Data (Use and Access) Bill [Lords]

Debate between Polly Billington and Pete Wishart

Wednesday 7th May 2025 Commons Chamber

[Pete Wishart]

The right hon. Gentleman is right to remind us about journalism. What has been notable, along with the clumsy way in which the Government have approached these issues, is the unity that exists throughout the creative sector, taking on board what is happening in journalism. We have seen some fantastic coalitions of interests emerging from all this. That is another positive development, and I just hope that the Government are satisfied when they see the outcomes.

AI and creativity can work together. I gave an example of that to the hon. Member for Mid Sussex (Alison Bennett). We have all been encouraged to think that there is a divergence between the position of those in the creative sector, such as artists, and the position of those who are involved in the tech sector and, in particular, AI. There should be an approach that works for everyone involved. The AI companies know that our content is immensely valuable. They refuse to pay for anything at present, not because they do not understand the value but because they have spotted an opportunity to hoodwink Governments around the world into believing that they should not have to pay for an essential resource.

[Ms Polly Billington (East Thanet) (Lab)]

One of my colleagues had a conversation with representatives of the AI sector. She was very enthusiastic about the idea that there would be an enormous amount of growth in this country if they were able to adopt what they wanted, so she asked, “What would you like?” They replied, “We want the BBC archive, for free.” In circumstances of this kind, we need to think not only about transparency but about the second stage, which is licensing. Without the opportunity for small creators to have the power to permit and therefore to be paid, all this will be for nothing.

[Pete Wishart]

The hon. Lady is spot on. The Minister continues to go on about licensing arrangements, and I think that is the territory we want to move this on to. We need to hear more about the Government’s ambitions right now, and about what they are planning to do. The hon. Lady should have a look at the submissions to the consultation from the big tech companies such as OpenAI—it is a horror show. An opt-out is even too far for them.

I have enjoyed working with Labour colleagues during these debates. They have said all the right things, and I think that, as usual, they recognise some of the difficulties in the sector, but I appeal to them now to support, in particular, new clause 2, if it goes to a vote. It is no good just saying all the right things; this is about voting in the right direction. There is no other chance, because this is the only opportunity. We must offer some protection to our creative sector over the next few years, because nothing else will appear during that time. We will all become involved in the consultation and we will all be taking part in the legislation when it comes here, but that is years away. This is the only thing that we can do to offer some support to the creative sector, and I urge everyone to support the new clauses.

Data (Use and Access) Bill [Lords]

Debate between Polly Billington and Pete Wishart

2nd reading
Wednesday 12th February 2025 Commons Chamber

[Pete Wishart]

This is where the right hon. Gentleman and I do profoundly disagree. I look at this arrangement and the partnership across the European Union as a positive—it is a good thing. We were major contributors to some of the EU directives put forward on copyright and artificial intelligence. They miss us, and we miss them; we were just so much better when we were in partnership. I think we will just have to respectfully agree to disagree as we go forward on this particular issue.

[Ms Polly Billington (East Thanet) (Lab)]

I am keen to emphasise that it is of course possible for us to align ourselves with the European directive that the previous Government constructed before leaving the European Union in order to be able to maintain good creative copyright protections for our creatives, without us necessarily having to rejoin the European Union.

--- Later in debate ---

[Pete Wishart]

Far be it from me, who am on my feet, to get in the way of a conversation between the right hon. Gentleman and the Minister. I was interested by that little exchange. The right hon. Gentleman is right: we have to be careful when it comes to issues such as this. Given his experience of the House, he will have observed over the years some of the ways in which people who are able to make representations can be abused. As we go forward in such a critical area, he is right to issue a warning, and I think the House has heard what he has had to say.

Clauses 135 to 139 are the creative industries’ safeguard and guarantee in the face on an almost existential threat to their ability to sustain themselves and continue to bring that uncontaminated joy of human imagination to the people we represent. They would help to tackle the unauthorised use of intellectual property by big tech companies scraping data for AI. They would enforce transparency and lay out a redress procedure. They would explicitly subject AI companies to UK copyright law, regardless of where they are based in the world. That means—and this is a critical point—that those companies would have to reveal the names and owners of web crawlers that currently operate anonymously. Most importantly, they would allow copyright owners to know when, where and how their work is to be used.

To develop and thrive, our artists need the best possible conditions and political environment, and we have delivered that over the decades. That is why we lead the world when it comes to our contribution to the creative industries, and why we make such massive gross value added in every single sector in which we are predominant. Our leading artists give us a soft power that is the envy of the world, and we must not do anything that threatens our ability to retain it. We have a gold standard IP rights framework enshrined in UK law. We have a copyright regime that protects our artists, and ensures that their wonderful works are properly recognised and that they are remunerated for the products of their imagination.

[Ms Billington]

I am interested by the hon. Gentleman’s remarks about the importance of these clauses—amendments from the other place—which, in principle, I support. He has also mentioned the importance of ensuring that proper scrutiny takes place when it comes to, for example, the tech companies making representations in this place, but those amendments suggest that that would be dealt with only through secondary legislation. If we have an opportunity, as presented by those on the Front Bench, to suggest that we could have proper, primary legislation, why should we accept the idea of secondary legislation, which does not allow for sufficient scrutiny to ensure that we are providing the necessary protections, when we should be debating primary legislation in this Chamber?

[Pete Wishart]

I have probably not explained exactly what my fears and concerns are, and that is probably typical of me. What we currently have in the Bill is a guarantee that we will respect copyright and ensure that there is transparency. Until I am presented with something that covers all the issues that are covered in clauses 135 to 139, with all the security that they would give our creative industries, I will back those clauses to the hilt, and will do everything possible to ensure that they remain within the Bill. If the Minister, as he seems to be suggesting, is going to come back to us with a different Bill, let us see it. Let us see if it does all the things that we all want when it comes to backing our creative sector. If it contains all the provisions that will ensure that our copyright framework is respected, and if transparency is on the face of it, I will back it in a flash; but until I see it, this is all that I have got, and all that the House has got, and we should make sure that we defend and protect it.

There is an idea that somehow our copyright laws are broken. They are not broken at all; our copyright laws work perfectly well. The only people who have an issue with our copyright laws are those running the AI tech giants, who find that such laws get in the way of what they want to do and achieve. Their intention and ambition is to ingest our creative heritage, and to scrape the world for the last bit of human imagination and creative content. That is what has created difficulties and confusion about our copyright regime. There is nothing wrong with our laws. They are really good and the envy of so many, and they have served us well.

I will support the Bill as it goes through the House. As I have said to the Minister, it is a good Bill that generally does all the right things when it comes to data use, which should be supported. It is a better Bill because of the amendments, and I will continue to support it. But if the Minister has a Bill that he wants to present to this House, could he please get on with it? There is a consultation going on just now, which ends, I think, in two weeks on Wednesday. At that point, we will have the information that we require, and I suspect that we will find an overwhelming desire to see our copyright regime protected and defended. If the Minister has a Bill, bring it on. In the meantime, we must support the provisions and clauses in this Bill.