Data (Use and Access) Bill [Lords]

Debate between James Frith and Ben Spencer

Consideration of Lords message
Tuesday 10th June 2025 Commons Chamber

[Dr Spencer]

I thank the Chair of the Select Committee, who is also trying to break us out of the groundhog day that we seem to have found ourselves in.

The Lords amendment does not fetter the Government’s policy options, nor does it prescribe how proportionate transparency should be achieved. It simply puts a line in the sand for the Government to act on this hugely important issue.

To return to the AI and the Gruffalo,

So on went the story through the deep dark wood

To be loved by its readers, as a good book should.

Yet the AI pondered, as it wanted it now.

“I’ll simply just scrape it”, the AI did avow.

When he was musing, he stumbled across

The author reclining on a patch of green moss.

They had glasses and notebooks and ideas galore.

They had printed five books, but were working on more.

Their eyes came to meet—they were in for a fight.

Both wanted the story, but who was right?

The answer is both, if reasonably sought

For content, not stolen, but licensed or bought.

Be clear what you’re taking, be transparent and true,

And recognise the content and its real value.

Then there’s no monster nor bad guy, just an allegorical rhyme

And a plea to listen and take action in time.

[Mr James Frith (Bury North) (Lab)]

I hope that the shadow Minister sought permission to misappropriate Julia Donaldson’s wonderful work. It is hardly an example that any of us should follow.

We are back here again. I put on record my thanks to Government Front Benchers for their engagement on this issue. It was particularly welcome to see the Secretary of State, in his appearance on “Sunday with Laura Kuenssberg”, take such a human approach to recognising the concern that exists in the creative industries and give a commitment to the nation about the seriousness of what comes from this place.

I also welcome the Minister’s comments that the creative and tech sectors will be involved in the next phase of this work, because that is essential. However, I would like to stress two further points. First, that involvement must reflect the breadth of the creative industries, from music and publishing to games, film and beyond—the necessary mix of expertise. That means the creative sector rights holders and business affairs professionals being involved, alongside the tech experts who understand the complexities of data flows, metadata structures, and the practicalities of any opt-out system or tech solution that is to be developed, notwithstanding the Secretary of State’s clarification that the Government no longer have a preferred position.

We look forward to the consultation and its findings being open and transparent, because while all the creative sectors share in the value of copyright as a principle that is tech and sector neutral, the way that commercial licensing models develop in practice will differ, and it is not for the Government to second-guess that. That is not a problem; in fact, it is a good thing. The emergence of bespoke commercial partnerships is precisely how the Government can achieve their objective of driving effective licensing, but to get there, we need sector-specific insight and specialist input, not a one-size-fits-all approach. I welcome the commitment to include Back Benchers, stakeholders and leaders of industry.

Crucially, the Government must consult and liaise with all of us on the formation of these groups, including their terms of reference—this cannot be presented again as a fait accompli. Too often, we hear of officials thinking or mulling things over, but not sharing what those thoughts are or what the implications of their latest thought could be. With the best will in the world, they cannot know the business as clearly as industry does. I believe that the prospects for both industries have improved as a result of this ping-pong process and the arguments we have been having, both in this House and in the other place.