Debates between John Whittingdale and Baroness Keeley during the 2019-2024 Parliament

Oral Answers to Questions

Debate between John Whittingdale and Baroness Keeley
Thursday 16th November 2023

(1 year, 1 month ago)

Commons Chamber
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Lindsay Hoyle Portrait Mr Speaker
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I call the shadow Minister.

Baroness Keeley Portrait Barbara Keeley (Worsley and Eccles South) (Lab)
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I have to say that the Bath young carers played wonderfully, and I really enjoyed listening to them.

Ofsted recently stated that there remains a

“divide between children and young people whose families can afford to pay for music tuition and those who come from lower socio-economic backgrounds.”

I share the concern just expressed about the impact this is having. The money promised for musical instruments in June 2022, which the Minister has just mentioned, has still not been distributed to schools, and it now sounds as though that money is not going to arrive until autumn 2024. Will that delay not just mean that more children are not able to learn to play an instrument? What action can the Minister take to speed it up?

John Whittingdale Portrait Sir John Whittingdale
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I can tell the hon. Lady that the Government remain committed to investment through the music hub investment programme, and I am happy to give her a specific answer to the question she raises about the allocation of that money in writing. The Government are working very closely with the DFE on this, and we also look forward to producing a cultural education plan in early 2024.

Oral Answers to Questions

Debate between John Whittingdale and Baroness Keeley
Thursday 15th June 2023

(1 year, 6 months ago)

Commons Chamber
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Lindsay Hoyle Portrait Mr Speaker
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I call the shadow Minister.

Baroness Keeley Portrait Barbara Keeley (Worsley and Eccles South) (Lab)
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This year, there will be a third fewer British performers playing at festivals across Europe than before Brexit. Whatever the Minister says, I have heard from orchestra leaders that promoters in Europe are now less willing to book UK musicians. The difficulties of touring now include impractical cabotage rules, the steep cost of carnets, and the bureaucratic nightmare of A1 forms and CITES—convention on international trade in endangered species—certificates. How can we be a truly global Britain when the Government are not acting to remove these barriers to international touring for musicians?

John Whittingdale Portrait Sir John Whittingdale
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We are fortunate in this country to have some of the finest performers in the world, and I am keen to ensure that as many people across the world are able to enjoy their performances, so we will continue to work on this. As I said to the hon. Member for Bristol East (Kerry McCarthy), we have already made significant progress in obtaining visa agreements so that musicians no longer have to obtain visas, and we will continue to work with the Musicians’ Union and others to make it easier in the future.