Staffordshire: Cultural Contribution

Jim Shannon Excerpts

Tuesday 29th April 2025 Westminster Hall

[Leigh Ingham (Stafford) (Lab)]

I beg to move,

That this House has considered the cultural contribution of Staffordshire.

It is a pleasure to serve under your chairship, Ms Furniss, and I thank everyone for their interest in attending this Westminster Hall debate. Staffordshire is a county where culture is carved in clay, sung on local stages and carried proudly in the stories of its people. Its legacy is rich and alive, and today I rise to champion our region and its contribution.

Our future links us to our past, but we are not bound by it. That future speaks to the potential of every single one of Staffordshire’s communities—from Stafford, my proud county town, and the vibrant city of Stoke-on-Trent to the quieter, more rural parts of the county such as Eccleshall, Derrington and Church Eaton. Much like our county symbol, the 15th-century Stafford knot, we are all interlinked.

I secured this debate to celebrate Staffordshire’s legacy and to mark Staffordshire Day on Thursday 1 May, which is another important day to vote Labour and champion our community’s future. The debate is an opportunity to discuss tapping into our heritage, building on our creativity and ensuring that our proud traditions and culture continue to be a force for positive change in Staffordshire and beyond.

Staffordshire is known for many things. It is perhaps best known for its ceramics, which I will leave to my hon. Friends the Members for Stoke-on-Trent Central (Gareth Snell) and for Stoke-on-Trent South (Dr Gardner) to discuss in detail, and for its brewing, which I am confident that my hon. Friend the Member for Burton and Uttoxeter (Jacob Collier) will discuss at great length.

Those are just the most famous examples of Staffordshire’s skilled craftspeople and their impact on our country’s industrial and creative landscape. As a pioneering industrial county, many of our more modern organisations—such as Bostik, which makes adhesives; Perkins, which makes engines; and GE Vernova, which makes transformers—have grown from roots in more traditional work with metal, clay, leather or textiles.

Much of Staffordshire’s history, which is encapsulated in archives, can be found at the new Staffordshire History Centre in my constituency. At that amazing new facility, over a thousand years of Staffordshire’s history have been brought to life in some fascinating displays. The archives include rare items such as Anglo-Saxon charters confirming the foundation of Burton abbey and a letter written on the eve of the American revolution. A key part of the centre’s collection is the rare books and manuscripts collected by William Salt. For anyone looking for more information about Staffordshire’s past after this debate, the centre is a very good place to start.

As a proud county town, Stafford has a key story to tell in Staffordshire’s cultural history, and it echoes through to today. In its town centre, people can stop for coffee and cake at the Soup Kitchen, which dates to the 16th century, enter the historic churches of St Mary’s and St Chad’s, and take in the interior and exterior of the Ancient High House, which is haunted by a ghost called George and is known for being the largest surviving timber-framed townhouse in England. We also have Stafford castle, which has dominated the skyline in Stafford for over 900 years.

As the chair of the all-party parliamentary group for theatre, I will also talk about theatres. There is the Stafford Gatehouse theatre, famous for its Shakespeare festival and for its hilarious pantomimes every Christmas, which bring audiences from across the county to Stafford. The Gatehouse also provides a space for actors, artists and writers to hone their craft with its hugely popular youth theatre. I was lucky enough to meet some of those actors, artists and writers last Friday before the opening night of “Carrie: The Musical”.

Across the county, we have other wonderful theatres such as the New Vic in Newcastle. It stands out as a theatre in the round and creates an innovative, immersive style of theatre that makes audiences feel as if they are part of the performance. There are also the Regent theatre and the Garrick theatre, which is in Lichfield. They host productions by flagship companies from around the country.

Of course, theatre is not always confined to traditional stages. The Claybody theatre company is based at the former Spode pottery works in Stoke-on-Trent Central. That is a brilliant example of how our county’s cultural history can inspire its present. Its work is fuelled by the stories of the area, and it regularly integrates members of its community company into its productions alongside professional actors. As well as performing in its current historic home, it uses found spaces such as Fenton town hall, which hosted its production of “The Card”, based on the novel by one of Stoke’s most famous sons, Arnold Bennett.

The connection with our past does not extend just to the theatre. Many of our communities come together to celebrate our history, with the Gnosall canal festival being a really good example. Centred on the historic canal boats, that event tells the stories of the village’s past, while bringing people together for live music, entertainment and more.

I also want to talk about the future. Although our past and heritage are a source of pride, Staffordshire’s culture is far from static. It is living, breathing and evolving every single day. Staffordshire remains a county of skilled tradespeople and of artists, and it is vital that we nurture and develop that talent. We must ensure that arts and culture are part of our everyday lives, because that is where we find connection, community and identity.

Last weekend, I spoke with Johny Todd, whose business in Woodings Yard Studios stands as a proud reminder of Stafford’s history in the leather industry. We discussed how artists today face many challenges and the opportunity that this Labour Government have to support our creative industries as a way of building community and supporting our local economies.

[Jim Shannon (Strangford) (DUP)]

I commend the hon. Lady for putting such a shine on Staffordshire, and she is right about the creative industries. It is important that those skills of our forefathers—our grandfathers and fathers—are passed on, but I feel that they are being lost. Does she agree that the Government should step in to ensure that a training system is in place so that those skills are not lost?