Tristram Hunt
Main Page: Tristram Hunt (Labour - Stoke-on-Trent Central)(11 years, 6 months ago)
Commons ChamberRead Full debate Read Hansard Text
Justin Tomlinson (North Swindon) (Con)
I shall take this opportunity to try to cover two subjects, the video games industry and libraries. I am the chair of both all-party parliamentary groups.
Starting with the video games industry, I work very well with the trade representatives, UKIE, the Association for UK Interactive Entertainment, and TIGA, which have done an incredible job in helping to shape Government policy and promote an industry that is growing at an incredible rate. In the UK alone the video game consumer market is worth £2.9 billion, with year-on-year growth of 4%. That makes up 40.2% of the entertainment market. There are about 33.6 million games in the UK, evenly split between males and females. The UK is the third biggest consumer market for the video games industry, after Japan and America. PricewaterhouseCoopers estimates that the global market will be worth $87 billion by 2017.
Game development is popular in the UK, with 56 universities providing 141 video games specialist courses throughout the UK. There are 9,224 creative staff working in studios, with 16,864 jobs indirectly supported by those studios. The sector’s contribution—this is always music to politicians’ ears—to the UK gross domestic product was around £947 million in 2012. Crucially, 95% of our game developers export their product.
The first of the three points that I want to make is that the UK games tax relief is hugely welcome news. It will be a major shot in the arm to our industry and will allow us to keep up with the international competition and the huge potential for growth in the sector. For those Eurosceptics in the Chamber, I have to say that Europe is being particularly difficult. I urge the Government to stand up, as they do on many other issues relating to Europe, and make sure that Europe does not cheat our games developers out of the incentive to proceed.
Secondly, the radical changes to computer science in schools are also crucial. On a number of occasions I have visited a local studio called Neon Play, which is expanding at an incredible rate and producing fantastic games. It tells me that its biggest challenge is getting skilled people. People have the degrees and qualifications, but they almost have to start again because their education has been broad brush rather than specialising in, for example, 3D programming, design, music or a particular segment of a game, which would make a huge difference. I saw how it can inspire young people. I was fortunate enough to be able to take a child from a local organisation called SMASH, which helps children from challenging backgrounds, and he was given an opportunity to be inspired in a career that ultimately, on average, pays £34,000 a year, which is definitely worth aspiring to.
Finally, we need to consider the problem of the lack of females in the video games industry. I went to an event organised by a fantastic charity called Lady Geek. Within the industry, 90% of jobs are taken by males, and only 4% of game developers are female. Lady Geek is doing a fantastic job to promote and encourage as many females as possible to take this up, and I have recently written to the Secretary of State for Culture, Media and Sport to ask her personally to meet representatives of the charity, and I very much hope that she will.
Libraries provide an important starting point for many people who ultimately go into the creative industries. I was formerly the lead member for libraries within my local authority and we built a number of new libraries, including a £10 million central library on time and on budget, and made some changes. I want to make a quick whistle-stop tour of things that I would like to see within the library service, and I am sure that the shadow Minister will be taking lots of notes, as this is an area that he often follows me on.
Modern library buildings are key. In a modern bookshop such as Waterstones, one expects a certain quality of service, but I am afraid that too many of our libraries are in need of refurbishment. Local authorities must utilise section 106 moneys, the new homes bonus and the opportunities within the Localism Act 2011 to leverage bits of funding. When they spend that money, they need to look at sharing best practice. Too often, local authorities reinvent the wheel, start again and spend huge sums doing things that Waterstones would do for a fraction of the price.
We must also consider measures such as shared usage. Our Old Town library was due to close. I was part of the team that campaigned to keep it, and across the road we had a fantastic refurbished arts centre. We transferred the library into that, and it extended its core 20 hours to cover the entire time that the arts centre was open. The council had to pay only one set of rent and rates, and usage went through the roof.
Libraries must be at the heart of the community. We should display usage and membership figures in all libraries for the community to see. Library managers should be empowered to be responsible not just for the physical building but for the community that they serve, taking library services out there.
Tristram Hunt (Stoke-on-Trent Central) (Lab)
Will the hon. Gentleman therefore condemn the views of the Secretary of State for Communities and Local Government who said that those who are interested in saving their libraries were just “a bunch of luvvies”?
Justin Tomlinson
I have worked with library campaigners throughout the country and I always challenge them to make sure that local authorities understand the importance of libraries, and in particular to make sure that they are being well used. I have been incredibly impressed with my local authority’s attempts to do outreach work, encouraging the summer reading programme that all MPs support every year. We have a brilliant officer in Ellen Carter, who does fantastic things in the community, encouraging people of all ages to use the libraries.
We also need to make sure that the library service matches modern expectations. Swindon took a bold decision—we are always at the cutting edge—and opened a library on a Sunday because it was next door to the Asda Walmart, and it is now its busiest day, so we need to adapt and change.
Volunteers are a controversial subject in the library world. Some local authorities decided that they could do away with professional librarians and replace them with volunteers. My view is that volunteers should be encouraged to enhance library provision, which could be by extending opening hours, providing additional activities, entertainment and events, and fund-raising.
Tristram Hunt (Stoke-on-Trent Central) (Lab)
It is a great pleasure to follow the hon. Member for Folkestone and Hythe (Damian Collins). His was a masterclass in how to get ahead in advertising.
It is even more of a pleasure to follow my right hon. Friend the Member for Exeter (Mr Bradshaw), who is no longer in his place, because last year his constituency won the museum of the year award. I must declare an interest in that I sat as a judge on the museum of the year award this year. We visited the great Narberth museum, the great Horniman museum, close to the constituency of my right hon. and learned Friend the Member for Camberwell and Peckham (Ms Harman), and the William Morris gallery, in the north of London, the latter winning with a great display of excellence, scholarship and curatorial skill—and this was a museum that was threatened with closure in 2007 on the grounds that William Morris had nothing to offer the modern, multicultural, urban community of Walthamstow. How wrong they were!
Arts for all is the Labour tradition. As William Morris put it in 1877:
“I do not want art for a few, any more than education for a few, or freedom for a few.”
What we achieved in government was for the many: we increased visits by children to museums and galleries by more than 2 million; provided a solid funding infrastructure for both national and regional arts organisations; supported creativity in education through creativity partnerships; and established the spectacularly successful UK city of culture, which my hon. Friends from Liverpool will no doubt explore in greater detail.
Ian Mearns
Rather than doom and gloom, we need to celebrate the previous Government’s achievement in the arts. I remind the House that the Conservative party visited the Sage Gateshead, and that the Northern Sinfonia was last week granted the title “Royal” by Her Majesty the Queen.
Tristram Hunt
I thank my hon. Friend for his intervention. One had only to read Bagehot in The Economist last week to know of the great economic impact of the arts in the north-east, exactly on the template that Richard Florida has explained for urban economies.
Sadly, much of that achievement has been undermined by the current Government. Their assault on the British economy—stripping out demand and growth and fomenting unemployment—has hit the arts hard. They have cut the Arts Council budget by 35%, condemned philanthropists as tax dodgers and abolished the future jobs fund, which did so much to bring new talent into the arts. Meanwhile, their assault on local authority budgets has been passed down to the arts, libraries and galleries.
It is a question not just of funding, but of ethos. We have a Government who give a direct subsidy to local authorities to ensure that they can empty dustbins rather than keep galleries and libraries open—it is garbage not galleries under this Government. We have a Government who think libraries are only for luvvies and that those who are campaigning to save them are somehow misguided. What we also have is a dramatic and, frankly, Stalinist purge of personnel in the arts community. Sadly, we know that the Prime Minister has a terrible problem with women. We have seen the purge of Liz Forgan from the Arts Council and Baroness Andrews from English Heritage. Many of us now worry about the future of Jenny Abramsky at the Heritage Lottery Fund, who has done a great job.
Tristram Hunt
Indeed. We are seeing a massive loss of talent and skills from our arts sector on the back of a purge led by the Prime Minister. The lists go into Downing street and the names are struck off. Meanwhile, the poor Minister with responsibility for the arts has to trawl around the clubs and back streets of London trying to find prospective trustees for the arts community. We know that the Conservatives’ interest in the arts is a limited gene pool, and we will have deep problems in managing our arts and galleries in the future.
Another element to the philistinism of the Government has been the assault on creativity in the classroom. We in the Labour movement have always supported rigour and excellence in our classrooms, but we are a creative nation and that comes from a young age, which is why Singapore and South Korea are interested in our educational system, to foster exactly the kind of creativity that feeds into the creative arts. What we have seen from the Secretary of State for Education is an undermining of that creativity in our schools. Since the Government came to power, we have seen a fall in GCSE entries of more than 5% in design and technology, more than 6% in drama, 3.5% in music—I could go on. They have abolished the creative partnerships initiative and cut the ring-fenced school music funding by nearly 30%, and their disastrous higher education policy has seen applications for creative subjects fall by 16%.
It is not all doom and gloom, however. In north Staffordshire there is a ray of hope, and it exists in the great city republic of Stoke-on-Trent. I thank the Minister for his hard work in the past two years in trying to keep the Wedgwood museum open. We are also grateful for the support of the Victoria and Albert museum, as we try to find a way through to keep that world-class institution open. I also pay tribute to Stoke-on-Trent city council’s great achievement in winning a silver medal in the Chelsea flower show. No doubt the Communities and Local Government Secretary would regard that as a grotesque waste of money, but it was a great display of the creativity and excellence that the soil of north Staffordshire has been producing since the age of Spode and Wedgwood in the 1760s and 1770s.
Let me end with an advert. Early next year, the Potteries museum and art gallery will be opening a wonderful new exhibition on the empire of ceramics: the story of the place of Stoke-on-Tent in the history of the British empire and how its ceramics went right around the world to Melbourne, Bridgetown, Bombay and Boston, shaping global culture from north Staffordshire. That is the kind of creativity that will happen under a Labour Government.