TV Licences for Over-75s

Gregory Campbell Excerpts
Wednesday 8th May 2019

(5 years ago)

Commons Chamber
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Margot James Portrait Margot James
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I am grateful to the shadow Minister for setting the record straight in terms of who voted for what and when, but the point is that Parliament passed this measure into law through the Digital Economy Act 2017. Of course the Government recognise the importance of providing both this valuable service and opportunities for older people to engage, which is why we launched our loneliness strategy last year. The Under-Secretary of State for Digital, Culture, Media and Sport, my hon. Friend the Member for Eastleigh (Mims Davies), has done a fantastic job in promoting the various services that the Government are funding with new money to enable older people to get connected, whether that be online or through social and sporting events, in 140 hubs across the country. We do take our responsibilities to older people very seriously. We are trying to help combat the loneliness that, as Opposition Members say, is a scourge of the lives of too many older people.

Gregory Campbell Portrait Mr Gregory Campbell (East Londonderry) (DUP)
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There is one thing that has not transpired in the debate thus far. We fully support the motion, but it seems to have escaped the notice of some people that, at the time the Act was passed two and a half years ago, Lord Hall on behalf of the BBC agreed to the proposal and therein lies some of the problem.

Margot James Portrait Margot James
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I am grateful to the hon. Gentleman for reminding me that Lord Hall welcomed the licence fee settlement, which was so ably negotiated by my right hon. Friend the Member for Maldon (Mr Whittingdale). Indeed, Lord Hall said at the time:

“The Government’s decision here to put the cost of the over-75s on us has been more than matched by the deal coming back for the BBC.”

I draw the attention of hon. Members to that quote. The hon. Member for Rhondda does not need to rise as there are other people trying to intervene.

Oral Answers to Questions

Gregory Campbell Excerpts
Thursday 11th April 2019

(5 years ago)

Commons Chamber
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Margot James Portrait Margot James
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My hon. Friend makes a very good point indeed. She would be well advised to raise those issues with the Treasury. We are in discussions with the Treasury on those matters, but we are doing a great many other things to support grassroots music venues, including through agent of change proposals and scrapping form 696, all of which have had a beneficial effect, certainly in the London area.

Gregory Campbell Portrait Mr Gregory Campbell (East Londonderry) (DUP)
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Post our departure from the EU, will the Minister ensure that she takes every possible step to maximise our opportunities in the creative industries sector right across the United Kingdom and not just in the south-east?

Margot James Portrait Margot James
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I assure the hon. Gentleman that we take on those responsibilities, and he will be pleased to hear that I spend more of my time focused on the creative industries outside London and the south-east. We have national skills programmes in the north-west and elsewhere in the United Kingdom, and I am sure that we shall support the creative industries in the Northern Ireland, which are doing such a fantastic job, equally.

BBC Commissioning

Gregory Campbell Excerpts
Tuesday 5th February 2019

(5 years, 3 months ago)

Westminster Hall
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Gregory Campbell Portrait Mr Gregory Campbell (East Londonderry) (DUP)
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I beg to move,

That this House has considered independent accountability of the BBC commissioning process.

I am delighted to serve under your chairmanship, Mr Betts, and to have this Minister replying to the debate, as she has done on previous occasions. I am grateful for the opportunity to highlight the lack of transparency at the BBC. There are major concerns about BBC Northern Ireland’s use of public money. I am unaware of the situation in other regions, but if other regions operate on a similar basis to that which I will outline in the next few minutes, there is a problem on a national scale.

I will focus on transparency in Northern Ireland, because BBC NI has not done so. The BBC’s key aim is

“to inform, educate and entertain audiences with programmes and services of high quality, originality and value.”

Yes, there are many programmes in which the BBC’s mission is adhered to, but when it comes to the financing and contracting of those programmes, there is a lack of transparency that should not be the case. The programmes are made only as a result of the outdated licence fee, which our constituents are forced to pay if they receive television services. That is public money, but, after many protracted discussions, meetings and correspondence, the brick wall remains—although it can and will be broken down.

Jim Shannon Portrait Jim Shannon (Strangford) (DUP)
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I thank my hon. Friend for raising this issue. It is one that he has been involved with for a long time, and today’s debate in Westminster Hall is his opportunity to highlight it. Does he agree that the growing number of people who refuse to pay for a TV licence, understanding that that means that they will not be able to watch any BBC programme, either live or on catch-up, indicates that although people are happy to pay £50 a month for Sky or Virgin services, they are not prepared to give the BBC £12 a month? Does he agree that that disenfranchisement is not to do with the cost of the licence, but to do with the nature of programming, with many people grossly unhappy with the BBC bias, which has become the norm but remains unacceptable? Does he further agree that independent regulation is only the first step needed if there is to be any salvation whatever for the BBC?

Gregory Campbell Portrait Mr Campbell
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I thank my hon. Friend for that intervention. The compulsory nature of the licence fee has been raised on previous occasions, and I am glad that he has raised it again today.

Troubling questions remain on the issue of independent accountability. Independent media companies in Northern Ireland have approached me. They are concerned that they do not get a fair deal because of the lack of transparency. I intend to go into that in a little detail, Mr Betts.

I first raised concerns about the BBC Northern Ireland commissioning process back in November 2016—two years and four months ago—when I asked a series of questions of the BBC. Some hon. Members will recall that I raised similar matters in the House in September 2017; I was forced down this route after BBC Northern Ireland kept stonewalling.

Initially, I raised the question of how contracts were awarded. I raised that with senior BBC management and with some who were BBC presenters and had benefited from contracts. Answers were not forthcoming. As a result of the lack of accountability and openness, I took the matter to the office of the BBC director-general, Lord Tony Hall, in April 2018, my questions still not having had satisfactory responses. My concern then focused on a single contract that I was aware of relating to a company called Third Street Studios. There are three points to ponder in relation to Third Street Studios. First, the contract was awarded to a company that did not exist at the time of broadcast, the contract having already been paid. Secondly, this particular company has repeatedly received contracts worth hundreds of thousands of pounds. Thirdly—this is the irony—the company had no office and the postal address on its website took anyone who investigated to a taxi rank in Belfast city centre. The lack of independent accountability for these significant sums is staggering.

By August 2018, I still was not getting answers. I then went to the National Audit Office here in London to try to obtain satisfaction about taxpayers’ money, those who were, if I can put it like this, on the inside track in the BBC and how they did not account for their expenditure. I met the National Audit Office, and the meeting was good and constructive. The National Audit Office was then helpful in writing to me to confirm that although it does not normally investigate this type of contractual expenditure, an investigation would be opened up into a number of areas concerning the BBC Northern Ireland commissioning process. I want to concentrate on this for a few moments, just to show the significance of it. This is the first time, to my knowledge, that the National Audit Office of the United Kingdom has found grounds to investigate BBC Northern Ireland on a contract of this nature. “Unprecedented” would be an appropriate word to describe this.

Let us just remember the guidelines that the BBC operates under. I will quote them briefly. On “Editorial Integrity and Independence”, the statement is as follows:

“The BBC is independent of outside interests and arrangements that could undermine our editorial integrity. Our audiences should be confident that our decisions are not influenced by outside interests, political or commercial pressures, or any personal interests.”

On “Fairness”, the BBC states:

“Our output will be based on fairness, openness, honesty and straight dealing.”

On “Transparency”, it states:

“We will be transparent about the nature and provenance of the content we offer online. Where appropriate, we will identify who has created it and will use labelling to help online users make informed decisions about the suitability of content for themselves and their children.”

Lastly, on “Accountability”, it states:

“We are accountable to our audiences and will deal fairly and openly with them. Their continuing trust in the BBC is a crucial part of our relationship with them. We will be open in acknowledging mistakes when they are made and encourage a culture of willingness to learn from them.”

John Grogan Portrait John Grogan (Keighley) (Lab)
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Given that last year I was the only Labour MP to join with most members of the Democratic Unionist party in defending press freedom when there was the chance of a state-appointed press regulator, will the hon. Gentleman recognise that investigations such as that into the renewable heat incentive by BBC Northern Ireland are in the long tradition of fearless investigative journalism by both the BBC and UTV that has served Northern Ireland well during the last 50 years, in both good times and bad?

Gregory Campbell Portrait Mr Campbell
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Yes, I unequivocally agree with that. The only addendum I would make is that the BBC is not exempt from scrutiny itself—that is the point.

It is an appalling reflection on BBC Northern Ireland’s management that a Member of Parliament who has taken a keen interest in these issues both in Parliament and outside has had to take the steps that I have over many months to escalate concerns to the National Audit Office.

Lord Vaizey of Didcot Portrait Mr Edward Vaizey (Wantage) (Con)
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May I support the case that the hon. Gentleman is making? When we did the BBC charter review, we were keen to get independent regulation of the BBC through Ofcom and to open up the BBC’s books to the National Audit Office, which it resisted. The BBC can be opaque and not transparent. That said, does the hon. Gentleman agree with me that it does not advance the argument for accountability and transparency simply to accuse the BBC, as some hon. Members have done, of bias? I think it tries very hard to present a balanced picture.

Gregory Campbell Portrait Mr Campbell
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I accept the right hon. Gentleman’s point, but I invite him to look at more of the BBC’s content. Perhaps then he will reflect on his view. I am sure we will have another debate on that in the coming months.

I will now move on to the specific example I have raised. Third Street Studios has a director who is also a prominent BBC Northern Ireland presenter: Mr Stephen Nolan. The BBC claims that Mr Nolan’s company is an average, independent production company. That is patent nonsense. Mr Nolan quite regularly advertises the television programmes made by his company on his BBC radio show, which is part of his £450,000-a-year job, funded by the licence fee. This is a clear and unfair advantage over other independent production companies, which cannot promote their programmes in the same way.

If an independent production company gets a contract from the BBC, it has to go away, make the programme, supply it to the BBC and hope that the quality of the production will shine through. However, in this instance, as I have outlined, someone who works in the BBC—who has the inside track and knows how it works—can get a contract and then advertise on the BBC for his so-called independent production company, which won the contract from the BBC. That is clearly an unfair advantage.

Since the BBC is effectively funded through the public purse, it must adhere to the same standards as are demanded in other areas of public life. The contract was from 2014—five years ago. I have been asking questions about it for two years, and yet I still do not know basic details about the contract, which we all pay for through the licence fee. The public have paid for it, and therefore they have the right to know the details of how it was awarded and how the expenditure was accounted for. At the moment, we do not know the answers. Why should a contract that was awarded five years ago remain secret? Why not publish all documentation relevant to that series, after five years have passed, unless there is something to hide? That is why the National Audit Office is digging—digging deep, I hope—into the BBC.

The irony is that BBC Northern Ireland programmes continue to investigate the use of public money by Government, as outlined by the hon. Member for Keighley (John Grogan), and they are quite right to do that. No one should misunderstand the nature of this debate. The BBC and others are right to conduct such investigations, but we are equally right to hold it to the standard that it holds others to. The BBC is not, and must not be, exempt.

As many will know, the concerns that I and others have do not just stretch to the process of commissioning programmes. I have long campaigned for maximum transparency in relation to pay. We now know that there exists a gender pay gap, but it took a decade for the BBC to come to the point of publishing the salaries of presenters who earned more than £150,000 per year. Does the BBC hope that if it strings people along on the issue of commissioning contracts, the pay issue might disappear? Does the BBC think that just as it dragged its feet on transparency around salaries, it can drag its feet on this? The BBC must think again. It seems to feel as though it can pose questions, but it does not have to answer them; apparently, answering questions is only for the little people. The BBC must—and will—answer these questions.

The National Audit Office sent me a letter dated 30 January 2019. Coincidentally, that was the day after this debate was announced; I will leave people to draw their own conclusions. In that letter, the NAO said,

“the BBC centrally decided to carry out a targeted review of the commissioning process in BBC Northern Ireland.”

The NAO added:

“We are currently reviewing information collected as part of this review and are following up with some specific questions.”

The National Audit Office has confirmed that it will provide answers by the end of February to the questions that were originally asked of the BBC in 2016. In trying to protect and defend those involved, the BBC has further undermined trust in the organisation.

I look forward to the completion of the National Audit Office investigation. I understand that the Secretary of State for Digital, Culture, Media and Sport will visit Northern Ireland next month, as he said in his answer to my parliamentary question last week, and I hope he will take the opportunity to get questions answered by the BBC in Northern Ireland. In the past, the Minister has been responsive and helpful in answering questions. I hope that she will deal with this issue in any discussions that she may have with the BBC in the run-up to the mid-term charter review, which will take place in the next two years.

I hope that my worst fears are not confirmed, but the information I have gleaned to date does not fill me with hope, and neither do all the stonewalling, all the delaying or all the attempts to avoid answering questions. I hope the National Audit Office will get to the truth of these matters. If there are serious questions to answer about the lack of transparency not just in BBC Northern Ireland, but across the nation as a whole, it will be a national scandal and there will have to be serious consequences for the entire BBC hierarchy.

Oral Answers to Questions

Gregory Campbell Excerpts
Thursday 31st January 2019

(5 years, 3 months ago)

Commons Chamber
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Michael Ellis Portrait Michael Ellis
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I absolutely agree. In fact, more people visit the theatre than go to premiership football matches in any given year. The theatre is a key part of our economy and encourages visitors from around the world to come to this country, and I congratulate Nottingham Playhouse and its staff and management structure. I recommend that people go to the theatre and to Nottingham Playhouse.

Gregory Campbell Portrait Mr Gregory Campbell (East Londonderry) (DUP)
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Will the Minister do what he can to help to promote a summer of sport in Northern Ireland and in my constituency? The Open golf tournament is coming back for the first time in 70 years, and the North West 200 motorbike race celebrates its 90th anniversary this year.

Michael Ellis Portrait Michael Ellis
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Yes, I will. The reality is that those activities and so many others in his constituency bring not only soft power, encouraging people to come to his constituency, but economic power. We encourage all sports activities in that way.

Centenary of the Armistice

Gregory Campbell Excerpts
Tuesday 6th November 2018

(5 years, 6 months ago)

Commons Chamber
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Jeremy Wright Portrait Jeremy Wright
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I join the hon. Lady in welcoming that occasion. I am sure that it will be a particularly special year for her and for all those who attend.

The high-profile ceremonial events that I mentioned have been complemented by an extensive and engaging programme of cultural and educational activities. In 2012, the Government established the 14-18 NOW cultural programme to work with artists to tell these important stories through the mediums of culture and art. There has been a particular focus on engaging children and young people, with events including the great war school debate series and school battlefield tours, in which nearly 6,000 students and teachers visited the battlefields of northern France.

The groundbreaking 14-18 NOW programme has used its remit to enthral people from all walks of live. More than 35 million people have engaged with the centenary, including 7.5 million young people under the age of 25. It has clearly demonstrated that contemporary artworks in public places can attract large, diverse audiences. Whether it was turning the country dark as part of the “Lights Out” programme or the ghost soldiers that appeared across the country to mark the centenary of the battle of the Somme, these events have all captured the public’s imagination and have given remembrance prominence in our daily lives.

The ceramic poppies at the Tower of London were another moving tribute, bringing the programme to one of our most popular and cherished attractions. The poppies have since travelled to 19 locations, from Belfast to Southend and from Orkney to Plymouth, and have been visited by more than 4 million people. From next year, they will be part of the collection of the Imperial War Museum, where they can be viewed for many years to come.

As part of our programme, we have sought to highlight the enormous contribution made by those who came to our nation’s aid from across the world. Some 2.5 million men and women from the Commonwealth answered the call to fight, with 200,000 laying down their lives. They left their homes thousands of miles away to serve the allied cause with unstinting bravery, often in unimaginable conditions, and they must not be forgotten or overlooked.

Works by an extraordinarily diverse range of artists from the UK and abroad have helped us to highlight those contributions. Poets from the Caribbean diaspora, visual artists from India and Bangladesh, performers from South Africa, musicians from Syria and many more have all highlighted the global reach and impact of the war. That was shown vividly in March 2015, when an event commemorating the second battle of Neuve Chapelle took place at the Imperial War Museum North. The event was co-ordinated by British Muslim, Hindu and Sikh organisations, supported by the Government. It compellingly showed the partnerships and friendships that we hold so dear and that were so instrumental during the war.

We have seen all too well how history can divide, but one clear and ambitious goal throughout this centenary period has been to seek to use history to bring us together. The Government have worked closely with the Irish Government, for example, over the past four years to mark these events. That was most clearly demonstrated in the shared approach to the battle of Messines Ridge commemoration in June 2017, which was attended by both His Royal Highness the Duke of Cambridge and the then Taoiseach, Enda Kenny. The battle has considerable historic and symbolic significance for the UK and Ireland, as it was the first time that the 36th (Ulster) and 16th (Irish) Divisions fought alongside each other during the great war. The event provided a valuable opportunity to remember the service and sacrifice of those who fought, as well as to explore our shared history and support efforts to build a peaceful future.

Gregory Campbell Portrait Mr Gregory Campbell (East Londonderry) (DUP)
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Will the Secretary of State join me in welcoming the changing attitude, particularly in the Irish Republic, where for many decades there was little or no appreciation of that contribution? Does he agree that that should continue and, in fact, increase over the coming years?

Jeremy Wright Portrait Jeremy Wright
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I agree with the hon. Gentleman. The co-operation and full support we have received from the Irish Government has been most welcome, and I hope it will set a new tone for future commemorations. It is deeply appreciated by those on both sides of the border who have been involved in these commemorations.

Oral Answers to Questions

Gregory Campbell Excerpts
Thursday 1st November 2018

(5 years, 6 months ago)

Commons Chamber
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John Bercow Portrait Mr Speaker
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I am sorry, but unfortunately demand massively exceeds supply, so this will have to be the last question.

Gregory Campbell Portrait Mr Gregory Campbell (East Londonderry) (DUP)
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The Minister may not be aware that I am currently in discussions with the National Audit Office to establish its right to examine BBC commissioning contracts worth less than the threshold of £1 million. Does she agree that that would be a good idea, particularly for openness and transparency at the BBC, and that failure to do so will leave the suspicion that it has something to hide?

Future of BBC Parliament

Gregory Campbell Excerpts
Tuesday 23rd October 2018

(5 years, 6 months ago)

Westminster Hall
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Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.

Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.

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John Grogan Portrait John Grogan (Keighley) (Lab)
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I beg to move,

That this House has considered the future of BBC Parliament.

It gives me great pleasure to speak in praise of BBC Parliament, which is the most watched and most successful dedicated parliamentary TV channel in the world. In a good month, when there is controversy in this place, BBC Parliament has a reach of more than 2 million viewers. It is true that the average age of those viewers is quite high, with 60% of them over 60, but as I approach the age of 60—I would not presume to guess your age, Mr Robertson, but I am 57—I think that might not be such a bad thing, because many people involved in all our political parties are the “young retired”, which is a growing age group that needs to be served.

The whole population may not have noticed but BBC Parliament in its current form was under serious threat over the summer, and I want to speak in praise of the people, in this place and elsewhere, who saved it for the nation. Those people include the director-general of the BBC, Mr Speaker, the Lord Speaker, and the Chair of the Digital, Culture, Media and Sport Committee, the hon. Member for Folkestone and Hythe (Damian Collins). I intend to tell the story of what happened, which is a good story with a happy ending. I will do three things in my contribution: look at the history and the context of parliamentary broadcasting, consider the controversy over the summer, and try to point the way for the future. In 10 years, when, I anticipate, I will be retired and watching Yorkshire play cricket, where will BBC Parliament be?

While I was preparing for the debate over a cup of coffee in the Members’ Tea Room, I looked up and saw a picture of John Wilkes, which reminded me that the reporting of this place has never been straightforward and simple. There has always been controversy. My 14th birthday, 24 February 1975, happens to be the day that this House debated whether to televise Parliament. In the end, the House decided not to televise Parliament but instead to start experimenting with radio. Coverage began on the radio, and BBC Radio 4 listeners were up in arms about the afternoon play being shoved aside sometimes, but the experiment went on, and three years later it was confirmed that the BBC and others would be able to broadcast parliamentary proceedings on the radio permanently. I remember when I was 18 listening to Michael Foot summing up for Her Majesty’s Government against the vote of no confidence that finally brought the Government down by one vote. I remember being impressed by the atmosphere and the argument that night as I listened to the radio. That coverage was not easily achieved, however, and the debate then turned to television.

Gregory Campbell Portrait Mr Gregory Campbell (East Londonderry) (DUP)
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I congratulate the hon. Gentleman on a timely debate, given the context that he has laid out. He talks about things that are not easily achieved. Does he agree that, in a wider context, what should be more easily achieved within the BBC is more openness and transparency regarding how it commissions programmes, spends money and deploys resources? There has been a veil of secrecy over much of the BBC. I do not make any assertions about BBC Parliament, but about the BBC more widely. We need to get to the nub of the matter in a wider BBC context.

I have applied for debates in this Chamber—thus far unsuccessfully, but hopefully I will be successful in the next few weeks—so that I can elaborate to some considerable degree on the complete lack of transparency and openness in the BBC more widely.

John Grogan Portrait John Grogan
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Openness and transparency are always to be encouraged. I wish the hon. Gentleman luck in pitching for a future debate, at which I hope to be present.

The debate about television and Parliament was heated. The late Howard Wilson, who was my father’s hero, is mentioned in the Crossman diaries asking Crossman whether the BBC would be able to cut the video tape up, take a bit of speech and introduce it into a magazine programme. Crossman replied, “Certainly,” and Wilson concluded that that could not possibly be allowed. In the 1972 debate, the Conservative Back Bencher Brian Batsford said:

“The introduction of the cameras will bridge the gulf which has widened so much between Parliament and the people.”—[Official Report, 19 October 1972; Vol. 843, c. 468.]

The 1970s were a time of conflict in Northern Ireland and of industrial strife. The nation was divided, people said. One BBC executive said, perhaps rather hopefully:

“What then is our public attitude? It is to let the different voices speak for themselves.”

He was in favour of parliamentary broadcasting.

To move the story on, the other place was more progressive. It brought in cameras in 1983, some years before the Commons finally decided do so in 1988, after no fewer than 11 debates in the preceding 14 years. Ian Gow was the first person to be seen on screen.

Without going into all the details, broadcasting in the ’90s was organised through a consortium of cable channels that went under the name of the United Artists cable channel. It broadcast Parliament until 1998, but perhaps the viewing figures were not as high as it had hoped when it took on the contract, so it wanted to pull out. There was a big debate in this place about whether it was appropriate for the BBC to take over. The discussions and negotiations went on for some months, but then a deal was done between the BBC and Parliament and live coverage began. Connoisseurs of BBC Parliament will remember that in the early part of this century, the lack of bandwidth on Freeview TV was such that the pictures of the Commons in operation took up only a quarter of the screen and there were various captions. As the decade went on, digital TV improved and the BBC got more bandwidth, and we got BBC Parliament as we have it today.

That brings me to the second part of my remarks. This summer, the day after Croatia beat England in the World cup semi-finals—if there could be any bigger blow—it leaked out that, as part of several changes to political programming that the BBC was going to make, BBC Parliament was not going to continue in its current form. The proposal was not to totally discontinue the channel but to remove any of the associated programming. Even the captions were under threat. The BBC would have continued to take the feed from this place and the House of Lords and so on, but would not have broadcast during parliamentary recesses. It would only do the very basics, and no doubt that that would have come under threat in years hence.

I am the vice-chair of the all-party parliamentary BBC group and I recognise the tremendous pressures that the BBC is under. It has to save £550 million by 2021-22. BBC News, which took the decision to try to scale back BBC Parliament, has to find £80 million in that period. I realise that there are challenges for the BBC management, but the cost of BBC Parliament is such that they would have saved only about £500,000 by getting rid of most of the staff. The transmission costs of BBC Parliament are nearly £7 million and another £1.7 million is spent on content and distribution, so the really significant money is in actually transmitting the channel, which I will come back to in a minute.

What happened then was that at a sitting of the Digital, Culture, Media and Sport Committee just before Parliament went into recess, Lord Hall was asked by the Chair if he would be pulling all of the additional edited programmes on BBC Parliament. Those programmes obviously include things such as the coverage of the conferences and of Select Committees, but there is also a book programme about political books and a host of programming based on anniversaries, including of general elections. Indeed, there was programme a few years ago on the anniversary of Winston Churchill’s death, with a replaying of his funeral and so on. All this associated political programming would have gone. Recently, Steve Richards has done a series in the old style of A.J.P. Taylor really, just extemporising—rather like I am doing now—for a period to the camera, and his theme was “Prime Ministers” who never quite became Prime Minister, and so on. As I say, all of that programming would have gone.

Lord Hall suddenly said in reply to the Chair of the Committee:

“I want the edited programmes to continue. Let me just say we are constantly reviewing what we do…Could we do this better? Could we do it more effectively? But do not read into that necessarily something that we intend to do.”

That was a glorious moment. Some in the House may have watched “W1A”, a BBC comedy about the inner workings of the BBC—there was a similar comedy about the inner workings of the Olympics—and this was a “W1A” moment. The poor press officer at the BBC then had to issue a press release saying:

“As the director general has said, certain programming on BBC Parliament will continue as before”.

That was a very elegantly achieved U-turn.

Then the Speaker stepped in and he also made representations, so it looks now as though BBC Parliament will continue very much as before, with its current staffing levels, producing the range of programming that I have referred to. It really is important also to have the captions on the screen. Another programme that BBC Parliament has made is the “A to Z of Parliament”, which explains different things we do here in Parliament—for example, Divisions—to the public. In that sense, there is a good story to tell about BBC Parliament, but as I said earlier, today I want to look ahead and consider what BBC Parliament could be like in 10 years’ time. How can we attract more people—perhaps more younger people—to watch it and how can we take it forward?

I remember that about 10 years ago, when I was previously in the House, I worked with my hon. Friend the Member for West Bromwich East (Tom Watson), now Deputy Leader of the Labour party, to save BBC 6 Music and the BBC Asian Network on the radio. I would like BBC Parliament to improve and expand, rather like BBC 6 Music has in the 10 years since it came under threat. How might BBC Parliament do that? It is obviously a question of resources and so on, but if the BBC put its mind to it, working in association with the parliamentary broadcasting unit, it could do for Parliament what it has done for things such as the Olympics, the FA cup and so on. It is a common theme in the BBC now to have My BBC—a digital concept. If I am interested in Bradford City’s results I can get an alert from the BBC about those results, or if I am interested in a particular area of news I can get alerts about programming in that area of news.

I think the parliamentary broadcasting unit now has, on some days, no fewer than 20 transmissions from various Committees around this House. There must be a way of linking those transmissions in to the promotional power of the BBC. Indeed, Lord Hall said in the Select Committee hearing:

“For example, could we…work with the parliamentary website to allow people to search more easily by topic, to have notifications when things are being brought up in the House? Could we extend our service in that sort of way, too, so that if you are particularly interested in…say the A303…every time that came up in Parliament you were told it was about to come up”.

I understand that Lord Hall, who has a very progressive vision, may well meet the Speaker to discuss that. As a vice-chair of the APPG on the BBC, I will write to the Speaker and the director-general of the BBC suggesting that the director-general to come into Parliament and perhaps have a seminar—if the Speaker would host that in his house, it would be great—about the future of BBC Parliament, with the authorities of the House present as well, to consider how we can improve the channel’s digital output.

In years to come, TV will probably change again. In recent years, all TV sets have switched to digital. There was a tremendous effort by the private sector and the Government, who worked together to make that change happen. In the future, something similar will probably be done with connected TVs. At some stage in the future, we will probably all have connected TVs, so I guess that eventually the BBC will make savings on the transmission costs of BBC Parliament. In the years ahead, it is really important that BBC Parliament remains a terrestrial channel that everyone can access, regardless of income. I hope that that has been achieved, but it is also important that we consider how the broadcasting of this place, the other place, our Committees and so on can be reviewed, to refresh it for another age. I say that because one of the things that has happened in recent years is that many young people have become involved and interested in all sorts of politics. BBC Parliament has done a massive and magnificent job for our nation over the last 20 years or so, and I would like to see it doing a similar but different job in the years to come for the generations to come.

Margot James Portrait The Minister for Digital and the Creative Industries (Margot James)
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Thank you, Mr Robertson, for calling me to speak. This is the first time that I have served under your chairmanship, and I am delighted to do so.

I almost forgot that I had to respond to the debate, because I was enjoying the contribution by the hon. Member for Keighley (John Grogan) so much. I thank him for that and I congratulate him on securing this very important debate on the future of the BBC Parliament service. He made a marvellous speech, taking me back to the ’70s, when my interest in politics was first inspired. He mentioned people such as the late and lamented Ian Gow, and he even alluded to that marvellous night—from my perspective—of the no confidence motion that brought Britain’s first woman Prime Minister to power.

The hon. Gentleman also mentioned Harold Wilson, who he said was his father’s hero. Actually, in my young years I revered Harold Wilson, as I believe did Michael Portillo, so he had many admirers; he was the most amazing politician and an inspirational figure of the ’60s and ’70s. I was also fascinated to learn that the House of Lords stole a march on us by five years; I did not know that it was the first House to agree to broadcasting and that it took the Commons so much longer.

The hon. Gentleman made various recommendations. I shall certainly listen to the programme by Steve Richards on the politicians who never quite made it to becoming Prime Minister. There might be a subsequent series called, “The Prime Ministers we never had—thank God!” [Laughter.] Perhaps I had better not dwell on that point. Nevertheless, the hon. Gentleman’s contribution was fantastic and I learned so much from it.

The BBC is rightly one of the UK’s most treasured institutions. It sets a fantastic example as a world-leading—indeed, the world-leading—public service broadcaster. There are BBC programmes that are perhaps off the point of this debate, such as “Planet Earth”, “Strictly Come Dancing”, the “Today” programme—I am sure we all enjoy that—and “Bodyguard”, but all of those outputs come from the licence fee, which allows the BBC to reach UK audiences everywhere, through the TVs in our homes, the radios in our cars and, of course, the devices in our pockets or on our wrists.

Gregory Campbell Portrait Mr Gregory Campbell
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I thank the Minister for giving way. Does she agree that, despite having outlined some of the magnificent programmes that the BBC makes, there are issues with the BBC in a wider sense? For example, I have just come today from the National Audit Office in London, as I am trying to establish more openness and transparency for the BBC. Given that it receives almost £4 billion of licence fee-payers’ money from the public purse, it needs to be much more open about how it spends that resource and accounts for spending it.

Margot James Portrait Margot James
- Hansard - - - Excerpts

I think that all large organisations are on a journey to become more transparent and accountable. Indeed, the BBC’s annual plan sets out clear commissioning priorities, and transparency is fundamental to that. I do not know whether the hon. Gentleman is aware of this, but Ofcom is currently consulting on the commissioning process, including the transparency of that process. If that consultation is not yet closed, I urge him to contribute to it. Ofcom expects to make a statement about the mater by the end of this year.

Crucial to the BBC’s duty to provide impartial and accurate news and information is the building of people’s understanding of the UK, its democratic processes and the wider world, so that all audiences can engage fully in those processes as active and informed citizens. I am sure that the hon. Member for Keighley is aware of the BBC’s Democracy programme, which is all about facilitating greater democratic accountability and participation at a local level.

Scrutiny of politics—local and national—is vital, and the BBC provides a window for the public into discussions and debates. I did not know that the parliamentary broadcasting unit broadcasts an average of 20 different sessions of Parliament a day. That is absolutely fantastic, and BBC Parliament is an absolutely key part of delivering that unique responsibility, providing unparalleled openness and transparency by allowing viewers direct access to everyday political activities, not just here in Westminster but in Holyrood, Stormont—when it is sitting—and Cardiff, and helping them to make sense of the business of politics, through clear insight and explanation and links to other BBC sources. The channel contributes directly to genuine engagement in UK political life through the programmes it shows. Live daily coverage of how decisions are made and how the public is represented allows people to watch and listen to their representatives and hold them to account, and viewers can watch repeats of sessions on topics they are passionate about but may have missed because of the demands of everyday life.

As I said, BBC Parliament delivers significant coverage throughout the UK’s regions, showing, in the last year, 427 hours from the devolved Assemblies—an enormous amount that exceeds Ofcom’s quota for the channel. That coverage provides a critical link between voters and their representatives, and shines a light on the issues that affect everyone, regardless of where they live and work. That is an encouraging sign that the BBC is fulfilling its public duties, and it demonstrates the value of the BBC Parliament service.

In addition, weekly edited BBC Parliament programmes, such as “Today in Parliament”, which I enjoy, when I can, at 11.30 in the evening, and “The Week in Parliament”, deliver tailored insight into and analysis of the business of the day. A great example, which regrettably I am yet to see, is “Suffragette Allies”, which was broadcast as part of the BBC’s year-long celebration of the centenary of women’s partial suffrage.

BBC Parliament, as the UK’s only channel dedicated exclusively to politics, is an example of the public service ethos that lies at the heart of the BBC, providing a service that cannot be provided by anyone else. The monthly reach of the dedicated parliamentary channel is almost 2 million viewers and listeners, and the average BBC Parliament viewer watches the channel for almost two hours a week, which is a significant volume of viewing by person and speaks to the value that the channel delivers. The hon. Member for Keighley noted the average age of the viewers and listeners—I am that age, being over 60. However, although I am passionate about encouraging the BBC to attract younger viewers and listeners, we do not want that to be at the expense of, but rather as well as, people over 60, or 50, or any other age. It is all to the good that BBC Parliament will remain, and I was interested in his comments about its future.

All of that is delivered with a content spend of only £1.6 million, which was just 0.1% of the total BBC television content spend last year. I am not privy to the reasons for the BBC’s review of the channel, but the golden rule about saving money that I followed when I was in business was, “You can only save money from where money is.” As that 0.1% is a very small budget to start with, I trust it will be safe from that kind of scrutiny. It obviously needs to deliver value, but the hon. Member for Keighley and I have made clear the enormous value that such a modest spend generates. At a time when misinformation and fake news are rife, safeguarding trusted, impartial and accurate political coverage for audiences in the UK and beyond is more important than ever.

Underpinning all of that is the BBC’s independence. As hon. Members know, the BBC is operationally and editorially independent from the Government, and rightly so. Independence means that the BBC can make tough editorial decisions to robustly hold Parliament and the devolved Assemblies to account, and to scrutinise our actions without fear of reprisals. Independence allows the BBC to help voters understand and engage with parliamentary and political events. Voters trust that BBC coverage is accurate and impartial. I know that there are challenges to that trust, because I receive letters from people—

Margot James Portrait Margot James
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I am aware of the hon. Gentleman’s earlier comments. Trust must constantly be earned; it can never be taken for granted.

The welcome news, which the hon. Member for Keighley mentioned, is that the BBC recently announced that its planned cuts to edited daily and weekly BBC Parliament programmes will not now go ahead. I am very pleased to hear that decision, which I am sure we all welcome. I am reassured by the BBC’s comments to me that political and parliamentary content has a strong future on the BBC. I trust that the BBC will take note of the hon. Gentleman’s good ideas about looking to the future of the parliamentary broadcasting unit, with the development of artificial intelligence, notifications and all manner of automatic transmission opportunities that are more personally targeted at viewers’ and listeners’ interests. There is a great future in that. The hon. Gentleman has invited the director-general into Parliament, and I will encourage him to take up that invitation and join in any meeting that can be convened.

In an increasingly digital world, I am excited to see how the BBC has responded to the campaign. I wholeheartedly support its ambition and look forward to hearing further about its plans for the parliamentary broadcasting unit, which does such valuable and important work. I now leave a few minutes to the hon. Gentleman, in case he wishes to contribute further.

Oral Answers to Questions

Gregory Campbell Excerpts
Thursday 6th September 2018

(5 years, 8 months ago)

Commons Chamber
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Gregory Campbell Portrait Mr Gregory Campbell (East Londonderry) (DUP)
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The Minister will be aware, I hope, that the R&A will come back to Royal Portrush next year for the first time in 70 years for the Open golf tournament. Would he join me in ensuring that his colleagues in the Cabinet take the decision on VAT on hospitality and air passenger duty to try to ensure that tourism in Northern Ireland receives a much-needed boost in advance of that tremendous tournament?

Jeremy Wright Portrait Jeremy Wright
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We certainly want to see that be a successful Open championship, and we will look at any way we can to assist. The hon. Gentleman will appreciate that there are difficulties at the moment in the absence of an Administration in Belfast, but we will do all we can to help, and I look forward to speaking with him and others about how we might do that.

Oral Answers to Questions

Gregory Campbell Excerpts
Thursday 10th May 2018

(6 years ago)

Commons Chamber
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John Bercow Portrait Mr Speaker
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I suppose we had better hear about the Northern Ireland situation. I call Mr Gregory Campbell.

Gregory Campbell Portrait Mr Gregory Campbell (East Londonderry) (DUP)
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I do not wish to add to the bidding war, but when the Secretary of State has discussions with Channel 4 about where it might relocate, perhaps it might also reconsider some of its options in terms of its broadcasting output throughout the United Kingdom.

Matt Hancock Portrait Matt Hancock
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The hon. Gentleman is absolutely right. It is almost impossible to overplay the amazing advances in broadcasting production in Northern Ireland over the past few years. It has been an absolute triumph and a great addition not only to the economy but to society and culture in Northern Ireland. I am sure that Channel 4 will consider that, too.

Safeguarding Children and Young People in Sport

Gregory Campbell Excerpts
Tuesday 1st May 2018

(6 years ago)

Westminster Hall
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Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.

Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.

This information is provided by Parallel Parliament and does not comprise part of the offical record

Bambos Charalambous Portrait Bambos Charalambous (Enfield, Southgate) (Lab)
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I beg to move,

That this House has considered the safeguarding of children and young people in sport.

It is a pleasure to serve under your chairmanship, Sir Roger. A few months after my election I was contacted by one of my constituents, Mr Ian Ackley, who is present here today, who told me that he was one of the people who had been sexually abused as a child by the serial sex offender and predatory paedophile Barry Bennell, who was convicted of 43 counts of historic child sex abuse in February this year. I shall briefly tell Ian’s story, to illustrate the failings of the past, and then explain what I think still needs to be done to safeguard children and young people in sport.

Ian told me how, as a talented young footballer aged nine, he had been spotted by Bennell. Bennell used his charm and suggested connections to top-tier football clubs to persuade parents to allow their sons to sign for his club White Knowl, which he ran in north Derbyshire. Ian told me that early on, as the team was doing well, and having won the trust of his parents, Bennell suggested that Ian stay overnight at his place so that he could talk tactics with him and Ian would be fresher for the game the next day. The parents, being very trusting and totally taken in by Bennell, consented to the stay-over; the sexual abuse began immediately. Ian was not the only child to stay over. On some occasions there would be a number of boys there, some sleeping in the same bed as Bennell. Staying overnight at Bennell’s place soon became the norm. It is hard to imagine that happening today, but those were different times.

Ian, in talking to me, made it clear that many parents of boys from other Manchester youth teams that his team played against were aware of Bennell’s abuse. On some occasions they confronted Bennell at matches, but it would seem they had either chosen not to report the abuse to the police or to take the matter further, or else that they had not been listened to. Ian told me that the sexual abuse stopped when he was 14 years old, when Bennell wound down his youth football club. Ian’s football career came to an end a few years later. In 1996 he went on to become the first person to publicly blow the whistle on Bennell’s abuse in the “Dispatches” television programme, which led to Bennell being convicted of a number of sexual offences against him.

The trauma and anguish of being sexually abused remained with Ian and are still with him. Since the recent revelations about Bennell came out two years ago, Ian’s personal and work life have suffered. Ian has used his experience with other abuse victims Paul Stewart, David White and Derek Bell to set up an organisation called SAVE, which seeks to engage with victims and others, to inform and provide advice about safeguarding in sport, and to raise awareness about potential loopholes and oversights in procedures and day-to-day activity.

I, like many others, assumed that the sexual abuse by Bennell that Ian and others suffered could not happen today because we live in different times from the 1980s, and sport has changed beyond all recognition since that time; but on closer inspection I think that there are areas that need improving. Before preparing for this debate I met with the National Society for the Prevention of Cruelty to Children, the head of safeguarding at the Football Association and a representative of the Lawn Tennis Association, and I spoke to a number of people involved in safeguarding. The FA has an exemplary safeguarding policy endorsed by the NSPCC child protection in sport unit, which it should be proud of. It even has a grassroots football safeguarding policy, which covers everything—recruitment of volunteers and staff, creating a safe environment, criminal record checks, travel and trips, vulnerable people and even cyber-bullying. Ideally, all clubs should fully implement and abide by those policies, but I have a concern about how very small Sunday morning football clubs, which are run predominantly by volunteers, will be able to ensure that all those steps are taken without finding them extremely burdensome.

Gregory Campbell Portrait Mr Gregory Campbell (East Londonderry) (DUP)
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I congratulate the hon. Gentleman on what is undoubtedly a timely debate. Of course young people and children should be safeguarded, but does he agree, having alluded to volunteers, that we must respect the integrity of the many thousands of them who are above reproach, and ensure that the tiny minority who have been abusive are completely and utterly isolated and alienated from dealing with young children in sport?

Bambos Charalambous Portrait Bambos Charalambous
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The hon. Gentleman makes an excellent point. Trying to close the loopholes, to stop abuse happening, is paramount; but we must also take into account the fact that many smaller clubs are run entirely by volunteers, and we must thank the genuine volunteers who are there for the benefit of the young people in the sport.

More structural support is needed at the regional or county level to ensure that small clubs get help with implementing safeguarding policies. There should be someone at the regional or county level who ensures that the policies are adhered to and that proper monitoring takes place. It is often at the smaller clubs that abuse will first happen, as in Ian Ackley’s case. We also need to ensure that children and young people feel able to speak out and feel that they will be listened to when they call out abuse. That is why we need to make sure that they can do so in a safe environment, and that they are encouraged to speak out. Children and young people could be given confidence during player induction at sport settings about speaking up if they come across abuse, and there are other means whereby clubs can encourage young people to speak out whenever they come across abuse or anything happens to them.

When I met the Lawn Tennis Association I was staggered to discover that not all tennis clubs are affiliated to it. It has approximately 2,700 members, but more than 1,000 clubs are not registered with it. Some people might say, “So what? What difference does it make?” This year, for the first time, the LTA has made it a requirement that all affiliated clubs use only LTA-accredited coaches, who must meet a minimum safeguarding standard. Unregistered clubs, on the other hand, are free to appoint whomever they choose as a tennis coach. According to the LTA, there are more than 800 “accredited tennis coaches”. There are other coaching courses apart from the LTA’s, but it is worth noting that some accreditation can be obtained online for as little as £80. That means that a child or young person could be having lessons at an unregistered tennis club with a coach who obtained their accreditation online by answering tick-box questions.

What I am saying is in no way intended to call into question good unaffiliated tennis clubs and coaches, but, as we have seen time and again, people who abuse children and young people find a way to get close to them, just as rain gets through cracks in the pavement. The question arises whether coaching courses should be licensed and have Government-approved kitemarks to give people an idea of the quality of the safe- guarding training undergone by the coach. Perhaps that could be a role for the child protection in sport unit, which already gives ratings to governing bodies. It is often hard for parents to navigate all the different accreditations and codes, and anything that makes things simpler, and easier to understand, should be encouraged.

More needs to be done about summer sports courses. As things stand, there would be nothing to stop me or anyone else hiring a field and setting up my own summer football skills course for kids. With some clever marketing, I could be up and running with some cones, bibs and footballs. I think more checks need to be carried out in those casual arrangements, too. It is the sort of thing that local authority trading standards teams could check, provided they had the funding to do so.