Creative Industries

Jamie Stone Excerpts

Monday 27th January 2025 Commons Chamber

[The Minister for Creative Industries, Arts and Tourism (Chris Bryant)]

I beg to move,

That this House has considered the creative industries.

I have of course noted the point of order that was just raised, and I will pass on the comments and make sure that an answer is provided. I should declare an interest of my own in this debate. Two of my books are optioned, one to Mother Films and another to Pathé, so if we stray into talking about film and high-end television, I will have to be careful. [Interruption.] Have Members come across Paddington and his stare before?

The UK is home to world-class creative industries; I think we can all agree about that. Every single day, our arts and culture bring joy to millions of people, not just in our four nations but all over the world. They are part of our soft power, part of our economic power and part of the joy that we give to the world. They enrich our lives, they bring our communities together and they drive our economy. These are industries powered by extraordinary artists, musicians, dancers, publishers, architects and game designers who, year after year, find ways to break out of the straitjacket of conformity. I know this because on Saturday night I went to see the Matthew Bourne version of “Swan Lake”, and if that is not an example of people breaking out of the straitjacket of conformity, I do not know what is.

While Governments of every stripe have appreciated the social value of our creative industries—some more than others—many have underpriced the huge economic potential of industries that are already among our most powerful engines of growth. This Government understand the true economic value that these industries have now and can have in the future. They generated £125 billion for the economy in 2023. They account for one in 14 jobs across the country now, and I would guess that by 2029 that will be one in 10. They have shown growth at one and a half times the rate of the rest of our economy in the past decade, despite all the economic headwinds they and we have faced. Today, we are the third largest art market in the world, larger than all the European art markets combined, and I want to make sure that we remain at the top of that list. Only the USA exports more advertising than us, and nobody exports more books than us—although not necessarily mine.

To put this in perspective, our creative industries were worth more to the economy in 2022 than three of our heavyweight sectors—aerospace, life sciences and automotive industries—combined. When we think about growth, our first thought should therefore be of the creative industries, and I am proud that that is precisely how this Government are viewing them. I would argue that these industries have managed all this in spite of, not always in partnership with, their Government over the past 14 years. They have been built by ordinary people doing extraordinary things: rule breakers, convention breakers and trend defiers who have pioneered thousands of small revolutions in our arts and culture.

I believe that with a genuine partner in Government—one that bulldozes barriers, that creates stability and certainty for businesses and international investors, that collaborates with businesses and artists as equal partners to turbocharge growth, that does not try to persuade every ballerina in the country to retrain, and that ensures that creative education is at the heart of all our education in schools and that every single child in this country does not go through their education without a proper creative education —we can create even greater British success stories.

[Jamie Stone (Caithness, Sutherland and Easter Ross) (LD)]

I observe no Paddington stare. The point is well made about young people starting off and growing into the creative industries. The pantomimes and local amateur dramatics that I get involved in are the seedcorn of these things by getting kids on stage, but does the Minister agree that if the local newspapers go down—and so many of them are in danger right across the UK—those things will not get the publicity and support that helps to grow the industry?

[Chris Bryant]

The hon. Gentleman asks four questions in one, which is quite creative of him. He says he is involved with pantomime; some of us on the Labour Benches would say that he has been in pantomime for much of his political career. He makes an important point about journalism, which is a very important creative industry in this country. The Under-Secretary of State for Culture, Media and Sport, my hon. Friend the Member for Barnsley South (Stephanie Peacock), who is sitting beside me, has responsibility for print journalism. She takes ensuring the survival of local journalism very seriously. How on earth could people otherwise hear stories from their local community? There is also a job to do on tackling misinformation. If the only information people ever hear about their local community comes from social media, a lot of it might not be as accurate as we would like.

--- Later in debate ---

[Chris Bryant]

I agree 100%. So many programmes made in Northern Ireland are an intrinsic part of what the UK has to offer. I am not sure whether “Derry Girls” is necessarily the hon. Gentleman’s thing, but it is one of the funniest programmes we have seen in many years. “Game of Thrones,” of course, was made in Northern Ireland, and many Northern Irish actors have done extraordinarily well on the British scene, and on a much wider canvas.

I am particularly stimulated by the fact that Albert Finney and Glenda Jackson were born on the same day. Those working-class kids both ended up going to the Royal Academy of Dramatic Art and having phenomenal acting careers, with Oscars, awards and so on. Where are the Albert Finneys and Glenda Jacksons of the future? Whether they come from Northern Ireland, Scotland, Wales or a difficult estate in England—even Stoke-on-Trent—we will have failed so many of our young people if the only schools that provide a real creative education, in art, music or drama, are the Etons of this country, and we will not have the creative industries we need.

Since last July, creative businesses have been nothing but straight with us about what is holding them back, and this Government have heard them loud and clear. They want investment, innovation, international competitiveness and skills. Each one of these has to be a litmus test for what we are doing as a Department and as a Government.

Today, I want to set out some of the challenges, as we see them, and what this Government are doing to address them. Our starting point, right across Government, has been an appreciation of what the creative industries give us. They are not a “nice to have” or a cherry on the cake; they are an essential part of who we are as a country and what we are trying to achieve as a Government.

We are very aware that brands like the BBC and the Premier League are an important part of our soft power around the world, which is one of the reasons why the Foreign Secretary and the Culture Secretary recently launched the Soft Power Council, because we think we can do far more with that.

People sometimes focus on the BBC, which I worked for many moons ago. I remember getting into a taxi in Brussels, and the driver asked me what I did. I said that I worked for the BBC, and he said, “Oh, I love the BBC and all those wonderful TV programmes: ‘Inspector Morse’ and ‘Brideshead Revisited.’” He basically gave me a long list of ITV programmes.

[Jamie Stone]

Will the Minister give way?

[Chris Bryant]

Again?

[Jamie Stone]

“The Traitors,” which attracted 7.4 million viewers on the BBC last Friday, was filmed at Ardross castle in my constituency.

[Chris Bryant]

I was at a tourism conference last Thursday, and our tourism offer is especially good at giving people the opportunity to visit places where films have been made. One of the biggest investors in our country in the past few years has been Tom Cruise, who has another film coming out in the near future. Many film locations are wonderful places for tourist visits. I notice the hon. Gentleman has gone from panto to “The Traitors”—need I say more? Of course, “The Traitors” was originally a Dutch format, but the BBC has made it better than anybody else made it, and has given it new life. I will not spoil it for anyone, but I thought the final episode was very unfair, ending as it did.

From the outset, the Chancellor and the Secretary of State for Business and Trade made our creative sector one of eight growth-driving industries at the heart of our industrial strategy. My right hon. Friend the Secretary of State for Culture, Media and Sport and I are developing a long-term sector plan, along with Baroness Shriti Vadera and Sir Peter Bazalgette.

Space Sector: Government Support

Jamie Stone Excerpts

Wednesday 4th September 2024 Westminster Hall

[The Minister for Creative Industries, Arts and Tourism (Chris Bryant)]

It is a great delight to see you in your seat, Mr Dowd, not least because, as I have commented before, you are one of the snappiest dressers in Parliament and London fashion week is fast approaching. That is not part of my space portfolio, but it is part of my culture portfolio. I very much hope we will see you on the catwalk.

What goes around comes around. It is a funny old world, isn’t it? I think the last debate I addressed in Westminster Hall from this side of the Chamber was also led by the right hon. Member for Orkney and Shetland (Mr Carmichael). It was about the global abolition of the death penalty. We completely agreed with one another on 28 October 2009 and, funnily enough, we completely agree with one another today.

I am slightly nervous about the right hon. Member saying that we should sing from the same hymn sheet, only because I am an Anglican—not a particularly good one—and I have a particular loathing of paraphrases sung to dirges, so I am not sure we can sing exactly from the same hymn sheet, but he makes an extremely good point. The Government are very keen to work with the Scottish Government, with local authorities and obviously the commercial players in the field to make sure that we gain all the possible benefits from space to the UK economy and to the way we run our society, our business and our Government.

It is a particular delight also to see the hon. Member for Wyre Forest (Mark Garnier), because I know he has been interested in the subject and led the last debate on it in Westminster Hall. I know that a series of Members are interested in the matter, and I hope to ensure that by the end of this Parliament even more Members are cognisant of the issues and able to drive the agenda forward with the Government. There are many things that we need to change in this country, but we are absolutely committed—as committed as the previous Government—to ensuring that we harness and garner the benefits and opportunities of space.

I do not think of space as the final frontier; I think of it as the biggest opportunity in my portfolio when it comes to economic growth and our economic advantage in relation to other countries. There are other aspects, some of which the right hon. Member referred to, and I will of course come on to the specifics of Shetland—though my family is rather more Stornoway.

[Jamie Stone (Caithness, Sutherland and Easter Ross) (LD)]

There is of course room for more than one space launch site in the UK, and we wish SaxaVord well in its future endeavours. The Minister has talked about the economic benefits to the country, but for Sutherland a space launch represents a social benefit to young people and jobs for the future in a fragile and remote part of the UK. My request is simply this: Ministers have a good relationship with the company Orbex, referred to by the hon. Member for Moray West, Nairn and Strathspey (Graham Leadbitter), and I would be grateful if that relationship could be built on.

[Chris Bryant]

I have every intention of building on all these relationships as fast as I possibly can. There are others—indeed, I am going to see Airbus in the next couple of weeks. Hundreds of companies in the UK are engaged in the various aspects of the value chain that lead to sending something up into space, keeping something up in space or taking something down from space, or that use the data that comes from space, or that provide the software, the mission control or whatever. There is a wide range of companies, and I want to engage with as many of them as fast as I can. Obviously, the two that we have referred to are already high on that list, and I would like to make a visit to Shetland soon if possible.

I know Grantown-on-Spey very well because I spent a lot of my childhood in Aviemore. I had a very constructive conversation with Mr Strang last week, and we are keen to work with his organisation. I suspect I will be visiting Grantown, as well as Shetland, in the not-too-distant future. Incidentally, there are some issues in relation to telecoms on mountains in Scotland that I would also like to address.

As has been said, space is a strategic priority for this Government, as it was for the previous one. It is also a competitive advantage for the UK. The point has been made about vertical take-off; we have more than half the capacity across Europe. The right hon. Member referred to Norway as a neighbour. It does not feel so much like a neighbour in the south Wales valleys, but I understand his point. None the less, because of our geography, our time zones and so on, the UK has a unique opportunity to steal a march on the rest of Europe, and we are determined do so if we possibly can.

The right hon. Member also made a point about skills and young people coming into the industry. We have spent quite a lot of time and DSIT money trying to ensure that we have the skills in the UK. We are well served, and we need to ensure that there is an ongoing build-up of people available to work in the industry, that they are able to get the training and support they need, and that people from a variety of backgrounds can conceive of a future career in those industries, even if it is not necessarily on their doorstep. We intend to work on that.

Of course, this is a commercial domain in large measure, but it is not necessarily a cheap or easy one. As has been said, space is hard; long-term investment is obviously far more important than short-term gain. We want to ensure that all commercial operators working in the field have an opportunity to seize investment opportunities, and we are aware that there will have to be Government involvement in that process.

Space Industry

Jamie Stone Excerpts

Wednesday 24th April 2024 Westminster Hall

[The Minister for Science, Research and Innovation (Andrew Griffith)]

It is a delight to be here under your chairmanship, Mrs Murray. I congratulate my hon. Friend the Member for Wyre Forest (Mark Garnier) on initiating this well-attended debate about the all-important UK space industry, as well as on his commitment to and leadership of the all-party parliamentary group. I am myself a former member, and I know how hard-working and formidable his connections are in this domain, together with my hon. Friend the Member for Morecambe and Lunesdale (David Morris).

This is a tremendous week for UK space, and I hope all Members will join me in congratulating astronaut Rosemary Coogan on achieving her space wings and graduating from astronaut school on Monday, together with two other British astronauts, John McFall and Meganne Christian. We hope they all have the opportunity in the coming years to leave this orbit behind and fly into space.

It has been enlightening to hear all the important points that hon. Members have raised in today’s debate, including on the way in which space and its attendant industries touch every single part of the United Kingdom. Today’s debate encapsulates the importance of the subject, from Spaceport Cornwall all the way to the opposite tip of these isles in Shetland and Orkney. There could not be any better examples than that.

Space is important to everybody and is an important economic activity. That is why the Government have a clear set of plans, which I can assure everyone that we are delivering upon daily. In 2021, we published the UK’s first ever cross-Government national space strategy. We are now spending approximately £650 million a year on space, which is an uplift of more than 70% on the amount we spent as a nation in 2018-19. I should be clear that this does not include all the space-related investment and spend on projects via Copernicus, UKRI and the Ministry of Defence.

[Jamie Stone (Caithness, Sutherland and Easter Ross) (LD)]

As the Minister knows, work continues apace at the Sutherland spaceport. It is interesting to note the recent announcement about the amount of investment that Orbex has attracted. Part of this is private money; when the markets speak, we listen. Returning to the remarks made by the hon. Member for Newcastle upon Tyne Central (Chi Onwurah), it is about skills. The big challenge for us is how we will get the seedcorn we need to develop these homegrown skills. I suggest to the Minister that the Government should showcase proudly everything they are doing on this front, by holding space industry fairs—

[Mrs Sheryll Murray (in the Chair)]

Order. If this is supposed to be an intervention, it must be short.

[Jamie Stone]

Could I recommend that consideration is given to this in various parts, such as Caithness in my constituency?

[Andrew Griffith]

The hon. Gentleman is absolutely right to champion the spaceport in his constituency and to mention the importance of what is called private space, where companies such as Orbex are pioneering new ways of reaching for the stars. A number of hon. Members have also pointed out the significance of space in making an economic contribution and inspiring future generations. I will take away the hon. Gentleman’s wonderful suggestion of a space youth fair—let us see what we can do together with the UK Space Agency. My hon. Friend the Member for St Austell and Newquay (Steve Double) made exactly the same point about Spaceport Cornwall.

It is often pointed out that the United Kingdom could be more joined up in its space endeavours. The space council, in whichever iteration, brings together other Departments in orbit with the Ministry of Defence so that we can continue to punch above our weight. We have recently opened a joint space command centre for both civilian and military space.

My hon. Friend the Member for St Austell and Newquay mentioned his hard work before Spaceport Cornwall was even established, which is huge testimony to the work he does for his constituents across north Cornwall. He also mentioned Goonhilly and the very significant space cluster that exists in Cornwall. The Government remain extremely supportive of Spaceport Cornwall and all its endeavours, and the point is very well made about the launch capability of the United Kingdom, which I talk about to both the UK Space Agency and the Ministry of Defence in these uncertain times.

Moving to the other end of these isles, the right hon. Member for Orkney and Shetland (Mr Carmichael) talked about Shetland’s spaceport. It does indeed have formidable natural advantages, and so inspired by the opportunity, the Government resolve to do everything they can. That is why my right hon. Friend the Chancellor so significantly put an investment into SaxaVord, subject to reaching acceptable terms. In this very important week for defence spending, I offer this small vignette: the Labour party cut defence and closed RAF Saxa Vord, while this Conservative Government are investing in the future of Shetland. I hope that does not provoke an intervention from the hon. Member for Newcastle upon Tyne Central (Chi Onwurah). [Interruption.] It is a fact. Facts sometimes can be provocative, but they are nevertheless facts.

We are bringing together many UK assets in space in the Harwell science and innovation campus space cluster. While it is also a significant contribution to levelling up, we have published not just the space industrial plan but plans for space clusters and space investment funds. I believe that the hon. Member for Newcastle upon Tyne Central and myself will both be speaking at the North West Space Cluster in June, which will give us both an opportunity to commit to the future of space in that important region of the United Kingdom. As my hon. Friend the Member for Wyre Forest raised a point about Adam Smith, space is at the heart of the comparative advantage and the productivity of this nation.

It is a busy world in space. It is going to be a banner year. We hope to see space launches from European soil from the first time. Just this week, the UK Space Agency announced an £8 million investment in the UK innovation & science seed fund. When my hon. Friend the Member for Wyre Forest opened the debate, he talked about the importance of getting capital to flow and of the connection with the City of London and finance. I hope that £8 million at the earliest stage—the seed and even the pre-seed stage—of the lifecycle could make a real contribution to growing the space supply chain and skills.

We will be responding to the Regulatory Horizons Council report on space well within the allotted timeframe. Before we break for the summer we will be publishing the space workforce skills plan, which the hon. Member for Newcastle upon Tyne Central raised. That is something very close to my heart and, I suspect, to the hearts of other Members. The hon. Member for Strangford (Jim Shannon) has left the Chamber, but Northern Ireland, as with all the regions, is an important part of the space sector. Its legacy and history in aerospace engineering is something that I firmly hope we can continue to bring to bear.

Time is running out and there is so much more we could talk about. We are off to the European Space Agency, and our commitment to that body remains as strong as ever.

Digital Exclusion

Jamie Stone Excerpts

Wednesday 28th February 2024 Westminster Hall

[Justin Madders (Ellesmere Port and Neston) (Lab)]

I beg to move,

That this House has considered digital exclusion.

Prynhawn da, Mrs Harris; it is a pleasure to see you in the Chair this afternoon. It is abundantly clear that we are living in an increasingly digital world where technology has become essential to the way we socialise, work, shop, learn, manage finances and gain access to vital services. Digital skills, connectivity and equipment are all now essential to enabling an individual to fully participate in modern society. For the majority of the population, that has made life easier.

Tasks that would have required someone to leave the comfort of their own house in the past are now performed at the tap of a screen or the click of a button. Information that might once have required significant research can be recovered instantaneously. For the most part, those trends do not pose problems for people, but for the minority who might lack the digital skills or confidence to gain access to those services, it can make the world more and more inaccessible.

[Jamie Stone (Caithness, Sutherland and Easter Ross) (LD)]

Many of my constituents cannot work the system. They do not know how to or they give up, which means they miss out on vital NHS appointments and so on. Does the hon. Member agree with me that a back-up, offline system with a real voice at the end of a line would be a good idea?

[Justin Madders]

I agree. I will say no more about that because of the number of people who want to speak.

Artificial Intelligence Safety Summit

Jamie Stone Excerpts

Thursday 9th November 2023 Commons Chamber

[Michelle Donelan]

I absolutely agree with my hon. Friend. I could not have thought of a better place to host this international summit than Bletchley Park. It is not just me who thinks so: all of our delegates remarked on how important it was to host it at such a historically significant venue, one so close to the vibrant tech capital of Milton Keynes.

[Jamie Stone (Caithness, Sutherland and Easter Ross) (LD)]

The Bletchley Park declaration is indeed to be welcomed. Given the more or less consensual response to the Secretary of State’s statement, it strikes me that taking this issue forward on a cross-party basis is going to be absolutely crucial. There was no mention of legislation in the King’s Speech, and although I partially accept the Secretary of State’s point about the time involved in legislating, Governments of all colours come and go, but this issue transcends those changes. Can we get an undertaking from the Secretary of State that there will be discussions right across the Chamber involving all the parties about where she sees things going and what legislation may have to be looked at in the future, in order to give continuity?

[Michelle Donelan]

I am more than happy to talk to anybody from around the House, and to convene a meeting with colleagues of all colours to discuss this important area and what the future may hold in terms of responses and action.

Online Safety Bill

Jamie Stone Excerpts

Consideration of Lords amendments
Tuesday 12th September 2023 Commons Chamber

[Jamie Stone (Caithness, Sutherland and Easter Ross) (LD)]

It is very kind of you to call me to speak, Mr Deputy Speaker. I apologise to your good self, to the Minister and to the House for arriving rather tardily.

My daughter and her husband have been staying with me over the past few days. When I get up to make my wife and myself an early-morning cup of tea, I find my two grandchildren sitting in the kitchen with their iPads, which does not half bring home the dangers. I look at them and think, “Gosh, I hope there is security, because they are just little kids.” I worry about that kind of thing. As everyone has said, keeping children safe is ever more important.

The Bill’s progress shows some of the best aspects of this place and the other place working together to improve legislation. The shadow Minister, the hon. Member for Pontypridd (Alex Davies-Jones), and the hon. Member for Aberdeen North (Kirsty Blackman) both mentioned that, and it has been encouraging to see how the Bill has come together. However, as others have said, it has taken a long time and there have been a lot of delays. Perhaps that was unavoidable, but it is regrettable. It has been difficult for the Government to get the Bill to where it is today, and the trouble is that the delays mean there will probably be more victims before the Bill is enacted. We see before us a much-changed Bill, and I thank the Lords for their 150 amendments. They have put in a lot of hard work, as others have said.

The Secretary of State’s powers worry my party and me, and I wonder whether the Bill still fails to tackle harmful activity effectively. Perhaps better things could be done, but we are where we are. I welcome the addition of new offences, such as encouraging self-harm and intimate image abuse. A future Bill might be needed to set out the thresholds for the prosecution of non-fatal self-harm. We may also need further work on the intent requirement for cyber-flashing, and on whether Ofcom can introduce such requirements. I am encouraged by what we have heard from the Minister.

We would also have liked to see more movement on risk assessment, as terms of service should be subject to a mandatory risk assessment. My party remains unconvinced that we have got to grips with the metaverse—this terrifying new thing that has come at us. I think there is work to be done on that, and we will see what happens in the future.

As others have said, education is crucial. I hope that my grandchildren, sitting there with their iPads, have been told as much as possible by their teachers, my daughter and my son-in-law about what to do and what not to do. That leads me on to the huge importance of the parent being able, where necessary, to intervene rapidly, because this has to be done damned quickly. If it looks like they are going down a black hole, we want to stop that right away. A kid could see something horrid that could damage them for life—it could be that bad.

[Kirsty Blackman]

Once a child sees something, they cannot unsee it. This is not just about parental controls; we hope that the requirement on the companies to do the risk assessments and on Ofcom to look at those will mean that those issues are stopped before they even get to the point of requiring parental controls. I hope that such an approach will make this safer by design when it begins to operate, rather than relying on having an active parent who is not working three jobs and therefore has time to moderate what their children are doing online.

[Jamie Stone]

The hon. Lady makes an excellent point. Let me just illustrate it by saying that each of us in our childhood, when we were little—when we were four, five or six—saw something that frightened us. Oddly enough, we never forget that throughout the rest of life, do we? That is what bad dreams are made of. We should remember that point, which is why those are wise words indeed.

Classical Music: Funding and Support

Jamie Stone Excerpts

Wednesday 29th March 2023 Commons Chamber

[Bambos Charalambous]

The hon. Gentleman is absolutely right: the BBC is a public broadcaster, and it therefore has a public duty to do things that are not available elsewhere. However, we have to look at that in the context of what the BBC has been forced to do. It, too, has had to make cuts because the licence fee has been frozen—something that I will come to later on in my speech. The hon. Gentleman is right, though, about the duty of the BBC to provide things that are not provided elsewhere, which I will also come to in a second.

The most serious threat to the BBC orchestras remains, which is the proposed cut to 20% of orchestral jobs across the BBC’s English orchestras. It is important to note that these cuts come after more than a decade of successive Conservative Governments hammering the BBC’s funding. Ever since 2010, the BBC has faced repeated and deep real-terms spending cuts, and in 2022 the licence fee was frozen for two years. The BBC has said that that is expected to create a funding gap of about £400 million by 2027. That is the important context in which the BBC has taken these decisions. While it is right that the BBC is operationally independent, it is also right that major decisions that impact on our cultural and artistic ecosystem can be challenged and questioned. As a public service broadcaster, the BBC has a public duty of care to its orchestras and ensembles, and it also has a duty to provide excellent, accessible and inspiring content to the public.

Make no mistake: the proposed 20% loss of jobs across the BBC’s English orchestras is devastating to our classical music infrastructure. The cuts are of course damaging to the highly skilled musicians who face losing their jobs, but they also have serious implications for the wider classical music industry. The BBC has often nurtured new orchestral talent with the career pathway it provides for orchestral players. The BBC is also the largest employer of musicians in the classical music workforce, which is generally insecure and freelance.

Let us be clear about what these orchestras represent: the BBC Symphony Orchestra, BBC Concert Orchestra and BBC Philharmonic Orchestra are internationally renowned and made up of some of the world’s finest musicians. They are loved across the country for their touring role and for performing at the BBC Proms, including opening and closing the festival. My hon. Friend the Member for Worsley and Eccles South has rightly praised the importance of the BBC orchestras to the quality of the UK’s classical music output and the musicians’ ability to adapt rapidly to new commissions and audiences.

The BBC also appears to be sending mixed messages; it says it is increasing investment in musical education, but it is cutting the jobs to which music students aspire. That makes no sense at all. Even the BBC’s own classical music review has said that the BBC performing groups play a vital role in the pipeline of new talent. These cuts therefore have huge negative implications for future generations of musicians and our wider musical infrastructure.

The cuts also have negative implications for the cultural life of the regions. The BBC’s classical music review has found that the BBC orchestras perform in parts of the UK that would otherwise not be covered by major orchestras. The loss of a fifth of orchestral jobs in the BBC orchestras can therefore have only a negative impact on the cultural experiences of people living outside London or other main urban areas. Again, as with the cuts to the ENO and all the other institutions I named at the beginning, the BBC orchestral cuts threaten a levelling-down effect and a serious downgrading of the cultural life of the UK.

Let us put all this into a wider financial context. As Charlotte Higgins of The Guardian pointed out last week, the BBC orchestras are being cut and the BBC Singers’ future made uncertain for the want of a reported £5 million saving to the BBC. Meanwhile, the Government are trying to claw back £122 million from PPE Medpro, the company recommended by Baroness Mone as a supplier of personal protective equipment to the NHS during the pandemic. The sums of investment needed to secure key parts of our classical music industry are therefore small when compared with the vast amounts wasted by this Government. It makes absolutely no economic or cultural sense to allow the devastation of our classical music industry when it can be supported for a fraction of what the Government have wasted on PPE contracts. We need to remember, as I stated earlier, that the music sector adds significantly to our economy; it was £4 billion in 2021.

There are some other practical things that the Government could do right now to redress some of the damage done to the classical music industry. The following are just some suggestions, any of which would be a small step towards supporting our classical music infrastructure. For instance, VAT on live events, such as music and theatre events, could be reduced to bring the UK more in line with EU nations and to help to stimulate live music. The Government could look at measures such as reducing business rates on live music venues and studios. The classical music industry could be given help through extra support to venues, studios and music spaces hit by soaring energy bills. If they wanted to, the Government could create a new tax relief for the music industry, like those enjoyed by film and TV, to boost music production.

[Jamie Stone (Caithness, Sutherland and Easter Ross) (LD)]

The hon. Member is making a thoughtful speech, to say the least. There is an international dimension to this, taking forward his point. Last year, two Ukrainian players, Oleksii and Igor, came to perform in St Finbarr’s church in Dornoch in my constituency. That was an expression of determination that Ukraine would not be crushed and an opportunity for us to say, “We are with you, Ukraine.” The Government could look at that—perhaps they do already—and say, “Let us have more Ukrainian players. Let us use this as our soft power.” Music speaks to everyone. It is an international language, so there is a great opportunity here for us to do more and to stand with brave Ukraine.

BBC: Government Role in Impartiality

Jamie Stone Excerpts

Tuesday 14th March 2023 Commons Chamber

[Julia Lopez]

On some of the musical operations the BBC currently funds, I know that this matter is causing a lot of alarm and concern. As my hon. Friend will appreciate, it is not for me to set out to the BBC how it should spend licence fee payers’ money, but it does have certain duties upon it to deliver cultural good. The matter of the BBC Singers is still open to staff consultation and I encourage staff who are concerned about these changes to fully engage with that consultation.

[Jamie Stone (Caithness, Sutherland and Easter Ross) (LD)]

I trust, or I hope, that I am seen to be fair-minded in this place. First, the Minister has said that she will not instruct Richard Sharp to go, but does she accept that his continuation, his lingering on, as chair does nothing for the reputation of the BBC, and that he should reflect on his position and consider accordingly? Secondly, although she claims that the process of his appointment was transparent, many of us in this place, including many Conservative Members, feel that it was very far from that indeed and should be looked into.

[Julia Lopez]

The process, from a DCMS perspective, was fully transparent. We followed the process to the letter and that process was subsequently approved in a hearing by the Select Committee on Digital, Culture, Media and Sport. Things have subsequently come to light that are under investigation, and I am afraid that I cannot comment on that investigation.