Oral Answers to Questions

Sarah Green Excerpts

Thursday 1st December 2022 Commons Chamber

[Stuart Andrew]

It would be great to go from Qatar to Derbyshire and I would be more than happy to accept my hon. Friend’s invitation. She is right to talk about the many opportunities that we need to look at, including, particularly, the offer in the rest of the country for tourism from not just this country, but around the globe. One of my priorities is to get more people to come to London, of course, but then to visit other great counties such as Yorkshire, as I am sure you would agree, Mr Speaker.

[Sarah Green (Chesham and Amersham) (LD)]

8. What assessment she has made of the potential impact of Arts Council England funding decisions on leading cultural institutions.

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (Stuart Andrew)]

Decisions about which organisations to fund and at what level were taken by the Arts Council, an arm’s length body from Government. The Arts Council remains committed to supporting the core cultural institutions. For example, three institutions that receive the most funding in the portfolio are the Royal Opera House, the National Theatre and the Southbank Centre. Many high-profile, established organisations such as the Royal Shakespeare Company and Opera North will continue to receive funding.

[Sarah Green]

I thank the Minister for his answer. Arts Council England’s decision to stop funding English National Opera in London and to effectively demand that it relocates to Manchester will leave hundreds of talented artists and professionals either out of work or forced to uproot their lives. Some of them live in my constituency and are understandably devastated by the decision that they now face, but they also feel blindsided, given that they had very little warning. Will the Minister tell me whether the artists directly impacted by the removal of ENO funding were consulted in advance of the decision? If not, why not?

[Stuart Andrew]

I know that the Arts Council has taken a considerable amount of time to look at the unprecedented number of applications—more than 1,700—that were received and that it has assessed them very carefully. It is making sure that £12.6 million is available in transition funding for those that will be leaving. The time has been increased from three months to seven months, so that there is support for them for up to 12 months. We would certainly encourage the Arts Council and the English National Opera to continue the dialogue that they are having.