Baroness Harman
Main Page: Baroness Harman (Labour - Life peer)(11 years, 5 months ago)
Commons ChamberRead Full debate Read Hansard Text
Ms Harriet Harman (Camberwell and Peckham) (Lab)
I beg to move,
That this House notes the importance to the UK of the arts and creative industries, with art and culture enriching the lives of individuals, reinforcing a sense of local community, and being vital to the economy, generating more than £36 billion a year and employing 1.5 million people; calls on the Government actively to support the arts by developing a strategy for the arts and creative industries; believes that this should include putting creativity at the heart of education, ensuring that creative industries have access to finance and funding, protecting intellectual property, supporting the arts and creative industries, including museums and galleries, in all nations and regions of the country, not just London, and attracting inward investment and providing support for exports; recognises that it is not only right in principle that the arts should be for everyone but that the arts thrive when they draw on the pool of talent of young people from every part of the country and all walks of life; and believes that a strong Department for Culture, Media and Sport with a Secretary of State standing up for the arts is crucial.
This debate is an opportunity for the whole House to express support for our arts and creative industries and to assert their great importance to this country. In this House, we often debate health, education and the economy, and we should recognise that the arts contribute to all of those. It is right too that we talk about the intrinsic value of the arts—how they move us and challenge us, and the great joy that arts and culture bring to our lives. Yes, the arts make money for this country, but they are never just a commodity. From the parents watching a school play to the nation watching the Olympic ceremony, the arts enrich our lives and all our communities. Therefore, we should have no hesitation in standing up for them and declaring their importance to individuals, communities and our economy.
We are a country that produces some of the greatest creativity on the planet, whether it is music, fashion, film, theatre, broadcasting, design, art, our libraries or our museums. Our cultural creativity is admired and envied around the world, and it was that belief that led the Labour party when it was in government to step up support for the arts, including massively strengthening the Department for Culture, Media and Sport, bringing in free entry to museums and galleries, and trebling the budget for the Arts Council. But let us be clear: public support for the arts is repaid over and over. For example, there was a £5,000 public subsidy to support the stage production of “The Woman in Black”. Since then, the production company has paid back more than £12 million in tax to the Treasury.
Public subsidy allows for the willingness of the arts to take risks, like the hugely successful “Matilda”, which the Royal Shakespeare company says would just not have been possible without public seedcorn funding. For some, subsidy has become a dirty word, but there is a false dichotomy between the public and the commercial. They are inextricably linked. Public investment gives the space for commercial success. The Arts Council calculates that for every pound of Government spending invested in the arts, the British economy gets £4 back.
Ms Karen Buck (Westminster North) (Lab)
Apart from the wider values that my right hon. and learned Friend has spoken about, in London alone the arts and cultural sector generates 400,000 jobs and returns £18 billion to the economy. Does she therefore share my disappointment that Westminster city council, at the heart of the west end, has chosen to cut its entire arts and culture budget, leaving it the only local authority in Britain with no targeted arts support at all?
Ms Gisela Stuart (Birmingham, Edgbaston) (Lab)
Does my right hon. and learned Friend accept that in the west midlands alone the regional theatres contribute around £264 million to the economy and that it is therefore not just a question of culture, but of economic development in the regions, which has to be underpinned by the cultural contribution?
Mr Jim Cunningham (Coventry South) (Lab)
Following what my hon. Friend the Member for Birmingham, Edgbaston (Ms Stuart) just said, I am sure that my right hon. and learned Friend will be aware that the west midlands is famous for its arts. Importantly, the cuts currently being made to subsidies are affecting the arts, particularly the Belgrade theatre in Coventry, where many famous artists started out.
Ms Harman
My hon. Friend is absolutely right. That is why I will be in Coventry tomorrow—I will say more about that later—working with councillors to ensure we do what we can to protect the arts in this difficult time.
Public money provides the basis of the mixed economy that supports the arts. It provides the foundation on which philanthropy and other funding schemes can then build. We should recognise the role of the arts in regeneration, as in my constituency of Camberwell and Peckham. Joe Anderson, the mayor of Liverpool, has said that the arts have been the rocket fuel for his city’s economy. The leader of Birmingham city council, Sir Albert Bore, has said that without the arts and culture, our cities would be deserts. The same is true across the country.
Our belief is that the arts are a public policy imperative because they must be for everyone. Without the active support of public policy, there is a real danger that the arts could become the privilege of the few. That is wrong in principle, because the arts and culture must be a right for all. It is also wrong in practice, because creativity needs to draw on the widest pool of talent. Talent is everywhere in this country, in people from all walks of life. Look at Lee Hall’s “Billy Elliot”, Opera North and Bournemouth symphony orchestra. We can all see the massive success stories. One need only look around at any award ceremony in the world; Britain’s creativity is always right up there in lights. While we celebrate that success, we must not let it mask the reality that the arts are facing a difficult time, especially smaller organisations and those outside London.
Rushanara Ali (Bethnal Green and Bow) (Lab)
My right hon. and learned Friend will be aware of the phenomenal impact the arts and the creative sector have had in my constituency and across east London, but one of the major challenges has been the sale of Henry Moore’s sculpture, Draped Seated Woman. Up and down the country, local authorities are selling public works of art. One of the big worries is that by the end of this Session we will be not only economically bankrupt, but culturally bankrupt, and the Government need to address that issue more generally, rather than specifically.
Ms Harman
I absolutely agree. It is incredibly short-sighted, because once something is sold, it can never be regained. In relation to my hon. Friend’s borough of Tower Hamlets and the other east London boroughs, I pay tribute to the Barbican for the outreach work it does with school children in east London. While the headlines trumpet our success, behind the scenes there is an arts emergency, especially in the regions.
Caroline Nokes (Romsey and Southampton North) (Con)
The right hon. and learned Lady has referred repeatedly to the regions, but does she not agree that in places such as Hampshire there are fantastic arts organisations, such as the Test Valley Arts Foundation, doing exactly what she has highlighted: outreaching to young people and community groups?
Ms Harman
Absolutely, and I pay tribute to those small community organisations, whether they are in Hastings or the hon. Lady’s constituency. Perhaps she will have an opportunity to speak about the importance of the arts in her community, because we know that there is genuine support across the House for arts and creativity, and we want to be able to show that support.
The Arts Council, which provides funds for the arts all across the country, has already been cut by 35%, and it is expecting even more cuts. Local government are having their budgets slashed by a third. That is really important, because for most arts organisations, especially those outside London, most public funding comes not from central Government, but from local government.
Andrew Gwynne (Denton and Reddish) (Lab)
My right hon. and learned Friend makes a very important point. So many of our arts institutions, such as Manchester’s Hallé orchestra and the Manchester Camerata, which do fantastic work with local schools in my constituency, including Denton community college, get a large amount of their funding from the Association of Greater Manchester Authorities, which is made up of the 10 councils around Greater Manchester. Sadly that is just no longer sustainable, given the cuts that the Government have forced on those councils.
Ms Harman
My hon. Friend is absolutely right. The truth is that outside London it is much more difficult for such organisations to get philanthropic support. The reality is that there is a very uneven distribution of philanthropy. I pay tribute to him for his support for the arts, and also to Sir Richard Leese and Manchester city council for the important support they give the arts. Local authorities are struggling.
Geraint Davies (Swansea West) (Lab/Co-op)
I am sure that my right hon. and learned Friend will want to congratulate Swansea on reaching the shortlist to be city of culture in 2017. In Swansea and elsewhere we should be aware of the enormous growth of tourism from China, India and other developing countries. We should invest in the infrastructure of culture and the arts and take advantage of more and more visitors, rather than cutting them.
Ms Harman
Indeed, and I hope to say something about the importance of our work overseas to highlight our arts. In the meantime, I add my congratulations to Swansea bay on being shortlisted for city of culture in 2017, and I also congratulate Leicester, Hull and Dundee.
Even in such difficult times for local authorities, when they are having to grapple with how to care for the elderly and protect vulnerable people, it is important that they do all they can to support the arts, as is happening in Manchester, which is protecting the arts to protect its future success as a city.
Nadhim Zahawi (Stratford-on-Avon) (Con)
The right hon. and learned Lady mentioned the play “Matilda”. She will know that in Stratford-on-Avon the Royal Shakespeare Company, the Shakespeare Birthplace Trust and the Orchestra of the Swan are all important cultural assets. She talks about local authorities. Of course, the average spend of a local authority is about £385,000, yet some authorities, such as Newcastle city council, have £50 million in reserves. The shadow Chancellor has already called for almost £45 billion of extra borrowing and spending. Will she confirm whether any of that money would go towards the arts under a Labour Administration?
Ms Harman
The shadow Chancellor has said that we have to invest in jobs and growth in the future, and I think the hon. Gentleman would agree that future jobs will come from the creative industry as well as from investments in infrastructure. I pay tribute to him for his support for the arts and to the Royal Shakespeare Company in his constituency.
To support councillors across the country who are facing such difficult choices, we have set up a network of local councillors to come together to discuss the challenges facing them and the importance of the arts in local communities and to share best practice. There are many things that local authorities can do, and are doing, to support the arts, over and above the provision of public money, for example sharing back-office functions, granting licences and offering public spaces for arts events. I am delighted that tomorrow I will be in Coventry’s transport museum meeting our creative councillors network from across the country. We are thinking in imaginative and innovative way about how to help the arts, even in these difficult times.
Damian Collins (Folkestone and Hythe) (Con)
The right hon. and learned Lady is right that it is a question of getting priorities right for local authorities. Does she think that rather than giving £250,000 a year to the trade unions in subsidies, Newcastle city council should invest that money in the arts instead?
Ms Harman
The hon. Gentleman should look at Newcastle city council’s innovative culture fund, which not only shows its backing for the arts but provides a platform for bringing in outside commercial and philanthropic investment. We need to support and pay tribute to just such innovative thinking.
Alex Cunningham (Stockton North) (Lab)
I know that my right hon. and learned Friend is a bit of an angel herself, but does she recognise that the Angel of the North has not just become a world icon, but helped to drive tens of millions of pounds of investment in the north-east? Its legacy is now very much in danger.
Ms Harman
I absolutely agree. The Angel of the North is not just a proud landmark for the north; the whole country admires it. We wish we had an angel of similar height and scale in Peckham.
The truth is that if we want the arts to thrive in future, they need to survive now. It takes years to build them up, but they can be destroyed at the stroke of a pen. The situation is so difficult that we have to forge a survival strategy for the arts. That is work for a broad-ranging coalition, including the Arts Council, local government, the arts community and central Government—not just the Department for Culture, Media and Sport but, crucially, the Department for Education, the Department for Business, Innovation and Skills, the Treasury and the Department for Communities and Local Government.
The Culture Secretary must take the lead and stand up for culture—the clue is in her title. That means not letting the Communities and Local Government Secretary squash arts in the regions, not letting the Business, Innovation and Skills Secretary slope off to Europe to water down copyright and not letting the Education Secretary sweep creativity out of the curriculum.
Hywel Williams (Arfon) (PC)
Does the right hon. and learned Lady share my concern about the uncertainty over funding for S4C, the Welsh language television channel? BBC funding is guaranteed until 2017, but Department for Culture, Media and Sport funding may disappear in 2015.
Alison McGovern (Wirral South) (Lab)
My right hon. and learned Friend is making an important point about survival. Does she agree that, although the economic case for the arts is well made, in the regions we also need our identities to survive? That is what local authorities, in partnership with the Government, should be able to do through the arts. In the city region of Merseyside where I grew up, we did not have much but we did have the Everyman theatre and Walker art gallery, which meant so much to our identity. That is exactly the kind of survival that we need right now.
Ms Harman
I absolutely agree. The spark that was lit in my hon. Friend is carried through to her support for the arts in her constituency to this day.
The Culture Secretary should be working with the arts and creative industries to develop a clear, confident strategy and make sure that it is delivered. We must be sure that the opportunities are there for young people to experience and participate in the arts—at school, at college and through apprenticeships—so that they can make their way into earning their livings in the arts.
Fiona Mactaggart (Slough) (Lab)
On the point about schools, does my right hon. and learned Friend share an anxiety of mine? On 28 February 2012, the Government announced that they would immediately establish a new ministerial board between the Culture and Education Departments and immediately produce a cultural education strategy, and we have not yet seen either.
Ms Harman
We have yet to see those, but we have seen a fall in the number of school pupils taking exams in creative subjects. There has also been a fall in the number of students applying to do creative subjects at university.
We must be sure that artists and arts organisations have the right infrastructure for funding, which includes a mix of public subsidy, philanthropy and other innovative sources such as crowd funding.
Ms Harman
I have already given way to the hon. Gentleman, so I will carry on.
Britain’s creative talent is a precious natural resource and must be protected, so the Government must get off the fence and rigorously enforce intellectual property rights. The arts situation is different outside London from how it is here in the capital, so there needs to be a specific, separate focus on the English regions, Scotland and Wales. [Interruption.] Indeed, support for tax credits is important across Scotland and Wales as well. [Interruption.] There are a number of arts organisations, such as the BBC, which are important in the arts in Scotland and Wales as well as in England. The Under-Secretary of State for Culture, Media and Sport, the hon. Member for Wantage (Mr Vaizey) ought to know that.
British creativity is recognised all around the world, so we must have co-ordinated work that includes BIS, UK Trade & Investment, the Foreign Office and the British Council to showcase the best of British. Finally, running through any culture strategy must be a fundamental principle: the arts must be a right for everyone, not the preserve of a privileged elite. That is not only important in principle; to carry on as world leaders, we need to continue to draw on the widest possible pool of talent.
Susan Elan Jones (Clwyd South) (Lab)
I am grateful for my right hon. and learned Friend’s steadfast and continuing support for Welsh language broadcasting by S4C. Does she not agree that the arts are extremely important for international and community cohesion? The Llangollen international musical eisteddfod in my constituency was set up at the end of the second world war, to bring nations and cultures together. That is another vital facet of the arts.
Ms Harman
Absolutely. One of the things that is so distinctive and admirable about Wales is its people’s love of culture and the eisteddfod tradition. I pay tribute to that.
We cannot accept the Government amendment. Although it details some of the important work that the Department is doing, it is complacent and totally out of touch with what is happening on the ground. It asks us to welcome
“the continued strong lead given by the Department for Culture, Media and Sport”,
but the truth is that no one in the arts thinks that such a lead is being given. It is what the arts need, but not what they have.
A heavy responsibility falls on the Secretary of State. This is a difficult time for the arts, which is why at this point it would be disastrous to dismantle the Department. Britain’s arts and creative industries are important for our future. They must have unequivocal backing from the Government and a strong Secretary of State with a seat at the Cabinet table. I look forward to speeches from hon. Members on both sides of the House in support of the arts and I call on them to stand up for the arts and vote for the Opposition motion.
Mr Deputy Speaker (Mr Lindsay Hoyle)
I advise the House that Mr Speaker has selected the amendment in the name of the Prime Minister.
Tristram Hunt
I thank my hon. Friend for his intervention. One had only to read Bagehot in The Economist last week to know of the great economic impact of the arts in the north-east, exactly on the template that Richard Florida has explained for urban economies.
Sadly, much of that achievement has been undermined by the current Government. Their assault on the British economy—stripping out demand and growth and fomenting unemployment—has hit the arts hard. They have cut the Arts Council budget by 35%, condemned philanthropists as tax dodgers and abolished the future jobs fund, which did so much to bring new talent into the arts. Meanwhile, their assault on local authority budgets has been passed down to the arts, libraries and galleries.
It is a question not just of funding, but of ethos. We have a Government who give a direct subsidy to local authorities to ensure that they can empty dustbins rather than keep galleries and libraries open—it is garbage not galleries under this Government. We have a Government who think libraries are only for luvvies and that those who are campaigning to save them are somehow misguided. What we also have is a dramatic and, frankly, Stalinist purge of personnel in the arts community. Sadly, we know that the Prime Minister has a terrible problem with women. We have seen the purge of Liz Forgan from the Arts Council and Baroness Andrews from English Heritage. Many of us now worry about the future of Jenny Abramsky at the Heritage Lottery Fund, who has done a great job.
Tristram Hunt
Indeed. We are seeing a massive loss of talent and skills from our arts sector on the back of a purge led by the Prime Minister. The lists go into Downing street and the names are struck off. Meanwhile, the poor Minister with responsibility for the arts has to trawl around the clubs and back streets of London trying to find prospective trustees for the arts community. We know that the Conservatives’ interest in the arts is a limited gene pool, and we will have deep problems in managing our arts and galleries in the future.
Another element to the philistinism of the Government has been the assault on creativity in the classroom. We in the Labour movement have always supported rigour and excellence in our classrooms, but we are a creative nation and that comes from a young age, which is why Singapore and South Korea are interested in our educational system, to foster exactly the kind of creativity that feeds into the creative arts. What we have seen from the Secretary of State for Education is an undermining of that creativity in our schools. Since the Government came to power, we have seen a fall in GCSE entries of more than 5% in design and technology, more than 6% in drama, 3.5% in music—I could go on. They have abolished the creative partnerships initiative and cut the ring-fenced school music funding by nearly 30%, and their disastrous higher education policy has seen applications for creative subjects fall by 16%.
It is not all doom and gloom, however. In north Staffordshire there is a ray of hope, and it exists in the great city republic of Stoke-on-Trent. I thank the Minister for his hard work in the past two years in trying to keep the Wedgwood museum open. We are also grateful for the support of the Victoria and Albert museum, as we try to find a way through to keep that world-class institution open. I also pay tribute to Stoke-on-Trent city council’s great achievement in winning a silver medal in the Chelsea flower show. No doubt the Communities and Local Government Secretary would regard that as a grotesque waste of money, but it was a great display of the creativity and excellence that the soil of north Staffordshire has been producing since the age of Spode and Wedgwood in the 1760s and 1770s.
Let me end with an advert. Early next year, the Potteries museum and art gallery will be opening a wonderful new exhibition on the empire of ceramics: the story of the place of Stoke-on-Tent in the history of the British empire and how its ceramics went right around the world to Melbourne, Bridgetown, Bombay and Boston, shaping global culture from north Staffordshire. That is the kind of creativity that will happen under a Labour Government.