambition. Returning to comments made by the hon. Member for Arfon, which I did not address earlier, S4C plays an extremely important part in that. I have not had the opportunity to visit production facilities in Scotland, but I have been to visit both BBC Wales in Cardiff and S4C, where I went on the set of “Pobol y Cwm”, and production in Wales is thriving. The position for S4C is slightly different from that for Scotland, in that there is, as the hon. Gentleman pointed out, a dedicated television channel for the Welsh language in the form of S4C. However, the Government are committed to supporting the production sector in all the nations of the UK.

I share the view of the hon. Member for Barnsley East that attempting to set quotas that are exactly in line with the population proportions would impose a constraint, which would be limiting and unnecessary. For that reason, I ask the hon. Member for Aberdeen North to withdraw her amendment.

Kirsty Blackman Portrait Kirsty Blackman
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I highlight that the focus on content made outside the M25 is not enough. There needs to be a focus on ensuring that the economic and cultural benefits, and the talent pool, are spread wider; “outside the M25” cannot just be Salford, for example. It is possible for “outside the M25” to mean “focused in a small place”, which means benefits are not spread as widely as they should be.

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We are also debating clauses 2 and 7 stand part. Like the shadow Minister, I think it is reasonable that they follow on from the provisions in clause 1.
John Whittingdale Portrait Sir John Whittingdale
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The past decade has seen a complete transformation in the way in which people access television. Ten years ago, streaming services barely existed; now, they are ubiquitous. That is why the Bill is so important in modernising our approach and, in particular, ensuring that the public service broadcasters continue to thrive in this new landscape.

Clause 1 amends section 264 of the Communications Act to create a modernised remit for public service broadcasting against which Ofcom must report at least every five years. The new remit replaces and simplifies the purposes and objectives of the current public service broadcasting system. That is set out in proposed new subsection (4), and it will be fulfilled when the public service broadcasters provide a range of content that satisfies the interests of different audiences and is delivered in a way that meets the needs of those audiences.

Proposed new subsection (5) identifies the principal types of public service content that should form part of the PSBs’ collective contribution to the remit, specifically news and current affairs, children’s content and distinctively British content, as well as original, independent and regional productions. For the first time, regional and minority language content—content in Gaelic, Welsh, Scots, Ulster Scots, Irish and Cornish—is specified as contributing to the public service remit.

Sarah Owen Portrait Sarah Owen (Luton North) (Lab)
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In that list of protected genres, I note the exception of music. Does the Minister agree that the BBC has an integral part to play in the UK’s cultural landscape as the biggest commissioner of music and the biggest employer of musicians in the country? It has a proud cultural record, from the discovery of new artists and the Proms to innovative, brilliant cultural BBC radio programming at home and abroad. It is vital that all that is protected under amendment 19.

John Whittingdale Portrait Sir John Whittingdale
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While I completely share the hon. Lady’s love of music and recognition of the importance that broadcasters play in the promotion of music, the purpose of the new remit is to remove the specific naming of individual genres and instead put a requirement for them to be a “broad range”. In my view, that would certainly include music. Ofcom will have a duty to ensure that the broad range of different aspects of public service broadcasting is delivered, and there is a backstop power. If it is felt that broadcasters are failing to deliver sufficient quantities of the specific genre, it is possible for us to pass additional regulation to include a named additional genre. While music is no longer specifically mentioned in the remit, I am confident that that will not lead to any reduction. Indeed, the broadcasters have made clear that they have no intention of reining back on specific genres just because they do not appear in the legislation.

On how content is delivered, the Bill updates the present system so that on-demand provision contributes to the fulfilment of the remit, but to count towards the remit, as has been mentioned, it has to be online for at least 30 days. The only exceptions to the requirement are news and the coverage of live sports, which are regarded as being of instantaneous value, but value that perhaps diminishes over a short space of time. We thought about including music, but I think the value of music lasts beyond 30 days—I am as keen to see a performance from Glastonbury today as I was at the time it was broadcast. It would therefore not be appropriate to include it as one of the exemptions to the requirement. The Government recognise that it is valuable for audiences to be able to access news and current affairs in a traditional format, and the Bill accounts for that by ensuring our public service broadcasters are still subject to quotas that require them to deliver news via traditional linear television. Taken together, these changes will help ensure that our regulatory regime keeps up with modern viewing methods.

Clause 2 updates section 264A of the Communications Act in the light of the new public service remit for television. Section 264A describes how Ofcom, when undertaking a review under section 264, should consider the contribution that other media services, including those provided by commercial broadcasters, make to the remit. The changes made by the clause are needed to implement the new public service remit.

Clause 7 makes changes consequential to clause 1. In particular, it amends section 271 of the Communications Act to apply the existing delegated powers in the section to the new public service remit, as opposed to the old purposes and objectives. That will ensure that, should there be a need, the Secretary of State can by regulation modify the public service remit in clause 1, as I was suggesting to the hon. Member for Luton North. I therefore commend the clauses to the Committee.

I understand the intention behind amendment 19, which is to ensure that the range of content shown is broad. We want that too, but we feel that no longer specifying a large number of individual genres simplifies the current system of public service broadcasting. We want to set a clear and simple vision for the industry that narrows in on what it means to be a public service broadcaster, but we do not see that that need comes at the expense of breadth. We continue to want to see a wide range of genres, and we believe the clause achieves that.

Kirsty Blackman Portrait Kirsty Blackman
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The Minister said it is possible by regulation to amend the list to add genres. Could he write to me with information about the process by which that could happen? How can amendments be made to add genres to the list, should that become necessary?

John Whittingdale Portrait Sir John Whittingdale
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Ofcom has a duty to monitor the delivery of the remit, and that includes satisfying itself that there is a sufficient range of genres and that there has not been a diminution of a particular genre that would be considered part of the public service remit. If, however, it becomes clear that broadcasters are failing in any area, there is a backstop power that allows the Secretary of State to add a specific genre to the remit. We believe that safeguard is sufficient to ensure continued delivery of the range of genres that the hon. Lady and I want to see.

Sarah Owen Portrait Sarah Owen
- Hansard - - - Excerpts

I thank the Minister for giving way again; he is being very generous with his time. At what point would the backstop power be initiated? Is there a standard below which the Government believe the backstop should be initiated? If so, why not just lay it out on the face of the Bill?

John Whittingdale Portrait Sir John Whittingdale
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The position is that Ofcom has a duty to monitor the delivery of genres, and it produces a report on that. If it becomes clear, and Ofcom states, that the public service broadcasters are failing to deliver aspects of the remit, section 271 of the Communications Act, which is amended by clause 7, provides a delegated power to amend the remit following the report by Ofcom. Proposed new section 278A allows for the creation of additional quotas for underserved content areas. Those powers are designed to address any underserved content areas that have been identified, and could be used to add a specific genre if that proved necessary.

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John Whittingdale Portrait Sir John Whittingdale
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I am very happy to provide the hon. Lady with a written briefing on exactly how the powers can be used.

New clause 1 would put a specific duty on Ofcom to report on how public service broadcasters deliver the public service remit. We agree that that is very important, but we think that the Bill already achieves that. Clause 1 amends section 264 of the Communications Act to put a responsibility on Ofcom to review and report on the extent to which public service broadcasters fulfil the remit. Regarding the specific requirement of delivery of the remit on linear, I think that we are straying into the territory of debate on the next group, about how long viewers should be able still to rely on digital terrestrial television. I am very happy to debate that, but I think that discussion that is more appropriate to the next grouping.

The hon. Member for Aberdeen North raised a specific question about how the measurement of the 30 days requirement should operate. I can assure her that the broadcaster would certainly not be able to pick out individual days and put them all together to make up that 30. It is 30 consecutive days starting from the day that the content is first made available.

I believe that the clauses that we are debating represent a modernisation that will ensure that public service content remains at the heart of our broadcasting landscape but is modernised to take account of the extraordinary transformations that are occurring. On that basis, I commend clauses 1, 2 and 7 to the Committee, but I would, I am afraid, be unable to support new clause 1 or, indeed, amendment 19.

Stephanie Peacock Portrait Stephanie Peacock
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I appreciate the Minister’s comments on amendment 19, but it still remains the case that, without clear specifications as to what counts in the “range of genres”, there is no guarantee that Ofcom will monitor the levels of content in each of the removed genres. Without such monitoring, it will be very difficult to identify whether there is a reduction and to rectify that. With that in mind, I would like to press amendment 19 to a vote.

Question put, That the amendment be made.

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John Whittingdale Portrait Sir John Whittingdale
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I want first to make it clear that the Government remain committed to the future of digital terrestrial television. We absolutely accept that millions continue to rely on it. We have already legislated, as hon. Members know, to secure its continuity until at least 2034 through the renewal of the multiplex licences. Obviously, I understand that the Opposition would like to go further and give a commitment going beyond 2034, and the amendments are tabled with that purpose in mind.

I said “overwhelming majority” on Second Reading, because I do not want to be tied down to a specific figure, particularly when we are now looking 10 years ahead, but I repeat that it would be a brave Government who switched off DTT while there was still a significant number—even a small number—of people relying on it.

Stephanie Peacock Portrait Stephanie Peacock
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Since the Minister is not willing to commit to going further than 2034, will he outline when he will make a decision on whether he will extend it past 2034? If not—this is quite important—what plans are the Department putting in place to ensure any future transition takes place effectively?

John Whittingdale Portrait Sir John Whittingdale
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I am happy to say a little more about what the Department is doing. First, the hon. Member for Aberdeen North is absolutely right that broadband availability is one of the factors that would need to be taken into account. I also have ministerial responsibility at the moment for digital infrastructure, and I can confirm to her that the Government remain committed to the universal availability of gigabit broadband by 2030; if we achieve that target, that is one factor that will have been met. There is also the availability of low-cost tariffs, and I agree with her about the importance of those.

The hon. Lady also talked about resilience. Resilience is important, but it is worth bearing in mind that the Bilsdale transmitter fire was not that long ago—that took out DTT for a significant number of people for quite a few months. Every technology is subject to occasional risk, and that was a rather more dramatic one.

On getting vital messaging across, I gently say to Opposition Committee members that radio is, of course, available through a variety of different technologies as well as television.

Stephanie Peacock Portrait Stephanie Peacock
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The fire that the Minister referenced really outlined how important linear television is to many parts of the country. Actually, the further north we go, the more communities rely on it. In that particular case, I think that a prison was affected as well as a number of older people. It is a good example of how important terrestrial TV still is to many in the country.

John Whittingdale Portrait Sir John Whittingdale
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We completely recognise that terrestrial TV is important to many in the country. I was in my second incarnation as a Minister at the time of the Bilsdale fire, and I talked to Arqiva about the importance of restoring services as rapidly as possible. A very large number of people were left without the ability to access information, entertainment and all the things that people rely on television to provide.

Looking forward, as hon. Members may be aware the Secretary of State recently announced that the Department is going to carry out a new programme of work on the future of television distribution. That includes a six-month research project working with a consortium led by the University of Exeter, looking at changing viewing habits and technologies. We have also asked Ofcom to undertake an early review on market changes that may affect the future of content distribution. I am very happy to keep the House updated on those. That will be looking at all the various factors that would need to be taken into account.

I make one final point about amendment 37. It puts a particular requirement on channel 3 licensees to use particular standards for compression technology. As with all technologies, the standards for television distribution will change over time. We want to ensure that there remains flexibility, so restricting channel 3 to a particular use of one technology would be severely limiting and actually be contrary to precisely what the Bill is designed to achieve.

Kirsty Blackman Portrait Kirsty Blackman
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On what the Minister just said about the report on the future of television provision being done and the timeline for decision making, does he recognise my point that the degradation of the technology is possible if the Government do not make fairly early decisions—I am not talking about in the next three months—on whether they are going to extend it beyond 2034? Does he understand the importance of making a decision in fairly short order to ensure that broadcasters, for example in Arqiva, keep the technology running so that it stays viable beyond 2034 if necessary?

John Whittingdale Portrait Sir John Whittingdale
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As I say, we are committed to keeping the House updated about the research. I recognise the point, and my own expectation is that DTT will be around for quite some time to come. For the reasons I have explained, I am not able to accept the amendments. I hope that the Opposition will withdraw them.