Debates between Gareth Snell and Lisa Smart during the 2024 Parliament

House of Lords Reform

Debate between Gareth Snell and Lisa Smart
Tuesday 20th October 2026

(2 days, 14 hours ago)

Westminster Hall
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Lisa Smart Portrait Lisa Smart
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The hon. Gentleman has extended himself several times this afternoon—and I, for one, am here for it. There are many things I would change about the way our country runs. If we were designing a country from scratch, I do not think we would have a Parliament or a monarchy like this. The monarch and the royal family do an important job in all sorts of ways, but I would very much change the relationship between Parliament and the monarch. To answer his question, yes I would.

Removing the remaining hereditary peers on its own does not go anywhere near far enough. That is why my hon. Friend the Member for Richmond Park (Sarah Olney) tabled an amendment to the House of Lords (Hereditary Peers) Bill to replace every unelected Member with a fully elected Chamber. Sadly, neither the Labour nor Conservative party supported that, which feels like a missed opportunity to begin the transition. We continue to see events that highlight why we should have an elected and accountable second Chamber. The Mandelson scandal has shown how poorly the current Chamber copes when a Member appointed for life has lost the public’s trust.

According to an Electoral Commission study from 2025, only 14% of respondents trusted politicians. We must all work to improve that level of trust; increasing accountability in Parliament feels like an important place to start. In February, the leader of the Liberal Democrats, my right hon. Friend the Member for Kingston and Surbiton (Ed Davey), called for legislation to strip Peter Mandelson of his peerage. Ministers told the public that reform was urgent and that they were talking to other parties. The Removal of Peerages Bill was included in the last King’s Speech, yet we are still to see any wide-scale reform. Can the Minister confirm if, and when, we should expect to see legislation to produce reform in the House of Lords—including, but not limited to, the Removal of Peerages Bill?

The Representation of the People Bill could have been a good place to start to make vital reforms to the way the second Chamber works. It contains welcome measures including votes at 16, steps towards automatic voter registration and a U-turn on the independence of the Electoral Commission—all changes that the Lib Dems have campaigned for. But it says nothing about the Lords or proportional representation, and far too little about the money that flows into our politics.

We want the Government to stop tinkering at the margins and to make the real changes needed to fix the broken political system in which we currently operate. They could take steps now: implement the 2017 Burns report; bring the House of Lords down to 600 Members; introduce the retirement age for peers that Labour promised in its own 2024 manifesto; put the ministerial code into law so that Ministers—

--- Later in debate ---
Gareth Snell Portrait Gareth Snell
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I should declare an interest: my wife is the Deputy Government Chief Whip in the House of Lords. As the hon. Lady will know, the Taylor report is bringing in mandatory House of Lords retirement at age 80, so things are progressing.

Lisa Smart Portrait Lisa Smart
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I look forward to seeing that happen at pace; I am sure that is what is going on.

The Government could also move at pace to move power out of Westminster and Whitehall. But none of the steps I just mentioned is a substitute for the end goal. Our second Chamber needs the legitimacy that only a democratic mandate can give it. The Lib Dems will keep making that case until it has been won.

Community Theatre

Debate between Gareth Snell and Lisa Smart
Wednesday 12th March 2025

(1 year, 7 months ago)

Westminster Hall
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Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.

Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.

This information is provided by Parallel Parliament and does not comprise part of the offical record

Lisa Smart Portrait Lisa Smart
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My hon. Friend makes a powerful point about the perilous state of local government finances, the knock-on impact on assets and services provided by councils, and how councils can support important work in our communities. It is quite difficult to measure the impact of bringing people together. I feel that we look at the arts as a cost rather than as an asset and a way to reduce costs in other areas. I will come to those points later.

The Forum serves as a hub for more than 30 local organisations: dance schools, community groups, bands, comedians and schools use the space. They rely heavily on the Forum for their events, because it is an affordable space compared with going into town and paying the price for city centre venues. Its usage is a testament to its importance and significance. The level of activity not only enriches the cultural life of my constituents, and more widely, but it stimulates the local economy. A study by the Society of London Theatre shows that for every pound spent on a theatre ticket, £1.40 is spent in the local economy. That boost is vital for the many independent shops, cafés and wine bars in Romiley, which benefit from the theatre’s bustling schedule.

At the centre of those statistics are the real lives of those in my community who benefit from the Forum. The theatre brings together children and young people from different backgrounds, from those who are more affluent to those who currently live in the care of the local authority. At the theatre, they grow together with shared passions.

Gareth Snell Portrait Gareth Snell (Stoke-on-Trent Central) (Lab/Co-op)
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I thank the hon. Lady for securing this debate. The Forum theatre in her constituency sounds like a venue that I should put on my to-visit list, because she is making such a great pitch for it. I am very lucky in my constituency to have the Rep theatre, the Mitchell arts centre, the work by Restoke at Fenton town hall and the Dipping House, which is a community venue running high-profile performances. Those venues bring opportunities for local people not only to engage in the arts, but to hear their stories reflected back in the stories of our community played out on stage. Does she agree that such stories are often overlooked by national production companies? If we do away with community theatres, we end up losing our history to what is commercially viable nationally.

Lisa Smart Portrait Lisa Smart
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I strongly agree. I remember growing up, with this accent, and really welcoming it when somebody sounded like me on the BBC or in a theatre production. It matters to all of us to see and hear ourselves and to hear our stories being told. Community and local theatre plays a hugely important role in that.

Community theatre also plays an important role in saving money from the public purse. We have so many young people on a waiting list for assessment and treatment by child and adolescent mental health services. They might be out of mainstream school and struggling as they live with a mental health condition. Participating in the life of a theatre, whether in a production or at the front or back of house, can make people feel they belong. It can help them to find their voice and support them, thereby reducing the cost to the state in other areas. It also offers invaluable educational opportunities.

At the Forum, local schools benefit from theatre experience days, when students can learn about career opportunities in the creative industries, which can be life changing. I am thinking about David, who discovered his passion for lighting and sound design during a school visit. When he left school, he became the theatre’s first apprentice, allowing him to master his passion over a two-year programme.

The charity that operates the theatre, NK Theatre Arts, also ensures that financial hardship does not prevent participation. The theatre vowed never to turn down a potential member due to financial difficulties. Recently, a long-time member of a much-loved drama class stopped attending, because her family was experiencing a tough time financially, and they decided they could no longer afford it. The theatre team pushed through and insisted that the member continue and only pay what she could.