Debates between Lord Vaizey of Didcot and Paul Blomfield during the 2010-2015 Parliament

Oral Answers to Questions

Debate between Lord Vaizey of Didcot and Paul Blomfield
Thursday 16th October 2014

(9 years, 8 months ago)

Commons Chamber
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Lord Vaizey of Didcot Portrait Mr Vaizey
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I share the hon. Lady’s concern. I have been encouraging the use of what is known as the video relay system, which enables people to talk to a British sign language interpreter online. I have written to the top 100 FTSE companies, but very few have replied, and I intend to follow that up soon.

One of the things that held the programme back was a costing of £100 million, which I considered fanciful. When BT installed the system, the costing was between £15,000 and £20,000. The system is very cheap, and companies should install it. The Government should install it as well, and I am trying to encourage my colleagues to ensure that they do.

Paul Blomfield Portrait Paul Blomfield (Sheffield Central) (Lab)
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7. What steps he is taking to ensure better representation of women in the media.

Regional Arts and Culture

Debate between Lord Vaizey of Didcot and Paul Blomfield
Tuesday 4th February 2014

(10 years, 4 months ago)

Westminster Hall
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Lord Vaizey of Didcot Portrait Mr Vaizey
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Exactly. That is the theme: arts funding is doing very well, but it could be better. We have had some fantastic contributions. My hon. Friend the Member for Truro and Falmouth (Sarah Newton) talked about north Cornwall museums benefiting from the support of the National Maritime Museum. Two former Secretaries of State—the right hon. Members for Exeter (Mr Bradshaw) and for Dulwich and West Norwood (Dame Tessa Jowell)—spoke in the debate. The right hon. Lady said that the figures perhaps did not give the full picture of how London and the regions are interdependent. The right hon. Gentleman asked the current Secretary of State for Culture, Media and Sport to speak to local government. I am sure he will be pleased to know that my right hon. Friend will speak to the Local Government Association, and she will, no doubt, make it plain how important it is that local authorities continue to support the arts.

We have heard my hon. Friend the Member for Suffolk Coastal (Dr Coffey) talk about Aldeburgh, the hon. Member for Plymouth, Moor View (Alison Seabeck) talk about the Plymouth theatre and my right hon. Friend the Member for Uxbridge and South Ruislip (Sir John Randall) talk about the power of art to transform political debate. The hon. Member for Blackpool South (Mr Marsden) did not mention the £3 million that is coming to Blackpool and Wyre from the Arts Council’s creative people and places fund. My hon. Friend the Member for Harrow East (Bob Blackman) talked about the importance of the arts and the right hon. Member for Newcastle upon Tyne East (Mr Brown), perhaps the greatest culture Minister we never had, talked about the Sage Gateshead. The hon. Member for Bristol East (Kerry McCarthy), who won the seat that I contested in 1997—I turned a 5,000 Labour majority into a 17,000 Labour majority—does not need to tell me about the thriving arts scene in Bristol.

We can trade statistics back and forth, but it is my understanding that 70% of lottery funding goes outside London or to projects that benefit the whole nation. That percentage has increased from 60% before the coalition came into power. It is important to note that the first act of the coalition was to increase the proportion of lottery funding going each to the arts and to heritage from 16% to 20%.

Paul Blomfield Portrait Paul Blomfield
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Simply to correct the Minister on his numbers, in 2009-10—the last year of the previous Government—the lottery spend outside London was 76.3%. It has fallen in 2012-13 to 68.4%.

Lord Vaizey of Didcot Portrait Mr Vaizey
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My briefing from the Arts Council says the opposite: that it is 70% now and was on average 60% under the previous Government. We can trade statistics, but lottery funding has increased and additional funds are available: £45 million for the strategic touring programme, which helps organisations tour outside of London; £37 million in the creative people and places fund, which was specifically set up by the Arts Council to support the arts where they are not well represented in certain regions; and £15 million to support 6,500 apprenticeship places, many of which will be outside London. There is also the £171 million that I secured with the Secretary of State for Education for music hubs. For 2015-16 alone, the Arts Council will have something like £570 million to invest in the arts up and down the country.

It is important, however, to understand why in the pure statistics it looks like London is getting a disproportionate share of the funding. The national museums are based in London, but the Victoria and Albert Museum is opening a multimillion pound extension in Dundee and it works with Sheffield galleries, as I know from my visits. The British Museum only this week sent me a wonderful publication detailing all the work it does across the country with other organisations. Plus Tate works with 26 contemporary art museums in the UK. The Science Museum has homes in York, Bradford and Manchester. The Royal Armouries is based in Leeds. The Imperial War Museum has bases in Duxford and Salford, as well as in London. There are also organisations that tour, such as the English National Ballet. I spoke to the director-designate of the National Theatre, Rufus Norris, about his ambitious plans to support theatre and produce productions outside London and bring them into the National Theatre. That will no doubt be helped by the Chancellor’s generous decision to create a tax break for theatre specifically to support productions outside London.

The list goes on and I could go on and on, but I want to list some of the places that I have visited as culture Minister. I went to Durham to view the Lindisfarne gospels and saw the huge impact the exhibition had on the city. I have visited the Turner Contemporary, which has already welcomed 1 million visitors, the Hepworth Wakefield, Nottingham Contemporary, Sage Gateshead and Bristol Old Vic, which is one of the foremost advocates of arts policy in the country.