Oral Answers to Questions
Ruth George Excerpts(5 years, 8 months ago)
Commons ChamberRead Full debate Read Hansard Text Read Debate Ministerial Extracts
Ruth George (High Peak) (Lab)
Food banks are like the fourth emergency service, especially in rural areas such as mine. High Peak Foodbank has helped over 1,000 people this year, but it is no longer funded by the lottery. What assessment has the Minister made of the impact of the lottery’s decision on food banks and the vulnerable people who need them?
Mims Davies
As the lotteries Minister, that is not something I am aware of. I am happy to hear more from the hon. Lady and to engage with the national lottery on this issue. We need to make sure there is appropriate funding, and it is great that the national lottery reaches into many communities, helping people broadly. I am happy to take away this issue and the challenge to look across Government and work with colleagues.
Town of Culture Award
Ruth George Excerpts(5 years, 10 months ago)
Westminster HallRead Full debate Read Hansard Text Read Debate Ministerial Extracts
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Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.
This information is provided by Parallel Parliament and does not comprise part of the offical record
Tracy Brabin (Batley and Spen) (Lab/Co-op)
It is an honour to speak under your chairmanship, Mr McCabe. I thank my right hon. Friend the Member for Delyn (David Hanson) for securing the debate.
Why do we need a national town of culture award? It is really simple: it is about pride and confidence in where we live, bringing our communities together, enhancing social cohesion and growing economic and social investment in our towns. According to the 2011 census, more than 38 million people live in towns—about 59% of our population. Yet despite being the majority of the population, people in towns frustratingly feel that they are competing with cities for jobs, infrastructure and wider arts and cultural investment, so it is about fairness, too.
Obviously, I will speak about Batley and Spen, which includes the wonderful towns of Birstall, Cleckheaton, Heckmondwike and Batley. We have amazing organisations, such as the Batley festival, the Bagshaw Museum, the Cleckheaton folk festival and the Batley and Spen Youth Theatre Company. I would love to celebrate all those things, but I also need to say to the Minister that we know that the Department for Digital, Culture, Media and Sport understands the impact that winning the city of culture award has. Impacts derived from that award were referenced in the recent cultural development fund announcements, in which funds were awarded to Wakefield, Grimsby, Plymouth, Kent, the Thames estuary and Worcester. Of course I congratulate those communities, but we want to take the impacts of that award much further; we want to bring them to our towns and communities.
Ruth George (High Peak) (Lab)
Buxton, in my constituency, has world-class arts; it has the Buxton festival and the Buxton opera house. It also has fantastic community arts, in which people can get involved to boost their health and wellbeing; that is an amazing treatment for post-traumatic stress disorder. Given that we have less mental health treatment in our towns and rural areas, does my hon. Friend agree that the Government should look at the ongoing benefits of supporting the arts in our towns?
Tracy Brabin
I thank my hon. Friend for that powerful statement about how creativity can affect mental health. Certainly Creative Minds in my constituency works with social prescribing to support mental health.
Other Members want to speak, so I will conclude. I am co-chairing a parliamentary inquiry on social mobility in the performing arts. My personal commitment, in supporting the call for a town of culture award, is to work to ensure that we have diverse participation in both the bidding and the implementation process.
Being a town of culture is a key opportunity to drive better access and social mobility in the arts sector. We cannot continue to see statistics such as 12% to 13% working-class participation in the arts. We must do better, and we can. As they say, “If you don’t see it, you can’t be it.” I ask the Minister to please let us make this happen. Let us celebrate what makes towns great.
The Arts: Health Effects
Ruth George Excerpts(7 years, 2 months ago)
Westminster HallRead Full debate Read Hansard Text Read Debate Ministerial Extracts
Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.
Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.
This information is provided by Parallel Parliament and does not comprise part of the offical record
Ruth George (High Peak) (Lab)
It gives me great pleasure to participate in this debate and to speak about High Peak Community Arts—a fabulous project that has been based in my constituency for more than 20 years, and has helped people with their health and wellbeing throughout that time. It is a real pioneer of outcomes. At the moment, it is funded through five-year lottery funding grants, and it helps people with mental health and wellbeing issues in particular. It creates community arts projects around my constituency, including in ceramics and mosaics. There is a sundial in a park, and it has created a life-sized willow-frame donkey for an elderly people’s care home. Working together on those projects helps people in a way that our health services often cannot.
With Project eARTh, High Peak Community Arts creates arts projects to enhance the natural environment. Those are aimed at adults who are experiencing mental distress or other long-term conditions, such as anxiety, stress, depression, obsessive compulsive disorder, bipolar disorder and borderline personality disorder. Generally, the participants are isolated and are lacking in self-confidence and self-esteem, and working together on those projects addresses such issues.
Being creative is relaxing, absorbing and takes people’s minds away from negative thoughts. People work together in the groups, discussing themes and ideas. They often physically work on the same project. We have unveiling ceremonies, in which the projects are unveiled in communities, which gives people a real sense of worth and wellbeing in the knowledge that they have created something.
The story of one of the participants illustrates the project better than any sort of evaluation. The lady was left severely traumatised seven years ago as the result of an armed robbery at her store. She suffered post-traumatic stress disorder and did not leave the house for four years. She lost all her friends because she was unable to talk to them anymore. In spite of all the care she received from doctors, counsellors and other health professionals, she still could not go out on her own. She says,
“I was petrified that my life was collapsing, I felt helpless.”
She felt that nothing could help her, until her support worker took her along to the art group. She managed to speak to people again, and took part in the project. Since then, she has been able to get out of the house to take her dog for a walk. She is not 100% recovered, but the projects have helped her more than anything else.
